There are 360412 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA pair of Continental style urn shaped vases of gilt rimmed pink and white ground with decorative polychrome floral panel and each with 2 gilded swan neck handles on rectangular plinths (28cms) and a pair of early to mid 20th century rough cast baluster vases with naturalistic leaf and floral swags
AFTER SIR ANTHONY VAN DYCK (1599-1641) `Time Clipping Cupid`s Wings` watercolour heightened with gouache, and gum arabic on paper, laid down on panel 11 1/4 x 8in (28.6 x 20.3cm) The original work by Van Dyck (c.1630-1632) is in the Musee Jacque Mart-Andre ,Paris. The theme derives from Virgil`s `Omnia Vincit Amor. Vincit Mox tempus Amorem`
CIRCLE OF WILLIAM J. MULLER (1812-1845) `Pont Aberglaslyn near Beddgelert, N. Wales`, indistinctly inscribed with title and artist`s name verso, and also dated 1849 oil on board 5 1/2 x 7in (13.9 x 17.8cm); and an oil on panel by another hand depicting an extensive landscape with a figure on a track (2)
JAMES VALENTINE JELLEY (Fl. 1883-1940 ) Low Tide in a Harbour signed ` J. V. Jelley ` (lower right) oil on canvas 12 x 13 1/2 in (30.5 x 34.4 cm) ; an oil study on panel , by Roderick M. Mackenzie depicting a river townscape ; and a watercolour by Herbert H. Lines depicting a Mountain Landscape (3)
A George III Silver gilt and micro-mosaic set Vinaigrette, of hinged form, the cover centred with an opaque hardstone oval panel (chip to rim), and centred with an image of a bird and chariot within floral and foliate borders, and beaded line detail to the base, and fitted with a hinged gauze centred with pierced detail of musical trophies within a foliate garland, width 1 7/8”, and marked for Birmingham probably 1781, Maker’s Mark probably Matthew Linwood
A fine early 20th Century Continental Silver and enamelled Snuff Box, of rectangular form, the hinged and domed cover decorated with a cobalt blue geometric border and enclosing a landscape panel depicting a seated Diana the Huntress with an attendant, together with game, bow and arrow and attentive hounds within a river landscape, to a waisted body and polished base, to a frosted gilt interior, marked 800 only, width 2 15/16”
An Edward VIII Silver and enamelled Powder Compact, of hinged square form, with all over engine-turned decoration, the cover with central opaque panel and flanked by pale blue borders, to a mirror fitted interior, Birmingham 1936, Maker’s Mark WG, with further retailer’s mark for Wilson & Gill of London, width 2 7/8”
A mid 18th Century French base metal cased Verge Watch, Jn Le Roy of Paris, 6548, the frosted and gilt movement with a pierced and engraved bridged cock and silvered regulation disc, with blued steel screws and square baluster pillars, to a signed enamel dial with Roman chapter ring and outside Arabic numerals and minute track, with winding square at 3.30, and pierced and stamped fancy Brass hands, in a hinged case, with bevelled bulls eye glass and red wax bezel, to a glazed back cover enclosing a convex panel engraved with musical trophies, and bow suspension, width 2 1/8”
An early 19th Century Mahogany and Brass Inlaid Single Pad Top Bracket Clock, Honeybone of Brentford, the arched case with single pad and cast carry handle, over fish-scale sound frets, to ebonised canted corners and recessed frieze panel, to a further fluted border and plain plinth base, raised on brass ball feet, to a spun brass bezel and convex glass enclosing an 8” painted Roman dial signed to the centre, with outside minute track and pierced and blued steel moon hands, to a movement with engraved and shouldered plates united by four knopped pillars, with anchor escapement and strike on a bell, height 20”
A late 19th Century French Boulle Mantel Timepiece, the waisted case with cast foliate finial and mounts, to a further tortoiseshell and inlaid front panel with ebonised sides, to a beaded cast brass bezel enclosing a 4” further brass dial with applied Roman lozenges and blued steel hands, to a circular brass movement with anchor escapement, height 12”
A second half of the 20th Century Lacquered Brass Italian Clock Garniture, Imperial, the shaped case surmounted by a gilt highlighted and cobalt blue urn, to figural corner mounts, and splayed base raised on four bracket feet, and decorated with a panel depicting a courting couple in 18th Century Costume, beneath a Roman and Arabic chapter ring with outside minute track and black pierced and stamped hands, to a circular brass movement with strike on two bells, height 17”; and flanked by a pair of similarly decorated urn side pieces (3)
Loading...
