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AN ARTS AND CRAFTS OAK SIDEBOARD having an arched raised back with embossed copper panel of a longboat at sea, plain columns, rectangular top, panelled door and two drawers, raised on tapering square section legs. 153cm(h) x 152cm(L) x 61cm(d) CONDITION: Marks, stains and some scratches, edge knocks and wear, some damage to the back left column.
A 1950'S KITCHENETTE CABINET with etched glass panel doors, vented doors and sliding enamel work surface, the lower stage with frieze drawer and base cupboard doors, on block feet. 184cm(h) x 90cm(w) x 48cm(d) CONDITION: Re-painted in blue and white, some edge knocks and paint chips, some blistering to chromed handles, marks and stains.
A 19TH CENTURY CONTINENTAL CHAMPLEVE ENAMEL AND GILT METAL INK STAND with enamelled panel and back between dolphin form pen stands, the lobed front having a hinged well with foliate cover. 23cm(L) CONDITION: Some marks and scratches, remains of colour to dolphin stands, the well locking pin missing.
AN EARLY 20TH CENTURY MIDDLE EASTERN IVORY OVAL PANEL, painted in colours and gilt with nomadic hillside encampment featuring figures at various activities, including cooking, with tents, donkeys and camels, 16.5cm x 23cm, signed in Arabic 'Hiral/Hird', on card mount decorated with floral ornament and contained within stained wood frame inlaid with sedeli work and ivory. 40.5cm x 46.5cm overall CONDITION - Slight wear to sky - frame with slight chipping
A 19TH CENTURY ITALIAN PIETRA DURA CARD BOX, the rectangular pietra dura panel inlaid with playing cards and counters in a moulded ebonised surround, the sectioned interior with applied white metal disc with initials HMB, the moulded body on ball feet. 27.5cm(w) x 20.5cm(d) CONDITION: Some cracking and small losses to panel, some wear to ebonised wood, split to top inner panel, but generally ok.
A 19TH CENTURY HAND-PAINTED TIN PANEL depicting an allegorical figure of War standing guard on a coastal outcrop, a white enamelled clock dial with Roman hours enclosing the inscription ' No Tick Here' all in a figured mahogany frame. 43.5cm x 33.5cm CONDITION: Blistering throughout with some cracking and losses, some losses to dial surround.
A 19TH CENTURY MARQUETRY INLAID WALNUT SIDE TABLE in the William & Mary taste, the rectangular moulded top with central lobed oval panel inlaid with foliate 'seaweed' marquetry within conforming spandrels and panels, the single frieze drawer with conforming inlay, raised on barley-twist supports linked by a shaped X-from stretcher. 74cm(h) x 96cm(w) x 64.5cm(d) CONDITION: Three horizontal splits to top, repair to stretcher, some veneer splits and losses, fading, marks, stains and scratches.
A LARGE 19TH CENTURY PAINTED-LEATHER FOUR-FOLD SCREEN four oblong panels painted with a continuous rural village scene with figures, each panel measuring 226.5cm x 58cm. CONDITION: Cracking to leather with damage and repairs to lower corners, end panel with a hole to lower right corner, some fading, discolouration and wear.
AN OAK WAINSCOT TYPE ARMCHAIR 18th century and later, with yoke-form crest-rail, fielded panel back and shaped open arms, the solid seat raised on block and turned supports united by stretchers. 107cm(h) CONDITION: Possible adaptations, some old worm damage, filled holes to seat, splits, deterioration to seat.
A PAIR OF JAPANESE SILVER-MOUNTED, IVORY AND ENAMEL VASES, MEIJI PERIOD (1868-1912) each ivory body with a 'Shibayama' work panel of a hen and chicks or a cockerel and chicks amidst flowers, the reverse with birds amidst blossoming branches, with signature panels, the silver neck and base mounts with foliate cloisonné enamel bands, each applied with two small scroll handles 16cm high
A PAIR OF JAPANESE SILVER AND LACQUER VASES, MEIJI PERIOD (1868-1912) the lobed bodies each set with four gold lacquer panels with 'Shibayama' work decoration of various birds amidst foliage, applied with floral cloisonné enamel panels throughout, with grotesque mask drop-rings at the shoulders, underside with signature panel 23.5cm high
A JAPANESE IVORY AND LACQUER TABLE SCREEN, MEIJI PERIOD (1868-1912) the two folds each set with a gold lacquer 'Shibayama' decorated panel, one depicting a scene of a gardener gathering flowers amidst baskets and pots of flowering plants, the other of a lady and a boy amidst blossoming foliage, the ivory frame carved with foliate panels, with silver hinges and corner mounts, the reverse with lacquer panels of butterflies and foliage on a dark ground and cloud panels to the ivory 23cm high
A PAIR OF JAPANESE SILVER, ENAMEL AND IVORY VASES, MEIJI PERIOD (1868-1912) the hexagonal bodies set with shaped ivory panels with 'Shibayama' work decoration of various birds amidst blossoming foliage, applied throughout with cloisonné enamel panels of chrysanthemums and foliage, signature panel to base 28.5cm high
A PAIR OF JAPANESE SILVER VASES, MEIJI PERIOD (1868-1912) slender waisted and lobed cylindrical, one applied with a downwards encircling dragon, the other with an upwards encircling dragon, with panels and bands of applied delicate wirework scrolls and foliage with cloisonné enamel, underside with applied signature panel 27cm high, (46oz)
A JAPANESE SILVER, ENAMEL AND IVORY DISH, MEIJI PERIOD (1868-1912) rectangular with incurved corners, the central ivory panel with a 'Shibayama' work depiction of an interior with a vase of flowers on a table, a blind, some railing and further flowers, red signature panel, the broad silver filigree scroll border regularly set with enamelled flower sprays, on filigree panel feet 20cm wide
A LARGE JAPANESE 'SHIBAYAMA' WORK IVORY AND SILVER VASE AND COVER, MEIJI PERIOD (1868-1912) the tusk inlaid with a falcon tied to a wood and lacquer perch amidst a variety of blossoms, the reverse with a falcon perching on a flowering prunus looking at birds flying past, with signature panel, silver filigree scrolling neck mount, the cover with cast silver quail finial, on a silver base of spumy waves 56cm high
A JAPANESE SILVER AND LACQUER DISH, MEIJI PERIOD (1868-1912) flowerhead shaped, centred by a 'Shibayama' work landscape panel on a gold lacquer ground of passengers on a punt casting off under a blossoming cherry, with broad filigree border set with enamelled flowerheads, on openwork panel feet, underside with mother-of-pearl signature panel 33cm diameter
A JAPANESE SILVER AND IVORY DISH, MEIJI PERIOD (1868-1912) flowerhead shaped, the 'Shibayama' work ivory panels of a central roundel with a bird amidst blossoms surrounded by petals of flower sprays alternating with silver petals with cloisonné enamel foliage, scrolling silver filigree between, on three filigree panel feet, underside with signature panel 33cm diameter
THREE ITALIAN TABLE ITEMS, ALL 1944-68 comprising a baton basket, the elongated part tubular base with openwork cast scroll foliate panel feet and fixed handle, marks rubbed, 33.5cm long, a salver, shaped circular, the rim with foliate edged matted panels interrupted by green coloured cabochons all within an applied scroll border, mark poorly struck, probably Renzo Pizzera, Milan, 32.5cm diameter and a double stand, with two angled part tubular sections joined by wirework and a shell handle Bonura & Cusimano, Palermo, 23cm long; all stamped 800 1509gr
AN EDWARDIAN SILVER TRINKET BOX, CHARLES HORNER LTD., BIRMINGHAM, 1905 rectangular, slightly domed lid, cast shaped panel feet, covered in stamped rocaille scrolls and diaperwork on a linear ground, distressed silk lined interior, 13cm long; together with a George V silver waiter, J. Parkes & Co., London, 1931, square with incurved corners, initialled D.C., on pad feet, 19cm diagonally, 307gr (10oz) waiter only (2)
AN AMERICAN SILVER TEAPOT AND COFFEE POT, TIFFANY & CO., NEW YORK, EARLY 20TH CENTURY made to match the preceding lot, similarly initialled T, fluted bulbous bodies, chased with panels of convolvulus and other flowers on a matted ground, cast foliate panel feet, leaf capped silver handles coffee pot 24cm high, 2340gr (75oz) including insulators
A VICTORIAN SILVER THREE-PIECE TEA SET, PROBABLY J. WHITEHOUSE, LONDON, 1837/38 compressed fluted circular, engraved with a crest, cast scroll panel feet with scroll foliage between, teapot with cast flowerhead and leaf finial, milk jug and sugar bowl with gilt interiors teapot 27.5cm long, 1285gr (41oz) including insulators
A VICTORIAN SILVER THREE-PIECE TABLE GARNITURE, THOMAS BRADBURY & SONS, LONDON, 1874/75 comprising a centrepiece with cut and frosted glass bowl and three pendent baskets with glass liners and two flanking tazze with matching glass bowls, each with shaped and domed triform base on cast rocaille panel feet and an openwork stem of entwined fruit-laden vines centrepiece 52cm high, tazze 30cm high, 4580gr (147oz)
A VICTORIAN SILVER PAGE TURNER / PAPER KNIFE, RICHARD SIBLEY, RETAILED BY LAMBERT & CO., LONDON, 1870 the filled handle modelled after the Antique probably of Cornelia, Mother of the Graccchi, the matron with suckling child and two further children at her feet, the blade with foliate engraved panel, in original fitted case with LAMBERT printed gilt label 25cm long
A SILVER PANEL OF THE NATIVITY, UNMARKED, PERHAPS BELGIAN, LATE 19TH CENTURY cast in relief with the Holy Family and two shepherds in adoration, an angel behind announcing the birth to further shepherds, framed by a rounded arch on Gothic columns and above a band of quatrefoils 12cm high including suspension ring
A GROUP OF CHINESE GENTLEMEN AND LADIES' ACCOUTREMENTS, MID 19TH CENTURY comprising; two sets of tortoiseshell chopstick and knife holders, one shagreen chopstick and knife holder, a pair of ladies silk embroidered shoes, an embroidered panel with vase and flowers, a small bottle marked Canton peppermint oil, another bottle in a gilt silk tasseled case, a plain fan with carved sticks, a carved nut bracelet, a damaged pierced boxwood pomander, a nit comb with agate monkey toggle, cash coins and a horn cylindrical box in a silk net holder, an abacus, two silk embroidered peach-form drawstring bags, a silk wallet, a small carved cherry stone bracelet, a silk embroidered pouch, a set of silver and bronze monkey dress buttons in a small box, and a green hardstone seal and a box containing three opium pipes, a Japanese knife, an opium tool and two ancestral tablets (qty) Provenance: acquired circa 1858 by Admiral Arthur William Acland Hood, 1st Baron Hood of Avalon (1824-1901); thence by family descent. See footnote to lot 78 for more information.
A CHINESE IVORY BROOCH/PENDANT, SECOND HALF 19TH CENTURY oval, set with a deeply carved ivory panel of figures dancing before an enthroned figure under a canopy, the gold mount plain except for a corded border, 50mm wide; together with a Chinese ivory set white metal necklace and bracelet, circa 1900, each set with carved graceful female figures between openwork scroll sections, necklace 45cm long; and a pair of Chinese ivory sewing barrels, mid 19th century, carved with bands of oval flowerhead panels between reeded borders, with screw tops and spool holders, 5cm high (5)
RMS Queen Mary Maiden Voyage c1936: A fine HM Silver Souvenir Penknife having inset enamel panel with illustration of the 3-funnel Cunard White Star Liner, two-bladed with incised decoration to sides inscribed “RMS Queen Mary”, hallmarked Sheffield and with maker’s mark for George Ibberson, dated 1935, complete with silver clasped leather protective soft-case
Fokker Dr. 1 No. 441/17, a flying scale model of this famous World War One fighting scout, the wood airframe fabric- and panel-covered, with fully operational flying control surfaces, finished in olive green, with pale blue undersurfaces and with Maltese and Balkan national markings of the period, on rubber-tyred main undercarriage and tail skid, with dummy engine and wood propeller, 190cm wingspan
Handley Page H.P.42-1 Hannibal G-AAGX, An extensively flown flying scale model of this famous Imperial Airways airliner, the wood airframe covered in corrugated aluminium and fabric skin as in the original 1930 construction, the 232cm long fuselage with glazed pilots cockpit, cabin windows with curtains, port entrance door, the registration in black, Imperial Airways and Hannibal in deep blue as on the original aircraft, on strut reinforced rubber tyred main under-carriage and moveable tail wheel, the detatchable upper and lower mainplanes united by struts and fitted with engine nacelles and dummy Bristol Jupiter XI radial engines concealing the four running glow-plug model power units, with four-blade 30.5cm diameter mahogany propellers, the tail unit fins, rudders and planes wire braced, the upper centre section of the main planes with access panel for radio controls, the upper main planes with Handley Page slots, all flying control surfaces fully operational when connected to radio control unit, 437cm w/span. Some old repairs to original fabric. Historical Note - Original taxiing trials with Hannibal began in October 1930, first flight with Tom Harry England, and Cordes at the controls was made on 14.11.30 after much testing and some modification Hannibal entered service with Imperial airways in 1931. In 1939 this aircraft was based at Cairo and on 1 March 1940 after 12000hrs and 1,000,000 route miles flown she disappeared without trace over the Gulf of Oman on scheduled flight from Jask to Sharjah
Two Chinese porcelain blue and white saucers Kangxi 1662-1722, painted with the Jumping Boy pattern of a small boy and his mother, one with a peony panel and diaper border the other with a simple border of auspicious objects, four character marks, 10.5cm. (2) Provenance: from the Geoffrey Godden Reference Collection.
Three delftware plates mid 18th century, one Bristol and painted with a blue flower spray within a woolpack shaped panel on a powdered manganese ground, one also Bristol painted with a low pagoda beneath weeping willow, repeated in three panels to the rim and reserved on a manganese caillouté ground, the last painted in blue, manganese and yellow with bamboo and flowering branches issuing from rockwork, 22.7cm. (3) Provenance: from the estate of the late Peter James Rankin.
Three Derby dessert plates c.1815 and later, one painted with a raging waterfall in an octagonal panel within a rich orange and gilt border, titled Near Hugh Lloyd's Pulpit, Merionethshire, the other two variously decorated in the Imari palette, one with a formal design, the other with loose flower sprays, the latter Bloor Derby, 22cm max. (3)
Six English delftware tiles 18th century, two painted with vases of flowers, one with a figure seated beneath a bower in blue on a powdered manganese ground, one with a traveller in an octagonal panel, another in manganese with a fisherman in a circular panel, the last with a formal floral and foliate design, some damages, 13cm max. (6)
A large Bow blue and white sauceboat c.1765, the exterior moulded with a floral panel to each side reserved on an overlapping leaf ground, painted with a peony spray beneath the spout with similar designs echoed to the interior, the rims with cell diaper borders, some rim faults, 21.5cm. Paper label for Mercury Antiques.
A large Dutch Delft tile panel 18th century, painted in manganese with Joseph and his brothers beneath tall trees, formed of twenty square tiles mounted in a black frame, 80cm x 70.6cm overall. Cf. Anne Berendsen, Tiles, pp.186 and 191 for the same scene on a tile panel made in Rotterdam by the De Bloempot workshop.
Four dry-bodied stoneware small mugs or coffee cans early 19th century, perhaps Chetham and Woolley, two applied with scenes of putti and of Andromache crying over the ashes of Hector, reserved on a brown ground, one with an oval panel of a putti and a lion between applied trees, the last with a band of palmettes, impressed MIST LONDON for the retailer James Mist, 6.5cm. (4)

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360412 item(s)/page