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Lot 152

ENGLISH SCHOOLAESTHETIC MOVEMENT ROSEWOOD FIRE SCREEN, CIRCA 1880 with curved uprights enclosing a pierced frieze above a rectangular glazed panel of embroidered Meiji period silk fabric depicting cranes in a landscape, surmounting a further pierced geometric frieze on domed curved legs73cm wide, 124.5cm high, 23.5cm deepNote: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/

Lot 133

DANIEL COTTIER (1838–1891)AESTHETIC MOVEMENT STAINED, PAINTED AND LEADED GLASS PANEL, CIRCA 1870 depicting a mother and child, reserved on a foliate ground within multiple borders, bears inscription CARITAS (Virtue)39cm x 33.5cmLiterature: Auction catalogue: 'The Artistic Property of the Well-Known House of Cottier and Company, New York. (New York: American Art Galleries, November 19-26, 1913, lot 889)Note: See lot 131 for note.With thanks to Max Donnelly, Curator of Nineteenth-Century Furniture in the Department of Furniture at the V&A, for his assistance in cataloguing this lot.

Lot 396

ARTS & CRAFTS, POSSIBLY BIRMINGHAM SCHOOL OF ARTEMBROIDERED WOOLWORK PANEL, CIRCA 1920 worked in coloured wools with the figures of two deer in a garden setting, reserved on an unbleached linen ground, framed and glazed50cm x 119cm

Lot 263

GLASGOW SCHOOL, ATTRIBUTED TO JOHN NISBET (1868-1951)ART NOUVEAU OAK DOOR, CIRCA 1900 with later central clear glass panel enclosed by carved stylised leaf apertures with coloured glass inserts above plain panels and fitted with opposed and embossed copper door plates226cm x 96cmLiterature: The Studio Yearbook, 1906, page 136 where similar doors are illustratedNote: The design of the present oak door and design of the preceding lot demonstrate similarities to doors designed by the architect John Nisbet for 'Kelmscott', built for Sir John McTaggart, a Glasgow property developer and builder, in 1900. The house is now a Grade B listed building and retains many of its original features, including an impressive installation of stained glass by Oscar Paterson who also designed stained glass for the doors. Nisbet, a long-time collaborator with Mactaggart, had been a student and classmate of Charles Rennie Mackintosh at Glasgow School of Art. For this commission he incorporated Scots Baronial and English Queen Anne elements in his design, and the house was decorated and furnished with pieces from the leading Arts & Crafts designers and artists of the day, including Frank Brangwyn, from whom Mactaggart is said to have commissioned two paintings. Nisbet was McTaggart's principal architect and together they were instrumental in the residential development of Glasgow's West End, where no less than 300 tenements were built by his company at the end of the 19th and the first half of the 20th century.Further evidence has come to light that this door (and by extension the door in lot 263) have been used in buildings designed by other Glasgow architects including the celebrated architect James Salmon (1874-1924) (or his firm Salmon, Son & Gillespie) in a house interior at 12 University Avenue, built around 1900 and now part of a run of general University of Glasgow buildings (see illustration of a door very similar to this lot in situ at University Avenue with original glass). Like 'Kelmscott' the building also was fitted out with stained glass by Oscar Paterson.

Lot 412

ROYAL SCHOOL OF NEEDLEWORKEMBROIDERED AND APPLIQUÉ PANEL, DATED 1957 worked with coloured material and threads on a printed and patterned ground with a cornucopia issuing leaves, bears inscription verso ROYAL SCHOOL OF NEEDLEWORK/ THREE YEAR DIPLOMA 1957/ MEH, within original frame44cm x 55cm

Lot 300

ENGLISH SCHOOLGREAT EXHIBITION PRINTED COTTON SOUVENIR PANEL, CIRCA 1851 printed black on white cotton and bearing inscription EXHIBITION OF THE WORKS OF ALL NATIONS, 1851, framed54.5cm x 73cm

Lot 418

ENGLISH SCHOOLEMBROIDERED AND APPLIQUÉ PANEL, CIRCA 1960 worked in coloured threads and fabrics and depicting the Virgin and Child, framed and glazed56cm x 36cm

Lot 411

ATTRIBUTED TO ASCHER LTD., LONDONRARE MODERNIST SCREEN PRINTED RAYON SATIN PANEL, CIRCA 1940 with repeat still-life pattern, reserved on a black ground, framed90cm x 122.5cm

Lot 395

MANCHESTER SCHOOL OF ART (STUDENT OF)FAIRY PROCESSION, A LARGE EMBROIDERED AND APPLIQUÉ PANEL, CIRCA 1920 worked in coloured silks and fabrics with a procession of fairies in a landscape within a Celtic inspired border, framed and glazed in original oak frame87cm x 127cmNote: Illustrated in the Manchester Guardian, circa 1922

Lot 187

WILLIAM MORRIS (1834-1896) FOR MORRIS & CO.'SUNFLOWER' FRAMED WALLPAPER PANEL, 1879 red colourway, manufactured and printed by Jeffrey & Co., bears maker's marks MORRIS & CO., framed and glazed55cm x 108cm

Lot 379

ARTHUR GASKIN (1862-1928)'THE PRINCE AND THE ROSE BUSH', EMBROIDERED PANEL WITH PRINTED DESIGN, CIRCA 1900 the EMBROIDERED PANEL, possibly worked by Georgie Gaskin in coloured silks on an unbleached linen ground, the whole within a hessian covered frame, 57cm x 41cm; together with ASSOCIATED ORIGINAL PUBLISHED DESIGN, print, within a later mount, framed and glazed and bearing inscription HOME ART WORK/ VOL XV/ PART LXIV/ APRIL 1898/ COPYRIGHT/ THE PRINCE AND THE ROSE BUSH/ DESIGNED FOR NEEDLEWORK BY A.C. GASKIN/ DIRECTOR OF THE BIRMINGHAM MUNICIPAL SCHOOL OF ART/ JOHN HEYWOOD (PUBLISHER) LONDON E.C., 56.5cm x 41cm (2)

Lot 354

ATTRIBUTED TO WIENER WERKSTÄTTESECESSIONIST LACE PANEL, CIRCA 1905 depicting dancers and musicians, mounted on a fabric panel, framed and glazed30cm x 43cmNote: Founded in 1903 by Josef Hoffmann and Koloman Moser, the Wiener Werkstätte brought together a progressive group of visual artists in Vienna who were pioneers in modern design, working in ceramics, fashion, silver, furniture and the graphic arts. 1909 and 1910 saw the introduction of the fashion and textile departments; hand-printed silks in particular became a speciality for the Werkstätte, who's impressive output is thought to amount to 18,000 designs by over 80 artists - an indication of the department's huge success. Dagobert Peche had a particular skill for producing laceworks: typically depicting visions of fantasy, these delicate pieces are admired as works of true beauty and craftsmanship.

Lot 364

ARTS & CRAFTSFITTED AND EMBROIDERED LINEN BEDSPREAD, CIRCA 1910 worked in coloured silks with panels of stylised flowering roses within lace borders and further fitted linen bordercentral panel 175cm x 202, total 258cm x 286cm

Lot 318

CHRISTOPHER DRESSER (1834-1904) FOR J.W. & C. WARD, HALIFAXAESTHETIC MOVEMENT SILK AND WOOL FABRIC PANEL, CIRCA 1873 woven as a repeat pattern of floral and foliate bands, framed and glazed63cm x 118cmLiterature: Whiteway, Michael (ed.) 'Christopher Dresser: A Design Revolution', V&A 2004, p. 75, no. 84

Lot 89

JAMES LAMB, MANCHESTERAESTHETIC MOVEMENT EBONISED AND COROMANDEL INLAID MUSIC CABINET, CIRCA 1880 the superstructure with spindle and mirrored back with reeded fretwork supports and carved fan shaped brackets, above two panelled doors, each with foliate carved panel, enclosing a fitted interior with adjustable sliding shelves above velvet-lined dividers, the whole raised on reeded square feet53cm wide, 134cm high, 36.5cm deep

Lot 370

ATTRIBUTED TO ARCHIBALD KNOX (1864-1933) FOR THE SILVER STUDIOSLARGE COTTON VELVET PANEL, CIRCA 1900 comprising conjoined panels, the design a repeating pattern of stylised whiplash foliage with flowering roses and honesty, reserved on a crimson ground232cm x 199cm

Lot 90

LARGE FINE TONGAN BARK CLOTH stencilled with vegetable & mineral dyes of black & red ochre, divided by foliate & geometric bands into rectangular panels, each panel with stylised Frigate birds & some with calligraphic diagonal bands, 360cm x 72cm

Lot 66

ANCIENT EGYPTIAN FAIENCE USHABTI FIGURE with painted detail and hieroglyphic panel and another, 13cm max. Provenance: The Peter Newall Collection

Lot 457

Unmarked white metal and eleven diamond panel ring set large central stone between two smaller within a border of small stones, total estimated diamond weight 0.9 carats, 3g gross approx, size M 1/2 Condition:

Lot 250

Late Victorian Sheraton Revival marquetry inlaid rosewood chiffonier, the raised bevelled mirror panel back with a swan neck pediment, galleried shelf supported by slender pillars, the base with two central cupboard doors flanked by open shelves, standing on front turned supports united by a platform Condition:

Lot 128

Early 20th Century oak three-panel coffer in the 16th Century taste, with planked moulded top over three 'linen fold' panels between panelled sides Condition:

Lot 462

18ct gold signet ring, 3.5g approx, size P, together with a 9ct gold wedding band of octagonal panel design, 3g approx, size P 1/2, (2) Condition:

Lot 272

18th Century oak coffer having a shallow carved triple panel front Condition:

Lot 3

An Edwardian and later diamond brooch, the later 18ct white gold double hoop mount with a panel of nine old cut stones, 4.4g central stone has a chip to one of the facets

Lot 17

A vintage Chinese jade and white metal ring, together with a green hardstone band ring (2)The carved hardstone band ring is not jade. The carved panel ring size 16mm x 12mm x 2mm thick, ring size L

Lot 297

A small collection of 19th Century jewels, including a micro mosaic oval floral plaque, an enamel oval panel with painted scene of Montreux, a pair of pietra dura earrings (af), a pair of lava cameo ovals and other items

Lot 98

An Art Deco and later bangle and earrings set, white metal curved earrings with three bands of blue sapphires and two rows of brilliant cuts, the bangle having similar panel on a gold oval hinged plain bangle, 13g (3)

Lot 110

A yellow metal medical identity bracelet, 9.8g, marked 10k, marked Megan Claxton Taking Warfarin under panel

Lot 108

A late 19th Century Chinese jade brooch, the oval carved and pierced light coloured hardstone panel with a bird amongst scrolling foliage, 5.8cm high and 22.5g, with a gold pin applied to reverseNo chips or cracks, in general good condition,

Lot 127

1 INDIAN INLAID WOOD FIGURE PANEL

Lot 252

DANIEL SZEBERENYI SZD OIL PAINTING ON PANEL CONTINENTAL STREET SCENE 29CMX39CM

Lot 385

Lunn (19th century), river landscape view of a hay barge moored beside a shoreline, oil on panel, signed and dated 1881?, 13cm by 23cm

Lot 509

A George III style mahogany linen press with two panel doors enclosing four shelves, the base with two short over two long drawers, on bracket feet, 129cm

Lot 550

A Victorian flame mahogany secretaire bookcase, with carved frieze above two panel glazed doors enclosing two shelves, the lower section with fitted drawer and cupboard, on turned feet, 72cm

Lot 532

A George III mahogany bureau bookcase with associated line inlaid panel glazed top with two doors enclosing three shelves, above fall (a/f), and four drawers, on bracket feet, 111cm

Lot 504

An Edwardian mahogany bow front cabinet, with glazed panel door enclosing shelf, above three drawers, on curved feet, 52.5cm

Lot 479

A Victorian inlaid walnut side table, rectangular cut corner top with central scroll panel, on four column pedestal base and splayed legs, 81cm

Lot 514

A George III inlaid bureau bookcase with associated panel glazed top with two doors enclosing three shelves, on inlaid flame mahogany fall, four drawers and bracket feet, 96cm

Lot 229

A 1960's Chad Valley motorized Girder & Panel and Bridge & Roadways building set, No 8. The Constructioneer (a/f)

Lot 4385

A William and Mary joined oak backstool, the back with a carved crest rail, turned uprights and central panel, padded seat, standing on turned legs to front, with square stretchers, 132cm high

Lot 1276

Royal Crown Derby "Green Derby Panel" part tea and coffee set, including teapot, coffee pot, cups, cans, saucers, plates, cake plates etc (one box)

Lot 2255

An 18th Century oak candle box with crossbanded ad inlaid panel to the front and crossbanded drawer to the base

Lot 2329

A replica French Napoleonic Pattern Light Cavalry Sabre. Heavy brass stirrup guard. Leather covered wire bound grip. 85cm long curved single edged blade bearing Klingenthal markings to spine of blade and inspector’s markings to the fuller. Brass mounted scabbard with two suspension rings with steel drag and central leather panel. Overall length 105cm.

Lot 1100

A large urn with twin handles (with dragon) a hand painted seascape panel, dark green ground with gilding, British (A/F)

Lot 4257

An early 19th Century rosewood pole screen, woolwork panel, turned and reeded column, standing on a concave triform base, rosewood veneered base, 135cm high

Lot 1019A

A Royal Worcester Hand Painted Prince Regent 'Hancock Panelled Vase and Cover' Cobalt Blue and white ground . Each panel painted with flowers Number 215 of a Limited Edition of 250Date 1997Size 42cm high including coverCondition; Very good No damage or restoration

Lot 4219

A Georgian style mahogany framed mirror, broken pediment above gilt carved rocaille panel, mirrored panel within raised border, 130 cm high

Lot 2085

A large Continental machine made tapestry panel depicting village scene with figures

Lot 48

Antique 15ct gold circular target brooch with floral decoration and picture panel to back 9.5g inc

Lot 666

Arts and Crafts caddy spoon with MOP panel to bowl 3" over handle, apparently unmarked

Lot 697h

UNUSUAL VICTORIAN PEPPERETTE in a form of a lantern. Having a glazed panel and simulated candle to interior 2.5" high. Lon. 1881

Lot 423

Victorian gold and enamel brooch with feather and pearl panel to centre

Lot 2034

WWII Instrument panel believed to have come from a Spitfire, fitted with original instruments some dated 43-44. Glass damaged on Turn and Slip Indicator.Provenance: Gifted to the vendor's father by a Polish Airman at the end of the War.

Lot 14

the turned mahogany frame with upholstered back panel

Lot 482

the shaped top above an inlaid frieze with ormolu mounts, resting on an inlaid panel door, flanked to each side by glazed and bowed doors, opening to reveal a fitted interior, all resting on a carved cartouche plinth based with ormolu mounts, 187 cm wide

Lot 496

the carved back with upholstered centre panel raised above an upholstered drop in seat on turned supports with stretcher rails

Lot 390

the carved panel back raised above a plain inverted breakfront top supported by frieze drawers above cupboards with moulded panel doors on plinth base, all raised on bun feet, 170 cm wide

Lot 58

the upper section enclosed by pair of panel doors opening to reveal a shelved interior seated on a chest of two short and two long drawers on bracket feet, 130 cm wide

Lot 400

of rectangular form the drop front secretaire drawer resting on pair panel doors, all raised on bracket feet, 109 cm wide

Lot 166

in the traditional taste, the shaped lid opening to reveal a white porcelain basin seated on a panel door cabinet

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