We found 360412 price guide item(s) matching your search
There are 360412 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
360412 item(s)/page
Fine walnut and floral marquetry-cased 8-day longcase clock George Murgatroyd, London, circa 1700, the 12-inch square brass dial having silvered Roman chapter ring with stylised sword hilt half hour markers, Arabic five minutes to outer track and inner quarter hour track, additionally signed Geo: Murgatroyd, London framing a matted centre with ringed winding arbors, silvered subsidiary seconds ring and calendar aperture within engraved scroll border, within crown and twin cherub supporters to spandrels, engraved signature 'George Murgatroyd London' to lower edge,the four (formerly five) finned pillar movement with anchor escapement, inside countwheel striking on a bell, regulated by seconds pendulum, the case with floral marquetry-inlaid caddy top, hood door, throat moulding, long trunk door (with oval lenticle) and base, the trunk door incorporating an urn, birds, tulips and other flowers, scrollwork etc, the plain hood sides with rectangular windows and quarter columns applied to bargeboards at the rear, the trunk sides with two line-edged panels within crossbanded borders, on conforming panel outline marquetry fronted plinth base with moulded skirt, 227cm high (sold with two weights plus pendulum and winder)George Murgatroyd is recorded in Britten, F. J., 'Old Clocks and Watches and their Makers' as working in London circa 1710 - however, features such as the convex throat moulding to the case, and ringed winding holes coupled with stylised sword-hilt half hour markers to the dial, would suggest a date just prior to this for the current lot.Dial - general tarnishing to silvered chapter ring. Discolouration to edges of brass dial. Movement - one hole to front plate is unused (so something has been removed). There is packing to upstands beneath seatboard.Case - damage and depletions commensurate with age, including (but not limited to):Superstructure (over caddy) may be an old replacement, and has been reattached. Front corners of caddy surmount appear to be separate sections, of slightly different colourGlazed side panels of hood are replacedSime cracking to moulding beneath hood door.Losses and fading to vertical edges of hood door- mainly from handling.Veneer and carcase losses to one front corner of throat moulding.Losses to inlay at top of trunk doorSome wrinkling to veneer surrounding trunk door.Lock is later and applied (originally did not have a lock)Base has moulding loss to back edge at one side.Horizontal cracks to sides of base.Later plinth cuts through base of inlaid panel.Small losses to crossbanded border.Some old drill holes to backing.
Dated mid 19th Century French Sèvres-style porcelain and gilt metal mantel clock, P. H. Mourey, Paris, 1863, the 3-inch cellular Roman chapters on bleu celeste ring framing floral centre, the two-train movement, with Vincenti Exposition stamp and numbered 23118, outside countwheel-striking on a bell, the case with wreath-topped urn surmount and a pair of oval putto panels, on breakfront base with further panel, stamped verso '11 P H MOUREY 63' (for November 1863), 40cm high (sold with pendulum)
19th Century Continental giltwood and gesso mirrorback console, of rococco influence and asymmetric form with rectangular mirror plate within folite scroll crested frame incorporating bracket shelf to the side, the lower stage shallow serpentine fronted top over closed back panel and scroll front supports, bracket half-shelf and conforming lower tier with scroll apron, raised on scroll and tapered feet, the whole painted cream with gilt highlights and scroll decoration, 105cm x 45cm x 223cm high
Early 20th Century Art Nouveau influence marquetry-inlaid two-tier occasional table in the Gallé tradition, the shaped rectangular top with shallow moulded gallery enclosing floral marquetry panel signed P Barbier, over conforming undertier raised on shaped cabriole supports, 63cm x 41cm x 70cm high
Late 17th Century style oak low dresser or sideboard, the rectangular top with galleried back over three geometric moulded frieze drawers with brass handles, shaped backplates and escutcheons, over conforming twin cupboard doors, with fielded panel sides raised on block feet, 161cm x 52cm x 92cm high
18th Century pollard oak and walnut country kneehole desk, the rectangular moulded top with central pollarded oak panel within broad oak border over brushing slide and single frieze drawer, kneehole slide to apron and recessed cupboard, between banks of short drawers with brass backplate bale handles, with fielded panel sides, on stepped plinth base, 91cm x 48cm x 78cm high
Pair of early 20th Century giltwood open armchairs or fauteuils, in the Louis XVI style, each upholstered in striped blue watersilk, the shaped panel backs with moulded frame centred with floral spray over padded open arms and conforming serpentine fronted seat raised on slender cabriole supports, 63cm x 58cm x 95cm high
Late 19th Century inlaid walnut breakfront credenza, the figured top over boxwood and ebony stringing and inlaid foliate scroll frieze over central door with inlaid panel flanked by gilt metal capitals and glazed quadrant cabinets, each enclosing two shelves, on bracket supports, 152cm x 41cm x 106cm high
An Arts and Crafts oak mirror back sideboard, in the manner of Harris Lebus, the base with two drawers over two linenfold carved panel doors, each with planished and repousse decorated strap hinges, heart shaped handles, and trestle plank and shelf sides, united by a fret pierced low apron stretcher, the central mirror flanked by carved poppy head motifs and wide brimmed pediment, 175cm wide, 172cm high, 57cm deep
A 19th century French kingwood crossbanded and ormolu mounted two tier occasional table; with reticulated brass galleried top with inset Sevres style painted panel decorated with exotic birds, the porcelain mounted under tier united by three slender ormolu mounted cabriole supports, 32cm diameter
MARQUEZ, Gabriel Garcia, One Hundred Years of Solitude. Jonathan Cape, 1st UK edition 1970. In dust wrapper with a few short tears to the top of front panel. Lamination beginning to peel on lower panel.Top of dust wrapper has a couple of small tears. Lamination beginning to lift on lower panel. Light uneven fading to purple border on lower panel.
A Bokhara type rug, the central panel set with repeating lozenge medallions on a red ground within a stepped red and black border approximately 210 cm x 135 cm together with a caucasian runner, the central panel set with hook motifs on a red ground within a stepped red, blue and cream geometric patterned border approximately 104 cm x 293 cm and two further modern rugs and a further Caucasian rug with olive green medallion (5)
A caucasian rug, the central panel set with stylised star medallion on a cream ground with stylised flower head decoration within a stepped red, blue and cream geometric patterned border and two striped end panels approximately 188 cm x 120 cm together with a further rug, the central panel set with repeating medallions on a cream ground with stylised bird and animal and flower head decorated ground within a stepped multi-coloured border approximately 110 cm x 156 cm (2)
A Bokhara type rug, the central panel set with repeating lozenge medallions on a red and cream ground within a red and cream scrolling foliate decorated border approximately 175 cm x 100 cm together with a further Bokhara type rug, the central panel set with repeating elephant foot style medallions on a red ground within a stepped red and blue border 178 cm x 133 cm
An Afghan rug, the central panel set with repeating medallions on a dark red ground within a red and black scrolling stylised floral decorated border approximately 390 cm x 280 cm CONDITION REPORTS Has areas of fading and discolouration. Is misshapen with bagging to both ends. Has tears to the fringing area and rips to the tassel weave area. Holes to the edging on both sides. In need of a clean. Some repairs particularly one noticeable to the edging. Wear and tear conducive with age and use. See images for further detail.

-
360412 item(s)/page