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Lot 947
•JAMES HARRIGAN (SCOTTISH B. 1937) THE OPEN GATE Oil on panel board, signed, 49 x 59cm (19 1/4 x 23 1/4") Inscribed with title on The Macaulay Gallery label verso Condition Report: On close inspection there is a light vertical line within the lower right quarter section but this does not appear to be invasive to the pigment. The painting is in good condition with no significant issues.
Lot 174
A good Worcester bough pot, circa 1757-58Painted in the manner of I Rogers, of exuberant rococo form, the high scrolled back pierced with two holes, the fixed cover with one large and twenty smaller holes, the lobed sides moulded with three panels, painted with two colourful birds perched on a rustic fence, numerous and varied birds in flight above and filling each side panel, the scrollwork picked out in puce, 22cm wideFootnotes:A related bough pot was sold by Bonhams on 13 September 2006, lot 144. Each example has remarkably similar panels, one painted in blue and the present lot in delicate yet vibrant colours. The distinctive painting style can be seen on the celebrated mug in the British Museum signed 'I Rogers Pinxit 1757' under the base (acc. no. 1959,1103.1). It is clear that there are a number of hands at work in this style of painting at Worcester, see John Sandon, The Dictionary of Worcester Porcelain (1993), pp.290 and 292, col. pl.70 for a discussion of pieces attributed to I Rogers and the 'Mobbing birds' pattern.For further information on this lot please visit Bonhams.com
Lot 21
Three Bohemian engraved goblets and a Lithyalin beaker, 19th centuryComprising a pair of goblets overlaid in translucent blue and cut with three oval panels variously depicting deer in woodland and a hunting dog, the third panel on each with the initials 'W.J.S.' within a chaplet of vines, 16.5cm high, a ruby-stained goblet of campana shape engraved with rococo scrollwork and landscape vignettes, 19cm high, and a faceted beaker marbled in tones of blue and green, 12.2cm high (4)Footnotes:ProvenanceProperty of the late Eveline NewgasFor further information on this lot please visit Bonhams.com
Lot 215
An early Lowestoft sauceboat and a corresponding waster, circa 1758-60Of fluted oval shape with a scrolled handle, the deep foot moulded with scrollwork, the sides with scroll-moulded panels picked out in blue and flanked by foliate branches, a narrower panel below the pronounced spout, each panel painted with Chinese river scenes including a figure crossing a bridge and another fishing, the interior with flowers, 17cm long, indistinct painter's numeral inside footrim, together with a factory waster with the same moulding (2)Footnotes:ProvenanceGodden Reference Collection, Bonhams sale, 30 June 2010, lot 121Illustrated by Christopher Spencer, Early Lowestoft (1981), p.108, pl.134 and by Geoffrey Godden, Lowestoft Porcelains (1985), p.55, pl.38. A similar but slightly smaller example with a more elaborate handle is illustrated by Godden (1985) at pl.37 alongside the waster accompanying the present lot.For further information on this lot please visit Bonhams.com
Lot 225
A rare Lowestoft milk jug, circa 1765Of baluster form with a sparrow beak spout, the scrolled handle with a thumbrest, an irregular lobed panel painted in blue with a chinoiserie riverscape to both sides, a smaller circular panel with a floral sprig to the front, all reserved on a deep powder blue ground, 8.3cm highFootnotes:Illustrated by Geoffrey Godden, English Blue and White Porcelain (2004), p.295, pl.364. A similarly decorated coffee cup and saucer from the Liane Richards Collection was sold by Bonhams on 13 April 2016, lot 187. See Godden, Lowestoft Porcelains (1985), p.86, pl.88 for a jug with the same unusual handle form but with a central knop in addition to the thumbrest.For further information on this lot please visit Bonhams.com
Lot 227
A rare Lowestoft creamboat, circa 1770Crisply moulded in relief with a panel of sheep and their lambs, the reverse with cattle, reserved on a moulded basketweave ground, the scrolled borders and foliate foot picked out in blue, the interior with flower sprigs below a thin line border, 10.1cm long, indistinct painter's numeral inside footrimFootnotes:The moulded scenes on this creamboat are particularly crisp and lovely, left in the white but framed by the sparse blue highlights around the cartouche and foot to great effect. A similar example from The E D Levine Collection is illustrated by Geoffrey Godden, Lowestoft Porcelains (1985), p.115, pl.138 and discussed at p.201. See also Bernard Watney, English Blue and White Porcelain (1973), fig.79B. The model relates to a slightly larger version produced at Bow, see the example sold by Bonhams on 21 May 2014, lot 83.For further information on this lot please visit Bonhams.com
Lot 230
A Lowestoft teapot and cover, circa 1765Of Hughes type and globular form, moulded to both sides with circular panels edged with flowers, leaves and scrolls incorporating the moulded initials 'I.H.' and the date '1761', painted in blue with Chinese river landscapes, one with a naïve bridge, the other with a boat sailing between two islands, a geometric border around the shoulder and to the rim of the cover, 14cm high, (2)Footnotes:ProvenanceGeoffrey Godden Collection, Bonhams sale, 30 June 2010, lot 133Illustrated by Geoffrey Godden, English Blue and White Porcelain (2004), p.281, pl.343. Another similar teapot is illustrated by Godden, Lowestoft Porcelains (1985), p.75, pl.75. The plain loop handle and straight spout dates both pots closer to 1764-65 when the moulds incorporating '1761' where seemingly still being used at the factory. The geometric border design too is characteristic of the 1764 productions and is discussed on pp.59-62. The panel of a boat between two islands can be seen on an earlier moulded teapot and cover, circa 1759-60, illustrated by Christopher Spencer, Early Lowestoft (1981), p.124, figs.168-70. A teapot in the Fitzwilliam Museum, almost identical to the current lot but with a flower finial, is illustrated by Bernard Watney, English Blue and White Porcelain (1973), pl.75B.For further information on this lot please visit Bonhams.com
Lot 262
A fine Kerr and Binns or Royal Worcester vase by Thomas Bott, circa 1857-68The gilding probably by Josiah Davis, of 'Raphael' shape with raised scroll handles, richly glazed in deep blue, the front panel finely painted in Limoges enamel style with a titled profile portrait of the Roman Emperor 'AUGUSTUS' in classical dress wearing a laurel wreath in his hair, within an elaborate gilt laurel cartouche, the reverse in tooled gilding with an eagle perched on a palm branch and clutching a wreath in one claw, 21.5cm highFootnotes:Thomas Bott (1829-1870) was apprenticed at the Richardson glassworks near Stourbridge and began working for Kerr and Binns in 1853. Here he developed his speciality Limoges-style enamels. Bott frequently collaborated with Josiah Davis to add gilding to his special productions. A garniture of vases of Raphael shape decorated with portraits by Bott was shown in the 1867 Exhibition, see Henry Sandon, Royal Worcester Porcelain (1973), pl.58. Another Raphael vase in similar style is illustrated by Geoffrey Godden, Chamberlain-Worcester Porcelain (1992), p.171, fig.216.For further information on this lot please visit Bonhams.com
Lot 267
A fine Royal Crown Derby vase and cover by Désiré Leroy, dated 1899Of oval section with high scroll handles, reserved with a panel delicately painted with musical trophies and flowers edged with raised and tooled gold with turquoise jewelling, signed 'Leroy', reserved on a deep blue ground, the rim and finial enriched with turquoise borders, the elaborate classical moulding on the foot, shoulder, handles and cover richly gilded, 16cm wide, printed factory marks, incised shape number 1114 (2)For further information on this lot please visit Bonhams.com
Lot 274
A fine Royal Worcester vase by William Hawkins, dated 1917Of baluster form, the scrolled handles hung with laurel swags, the moulded borders left in the white and highlighted in gold against the pink ground, finely painted with a gilt-edged oval still life panel of fruit, flowers and a Kraak porcelain dish arranged on a stone shelf, signed 'W A HAWKINS', the reverse with a stylised gilt wreath, the pedestal base with unusual textured gilding, 29.5cm high, puce mark, shape number 2485For further information on this lot please visit Bonhams.com
Lot 275
A Royal Worcester vase by Richard Sebright, dated 1909Of classical form with scrolled handles, the moulded borders picked out in gold, painted with a panel of fruit and blossom within an elaborate raised gilt scroll border, signed 'R. SEBRIGHT', the reverse with a gilt flower spray, all reserved on an apple-green ground, gilt festoons below the inside rim, 18.2cm high, green mark, shape number 2058For further information on this lot please visit Bonhams.com
Lot 279
A Royal Worcester vase by Harry Davis, dated 1913Of rare and large ovoid form, the moulded borders left in the white and heightened in gold, the bamboo handles issuing gilt fruiting vine at the terminals, painted with a mountainous rural landscape panel, a figure before a river and classical ruins with cattle in the distance, signed 'H. Davis.', the reverse with a gilt laurel wreath, further gilt jewelling at the rims and framing the panel, reserved on a deep pink ground, 32.4cm high, puce mark, shape number 2406For further information on this lot please visit Bonhams.com
Lot 397
A 19th century eight-day longcase clock by V. De Moulpied of Guernsey, the painted square and arched dial with haystack to the arch and shells to the spandrels, painted Roman numerals denoting hours, subsidiary seconds dial and calendar aperture, housed in veneered burr walnut case, with domed top, fielded panel door and pedestal base, on later bun feet, 198cm tall, two weights, pendulum and winder present
Lot 429
19th Century Naive School. Figures in a donkey cart on the old London Road to Portsmouth, near Widley, with the The George public house at Portsdown Hill in the background, signed and indistinctly dated, oil on panel, 29x34cm, glazed and framed, together with Edward Duncan, figures in two Thames Barges, watercolour on paper, 30x45cm, glazed and framed, (2)
Lot 44
A Minton pottery large circular wall charger decorated with a figural river landscape, circa 1862-72, 38cm diam, together with a similar Minton rectangular potter panel depicting figure with horses watering in a river landscape, 30 x 15cm framed and a large pottery charger hand-painted with lilies by T.C. Brown Westhead / Moore & Co (3)
Lot 220
An extensive Royal Crown Derby Green Derby Panel dinner and tea service, comprising large circular plate, large bowl, two oval serving dishes, 13 dinner plates, 2 bowls, 11 dessert plates, 8 side plates, 4 soup bowls, 6 soup stands, 9 dishes, teapot, 8 teacups, 8 saucers, milk jug and sugar bowl, printed marks ,mainly seconds
Lot 283
A square wooden framed tiled tray, four tiles with opposing vistas of pink flowers on pedestal bases, with twin metal handles, 39cm diam, together with a white carved relief panel of three children in gilt carved frame, a gilt framed set of three religious miniatures, oval shaped on a red velvet insert and a reproduction Delft blue and white tile, framed, 13 x 13cm
Lot 134
Two framed vintage Pan book covers of James Bond paperback books, a framed oriental silk panel and three contemporary black and white family portrait photographs in black frames, along with an Arsenal Gunners publican style advertising mirror in oak frame and a signed red Spanish football shirt, along with a 1954 Terence Cuneo print of the 1953 Coronation, an 1888 framed photo of Billikins and his Dinah, a framed colonial military photo, a metal plaque of Broell and an oil on board of a young lady, Location:RWM
Lot 732
Side Arm by The Wilkinson Sword Company London. The massive 71cm bright straight blade with 23cm spear point, etched panel, ‘Manufactured By The Wilkinson Sd. Coy. London’, solid sheet steel hand guard with lapped edges and provision for a sword knot, slab brass ribbed hand grips riveted to the tang. Heavy gauge black leather scabbard with top and bottom brass chapes, the upper with a frog stud, a separate brass ‘diamond’ below the top chape is inscribed ’67’. A sprung release stud at the base of the hand grip, very good condition £200-£300 --- This is an age restricted lot: the successful buyer will be required to either collect in person, or arrange specialist shipping.
Lot 736
A Field Officer’s Telescope. A mid-19th Century Field Officer’s two-drawer brass telescope by Troughton & Simms, London, brass mounted throughout and extending to 420mm, with integrated rear lens cover and leather bound front panel with two strap loops for attachment to uniform, the later partially detached, the first drawer engraved ‘Captn. William Master, 5th Fusileers’, in good working condition £200-£300 --- William Chester Master was commissioned Second Lieutenant in the 5th (Northumberland Fusiliers) Regiment of Foot, by purchase, on 23 April 1839, and was promoted Lieutenant (by purchase) on 26 October 1841, and Captain (by purchase) on 29 December 1846. Proceeding with the Regiment to India he received his Majority on 4 September 1857 and commanded the 5th Fusiliers at the Relief of Lucknow in November 1857, served with it in Outram’s force at the Alumbagh and in all the operations of the succeeding months, and commanded the Regiment at the capture of Lucknow. Promoted Brevet Lieutenant-Colonel on 24 March 1858, Master saw further service throughout the Oude campaign of 1858-59, including the action of Dounderkeira and Buxarghat, and the capture of the fort of Oomrea. Several times Mentioned in Despatches, for his services during the Mutiny he was appointed a Companion of the Order of the Bath. He retired with the rank of Lieutenant-Colonel in March 1863.
Lot 198
A late 18th - early 19th century Sunderland lustre pitcher, panel depicting West View Of The Cast Iron Bridge over the River Wear, H: 19 cm with damages. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)Condition Report: repair to the handle in three places and a chip to the rim.
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