An oak shoe cupboard, by Wylie & Lochhead, first half 20th century, the rectangular top with moulded edge, above a pair of panel doors opening to three slatted shoe shelves, on bracket feet, the back with plaque for 'Wylie & Lochhead Ltd, 45. BUCHANAN STREET, GLASGOW', 122.5cm high, 115cm wide, 36cm deep Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old minor chips and splits. Some water marks and some additional darker marks to the top. No key present, lock is open. Shadow from where handle fixture has revolved in place. Please refer to additional images for visual reference to condition.Please note this is 36cm deep overall, this measurement was missing from the original description. the internal depth is 26cm. Condition Report Disclaimer
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An Indonesian Batik, circa 1940, Indigo cotton decorated with birds and calligraphy the Batik work 207 x 89cm, the frame 211 x 93cm overallCondition Report: Please note: The measurements were missing from the original description they have now been added.Overall with marks and old stains, signs of wear, unevenness to the colour, some areas of tearing/damage to the Batik panel. There are areas of repair and restoration.It is not possible to tell how this is mounted to the interior of the frame, Dreweatts cannot guarantee how easy it would be for removal from the frame and Dreweatts cannot facilitate the removal of the piece for postage/collection. This would be for the packer/shipper to arrange and quote a shipping price. It appears to have been laid down and stretched.The framing of this item appears to be recent. The glazing is Perspex and not glass, Please refer to additional images for visual reference to conditionCondition Report Disclaimer
A Swiss stained and leaded glass figural panel, possibly Bern, the central panel dated 1607 and with later elements, depicting three Landsknechte, dressed in vibrant costumes and wearing feathered hats, two holding a halberd and another with a beaker, standing before a diapered and balustraded background, the lower reserve with inscription and central armorial shield with standing bull, inside a likely later arrangement of circular segments with two further stained roundels, later fitted to a stained wood light box frame, approximately 93cm high, 61cm high overallWhile Swiss mercenary guards were a popular theme for Wappenscheibe (armorial panels) such as the present lot, the arrangement of three figures is unusual. The compositional arrangement of guards on a geometrically demarcated podium and the handling of the sprawling landscape in subtle yellow tones to the upper reserve, show distinct similarities to late 16th and early 17th century panels from the Bern region of Switzerland. Note for example the panel with Ulrich, Jakob and Gilgen Hess, dated 1586, in the collection of the Historisches Museum in Bern. An early 17th century panel which uses a similar cartouche-form device surrounding the inscription and a contemporary architectural backdrop to the figures (as with the balustrade in the present panel) is in the Metropolitan Museum of Art, accession no. 1974.28.190.
A 19th century oak-cased eight-day longcase clock, the painted white dial set with subsidiary seconds and calendar dials, floral painted corner spandrels and exotic birds either side of winding holes, indistinct maker to the dial, in an oak case with a later added mahogany swan and vase pediment, over black and gilt glass panel, height 220cm, width 52cm. CONDITION REPORT Some repairs to the case, the dial is worn with many areas not legible, including the numerals and maker's name etc.
An Edwardian mahogany mirror-back sideboard, the central carved frieze above two central mirrors, shelves to either side supported by carved baluster supports, three frieze drawers over central single drawer over pot cupboard and door to either side, all with floral and foliate carved panels, to squat baluster supports, height 212cm, width 155cm, depth 55cm. CONDITION REPORT General age-related wear to include surface scuffs, scratches, small indentations, an age-related split to the right side panel, slight lifting and cracks to the veneer on the top of the cabinet.
A late 19th/early 20th century Italian Sorrento ware walnut and marquetry music stand, the adjustable music rest inlaid with a cartouche depicting musicians and dancers within a floral ring bordered by an oval mosaic border, outer infill of inlaid wild flowers within a border of square mosaic inlay, the front flap has a central inlaid panel stating 'Sorrento' within a mosaic inlaid fill, resting on adjustable pole set within hexagonal column, supported and raised on three scrolling supports, stamped 'Michele Grandville in Sorrento', height when extended 103cm, height unextended 55cm. CONDITION REPORT Splitting of the wood on the music rest, rippling of veneers, slight loss of inlay, some splitting, possible repairs to feet, repair to one leg . 74 x 36 x 42.5cm
EDMOND VAN HOVE (Belgian, 1851-1913); oil on panel, 'Un en Lumineur', half-length portrait of an illuminator in front of his work, signed and dated 1883 to top right corner, signed, titled and dated verso, 72.5 x 58cm, unframed, with metal mounts. CONDITION REPORT Crackled/crazed, minor paint loss to edges. Some emulsion paint splashes on the picture and some varnished loss to various areas of the painting.
An early/mid-20th century walnut Art Deco cocktail cabinet, central mirror-back interior containing six cocktail sticks with cherry finials, juicer, chrome top cocktail shaker, a pair of decanters, six small matching cocktail glasses and a set of five liquor glasses, glazed panel door to either side with three interior shelves to central plinth base, 107 x 122 x 35cm. CONDITION REPORT Scratches to top, one sherry glass missing, stains to bottom of cupboard, deep knock to left hand glazed cupboard door, no visible woodworm some splits to moulding
An Italian Sorrento inlaid display cabinet/bookcase, oval glass to central inlaid panel, door to either side, glass panels to either side, interior with two glass shelves, on a plinth base to bun supports, 104 x 108 x 40cm. CONDITION REPORT overall general wear to include small scratches, scuffs and small indentations. Signs of rubbing to central inlay on top surface , small staining to interior material
A Victorian mahogany two-over-three chest of drawers to squat baluster supports, height 125.5cm, width 122cm, depth 49cm. CONDITION REPORT Overall age-related general wear to include scratches, scuffs, small indentations, various splits to the veneer in the top of the chest. Small areas of lifting to the veneer to the drawer frontage. Large split from top to bottom to one side panel and split to other side panel, approximately one third of the way.
A Victorian mahogany adjustable pole screen with needlework embroidered panel of a seated traveller, raised on turned column and three outswept supports. CONDITION REPORT There is a finial missing from the top of the pole. There are several areas of veneer chipped to the frame of the panel and minor losses to the lower section of the frame.
Famille rose porcelain plate Chinese, 18th Century painted in polychrome enamels with two figures on a punt, one hanging out washing, the other watching ducks, 23cm across and a pair of Chinese blue and white dishes each painted with crickets to a reserve panel to the centre within a moulded border, 16cm across, (3)
Collection of wood carvings 19th Century and later to include a bamboo carved brush pot depicting a rocky outcrop, 15.5cm high, a quatrefoil shaped lacquer bowl and cover, decorated to the top and side in mother of pearl, a carved wooden figure of a scholar in a seated position, 9.5cm high, a rectangular shaped lacquer panel of a seated women under a tree, 28.5cm x 16.5cm and a lacquer ink stone case, with calligraphy to the front (5)
Table screen with inset panels Chinese, 19th Century with central square blue and white porcelain panel depicting an equestrian battle, and further irregular polychrome panels with interior domestic scenes in a carved relief surround depicting trophies, and with temple dog supports,65.5cm x 64cm overall
Large silk imperial altar panel Chinese, Guangxu period dated 1875 of gold and burgundy ground, set with mirrored mounts and embroidered with rock work, butterflies and peonies . Set within a blue and black border embroidered with 'antiques' and having inscription which reads En Mu Hung Tzu, and also dated in gold thread which states 'On the ninth year on the first day of autumn an auspicious day Guangxu became chief or head', the backing hand painted in the manner of Chinese wallpaper, 244cm x 217cm
Silk embroidered panel Goa, Indian, 17th/18th Century the centre embroidered with figures sat under a tent, surrounded by attendants holding gifts, with others playing music and people sat on elephant back, surrounded by a floral background, the corners each depicting a seated deity, framed and glaze in a later frame, 73.5cm high x 64cm across (panel) Provenance: From the Collection of the late Hans Calmann, and by descent
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