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A 19th Century French gilt metal posy holder of tapering trefoil form, each side applied with stylized flowerhead panels set with three citrines alternating with three blue pastes, above an oval porcelain plaque painted with the head and shoulders portrait of a young girl, flanked by two circular blue glass cabochons above three cabochon amethysts, on a mother-of-pearl handle fitted with a fan shaped aide-mémoire, the front decorated with an oval enamelled panel, painted with flowers against a blue ground, length of posy holder approx 16cm.
A Berlin porcelain cabinet cup and saucer, 19th Century, the blue ground body with gilt rim, the cup reserved with an oval panel painted with a head and shoulders portrait of a young girl, underglaze blue sceptre mark to bases, together with a Paris porcelain cabinet cup and saucer painted with a harbour scene against a terracotta ground.
A T.R. Boote brown printed tile, late 19th Century, the central panel depicting children in Victorian dress within aesthetic panel borders after designs by Kate Greenaway, brown printed diamond registration lozenge to reverse, together with a group of assorted tiles including a foliate printed example by Maw and three tiles from the old testament series by Moyr Smith (some faults).
A pair of Sèvres style gilt metal mounted jardinières, late 19th Century, each turquoise ground U-shaped body painted to each side with a couple in a landscape setting within gilt framing enriched with white jewels, to each reverse a floral panel, flanked by gilt metal lion mask and ring handles, on circular gilt metal bases and acanthus scroll feet, pseudo blue painted Sèvres marks to bases, height approx 24.5cm (one with restoration).
A late Victorian burr walnut and gilt metal mounted credenza, inlaid with anthemion sprays and crossbanded borders, the breakfront fitted with a central cupboard door inset with a painted Sèvres style porcelain panel, flanked by turned columns and a pair of bowed glass cabinets, raised on a plinth base, width approx 153cm.
A large Edwardian mahogany and satinwood crossbanded bedroom unit, the dentil moulded pediment above a washstand section with mirrored back panel flanked by a press cupboard and a bowfront chest of two short and three long drawers, each end fitted with a mirrored door and raised on a plinth base, height approx 432cm, width approx 229cm.
A mid-19th Century French tortoiseshell and silk brisé fan, the central shaped panel painted after Lancret with children wearing 18th Century costume seated by a stone fountain, flanked by two oval panels of flaming torches within gilt and sequin borders, the tortoiseshell sticks and guards with gilt floral detail, length approx 24.5cm, together with an Italian mother-of-pearl painted silk fan, decorated with dancing figures and a Nubian female musician, and another mother-of-pearl and silk fan (faults).
A ladies diamond set and enamel fob watch, dial marked Lacloche Freres, Paris, the round dial surrounded by the blue guilloché enamel bezel, worn facing the reverse, the front as an octagonal blue guilloché enamel panel set centrally with a diamond set floral motif, the panel surrounded by a diamond set band with an outer gallery of wider spaced and alternate larger diamonds, one of which is the winding button, the whole suspended on a diamond set loop, to a screw opening diamond set jump ring below a diamond set stylised bow brooch.
A Japanese ivory shoe horn, the handle carved in low relief with the head of a lion, 5¾"; a set of twelve Japanese ivory buttons, in two sizes, each carved and stained with monkey faces; an ivory pendant mirror, carved to the back with the head of a tiger, 2"; a cinnabar and base metal two part belt buckle, 1½", another similar panel; a bone bracelet, composed of nine oblong panels, painted with various figures, singing birds and flowers; an ivory heart; a carved bone necklace and a miniature ivory shaker. (9)
A bodkin with engraved decoration, a colourless paste set rectangular panel shaped brooch, an 1887 shilling mounted as a pendant, a silver mounted Ivory bookmarker, the final enameled as a bird, a silver and tortoiseshell lidded trinket box, London 1909, a steel and mother of pearl folding pocket knife, a plated rectangular vesta case, with banded decoration, a silver rectangular vesta case, with engraved decoration, Birmingham 1896, a large nail buffer and six silver coffee spoons, formed from East India Company quarter rupees and with spiral stems.
A single row branch coral necklace, a graduated ivory bead necklace, a circular colourless paste set brooch, a paste set pendant cross, a stick pin, a filigree hair pin in a floral design, a pair of seed pearl, ruby and red gem set earclips in a floral design, a pair of gilt metal earclips, a chevron shaped ring, a Chinese carved rectangular mother of pearl panel shaped brooch and three necklaces.
A turquoise matrix necklace, on a snap clasp, a turquoise matrix three stone pendant necklace, a pair of turquoise matrix oval earstuds, a turquoise triple panel shaped bracelet, a collar necklace in an Eastern design, seven pairs of earrings and a quantity of costume jewellery, including; a bracelet with five leopard charms, brooches, a bookmarker and sundry.
Manner of David Teniers, Peasants playing cards, oil on panel, 16.5cm x 22cm.; together with a study of figures in 18th century dress by another hand. (2) The panel the main part of this lot is painted on is reputed to be a relic of the Royal George, which went down on August 29th 1762, taken from the deck.

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