Two pairs of Chinese carved and pierced hardwood window shutters probably early 20th century, the first, larger pair each with seven panels, the upper pair of panels with two bats and a longevity symbol, over a pair of large panels with birds and goats in woodland landscapes, flanked by vases of flowers and with bat spandrels, above a pair of smaller panels with fan shaped landscape reserves and a single lower panel with a central shaped reserve with a gazebo in a wooded landscape, within a border of keywork with birds, fruit, a bat, leaves and flowers, 57¼ x 33in. (145.5 x 84cm.); the smaller shutters with eleven small panels carved with horses, bats, longevity symbols and precious objects around a small window, the large panel beneath with an unfurled scroll depicting a pagoda in a wooded landscape, flanked by smaller reserves with a horse and goat, all on a keywork ground, 46 x 32¾in. (117 x 83.2cm.). (4)* Provenance: These shutters were removed from the vendor's parents' property in Shanghai in the 1940s, when they fled the city during the war with Japan.
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A collection of nine Chinese silver Bian Fang scroll-form hair ornaments Qing Dynasty, each repoussé decorated with flowers and leaves, one with a central panel chased with a bird, all but one (the smallest example) with impressed maker's marks, 3½in. to 6½in. (8.8cm. to 16.5cm.) long, 1 1/8in. to 2 5/8in. (2.8cm. to 6.7cm.) wide. (9)* Condition: In good condition overall, with no repairs and just a little creasing to the silver to four of the ornaments.
A Chinese silver snuff box c.1900, of octagonal form, the hinged lid with a panel decorated in relief with scholars in a garden, the sides with smaller panels with flowers, birds and a butterfly, signed to base, 6 x 4.8cm., weight 2.3 tr.oz.* Condition: In good condition, with just one tiny ding to the edge of the lid, and no other faults. The lid closes crisply.
A Chinese Sancai glazed stoneware hexagonal garden seat probably 19th century, with pierced panel sides, all-over mottled green, blue and white glazes, 18½in. (47cm.) high. a/f (top has been off and glued repair)* Condition: the whole top has been off and glue back together, chips to bottom corner edges.
A pair of George III cut glass mallet decanters with triple annulated neck rings, the bodies with panel cut shoulders over a prismatic cut band and comb basal cutting, ground pontil to base, star cut mushroom stoppers, 9in. (22.8cm.) high overall. (2)* Condition: A few tiny frits to prismatic cut bands and comb cutting. Expected scratching to bases. Good overall.
A good George III silver triple decanter stand William Kingdon, London 1812, of boat form with gadrooned, shell and foliate borders and handles, engraved armorial to both sides, possibly for the Coote family of Ireland, the three decanter rings on foliate paw monopodia supports, raised on four winged paw feet, with a set of three Georgian cut glass pint size cylinder decanters, with two diamond cut neck rings, panel cut shoulders and printie, comb and strawberry diamond cut bodies, on a circular foot, 18in. (45.75cm.) long, silver weight 58.55 tr.oz.* Condition: Good condition - clear marks, no repairs or damage. Slight softening to engraved armorials from cleaning. Decanters good overall. One has a ground chip to the stopper plug.
A pair of Georgian diamond, panel & comb cut glass mallet decanters two banded neck, the body with panel cut shoulder and comb cut base, ground pontil, diamond mushroom stopper, 10¼in. (26cm.) high, together with a blown glass Georgian decanter wuth sunburst stopper. (3)* Condition: one tiny flea-bite nibble to inner stopper on blown version, no other chips or cracks found, good.
An antique Tibetan white metal, brass and copper Gau (portable shrine) probably 18th century, of box form with removable back, with trefoil shaped top and conforming repoussé reserve to the back panel, central window within a temple form frame to the front, surrounded by eight auspicious symbols, a seated Buddha and three reserves with animals and birds, on a background of leafy scrolls and flowers, each side with two slot handles, 8in. (20.25cm.) high.* Condition: Lovely patina throughout and appears to be very original. Several dents and dings to the edges of the copper back and sides. Polish residue to the front panel throughout. Good condition overall.
An Eastern embroidered silk and metal thread panel probably Indian, mid-20th century using earlier elements, the square panel with a design of various hexagonal, circular and bowtie shaped appliqués, within a border of triangular pennants with gold foliate designs, all on a later gold velvet ground, 25½ x 27in. (64.8 x 68.5cm.).* Condition: In good condition overall. A few of the appliques have a little damage to the edges. But they are good overall. The velvet panel is in VG condition.
An 18th century joined oak and fruitwood provincial chest of drawers possibly Channel Islands, the fruitwood top over two panel sides and two short and two long drawers, with original iron ring handles on split pins, raised on bracket feet, 34¼ x 21½in. (87 x 54.5cm.), 36½in. (92.75cm.) high.* Condition: Surface scratches to top, drawers have suffered damage to edges - middle long drawer in particular, two sections replaced to stiles, handles appear to be original split pin.
A 19th century Aesthetic Movement inlaid honey oak wash stand the three panel tiled gallery with carved finials over a marble top above two short frieze drawers with turned wooden handles, raised on chamfered square supports terminating in carved block feet, united by two under tiers, 57¼ x 24in. (145.4 x 60.9cm.), 41¼in. (104.7cm.) high.
An 18th century six panel joined oak cupboard possibly Channel Islands, the (later) hollow moulded cornice over five panel sides and a pair of six panel doors, with original iron box lock and outside iron hinges, enclosing four shelves (one later), on stile feet, 46 x 22¾in. (117 x 57.75cm.), 68in. (172.75cm.) high.* Used as a tool cupboard in a Torteval home for many generations
A George II two piece floor standing red walnut corner cupboard the reel moulded cornice over a pair of two panel doors and a pair of single panel doors to the base, on gilt brass butterfly hinges, the green painted interior with serpentine shelves and three lower drawers to the top section, on shaped bracket feet, 43½ x 21¼in. (110.5 x 54cm.), 87in. (221cm.) high.
A pair of Victorian 17th century style carved oak and leather hall chairs the backs with a carved figural panel below an arched crest rail, flanked by barleytwist uprights, over a painted leather solid seat, on foliate carved and turned legs united by barleytwist and plain peripheral stretchers, on turned feet, 18in. (45.75cm.) wide, 43¼in. (110cm.) high. (2)
A fine Victorian amboyna, burr walnut, ebonised, parcel gilt and boxwood string inlaid side cabinet with shaped cresting above two arched panel doors with applied oval porcelain de Paris plaques and gilt mounted pilaster ornament, the base with one concealed drawer and shaped apron, on turned tapered legs with ebonised peg feet, conjoined by a shaped cross stretcher, 39 x 22½in. (99 x 57cm.), 70½in. (179cm.) high.
A 17th century joined oak court cupboard the three plank top with a plane frieze and twin finials over two carved cupboard doors flanking a fluted carved panel, opening to reveal storage space with a half depth shelf, the lower section with two panelled doors with original hinges and enclosing a single shelf, the cupboard having panelled sides, standing on stile feet, it has a good old repairs, charm and character consistent with age and use and the oak has aged to a rich dark colour, 48 x 21½in. (121.9 x 54.6cm.), 60in. (152.4cm.) high.
An early 18th century north European carved oak linen press the flared cornice over a foliate carved frieze with '1681' inscribed to centre, (thought to be a later addition), with two paneled cupboard doors opening to hanging space, the upper panel with biblical themed carvings over a foliate and scroll carved panel, flanked by canted and reeded corners to panel sides, the base with three short and two long faux drawers over two short drawers with rectangular brass drop handles, raised on bracket feet, 51½ x 23in. (130.8 x 58.4cm.), 73in. (185.4cm.) high.
Interesting and unusual silvered gothic carriage clock timepiece, the 2.25" hexagonal chapter ring enclosing a foliate pierced centre over a relief panel depicting a religious scene with a seated angel and lady praying, the sides cast with twelve roundels depicting figures representing the agricultural months, the back with locking hinge door opening to reveal the movement with platform escapement, over a relief panel with figures seated by a gothic pedestal, surmounted by a pierced top section with hinged handle formed with griffins, 7.5" high *This clock is probably by Alexis Falize and is stamped to the base AF within a lozenge and inscribed Depose. For a carved ivory and enamel clock of similar design by Falize see Purcell, K., "Falize: A Dynasty of Jewellers" (Thames & Hudson: 1999), P.71.
A Elizabeth II silver mounted ships decanter C J Vander Ltd., London 1966, the prismatic cut body over panel basal cutting, star cut base and mushroom stopper, 9¼in. (23.5cm.) high; together with a Webb Corbett cut glass decanter, of Indian club form. (2)* Condition: Both in good condition. The maker's mark on the ship's decanter is rubbed, but remains legible. A few tiny frits to base of stopper and the socket inside the decanter neck.
David Cox Snr. R.W.S., (British, 1783-1859) ‘Going to Market’oil on oak panel, signed lower left, English gilded hollow frame with shot ornament and canvas slip8 x 10in. (20.3 x 25.4cm.)* Provenance: P. Polak, London, 1968* Condition: * Good condition – old cleaning and restoration. Panel slightly bowed. Varnish yellowed. Minor retouches visible under UV to margins, but ‘blocking’ varnish used, so little detail visible. Three tiny chips to paint to trees to LH side.
Claude Allin Shepperson ARA, ARWS, ARE, RI, RMS (British, 1867-1921) "Female Figures in a Landscapeoil on panel, inscribed on backboard "C. Shepperson, 5 Mulberry Walk, Chelsea"24 x 18 ½in. (60.9 x 47cm.)* Provenance: Label on reverse for Ernest Brown & Phillips, The Leicester Galleries, Leicester Square, London.* Condition: Some evidence of blooming - paint pressed against glass. Unexamined out of the frame.
A good Victorian Regulator Longcase clock attributed to Moore and Son of London. (Clock attributed to Moore as a result of family provenance and hand written note attached to movement base board).12 inch silvered circular dial with typical regular dial design. Contained in a lovely flame mahogany case. With chamfered trunk and hood case sides panel to the base. With a substantial 5 pillar single train weight driven movement, anchor deadbeat escapement. Wooden pendulum attached to rear of the case. Brass weight. Untested.Provenance:Lightwater, Surrey:From: Jamie MandevilleDate: 13 September 2022 at 1:26:24 pm BSTSubject: ClocksMy parents started to care for mr and Miss Moore in approx 1974, Mr Moore was John moores grandson, he was Edward Gorden Moore, and his dad was Edward Lock Moore, John Moore's son.The regulator was a gift to Edward Gordon Moore from his dad on his dads 80th birthday(see paper attached) Edward Lock would have owned this clock form when it was made by his dad John Moore.Miss Moore died first in 1979 and Edward Gordon died in 1984.These clocks made by the Moore family then went to my parents and have never been on the market for sale.Regards Jamie Mandeville
Dutch Walnut and marquetry inlaid longcase clock, by Ben Child London, 225 cms in height, 49 cms in width (at widest point) 28 cms in depth (at widest depth) Door is loose and will need restoration as there are mouldings and panel loose. t/w weights and pendulum, no key. We cannot guarantee running condition.
An 18th/19th century large French Reliquary straw-work panel in large gesso oval gilt frame, overall height 103cm Straw-work is generally in good condition with a few small breaks and slight fading, velvet panel under straw-work shows some signs of deterioration but is in general good order, frame has chips and small repairs to edges
Vinyl - Small Faces Ogdens' Nut Gone Flake - 3 different UK pressings to include Original 1968 1st pressing mono, Lilac labels IMLP 012, (Sleeve only has 4 panels and torn into 2 sections), Vinyl VG (would benefit from a clean), 2nd 1968 stereo pressing, Pink labels IMSP 012 (5 Panel sleeve VG++, Vinyl EX-), 1980 pressing, Immediate / Virgin records V 2159 (5 panel sleeve Ex, Vinyl Ex)
Terrahawks - Battlehawk replica model made by David Sissions in the 1980's similar to those used in the production of Terrahawks, the 1980s British science fiction television series produced by Thunderbirds creator Gerry Anderson in conjunction with Christopher Burr. It is constructed from fibreglass and features a silver and orange paint finish with detailed panel lines and weathering, approx. 52 cm long. No copyright is assigned with this item.
19th century Continental school, a moonlit Lake, indistinctly signed (A. Bauer?), dated 1859, oil on panel, 35 cm x 55 cm in a gilt frame.Signs of some previous craquelure now restored. Possible re-touching or cleaning to the figure in the centre. Slight scratch to the finish on the horizon below left of the sun.Would benefit overall with cleaning.
A George III style mahogany quartteto of intersliding tables, 20th century each table with a moulded beaded border and central oval burr yew panel, supported by turned spindle frames with receded sledge feet. 55 cm wide x 36 cm deep x 66 cm overall height (The largest of the four)Private collection.Slight fade to the top of the second smallest table where the tables have been displayed in a cascade, silight natural rubbing to the beads from sliding in and out of position.
An extremely large and impressive 19th century style cylindrical mahogany parrot cage,late 20th century, with stupa finial over a domed top and brass grilles, decorated with parcel gilt guiloche and acanthus, supported by four turned and carved legs. The base with a sliding panel to aid the cleaning of the cage. 81 cm diameter x 260cm high (approximately)A private collection.Generally good.
David Linley; an English walnut folding tray topped low tea table with central quartered burr panel within an everted rim, the cross frame folding base with leather retaining straps and spindle turned stretchers., the frame stamped; David Linley. 53 cm long x 38 cm deep x 56 cm overall height.A private estateSome scratches to the folding frame
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