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Click here to subscribeA large early 20th century North West Persian Islamic Tabriz floor carpet rug. The rug having a stylised flower shaped central medallion on pink ground within a light blue ground panel. All decorated with geometric foliate motifs. All enclosed within series of outer borders with matching decorations. Short tassels to ends.Measures approx. 385cm x 300cm.
A 19th century Victorian ecclesiastical carved oak church pew / hall settle bench. The pew of typical form with carved panel backrest and side panels. To one end, carved detailing depicting George slaying the dragon. Bench plank seat, recessed panels to the sides.Measures approx. 92cm x 165cm x 42cm.
A Persian Tabriz Heriz design hand woven wool floor carpet rug. The carpet having a central pink medallion of geometric floral form enclosed within a central panel in cream & light blue ground. The background decorated with stylized foliate & floral patterns. Matching outer borders in pink & light blue. Tassels to ends.Measures approx. 307cm x 202cm.
A contemporary Persian Islamic Kilim floor carpet runner rug. The rug having a central panel with three lozenge shapes in red colourway within an intricately patterned ground. All enclosed in series of outer borders in red, brown, orange & cream colourways. Short tassels to ends. Measures approx. 310cm x 134cm.Acquired by current owner at Heal's. No receipt present.
A large 20th century North West Persian Sarouk floor carpet rug. The rug having a central light blue ground medallion of flower shape within a red ground central panel decorated with geometric floral motifs. All enclosed within a series of outer borders with further decorations. Short tassels to ends.Measures approx. 410cm x 295cm.
A Victorian 19th century walnut & marquety breakfront sideboard credenza. The credenza having a flared top over an inlaid and detailed fitted frieze. Central single cupboard door with inlaid panel. The cupboard flanked by serpentine glazed cabinet doors revealing a shelved interior. Raised on plinth base.Measures approx. 107cm x 183cm x 40cm.
Gillows & Co - Lancaster - An Aesthetic Movement late 19th century ebonised wood & gilt finished glazed library bookcase cabinet. The cabinet having a shaped gallery back with turned finials to side and turned spindles throughout, central florally carved panel. Straight flared top below with pair of drawers to frieze. Each with twin brass ring handles. Left drawer marked Gillows & Co, 13563. Twin glazed cabinet doors below revealing a shelving interior, the doors flanked by reeded gilt detailed sides. All raised on straight supports.Measures approx. 127cm x 111cm x 41cm.
Manner of Pugin - A Gothic late 19th century carved oak painted ecclesiastical decorated coffer. The chest having a hinged top opening to reveal a spacious interior. The front decorated with geometric church window painted recessed panel. Raised on plank supports with pierced centres. Likely an older chest restored and refinished in the 19th century.Measures approx. 47cm x 56cm x 33cm.
A Victorian 19th century mahogany articulated top pedestal reading / lectern music stand. The stand having a rectangular tilting reading panel atop with brass fork mechanism over a single drawers with pendant handles. Central adjustable column over a turned base, all raised on tripod splayed supports.Measures approx. 100cm x 45cm x 35cm
A Republic period Chinese ancestral painting on silk. The painting depicting a man dressed in Qing dynasty court robe and a hat with jewels on top, seated on a chair with a tiger's skin throw. Four panel screens decorated with vases and flowers in the background. The painting framed & glazed.Measures approx. 63cm x 99cm, 130cm x 85cm to include frame.
A Dutch 18th century marquetry & rosewood inlaid library writing table desk. The table having a rectangular flared marquetry top with intricate inlaid designs. Central panel with classical urn with floral & foliate bouquets, acanthus leaves, swags & scrolls surrounding. The outer inlaid frame with matching foliate designs and four circular vignettes with butterfly motif to centre. Fitted inlaid frieze below with single drawer to one side, all raised on tapering squared supports with block ends and bun feet. All united by scrolled X central stretcher with further inlays.Measures approx. 78cm x 113cm x 83cm.Some wear and damage to the inlaid top.
A 19th Century Mahogany Breakfront Wardrobe, of small proportions, with two central doors opening to reveal dressing slides, above two short and two long drawers, flanked by a pair of cupboard doors, each opening to reveal hanging space, 200cm by 52cm by 179cmVeneer cracks to the top of each arch on the doors, some scuffs and scratches through use, the door panel on the right with a little shrinkage.
A Pair of Early 20th Century Crewel Work Embroidered Curtains depicting the tree of life worked on a dark cream woven ground, 106cm x 234cm, together with a single crewel work panel edged in green velvet depicting the tree of life, 157cm x 250cm,an Eastern style cushion worked with metallic threads and a single floral woven curtain in a rust colour, 131cm x 212cmCrewelwork curtains - some discolouration to the backing cloth, water marks, some tears mainly to the edges, colours faded. - stitched repair running from side to side? - see images of reverse also. Discolouration overall especially to the folds, numerous holes and tears, reverse is split.Rust woven curtain - some fading and small areas where fabric worn.Tree of life crewelwork - damage/tears to each side, some discolouration to the backing cloth, water damage marks, threads faded and worn in places, new reverse.Cushion -- 53cm square, loose and missing threads, tarnishing and wear overall.
A Framed Late 19th Century Needlework Panel, titled 'The Girl and Her Cat', depicting a tiger to the top, two seated cats flanking a spaniel to the lower part and floral motifs, 68.5cm by 70cmBacking cloth is very discoloured overall, especially around the title in the middle. Some fading and wear to the threads, a small hole to the corner of the cushion of the right hand side cat.
Count Duckula: a pair of original hand painted acetate production cel's and background panel. (Nikelodeon).Included in this lot are 2 Count Duckula hand painted acetate production foreground cel's, one of which is stapled to the correlating arranged card background panel. Gouache and watercolor on acetate.This original production assemble from the Nikelodeon television show Count Duckula depicts Count Duckula awaking in his bedroom chambers.Count Duckula was created by Brian Cosgrove and British studio Cosgrove Hall Productions as a spin-off from Danger Mouse running from 1988-1983.Cel measurements: 15 x 10.5 Inches. Flat.~(2)Condition Report: Generally excellent condition.Studio writing to acetate panels.
Collection of 6 Foreign Film Posters (1950's-80's)To include:Family Life [1971] Original French one-panel Grande Affiche - movie poster, directed by Ken Loach. 63x47 inch (comes as originally folded).The Tall T [1957] US Insert 14 x 36 Reds [1981] Spanish 1-Sheet 27 x 39Witness [1985] German A1 23 x 33 Two for the Road [1967] French 22 x 18 Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness? [1969] Australian Daybill 13 x 30
British Door Panel Poster for the Plaza Bromyard (1973), showing listings for films May June 1973 including James Bond Thunderball, Thunderbirds Are Go, Willie Wonka and the Chocolate Factory, Gimme Shelter etc, 10 x 30 inches, folded Condition Report: Good condition, creasing, minor edge nicks
Adorable collection of gilt rimmed ceramics that includes a Collectors Society Bowl, a decorative lace bowl, a thistle open sugar bowl, and a toy panel vase. Belleek backstamp on all items. Largest item measures 3"H x 3" dia. Issued: 20th centuryDimensions: See DescriptionManufacturer: BelleekCountry of Origin: IrelandCondition: Age related wear.
A Sapphire and Diamond Cluster Ring, the oval flowerhead cluster panel set with an oval mixed cut sapphire measuring approximately 2.90 carats, surrounded by modern round brilliant cut diamonds with bifurcated leaf shoulders and millegrain shank, the diamonds totalling approximately 1.30 carats, unmarked mount tests as 18ct yellow gold and silver, size N, 5.6g .Condition Report: The sapphire is a deep blue colour with a slight central colour window, straight colour zoning and a few internal wispy veil inclusions visible through a loupe. The diamonds are very bright and lively. The mount hardly has any wear. Overall in very good condition.
A Diamond Bracelet, each panel centrally set with vari-cut diamonds including shield baguette marquise Princess oval pear and modern round brilliant, flanked either side by rows of modern round brilliant-cut diamonds, the diamonds totalling approximately 14.00 - 15.00 carats, unmarked mount tests as 18ct white gold, 19cm, 49.7g .Condition Report: The diamonds are extremely bright and lively. The mount hardly has any wear. Overall in very good condition.
An Antique Victorian Emerald and Diamond Cluster Ring, the marquise-shaped panel centrally claw set with a rectangular step-cut emerald of approximately 0.70 carats, surrounded by old and transitional-cut diamonds, the diamonds totalling approximately 0.80 carats, unmarked mount tests as 18ct yellow gold size N, 2.6g .Condition Report: The emerald is a vivid green, with obvious typical internal inclusions and a few small surface nicks. The diamonds are relatively bright and lively, each with a few small inclusions only visible through a loupe, and several have been replaced. The mount has general surface wear commensurate with age and use. Overall in good condition.
An Art Deco Lady's Platinum and Diamond Bracelet Watch, circa 1930, the rectangular silvered dial with black Arabic numerals and blued steel hands, beneath baguette and round-cut diamond hinged cover, designed as a belt buckle and operated by pressing the screw-head motif button in the bottom right corner, set to a matching panel link graduated baguette and single-cut diamond bracelet, the diamonds totalling approximately 9.00 - 10.00 carats, mounted in platinum, serial no. 4467, case width 14mm, 51.8g .Condition Report: The sprung cover and push-button is working perfectly. The diamonds are very bright and lively. The mount only has very light surface wear considering age. Overall in very good condition.
A Georgian Onyx and Pearl 'Lover's Eye' Miniature Heart Pendant, circa 1820, the polished black onyx heart having central double-sided hinged locket compartment containing a Lover's Eye watercolour portrait miniature on ivory panel, within a graduated split pearl surround, unmarked mount tests as 14ct rose gold, 43.5mm, 10.2g. Ivory Submission Reference: WKGBM856 .Condition Report: The onyx has no chips or cracks. All pearls are present and only have minor nacre chips visible through a loupe. The ivory panel has no chips or cracks. Overall in very good condition.
ATTRIBUTED TO LIBERTY - An Art Nouveau Opal and Diamond Ring, circa 1900, the pear-shaped openwork panel set with oval and round cabochon opals, within leaf and foliage mount set with rose-cut diamonds, unmarked mount tests as 18ct yellow gold, unsigned, size Q, 3.5g, with Liberty of London floral box .Condition Report: The opals have a good play of colour with mostly reds greens and blues, all have general surface abrasions and wear contributing to a slightly dull surface finish, and would benefit from re-polishing. The diamonds are slightly dark. The mount has general wear commensurate with age and use, along with an original dedication inside shank and on backing of head. Overall in good condition.
An Antique Victorian Onyx and Pearl Mourning Brooch, circa 1880, the central oval onyx panel having applied gold split pearl monogram JS, all within a fine multi-layered ropetwist wirework surround with black enamel Greek key border and vacant memorial backing, unmarked mount tests as 15ct yellow gold, 48.9mm, 28g gross .Condition Report: The pearls are all present and only a few have been lightly re-glued. The onyx has no chips or cracks. The enamel has a few tiny chips in both top corners, but generally all still perfect. The mount is extremely clean. Overall in very good condition.
A Pearl Emerald and Diamond Brooch/Pendant, the geometric openwork panel set with rectangular step-cut emeralds, accented with old and rose-cut diamonds suspending a 16mm whole pearl, unmarked mount tests as silver, 67.7mm, 12.8g .Condition Report: The emeralds are a vivid green, and several of the smaller emeralds have been replaced. The diamonds are relatively bright and lively. The mount has several solder repairs on backing and a new brooch hook fitting. Overall in good condition.
An Art Deco Sapphire and Diamond Plaque Brooch, circa 1920, the rounded rectangular geometric panel centrally millegrain set with a round brilliant cut diamond measuring approximately 1.20 carats, surrounded by rows of channel set synthetic sapphires, all within an openwork lozenge pierced frame set with single cut diamonds, unmarked mount tests as platinum, 70.7mm, 22.5g .Condition Report: The principal diamond is quite bright a lively with a very slight yellow tint and two internal fracture inclusions visible with a loupe, colour approx I/J, clarity approx SI3/I1. The sapphires are well-matched. The mount only has light wear. Overall in very good condition.
A Tanzanite and Diamond Cluster Ring, the rectangular panel set with an octagonal step cut Tanzanite of approximately 2.42 carats, surrounded by a row of modern round brilliant cut diamonds, the diamonds totalling approximately 0.55 carats, mounted in 18ct white gold, size M, 3.8g .Condition Report: The Tanzanite is a deep purplish-blue with no obvious internal inclusions visible through a loupe. The diamonds are very bright and lively. The mount hardly has any wear. Overall in very good condition.
An Art Deco Diamond Ring, circa 1930, the bombe panel centrally square set with a GIA Certified 2.10 carat transitional round brilliant cut diamond, surrounded by baguette and single cut diamonds, unmarked mount tests as platinum, size N, 6.3g .Condition Report: Accompanied by a GIA Natural Diamond Grading Report, Certificate number 2223318168, dated March 03 2022, stating that the central diamond is 2.10 carats, colour I, clarity SI2. The principal diamond is very bright and lively with one central crystal inclusion. The surrounding diamonds are fairly bright. The mount has general surface wear commensurate with age and use. Overall in good condition.
A COLLECTION OF GEM-SET NECKLACES, EARLY 20TH CENTURY AND LATER â—‰ comprising: a three row branch coral necklace, 38cm long, two coral bead necklace, 45 & 43cm long, a turquoise matrix bead necklace, 44cm long, a faceted quartz bead necklace, 50cm long, an amber bead necklace, 45cm long, a green hardstone bead necklace, 45cm long, a blue and green glass pendant with cord chain and a nephrite panel link bracelet, 19cm long
GROUP OF SEVEN GEM-SET RINGS comprising: a Georgian gold, cabochon garnet and seed pearl cluster ring, 1820s, ring size N, a gold, ruby and diamond cluster ring, 1880s, ring size L 1/2, a gold, ruby and seed pearl panel ring, 1920s, ring size N 1/2, a gold and bloodstone signet ring, 1900, ring size P 1/2, an 18 carat gold wedding band, British hallmarks, ring size U, an opal ring and green stone set ring
Silver stamp box, the hinged cover with glazed stamp panel, upon four bun feet, stamped 925, together with 1920's silver jewellery box of circular form with engraving to the lid, hallmarked 1920 Birmingham, indistinct maker and covered box with engraving to the lid, hallmarked probably William Harrison Walter 1907, London Condition Report:Weighable silver approximately 1.6 ozt (51g)
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![Collection of 6 Foreign Film Posters (1950's-80's)To include:Family Life [1971] Original French one-panel Grande Affiche - mo](https://cdn.globalauctionplatform.com/25264fd6-fc81-406c-b860-b22100eaefa3/e44e163d-373f-45d3-a503-b22f01234bf8/468x382.jpg)
