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Lot 192
Manner of Piero della Francesca The Naming of St. John the Baptist Tempera on panel in a Florentine frame 13.5 x 19.5cm; 55¼ x 7¾in ++Panel slightly bowed, quite a bit of old worm holes visible verso, a chip with paint loss upper margin and lower left corner, some rubbing to margins and scratches and abrasions through image, a few small spots of visible re-touching
Lot 194
Leonardo Boldrini (Italian d.1493) A Pope and a Bishop Saint Two, both oil on panel with a gold ground, framed together 50 x 52cm; 19¾ x 20¼in (full frame size) Previously the attribution has been confirmed by Professor Mauro Lucco. who dated the painting to c.1480. A follower of the Venetian master Bartolomeo Vivarini, Boldrini was also influenced by Giovanni Bellini in his later career. The present work is similar o another panel work by the artist Liberale in Musee Dijon where the standing figure gazes out to the audience. Other works by Boldrini can be seen in the church of San Gallo, Zogno, near Venice. There is a series of standing Saints n the Museo Correr, Venice that are closely related to the present work.
Lot 228
Follower of Aert van der Neer A busy moonlit river scene with fisherfolk in the foreground Oil on panel, unframed 37 x 52cm; 14½ x 20½in ++Panel bowed, panel join visible full width 9cm down from upper margin, a light dip to panel lower left upper from lower margin, a scratch with paint loss and dents in from lower right margin, rubbing, chips, scuffs, paint loss and retouching to margins, some further old areas of paint loss and some newer unretouched, surface dark and varnish opaque in places, viewing advised
Lot 229
Follower of Francesco Zuccarelli R.A. A wooded river landscape with bathers on a bank, a fortified town beyond Oil on canvas laid on panel 15 x 23cm; 6 x 9in Francesco Zuccarelli was one of the leading Italian landscape painters of the 18th century and apparently began his artistic training very early with Paolo Anesi and later worked in Rome with Giorgio Morandi and his pupil Pietro Nelli. After returning briefly to Florence, he moved to Venice in about 1732 and became associated with the Venetian school. The facile technique atmospheric light and classical pastoral character that typify his picturesque Arcadian landscapes were especially appealing ot the English. Zuccarelli visited England twice: at the end of 1752, remaining for 10 years with great success at painting landscapes and again from 1765 to 1771. He was founding member of the Royal Academy (1768) and he became one of George III~s favourite painters. Zuccarelli had been elected to the Venetial Academy in 163 and became its president in 1772. In addition to doing much work at Bergamo, he was for a tim in Paris, and in the last two years of his life he returned to Rome and afterward to his native Tuscany. In addition to landscape paintings, Zuccarelli executed innumerable drawings, a few religious paintings, engravings and tapestry designs. ++A small bump within or below the canvas on and above the standing bather, some rubbing and retouching to margins, old restoration and retouching, generally good condition
Lot 251
Thomas Stothard R.A. (1755-1834) Merchants of Venice Oil on panel 15.5 x 12cm; 6 x 4¾in ++some curved scratches lower centre under varnish and one or two other light scuffs, some very fine stress cracks to paint surface centre right margin consistent with framing pins and a little faint of the same lower right
Lot 254
James H. Edgar (act. 1857-1864) Portrait of Rt. Hon. Lord Thomas Mackenzie (1807-1869), sometime Solicitor General for Scotland, Author of Studies in Roman Law Inscribed and signed on a label verso Oil on panel 38 x 32cm; 15 x 12½ Presented by Bro. Mackenzie Bell, Scots Lodge, London, No. 2319, E.C., 22nd April, 1909 ++Panel stable, a few small scratches and a few light abrasions, otherwise good condition
Lot 264
Thomas Luny (1759-1837) Fisherfolk and boats on the shore by a seaside town possibly Seahouses Northumberland Signed and dated 1829 Oil on panel 30 x 40cm; 12 x 16in ++Panel slightly rippled, a fine crack to panel and paint surface lower left margin, some horizontal linear craquelure otherwise good condition
Lot 332
English School 19th Century River landscape with fishermen examining a fishing net Oil on panel 22 x 16cm; 8¾ x 6¼in Provenance: Leggatt Brothers, London, No. 28127 ++Some visible spots and fine spray of gold paint (from frame retouching) to bottom of painting , a few small areas of paint loss to margins, a few small spots of retouching visible under UV otherwise good condition.
Lot 384
Matteo Lovatti (Italian 1861-c.1909) L~Opera, Paris Signed with a monogram Oil on panel 23 x 21cm; 9 x 8¼in Provenance: Artist~s label verso, No. 83 ++Some paint loss lower left and a few spots of same to left and right of the left horse of the pair on the right, may be enhanced by a light clean
Lot 1044
A 19th century North African bone inlaid side chairThe pierced carved leather upholstered back above the studded leather upholstered seat, standing on X-framed legs with turned uprights and trestle end supports united with a stretcher. 101 cm high; 36 cm wide. CONDITION REPORTS: Some inlay losses, central back leather panel replaced, some scuffing, scratching and staining, some wear to leather, one back upright split with signs of old repair, general wear.
Lot 323
A late 19th/early 20th century French repeating carriage alarm clockThe Sevres type painted porcelain dial and dial plate with Roman numerals and subsidiary alarm dial flanked with further Sevres type panels decorated with putti, the gong striking movement by Francois-Arsene Margaine and numbered 7270, in red leather travelling case. The clock 18 cm high overall. CONDITION REPORTS: Generally good with expected wear, some rubbing, one panel cracked and re-glued, minor losses to panel bejewelling, case with some scuffing.
Lot 59
A 19th century ormolu and Sevres style painted porcelain mounted book slideEach end panel painted with female portrait bust amongst gilt and floral scrollwork, the reverse of each panel indistinctly named. 39 cm long, closed. CONDITION REPORTS: Panels loose with holding pins lacking, some misshaping and wear to ormolu, general wear.
Lot 717
A 19th century famille verte ginger jarDecorated with a panel of mythical beasts, with further bird and floral filled panels and a panel depicting a flowering vase, mounted on an ebonised pierced wooden stand and with wooden cover. 36 cm high. CONDITION REPORTS: The underside drilled, some decoration wear, some glaze wear/pitting, lid and stand possibly associated, general wear.
Lot 517
A large japanned corner cupboard,18th century, the domed top over twin arching panel doors decorated with warriors on horseback amongst trees, opening to reveal shaped shelves and a 'brown gold' interior, over a lower section with two doors decorated with quail, all on bracket feet,112cm wide57cm deep222cm high
Lot 522
An ebonised and boullework bonheur du jourlate19th century, the three-quarter gallery over a serpentine glazed cabinet, with a velvet lined interior, the writing surface centred with an oval panel of a lady riding a chariot, over a single drawer and raised on cabriole legs,97cm wide46cm deep130cm high
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