ENGLISH SCHOOLAESTHETIC MOVEMENT ROSEWOOD FIRE SCREEN, CIRCA 1880 with curved uprights enclosing a pierced frieze above a rectangular glazed panel of embroidered Meiji period silk fabric depicting cranes in a landscape, surmounting a further pierced geometric frieze on domed curved legs73cm wide, 124.5cm high, 23.5cm deepNote: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
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DANIEL COTTIER (1838–1891)AESTHETIC MOVEMENT STAINED, PAINTED AND LEADED GLASS PANEL, CIRCA 1870 depicting a mother and child, reserved on a foliate ground within multiple borders, bears inscription CARITAS (Virtue)39cm x 33.5cmLiterature: Auction catalogue: 'The Artistic Property of the Well-Known House of Cottier and Company, New York. (New York: American Art Galleries, November 19-26, 1913, lot 889)Note: See lot 131 for note.With thanks to Max Donnelly, Curator of Nineteenth-Century Furniture in the Department of Furniture at the V&A, for his assistance in cataloguing this lot.
GLASGOW SCHOOL, ATTRIBUTED TO JOHN NISBET (1868-1951)ART NOUVEAU OAK DOOR, CIRCA 1900 with later central clear glass panel enclosed by carved stylised leaf apertures with coloured glass inserts above plain panels and fitted with opposed and embossed copper door plates226cm x 96cmLiterature: The Studio Yearbook, 1906, page 136 where similar doors are illustratedNote: The design of the present oak door and design of the preceding lot demonstrate similarities to doors designed by the architect John Nisbet for 'Kelmscott', built for Sir John McTaggart, a Glasgow property developer and builder, in 1900. The house is now a Grade B listed building and retains many of its original features, including an impressive installation of stained glass by Oscar Paterson who also designed stained glass for the doors. Nisbet, a long-time collaborator with Mactaggart, had been a student and classmate of Charles Rennie Mackintosh at Glasgow School of Art. For this commission he incorporated Scots Baronial and English Queen Anne elements in his design, and the house was decorated and furnished with pieces from the leading Arts & Crafts designers and artists of the day, including Frank Brangwyn, from whom Mactaggart is said to have commissioned two paintings. Nisbet was McTaggart's principal architect and together they were instrumental in the residential development of Glasgow's West End, where no less than 300 tenements were built by his company at the end of the 19th and the first half of the 20th century.Further evidence has come to light that this door (and by extension the door in lot 263) have been used in buildings designed by other Glasgow architects including the celebrated architect James Salmon (1874-1924) (or his firm Salmon, Son & Gillespie) in a house interior at 12 University Avenue, built around 1900 and now part of a run of general University of Glasgow buildings (see illustration of a door very similar to this lot in situ at University Avenue with original glass). Like 'Kelmscott' the building also was fitted out with stained glass by Oscar Paterson.
ROYAL SCHOOL OF NEEDLEWORKEMBROIDERED AND APPLIQUÉ PANEL, DATED 1957 worked with coloured material and threads on a printed and patterned ground with a cornucopia issuing leaves, bears inscription verso ROYAL SCHOOL OF NEEDLEWORK/ THREE YEAR DIPLOMA 1957/ MEH, within original frame44cm x 55cm
MANCHESTER SCHOOL OF ART (STUDENT OF)FAIRY PROCESSION, A LARGE EMBROIDERED AND APPLIQUÉ PANEL, CIRCA 1920 worked in coloured silks and fabrics with a procession of fairies in a landscape within a Celtic inspired border, framed and glazed in original oak frame87cm x 127cmNote: Illustrated in the Manchester Guardian, circa 1922
ARTHUR GASKIN (1862-1928)'THE PRINCE AND THE ROSE BUSH', EMBROIDERED PANEL WITH PRINTED DESIGN, CIRCA 1900 the EMBROIDERED PANEL, possibly worked by Georgie Gaskin in coloured silks on an unbleached linen ground, the whole within a hessian covered frame, 57cm x 41cm; together with ASSOCIATED ORIGINAL PUBLISHED DESIGN, print, within a later mount, framed and glazed and bearing inscription HOME ART WORK/ VOL XV/ PART LXIV/ APRIL 1898/ COPYRIGHT/ THE PRINCE AND THE ROSE BUSH/ DESIGNED FOR NEEDLEWORK BY A.C. GASKIN/ DIRECTOR OF THE BIRMINGHAM MUNICIPAL SCHOOL OF ART/ JOHN HEYWOOD (PUBLISHER) LONDON E.C., 56.5cm x 41cm (2)
ATTRIBUTED TO WIENER WERKSTÄTTESECESSIONIST LACE PANEL, CIRCA 1905 depicting dancers and musicians, mounted on a fabric panel, framed and glazed30cm x 43cmNote: Founded in 1903 by Josef Hoffmann and Koloman Moser, the Wiener Werkstätte brought together a progressive group of visual artists in Vienna who were pioneers in modern design, working in ceramics, fashion, silver, furniture and the graphic arts. 1909 and 1910 saw the introduction of the fashion and textile departments; hand-printed silks in particular became a speciality for the Werkstätte, who's impressive output is thought to amount to 18,000 designs by over 80 artists - an indication of the department's huge success. Dagobert Peche had a particular skill for producing laceworks: typically depicting visions of fantasy, these delicate pieces are admired as works of true beauty and craftsmanship.
CHRISTOPHER DRESSER (1834-1904) FOR J.W. & C. WARD, HALIFAXAESTHETIC MOVEMENT SILK AND WOOL FABRIC PANEL, CIRCA 1873 woven as a repeat pattern of floral and foliate bands, framed and glazed63cm x 118cmLiterature: Whiteway, Michael (ed.) 'Christopher Dresser: A Design Revolution', V&A 2004, p. 75, no. 84
JAMES LAMB, MANCHESTERAESTHETIC MOVEMENT EBONISED AND COROMANDEL INLAID MUSIC CABINET, CIRCA 1880 the superstructure with spindle and mirrored back with reeded fretwork supports and carved fan shaped brackets, above two panelled doors, each with foliate carved panel, enclosing a fitted interior with adjustable sliding shelves above velvet-lined dividers, the whole raised on reeded square feet53cm wide, 134cm high, 36.5cm deep
Late Victorian Sheraton Revival marquetry inlaid rosewood chiffonier, the raised bevelled mirror panel back with a swan neck pediment, galleried shelf supported by slender pillars, the base with two central cupboard doors flanked by open shelves, standing on front turned supports united by a platform Condition:
A replica French Napoleonic Pattern Light Cavalry Sabre. Heavy brass stirrup guard. Leather covered wire bound grip. 85cm long curved single edged blade bearing Klingenthal markings to spine of blade and inspector’s markings to the fuller. Brass mounted scabbard with two suspension rings with steel drag and central leather panel. Overall length 105cm.

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