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Lot 79
SIX ITEMS OF TITANIUM JEWELLERY AND FIVE ITEMS OF DESIGNER JEWELLERY, the titanium jewellery includes four band rings, a pair of cufflinks and an ID style bracelet with steel bracelet and titanium panel and clasp, most with marks to indicate titanium, the designer jewellery includes an Azuni necklace with cultured pearl detail, two Elodie pendant necklaces, together with two gentleman's band rings, some with marks to indicate silver, total weight of designer jewellery 76 grams (calculated excluding plastic bags)
Lot 78
ELEVEN ITEMS OF MAINLY CHILDREN'S MOLLY BROWN SILVER JEWELLERY to include a child's necklace designed as a belcher link chain suspending three stars, a similar designed necklace suspending three hearts, a child's pendant necklace suspending a heart and star panel, all with maker's marks, all with silver hallmarks, total weight 43 grams (calculated excluding plastic bags)
Lot 40
THREE PAIRS OF CUFFLINKS to include a pair of oval chain link cufflinks inlaid with mother of pearl, a pair of fishing fly cufflinks and a pair of silver guilloche enamel cufflinks, the oval panel with blue and white enamel decoration, with silver hallmark for J Aitkin & Son, panel lengths 15mm to 21mm
Lot 122
TWO WATCHES, A BROOCH AND A MEDAL, the 9ct gold medal for Coventry Works Bowling League with enamel central detail and personal engraving to the reverse, length 35mm, weight 6.2 grams, a late Victorian memorial brooch or circular outline with domed red paste centre and a woven lock of hair to the reverse panel, diameter 29mm, weight 7.6 grams, together with an early 20th Century 9ct gold wristwatch with leather strap and a gentleman's Hamilton wristwatch
Lot 131
TWO PENDANTS, the first a George V 1912 sovereign with enamel detail to the reverse, within a scrolling 9ct gold mount, with 9ct hallmark for Birmingham, the second an early 20th Century oval painted panel with domed glass top and engine turned reverse panel, stamped 9ct, total weight 28.8 grams
Lot 71
A SELECTION OF SILVER AND WHITE METAL JEWELLERY to include an expandable charm bracelet, two cultured pearl bracelets etc, five necklaces with cultured pearl detail, a further pendant necklace, four heart or star ear studs, a pair of drop earrings with heart panel and cultured pearl detail, two enamel heart charms, most with marks to indicate silver, total weight 75 grams (calculated excluding bags)
Lot 7
TWO GEMSTONE PENDANTS, the first designed as a pear shape tanzanite with tapered panel above set with four brilliant cut diamonds with 9ct hallmark, length 23mm, weight 1.5 grams, the second designed as a pear shape garnet within a bow designed mount and further colourless paste detail above, length 15mm
Lot 76
NINE MOLLY BROWN ITEMS OF SILVER JEWELLERY to include a set of jewellery designed with a circular mother of pearl panel within a single cut diamond surround to the fine belcher link chain, the set comprising of a necklace, two bracelets and a pair of ear studs, together with four pendant necklaces and a bracelet, all of varying circular panel designs, all with maker's marks, all with silver hallmarks, total weight 58 grams (calculated excluding plastic bags)
Lot 105
English School (17th century) Portrait of King Edward IV of England (1442-1483) Oil on panel 56cm x 25.5cm Provenance: (According to a label on the reverse) The Artist Samuel Woodforde R.A. (1763-1817); Acquired by William George, Bristol; Thence by descent to Winifred George (1897-1979), who married Cyril K Thorn (1893-1963) of Appleton Rectory, Berkshire.
Lot 110
A small Charles II oak three-drawer chest, circa 1670 The frieze with dentil-mouldings and twin elongated bosses in cherrywood flanked by ebony buttons, each drawer with twin-panel fronts and the lower frieze rail carved with discs, each drawer is lined with woodcut prints of King Charles II and Catherine of Braganza holding hands, half-length within an oval, Charles holding a sword, Catherine holding a fan, a rose between them, 73.5cm wide, 44cm deep, 75cm high. COMPARATIVES: The British Museum has an impression of this print in their collection (Museum number 1870,0709.764)The pose is strikingly similar to that of King Charles II and Catherine of Braganza on their wedding day in 1662, depicted in an engraving by Hugo Allard the Elder. (Royal Collection Trust – RCIN 602675). See another similar in the V&A (E.1258-1933). This was catalogued in the 1982 Oman-Hamilton catalogue of V&A wallpapers as no.14, and its provenance is given as from a contemporary oak box for which it was used as lining paper. The catalogue entry comments that 'another version of this paper, in the Public Record Office, was found in a chest at Sulgrave Manor'.
Lot 112
A Queen Anne oak press cupboard, Lakeland, dated and initialled IW 1712 Carved overall with lunette and scroll motifs and incised detail, the upper section enclosed by a pair of small doors either side of a lozenge carved panel and flanked by projecting columns, the lower section enclosed by a pair of panelled doors, stamped TR upper right corner, 147cm wide, 56cm deep, 171cm high.
Lot 113
A Charles I oak press cupboard, circa 1640 Carved with scrolls, strapwork and lunettes, enclosed by a pair of upper doors either side of an arcaded panel and flanked by projecting columns, above a pair of larger panelled doors, the roof board pierced for ventilation, 151cm wide, 58cm deep, 160cm high.
Lot 151
An English carved oak figure of an angel, circa 1480 Within a moulded frame and with stippled background, mounted on velvet background, 44cm wide, 53cm high. COMPARATIVE LITERATURE: Tracy, English Medieval Furniture and Woodwork, 1988, plate 15 (a corbel) and plate 54 (a panel) show similarities in the way the hair is carved.
Lot 287
A Charles I oak armchair, West Country, circa 1640 The back panel carved with a foliate arcade flanked by stiff leaf uprights and surmounted by a lunette crest rail with scroll detail, the arms on ring-turned tapering supports matching the legs, probably Somerset, 56cm wide, 40cm deep, 109cm high. NB Please note this lot is from 'Other Properties' and is not part of the William H Stokes Collection
Lot 329
An unusual William and Mary oak high-back armchair, South Lancashire, circa 1690 The arms set low and with deep arched toprail and fielded panel, both tightly carved with stylised flowers, the rope seat above a wavy frieze stamped with initials MD, 56cm wide, 60cm deep, 121cm high. LITERATURE: C.K. Binns, Fine Furniture Sans Pedigree, Antique Collector, December 1970, p.278, Fig.11, credited to William Stokes.
Lot 354
A 15th century Orphrey panel designed with three saints Depicting a man with a book and fleur de lys, Zenobus, a man with his hand in blessing and a purse hanging from his waist, Matthew, and one other holding a book, worked mainly with applied gold thread and later coloured thread embroidery, 138cm x 27cm, framed and glazed.
Lot 364
A mid 19th century panel of linen Embroidered in yellow silk with running, applied and back stitches, designed with the Medici family crest, mermaids, unicorns and curling leafy stems, having later velvet border, lined, 35cm x 158cm and a 19th century border of applied linen on a Burato mesh ground, 19cm x 320cm, Italian. (2)
Lot 366
An early 18th century frieze panel Of linen embroidered with coloured silks in laid and applied stitches, designed with a mask between parrots perched upon a meandering scrolling leaf, a display of fruit before the mask and a vase of mainly tulips and narcissi to each side, 72cm x 284cm, circa 1700, Italian.
Lot 368
A 16th century Orphrey panel Designed with a roundel of St. Matthew holding a book and axe woven in blue and green silks and gold thread, 53cm x 22.50cm, another with the figure of a female saint, 50cm x 19.50cm, an embroidered Roundel of St. Peter, 14.50cm diam. and a 17th century red velvet Panel with cream and blue silk applique designed with a shield displaying symbols of Christ’s Passion amongst scrolling leaves, 18.50 x 53cm, lined. (4)
Lot 383
A pair of cushion covers of 17th century Flemish tapestry Designed with a display of roses, having fringed edge, 46cm sq. a panel of two birds carrying a ‘golden’ egg, 50cm x 73cm, a seat cover designed with a hound, 35cm x 48cm and a cushion designed with tassels, 40cm x 38cm, each of tapestry. (5)
Lot 384
An early 17th century tapestry panel Of a goddess holding a cornucopia of coins and one of fruit representing good fortune and plenty, the word ‘LIBERALITAS’ surmounts her, woven in coloured wools, upper right with initials ‘IAN RA…’ lined, 66cm x 80cm, Flemish. Probably from the important Brussels workshop of Jan II Raes 1570 – (1640?)
Lot 39
An unusual Charles II small oak table / cupboard, circa 1670 The square top above a cupboard door with deep raised panel and arcaded apron, on ball and ring-turned legs joined by stretchers, the underside profusely stencilled with advertising for J & J COLEMAN’S, 46cm wide, 46cm deep, 58cm high. Literature: C.K. Binns, Some further previously unrecorded examples of early oak furniture, Antique Collector, April/May 1970, p.64-70, illustrated and credited to William Stokes.
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360406 item(s)/page