THREE CONTINENTAL SILVER SNUFFBOXESThe first with marks for Vienna, 1827, of rectangular form, the cover engraved with a view of race meeting and inscribed 'Bauren Plerde Rennen', with gilt ribbed interior, 8.3cm wide, the second 18th century, indistinctly marked, of cartouche shape and chased with a depiction of Leda and and the swan, 7.6cm wide, the third, mid 18th century, unmarked and of oval form, the lid inlaid with a tortoieshell and gold pique panel depicting a basket of flowers, diameter 6.2cm, weight 6.5oz. (3)For further information on this lot please visit Bonhams.com
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A COPPER GILT SNUFFBOXMid 18th century Of cartouche shape, chased with scrolls and panels of flowers, the lid inset with a pudding stone panel, 6.2cm wide, another box of similar form, 18th century, the lid inset with a blonde tortoiseshell panel inlaid with silver pique depicting a basket of fruit and a bird, 7cm wide, together with a rectangular metal snuffbox of rectangular form, 19th century, with pseudo hallmarks, the lid inset with a green moss agate panel, length 6.3cm. (3)This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
A SILVER SNUFF OR TOBACCO BOXLate 17th/Early 18th Century maker's mark only BS Of circular form, the lid set with a silver medallion, Archbishop Of Canterbury William Sancroft, 1617-1693, and the Seven Bishops, 1688. By George Bower, the whole base engraved with crest and motto 'VINCENTIDABITUR', 7.2cm wide, together with a Continental silver snuffbox, circa 1800, with indistinct marks, of rectangular form, the lid inset with a banded agate panel, length 7.5cm, weight 7.9oz. (2)Footnotes:The crest on the first box is likely to be that of:VINCENT a baronet of Stoke D'Abernon, Surrey and Debden Hall, Essex or VINCENT of Trelevan in Mevagissey, Tresimple in St Clements and Batten in Northill CornwallFor further information on this lot please visit Bonhams.com
A COLLECTION OF SMALL SILVER ITEMSComprising a Victorian card case, by David Pettifer, Birmingham, 1852, of shaped rectangular form, engraved with foliate pattern and centred by an oval panel featuring two exotic birds on a fountain, 10cm high, an engine turned purse, Goldsmiths and Silversmiths company, London, 1915, together with three silver mounted cut glass scent bottles, 6 oz weighable silver. (5)For further information on this lot please visit Bonhams.com
A Lalique Naiade design cendrier trinket dish, late 20th century, the frosted figure in an arched panel on a circular dished base, engraved mark 'Lalique ® France', applied label, height 10.3cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Worcester hexagonal teapot stand, circa 1775, painted with a central Compagnie des Indes panel of flowers within a gilt laurel frame and scattered sprigs, the rim with a purple trellis border, length 15.3cm, together with a small group of other mostly Worcester wares, including a Marchioness of Huntley pattern plate, diameter 19cm, a floral painted fluted sugar bowl, fretted square marks to base, height 7cm, a Flight saucer, painted with cornflowers, and a Spotted Fruit jar and cover (faults and restoration). Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Lalique Naiade paperweight, late 20th century, designed as a frosted figure in an arched panel, raised on a small circular base, engraved mark 'Lalique ® France', height 9.5cm, with a box.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Caughley Pagoda pattern blue printed teabowl, circa 1790, with gilt highlights, blue printed mark to base, diameter 8.5cm, together with a mixed group of Staffordshire blue and white pottery and porcelain, late 18th and 19th century, including a diminutive pearlware teacup and saucer, a pair of teabowls and saucers with a central circular figural panel within a border of flowers, other teabowls and saucers and three egg cups (faults). Provenance: the property of Donald Church.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pair of Royal Worcester porcelain Persian style vases, circa 1890, each flattened pear form body painted and gilt with flower sprays on an ivory ground, beneath a moulded panel and gilt overlaid narrow neck, flanked by a pair of gilt bird mask and scroll handles, puce factory mark including shape number '1134' to bases, height 29.6cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Worcester reeded French shape teacup and saucer, circa 1780, painted with floral swags divided by gilt scrolls around a central green caillouté gilt edged circular panel, the cobalt blue rim with gilt overlaid decoration, underglaze blue 'W' mark to bases, diameter of saucer 13.5cm, together with a similarly decorated Sèvres influenced teabowl and saucer. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pair of Barr, Flight & Barr Worcester plates, 1804-13, painted with a central floral panel against a blue scale ground reserved with smaller panels of flowers within gilt scroll frames, puce script and incised marks to bases, diameter 23.5cm. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
* NEIL DALLAS BROWN (SCOTTISH 1938 - 2003), SLOW BALLAD (BLUES NUMBER) oil on panel, signed, titled and dated 1978 label versoframed image size 45cm x 37cm, overall size 63cm x 56cm Artist's label verso.Note: Neil Dallas Brown was born in Elgin, Moray and studied at Dundee College of Art, Patrick Allan Fraser School of Art in Arbroath and the Royal Academy Schools. He won a travelling scholarship to the continent and a number of notable awards and prizes. In 1967 he visited New York with a Scottish Arts Council bursary; in 1970 took part in the Arts Council of Northern Ireland Open winning a major prize; and in 1981 won a bursary to the Scottish Arts Council studio in Amsterdam. From 1968-78 he was visiting lecturer at Dundee's Duncan of Jordanstone College of Art, then joined Glasgow School of Art where he taught for some 20 years. He lived in Fife until his death in 2003. Dallas Brown participated in dozens of group shows but also had a series of prestigious solo shows, notably at Compass Gallery in Glasgow, a series in the late 1960s at Piccadilly Gallery in London, a touring retrospective in 1975 from Stirling University, Perth Art Gallery 1987, Thackeray Gallery London in 1989 and Glasgow School of Art 1998. Birds and humans featured in Dallas Brown's pictures, which are tinged with mystery, menace and surrealism. He said ''Painting is love. Painting is an affectionate devotion''. More than 50 of Neil Dallas Brown's paintings are held in major public collections in the UK including at Glasgow Museums & Galleries, Fife Council, Hospitalfield (Arbroath), The Glasgow School of Art, Edinburgh City Collection, Nottingham Art Gallery, The Walker Art Gallery (Liverpool), Aberdeen Museums & Galleries, Dundee Museums & Galleries, The Fleming Collection (London), Paisley Museums & Galleries and The Scottish National Gallery of Modern Art.
Late 19th/early 20th century open bookcase, on base, with the moulded cornice over adjustable shelves, flanked by fluted columns, on base with foliate carved panel door, on plinth base, 244 x 132 x 52cm. Bookcase appears to be original. No evidence of doors being present to top part. The bottom section measures 85cm in height. Interior depth of top section measures 25cm.
XIX Century Mahogany Oak Eight Day White Dial (C. Clark Wakefield) Longcase Clock, with a swan neck pediment, arched door, trunk with small door, inlaid chamfered sides, base with an oak panel on bracket feet, (white dial with painted cottage scene, Roman numerals, minute dial, (no weights) 243cm high.
A Regency oval inlaid mahogany and marquetry wine cooler, the oval crossbanded top with central fan patera and husk inlay to the outer edge, above a four panel body with husk and ribbon and bow inlay and a strung base, raised on square tapering legs with blind fret husk carvings terminating with spade feet, the interior has been adapted to hold a bottle/glass stand, 24 x 18in. (60.9 x 45.7cm.), 26¼in. (66.6cm.) high. * Condition: Small losses of veneer and some splits around the base, mostly near the legs, the interior has been altered to accept a glass/bottle tray which has pierced the interior liner.
A Louis XV style mahogany display cabinet circa 1920, the flared arched top with floral swag carving over a single glazed door opening to velvet lined shelving, the door with geometric designs within a pierced foliate cartouche and a shaped apron, raised on tapering square legs with acanthus carving to the shoulders, with glazed panel sides, 33 x 15in. (83.8 x 38.1cm.), 71¼in. (180.9cm.) high. * Condition: Fading, splits forming to bottom of glazed panel in the front cupboard door, replacement piece of the raised cartouche border on door.
A antique Scandanavian painted pine armoire, 19th century, the architectural arched cornice over a frieze with painted '1851' date tablet, over reeded panelled doors and two drawers beneath, enclosing a later fabric lined interior with three shelves, between canted corners and painted panel sides, decorated with rose hips, on turned pad feet, 59¼ x 22¼in. (150.5 x 56.5cm.), 75in. (190.5cm.) high.
A reproduction late Georgian / early Victorian style mahogany glazed library bookcase, the flared top over two thirteen pane astragal glazed doors flanked by reeded ¼ columns, the base with moulded top over two single panel cupboard doors with clam shell decoration to the corners, all raised on a plinth base, 46½ x 20½in. (118.1 x 52cm.), 84in. (213.3cm.) high. * Condition: Good
A French brass architectural mantel clock 19th century, the white Roman enamel dial fronting a two-train movement with outside countwheel strike on a bell, stamped 'H.L.F.' and with Japy Fils exhibition mark, numbered 1120, the case with flaming urn and vine fruit finials to the pagoda top, turned columns and flared plinth base, 15in. (38cm.) high. * Condition: Winds and runs. Strikes correctly. Hairlines to dial. Gilt to case worn throughout. Decorated scrollwork panel below dial heavily worn, with only a trace of design remaining.
A Chinese carved hardwood ram's horn arm chair, probably late 19th century, the back with a central pierced panel and six smaller satellite panels carved with dragon heads, below a conforming dragon's head and lotus flower top rail, over a slatted seat and open double rail arms carved with prunus blossom and joined by carved splats, the ram's horn front supports carved with dragon's head terminals, raised on four splayed legs with a pierced front panel and side and back stretchers, 30in. (76.2cm.) wide, 36½in. (92.75cm.) high.
A Chinese silk embroidered dragon panel, Qing Dynasty, probably 19th century, possibly originally part of a court robe, worked in various stitches with coloured silks and copper and silver toned metal threads, on a very dark blue ground, depicting a long bodied, five toed dragon and a pair of bats amidst ruyi clouds, the dragon chasing a flaming pearl above a tumultuous sea, various precious objects hidden amongst the waves, the lower margin with the ends of lishui stripes, the left margin with part of a mountain symbol, 8 x 24in. (20.25 x 61cm.), modern reeded gilt frame. * Condition: Fading to the red colours throughout. Overall good with some surface wear to the metal threads on the dragon and a few minor pulled threads. Dirt stain to surface of the silk threads to the left of centre of the waves. A few other minor mould spots and two dark line stains to the silk threads at lower left corner and near the lower right corner. Please note - has not been examined out of the frame.
A Chinese mother of pearl inlaid hardwood panel, probably early 20th century, possibly original part of a table screen, inlaid with finely engraved mother of pearl, depicting a noblewoman in a rickshaw with attendants on foot and on horseback, outside a pavilion in a landscape with trees and rockwork and birds and butterflies in flight above, 28 x 13½in. (71 x 34.3cm.). * Condition: A few shrinkage cracks to the edges of the main carved panel and cresting, and some water staining to the polish around the moulding below the pierced cresting. Small chip to top edge at back of cresting. No losses or restorations to inlays.
A Chinese carved hardwood table cabinet, probably 19th century, the panelled top over a pierced five panel frieze with dragon motifs, above a pair of doors to the centre with lower bas relief panels carved with vases below reticulated panels with figures amidst flowering plants, the three larger reticulated panels beneath with figures amidst trees, the sides with glazed panels over lower panels carved with auspicious objects, on four curled feet, 17¼ x 9¾in. (43.8 x 24.8cm.), 18½in. (47cm.) high. * Condition: Fading to top and a shrinkage crack across the panel. Fading to colour to left hand side. The right hand glazed panel is missing part of the pierced frame and a section is replaced to the glazed panel on the left side. Small shrinkage crack to top of the right hand door.
Two Italian carved wooden polychrome painted frieze panels, 18th / 19th century, one depicting jockeys on racehorses, with carved inscription 'Tinato Vittorio - Fabbrte. Di', 15¼in. (38.75cm.) long; the other with a winged cherub playing a mandolin, flanked by winged caryatids, over floral and foliate scrollwork in bas relief, 13 5/8in. (34.5cm.) long. (2) * Condition: Both were originally part of a larger panel and have been cut away. Three or four very old, inactive worm holes to the underside of the racehorse panel, and similarly a few to the front of the cherub panel. Both have paint wear throughout. The cherub panel has a piece missing from the top left corner and both have some old chips to the lower front edge.
A rare His Master Voice HMV advertising panel "Records of the actual Mickey Mouse", by permission Walt Disney-Micky Mouse, Ltd. c.1936, printed on paper laid on board, inscribed "printed in England 1936" serial number "17256/G/F" at lower edge, framed, 14¾ x 20in. (37.5 x 50.8cm.). * Condition: Minor losses to the white areas of paper, and very slight wear to the edges of Mickey's ears. Overall in good condition - clean and bright. Has not been examined out of the frame.
A large Orthodox Russian Feast Day icon, 19th century, tempera on wood panel, the central large panel depicting the Resurrection of Christ, within a border of twelve smaller panels representing the feast days of the Orthodox church, 19 3/8 x 14½in. (49.2 x 36.8cm.), old restorations. * Condition: The panel has bowed and there are restorations to several splits to the upper and lower edges of the panel, with some small flakes missing around these splits showing the white gesso beneath. Fairly extensive scattered retouches to the paint visible under UV across the panel, plus heavier repainting to the dark painted margins. Surface dirt throughout and some wear to edges of panel. Small chip lower right and larger, very old chip to lower left corner. Three old shrinkage cracks are visible to the top and bottom edges on the back of the panel.
A Victorian papier-mâché souvenir card case, the front panel with bevelled glass cover, printed & painted with image of Crystal Palace, the whole decorated with stylised patterns in bright colours, comprising of red, green, white, highlighted in gold, on deep blue ground, the hinged cover opening to reveal void with red baize covering, 4 1/8 x 3 1/8in. (10.5 x 8cm.), hinge a/f.* Probably a souvenir from the Great Exhibition 1851. * Condition: Hinge and area surrounding with restoration and repair needed, hinge no longer attached, light rubbing to gilt and paintwork.
A Regency rosewood & mahogany work box, of shaped sarcophagus form, the hinged cover with rectangular panel depicting a penwork picture of a female under fountain in garden setting and having tulip wood banding, opening to reveal lidded segmented storage compartments (relined), with drawer below, raised on turned bun feet, lion mask handles, 13 x 10¼in. (33 x 26cm.), 7¼in. 18.3cm.) high. * Condition: Some fading to wood, needs a polish etc, small heat cracks to hinged cover, picture needing restoration, overall good.

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360412 item(s)/page