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Lot 496
A Victorian silver panel bracelet, high relief Eastern style panels depicting Durga riding a Lion, maker's marks EU, hallmarks Birmingham 1881, band width 33.6mm, bracelet length 19cm, and a pair of unmarked silver cannetille drop earrings, 79.1g total, (2) Bracelet in very good original condition, end panel with clasp has some splits in the sides of the silver, otherwise just lightly surface scratched, engraved 1864 - 1889 on back, hallmarks clear. Earrings in very good original condition, just lightly surface scratched, unmarked.
Lot 568
A pair of 14ct rose gold enamel ceramic panel cufflinks, by Astor, panel diameter 17mm, 12.1g Both in very good original condition, no damage or restoration, enamel is slightly abraded and rubbing through on the edge of one cufflink, otherwise both are perfect, settings in good condition, marks clear, stamped 14K.
Lot 633
A pair of Niels Erik From Danish sterling silver geometric cufflinks, an N.E. From silver tie clip, sterling stone set pendant and a plated monkey badge, cufflink panel length 19.6mm, (4) Cufflinks in very good original condition, no damage, just lightly surface scratched, marks clear, stamped 925S. Tie clip is perfect, marks clear, stamped 830S. Pendant perfect, no damage, marks clear, stamped 925. Monkey badge is slightly rubbed on high points, unmarked.
Lot 660
3 modernist silver bracelets, comprising a Guldsmed Indkobsforening Danish sterling textured bracelet, an Aage Albing Danish silver foliate panel bracelet, and a plain sterling gatelink bracelet, 65.5g total, (3) Guldsmed bracelet in very good original condition, no damage or repairs, slightly surface scratched, length 18.5cm, stamped 925S. Albing bracelet in very good original condition, no damage or repairs, slightly surface scratched, length 19cm, stamped 830S. Gatelink bracelet in very good original condition, no damage or repairs, slightly surface scratched, length 19.5cm, stamped 925.
Lot 657
A 9ct gold onyx and split pearl dress set, 18ct white gold topped, comprising 4 buttons, pair of cufflinks and a pair of studs, cufflink panel length 10.7mm, 8.9g total, fitted Mappin & Webb case All in very good overall condition, no damage or loss to onyx, some of the panels are faded and now translucent, one stud has a pearl missing, all pieces are lightly surface scratched, marks clear.
Lot 621
A Victorian relief carved cameo panel brooch, depicting male profile, in unmarked yellow metal floral setting with inset turquoise, brooch height 35.5mm, 6.4g Good overall condition, cameo has several obvious splits and cracks and rubbed on high points, frame has some small areas of damage to cannetille but all stones present with no chips or cracks, unmarked
Lot 638
A relief carved cameo shell panel brooch, depicting female profile, in engraved rolled gold frame, brooch height 54.5mm, 15.6g Very good overall condition, no chips cracks or restoration, high points are slightly rubbed and settings are lightly surface scratched all over, safety chain is present, marks clear, stamped rolled gold
Lot 637
A Victorian relief carved cameo shell panel brooch, depicting Greek goddesses Eos and Nyx, in unmarked gilt-metal frame, brooch height 47.5mm, 11.7g Good overall condition, cameo has three small cracks around edges when held up to light and generally rubbed on high points, gilt-metal frame is surface scratched all over with small areas of solder, unmarked
Lot 752
A pair of Hroar Prydz Norwegian sterling silver coloured enamel and cut-glass cruets, and a similar sterling and black enamel cruet, height 4.5cm, (3) All in very good original condition, green enamel top has a tiny firing fault in central panel and a few nibbled edges to the glass, otherwise all are perfect, marks are very slightly rubbed, engraved 925S.
Lot 581
A 14ct gold diamond panel signet ring, central diamond set floral panel, total diamond content approx 0.4ct, setting height 16.6mm, size V, 14.1g Very good original bright condition, all stones present with no chips or cracks, stones are generally bright, settings are lightly surface scratched with a well-concealed join mark on shank, engraved 14K.
Lot 598
An Art Nouveau sterling silver and peacock enamel panel bracelet, bracelet length 17cm, 5.6g (one chain is detached) Bracelet in fair overall condition, one of the chains connecting two panels is broken and in need of repair, enamel panels in good condition with no major losses but just a few tiny edge chips visible through a loupe, backs of panels are enamelled with more extensive losses and chips, marks clear, clasp stamped sterling
Lot 556
CHANEL - a pair of Vintage gold plated CC logo clip-on earrings, black resin centre panel with textured border, from 1993 Spring Collection, marked 93 P, diameter 40.1mm, 51g Both in very good original condition, no damage or repairs, lightly surface scratched all over, clips working, marks clear.
Lot 754
An Antique Dutch silver rectangular table snuffbox, with inset relief carved cameo panel, embossed hunting scene border and farming scene base, length 8cm Very good overall original condition, no obvious damage or repair, cameo is very rubbed on high points with one visible internal crack, silver high points also quite rubbed, hinge working, marks clear
Lot 508
A pair of Victorian 18ct gold and enamel hunting cufflinks, depicting dogs and game, maker's marks GH, hallmarks London 1896, panel length 17.3mm, 8.7g Good overall original condition, one dog panel has a few large chips, bird panel has a couple of minor edge chips, other two panels are just light surface abraded, no broken links, settings are lightly surface scratched, marks clear, stamped 18
Lot 476
An 18ct white gold diamond cluster panel signet ring, set with princess and round-cut diamonds, total diamond content approx 0.8ct, setting height 13.3mm, size S, 12.2g Very good original condition, all stones present and are bright and fiery, princess stones have no chips but just a few tiny internal fractures and black spot inclusions, surrounding diamonds generally well-matched with a few having surface chips, facet faces are mostly clean and facet edges are sharp, settings are scratched all over with a very slight dent in the shank, stamped 18K.
Lot 472
A pair of Georg Jensen Danish sterling silver cufflinks, central floral vermeil panels, model no. 59A, import marks London 1965, larger panel length 22.4mm, 20.4g Both in very good original condition, no damage or restoration, one post is slightly bent out of line, panels lightly surface scratched, hallmarks clear.
Lot 512
A 1970s 18ct gold ruby and diamond panel ring, textured finish, maker's marks H&M, hallmarks London 1971, setting height 10.6mm, size J/K, 11.6g Very good original condition, all stones present, diamonds have clean facet faces and sharp facet edges with a few tiny black spot inclusions visible through a loupe, rubies have slightly abraded facet edges with a few small cracks, settings are heavy gauge and surface scratched with one join mark at the back of the shank, hallmarks clear, stamped 18.
Lot 532
An 18ct gold diamond cluster panel signet ring, graduated diamond set shoulders and bridge, total diamond content approx 1.8ct, setting height 11mm, size Q, 7.6g Very good original condition, no damage or repairs, all stones present with only a couple of the shoulder diamonds having tiny chips only visible through a loupe, diamonds are generally bright with a slight hint of yellow, internally the diamonds are relatively clean with a few very minor black spot inclusions and some miniscule fractures, settings are surface scratched through general use and stamped 750.
Lot 474
An 18ct gold Chinese panel bracelet, panels with applied character marks, maker's marks TC, bracelet length 18cm, 18.6g Very good original condition, no damage, some hoops may have been re-attached but all done to a good standard, all links perfect, settings just lightly surface scratched, marks clear, stamped 18.
Lot 538
A large 9ct gold onyx panel dress ring, ropetwist surround and openwork shoulders, hallmarks Birmingham 1990, setting height 26.6mm, size N/O, 8.8g Very good original condition, no chips, cracks or damage, just very light surface abrasions, settings are lightly surface scratched, hallmarks clear, stamped 375.
Lot 425
JUNGHANS - a black ceramic Mega Solar quartz wristwatch, solar panel dial with ceramic bezel and expanding strap, no. 018/1503, serial no. 9042430, case width 38mm, working order Very good original working order, dial and glass in very good condition, case has a few light surface scratches, associated strap has a few surface scratches on clasp
Lot 439
Strang, William Spanish Etchings Glasgow: James Maclehose and T. & R. Annan & Sons, 1892. First edition, large folio, title etching and 6 etchings signed by the artist, all loosely hinged onto thick card, loose as issued in original brown half cloth and brown board portfolio, lettered panel to upper cover, light spotting to printed title, the board portfolio, slightly wornCondition report: plates clean, gouge to upper cover, lower portfolio edges somewhat worn
![Henty, George Alfred A Knight of the White Cross London: Blackie & Son, 1896 [but 1895]. First edition, portrait, do](https://cdn.globalauctionplatform.com/48b4b234-5916-49f0-b3a1-ab12011915d9/9803ef84-d88e-4832-8b31-ab50011760d9/468x382.jpg)
Lot 156
Henty, George Alfred A Knight of the White Cross London: Blackie & Son, 1896 [but 1895]. First edition, portrait, double-page plan and 12 plates, presentation inscription half title dated "Xmas 1895" [Blackie & Son publishing the year prior to the date stated on the title-page], 32pp. advertisements at end, original pictorial bevelled green cloth gilt, dustwrapper with minor edge-wear and a couple of tiny chips at the head of the spineFootnote: Note: Very rare in dustwrapper. No copy in dustwrapper recorded sold on ABPC.Condition report: hint of foxing to prelims partial very light offsetting to the free endpapers; old pencil price is still visible on the upper panel.
![Fine Binding by Chivers, Cedric The Book of Common Prayer Oxford: Oxford University Press (and London: Henry Frowde), [n.d.]](https://cdn.globalauctionplatform.com/48b4b234-5916-49f0-b3a1-ab12011915d9/9f053c25-4119-434b-acbe-ab500118c5fa/468x382.jpg)
Lot 411
Fine Binding by Chivers, Cedric The Book of Common Prayer Oxford: Oxford University Press (and London: Henry Frowde), [n.d.] 8vo, bound by Chivers of Bath in blue morocco with decorative gilt and blue onlaid floral motifs surrounding a Vellucent panel to the upper cover depicting two angels kneeling on each side of a cross, blue gilt doublures signed by Chivers
![[Binding Forgery] - Icilio Federico Joni Two painted 'tavolette' book covers in Biccherna style Siena, c.1890-1900, two paint](https://cdn.globalauctionplatform.com/48b4b234-5916-49f0-b3a1-ab12011915d9/58c7b532-25b7-4e8c-b29e-ab500118b0ff/468x382.jpg)
Lot 397
[Binding Forgery] - Icilio Federico Joni Two painted 'tavolette' book covers in Biccherna style Siena, c.1890-1900, two painted boards attached by a leather pseudo-spine, the front panel of the present binding comprising, within a gilt border, an upper section of a kneeling figure within a landscape setting holding up a model of the city and a scroll bearing the words “This is my city”, Christ appears to the figure in the sky above, below are 11 coats-of-arms set in a gold background and 8 lines of text naming the tax officials for the period January 1479/80 to July 1480, the rear panel is divided into sub-panels, the two central containing a large Christogram and the lower containing what may have been a coat-of-arms, round these are panels of gilt sprays of flowers on a green background, all within gilt borders, the panels measuring 10 x 29cm, some flaking and chipping, particularly at the edges, some of which may have been by Joni who was in the habit of distressing his bindingsFootnote: Note: The binding purports to be one of the famous Sienese Tavolette di Biccherna, which were produced for accounts from the 13th to the 17th century. The Biccherna was the magistrate or chancellery of Finance from the 13th to the 18th century for the republic, and then city, of Siena. The early wooden boards for the account volumes were simple and had no intention of being masterpieces. Subsequently, however, the paintings became more elaborate and rich. By his own admission, Joni never visited the city archives to inspect the originals, and his bindings are in fact anachronistic. From 1459 the accounts were bound in leather, and the tavolettes, although still painted, had evolved to become paintings framed for hanging. Joni's bindings, however, all bear dates after 1459; the present example, for instance, is dated 1479-1480. Note too that Joni’s boards are simply glued onto a rough leather spine as he apparently did not know how to replicate a fifteenth-century sewing structure.Condition report: the front panel of the present binding comprising, within a gilt border, an upper section of a kneeling figure within a landscape setting holding up a model of the city and a scroll bearing the words “This is my city”, Christ appears to the figure in the sky above, below are 11 coats-of-arms set in a gold background and 8 lines of text naming the tax officials for the period January 1479/80 to July 1480, the rear panel is divided into panels, the two central panels containing a large Christogram and the lower what may have been a coat-of-arms, round these are panels of gilt sprays of flowers on a green background, all within gilt borders
Lot 289
Scott, Sir Walter Autograph Letter Signed, to Lady Jane Stuart "my dear Lady Jane, I send this by William Forbes who has been on a visit a few days here with the Skenes... I sent on by a servant that was leaving me a little bunch of asparagus to show how good my garden is and a few lines of a letter. Its miscarriage is not of the least consequence except hat it has left me a sufferer in your good chances for want of kindness and affection... We have very much severe weather here. I hope it is now relenting for the sake of the poor lambs which will be appearing on our hills by thousands in a few days & a great advantage it is when the mothers have a little fresh grass to eat", referring to the weather, "I wade through the snow and never am the worst of it", and the health of his son and daughter, 2 pages, integral address panel, Abbotsford, 6 April 1829Footnote: Note: Lady Jane Stuart [formerly Lady Jane Belsches], daughter of the Earl of Leven and Melville, and the mother of Scott's first love, Williamina Belsches, who married Sir William Forbes. Curiously, Scott appears to have addressed the letter to Right Hon. Lady Jane Leven, 12 Melville Street, before correcting this to "Lady Jane Stuart, 12 Maitland Street". In another hand are the words "Addio, Italian for Adieu", possibly a reference to the fact that this was Scott's last letter to Lady Jane who died later the same year. Purchased Lyon & Turnbull, 29 August 2012, lot 292
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360406 item(s)/page