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Lot 276
John Blackburn, British 1932-2022 - Untitled, 1964; oil on panel, signed and dated lower right 'Blackburn 64', 22.8 x 25 cm (ARR) Note: In 1961 Blackburn’s works were exhibited alongside Ben Nicholson, Victor Pasmore and Terry Frost in the John Moores’ Liverpool Biennale, he would go onto exhibit at the Woodstock Gallery the following year, where his art was spotted by the influential art collector and gallerist, Jim Ede, who placed his work in Kettle’s Yard, Cambridge, alongside Peter Lanyon, William Scott and Roger Hilton. Blackburn's popularity resurged in the early 2000s, where galleries such as Osbourne Samuel held exhibitions of his work.
Lot 277
John Blackburn, British 1932-2022 - Untitled, 1964; oil on panel, signed and dated upper left 'Blackburn 64', 23 x 25 cm (ARR) Note: In 1961 Blackburn’s works were exhibited alongside Ben Nicholson, Victor Pasmore and Terry Frost in the John Moores’ Liverpool Biennale, he would go onto exhibit at the Woodstock Gallery the following year, where his art was spotted by the influential art collector and gallerist, Jim Ede, who placed his work in Kettle’s Yard, Cambridge, alongside Peter Lanyon, William Scott and Roger Hilton. Blackburn's popularity resurged in the early 2000s, where galleries such as Osbourne Samuel held exhibitions of his work.
Lot 61
William Samuel Horton, American 1865-1936 - Landscape study; oil on panel, inscribed on the reverse 'Horton L431', 23.5 x 33 cm Provenance: with Christies, South Kensington, Topographical Pictures 24th May 1990, lot 39, illus. p.34 Note: Horton spent a large part of his life living and training in France and England. Having trained along side Whistler, Monet, Degas and Pissarro, Horton developed his own personal style, influenced by the Impressionists. His primary focus was the effects of light on shapes, and he would often paint the same landscape at different times of the day, exploring the variation in light and shadows. Horton would go on to be one of the main members of the American Impressionist movement alongside Mary Cassett and Childe Hassam.
Lot 81
Marcel Delmotte, Belgian 1901-1984 - Portrait of a woman, 1943; oil on panel, signed and dated lower right 'M. DELMOTTE 1943', 122.5 x 91.5 cm (ARR) Note: Delmotte was considered to be a realist painter for the first part of his artistic career, influenced by the models of the Italian Renaissance, as well as Rubens and Ingres. The present portrait is of this early period, where the realism and almost sculptural form of the sitter can be seen. By the 1950s he turned towards a more symbolic style creating compositions with surreal landscapes and futuristic architectures.
Lot 96
Paul Morchain, French 1876-1939 - Thonniers au quai - Matin, Douarnenez; oil on panel, signed lower right 'P. Morchain', titled on the reverse 'Thonniers au quai - Matin, Douarnenez', 45.5 x 54.5 cm Provenance: with Grant Fine Art, Newcastle, Northern Ireland Exhibited: Societaire du Salon d'Automne, Peintre du Ministre de la Marine, Paris, Medalle d'or (according to the inscription on the reverse)
Lot 136
Charles Higgins ('PIC'), Scottish 1893-1980 -Jalousie de Leda, 1947;oil on panel, signed, dated and titled on the reverse 'Pic 1947 Jalousie de Leda', 19.2 x 23 cm (unframed)Provenance: the Estate of the ArtistNote: writer and painter Charles Higgins painted under the pseudonym of PIC and created some of the most extraordinary and enigmatic British paintings of the 20th century. Setting mythological and fantastical imagery within imagined landscapes, PIC's work transports the viewing through time and the imagination, demonstrating the same visionary zeal as figures such as Marc Chagall and Leonora Carrington. His work was exhibited in some of the most important British galleries of the 20th century, including, the Wertheim Gallery during the 1930s and Gimpel Fils during the 1940s and 50s and Jack Bilbo's celebrated The Modern Art Gallery in the 1940s.
Lot 140
John Melville, British 1902-1986 - Surreal Thinker, 1946; oil on panel, signed and dated upper right 'John Melville 1946', titled and dated on the reverse 'Surreal Thinker 1946', 115 x 89.5 cm (ARR) Note: a self-taught artist, Melville was one the key members of the vital Birmingham Surrealists along with Conroy Maddox, and fundamentally one of the most important Surrealist artists working in the UK. His work was included in all major Surrealist exhibitions in the England in the 1930s and 40s.
Lot 202
Alfred Cohen, American/British 1920-2001 - Zanni with Flute, 1984; oil on panel, signed upper left 'Alfred Cohen', titled and dated to label on the reverse, 28.5 x 21 cm (ARR) Provenance: with Grant Fine Art, Newcastle, Northern Ireland Exhibited: Arts Council of Northern Ireland, Alfred Cohen, 1985 (according to the label attached to the reverse of the frame)
Lot 205
Alfred Cohen, American/British 1920-2001 - Wells Quay, 1978; oil on canvas panel, signed lower left 'ALFRED COHEN', titled and dated on the reverse of the frame, 12 x 17 cm (ARR) Provenance: with Montpelier Studio, London, stock no.78 (according to the label on the reverse); with Grant Fine Art, Newcastle, Northern Ireland Exhibited: Arts Council of Northern Ireland, Cohen/Davos, cat no.07 (according to the label attached to the reverse)
Lot 1221
A mid-19th century Austrian giltwood and gesso rectangular wall clock case with central circular aperture within a surround of foliate mouldings, with hinged glazed front panel, height 54cm, together with a musical clock oil painting on canvas, painted with figures outside a church with clock tower, 54.5cm x 72.5cm, and an associated brass musical clock painting movement, length 12.2cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1180
A Regency rosewood bracket clock with eight day twin fusee movement striking hours on a bell, the 8-inch circular painted dial with black Roman hour numerals and inscribed 'Mason Colchester', the arched case with brass inlaid decoration and recessed panel to front, flanked by a pair of gilt brass rosette and loose ring handles above pierced fret panels to sides, on a plinth base and ball feet, height 49.2cm, with pendulum.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 368
After William Holman Hunt, (1827-1910) - Unusual George V Pre Raphaelite-style decorative pyrographic panel depicting 'Isabella and the Pot of Basil' (after the 1820 John Keats poem), monogrammed (EA?) and dated 1929 lower left, incised with poetic verse verso, 33.5cm x 21cm, in ebonised frame
Lot 2
* LINDA LE KINFF (FRENCH b. 1949),HOLIDAYoil on panel, signed, titled certificate versoimage size 47cm x 32cm, overall size 70cm x 50cm Framed. Provenance: Park West Gallery (the largest art dealers in the world) certificate of authenticity is included in this lot together with printed valuation of USD $6700 dated 2015.Note: A very rare appearance at a UK auction for an original painting by Linda Le Kinff who has the unique distinction of having been commissioned as the Official Artist for the 1998 World Cup (Football) and the 2010 Kentucky Derby (USA). One of her paintings for the 1998 World Cup was struck as a commemorative coin by the French Government, an honour never before bestowed on a living French artist. Linda Le Kinff's portrayal of women is consistently dynamic, ranging from indescribable loneliness to silent, powerful, and elegant. Le Kinff also finds inspiration in the work of Paul Gauguin, Pablo Picasso, and Gustav Klimt. Her work has been exhibited and sold globally.
Lot 590
Nicholas Thompson (British, 1969-2016), 'Joker', two panels, 91x244cm (each panel 91x122cm)Thompson was a follower of the 'Madchester' music scene especially the Stone Roses and the Happy Mondays and frequent visitor to the Hacienda nightclub at its height in the 1980s and early 1990s. Provenance is via family through the deceased estate
Lot 158
A porcelain covered centre piece, the pierced cover decorated in burgundy and gilt, the body with reserve panel to the front painted with sea shells to a burgundy ground with gilding, raised on three mythical sea creatures, to a triform base, with puce crown, crossed swords and D mark to base, height 9.5ins
Lot 1211
A novelty silver plated vesta case together with a silver napkin ring. Crescent moon shaped vesta, with smiling face detail, hinged lid and striking panel - some wear to plating. Together with a 1940's napkin ring with engine turned detail and rectangular shaped black cartouche. Hallmarked for B'ham 1948 and weighs approx. 7.7g.
Lot 24
Vinyl - The Who - The Who Sell Out with original poster (1967, original UK 1st pressing A2 / B1 matrix + original 6 panel Poster, Track Records, 613 002) only the first 500 copies came with the original poster. Fully laminated sleeve VG+, vinyl EX (barely played), original 6 panel poster is in EX+ condition (unused)
Lot 137
A large Black Forest rectangular bombe shaped table casket, leather clad and carved with rustic branch borders, hinged cover centred by an oak leaf boss, embroidered panel to verso colourfully worked with ribbon-tied fruiting branches, enclosing enclosing a lift-out tray, paw feet, 31cm wide, c.1870
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360406 item(s)/page