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Click here to subscribeFinely decorated 19th Century Chinese lacquered hardwood four fold screen with open recesses exquisitely carved and gilt fretwork over ebonised and gilt painted scenes on wood panels below 232cm high and 54cm wide per panel. Fittings to top and bottom for a track. The Provenance: a distinguished Doctor originally from Hong Kong with a private collection, he acquired the panels in Malaysia prior to moving to the UK in 2000.
Bust length, wearing a brown jacket and grey rollneck, signed, oil on thin panel 44 x 33cm. with a pencil sketch of the same sitter, inscribed `Brom 1930` and signed, 15 x 12.5cm. (2) Provenance: The family of the sitter. ** The oil in good condition; the drawing creased and worn with tears at edges.
A large Tunbridge Ware work box, the top with a rectangular panel inlaid with a picture of a Country House. Inlaid with borders of flowers, with a red silk and inlaid interior with lift out compartment, and supported on bun feet. 28cms by 23cms, 15cms high. ** Condition is reasonable for its age, the central panel has a few small cracks to the surface, and there is a small crack to the top near the back. Interior is good, paper to the base has bits missing.
A Victorian rosewood and inlaid games box, with a Church ruin in a central panel and borders of leaves and berries, with a cribbage board and two cribbage and whist markers by Chas Goodall & Son, box 26cms by 21.5cms. Also with a smaller Tunbridge Ware games box, also with a cribbage board and whist markers by Pall Mall, 22.5cms by 14cms. (2). ** Larger box, split across the centre, minor cracks in places, missing some internal divisions Smaller box, minor cracks to the lid in places, small chip to left corner of the lid, small chip to handle of cribbage board.
From the studio of Patrick Reyntiens, one of rectangular form the coloured glass panel with a variety of faces (80cms by 43cms). Also with a larger stained glass panel (part of a larger design) marked with the lettering Bathsheba and David (98cms by 73cms). (2). ** Smaller panel, cracks in places, bent in shape, piece missing Larger panel, damages with part of the lead work missing.
A cup and saucer painted with sprays of flowers within a gilt edged panel, and on a green ground. With pseudo 'Meissen' marks in underglaze blue, saucer 13cms diameter. Also with a Worcester bowl with a fluted body and Lambrequin border (14.5cms diameter), and another Worcester bowl in the Rock Strata design (15cms diameter), both with Crescent marks. (3). ** Cup and saucer, saucer a little wear to the gilding of the rim in places, odd minor scratch to the interior, cup again with a little wear to the rim Rock strata bowl, couple of chips to the footrim, rings nicely Other bowl, rings nicely, some scratches to the bottom of the inside.
Possibly late 18thc, the centre painted with a spray of flowers within a gilded border, with further panels of flowers around the rim on a blue and pink ground, 'Sevres interlaced mark to the base, date mark possibly for 1790, FM in gilt letters, 119, and impressed 2A, 24cms diameter. Also with a Sevres style bough pot, painted with a courting couple on one side, and a panel of flowers to the reverse on a blue celeste ground, with various gilded decoration to the exterior and interior, with Sevres style marks to the base, 20cms high, 30cms across including handles. (2). ** Plate, various black marks to the surface around the central panel, rim very worn in places, rings nicely Bough pot, sounds cracked when tapped, two feet chipped, some wear to gilding.
A BRUSSELS MYTHOLOGICAL TAPESTRY SECOND HALF 16TH CENTURY worked in silks and wool, depicting Pomona and probably Vertumnus, flanked by classical figures, beneath a panel of urns issuing fruits and cornucopia, with formal garden beyond, flanked by trees bearing fruits, animals and birds, framed by borders of scrolling acanthus and further mythological figures 332 x 380cm Provenance Christie's, Noble and Private Collections Part II, 27 April 2016, Lot 454 where sold as being sold as part of the Property from a Sicilian Villa. Catalogue note The design for this tapestry is based on a cartoon possibly by Jan Cornelisz Vermeyen (1500-1559) and commissioned by Charles V. The cartoons were for a series of nine tapestries, one set of which is in the Spanish Royal Collection. Other similar tapestries, probably woven by Jan Raes, are also found in the Boston Museum of Fine Arts having previously been in the Barberini Collection in Rome. Another similar set were woven for Philip II by Willem de Pannemaker using cartoons probably by Pieter Cocke van Aelst.
A GEORGE III MAHOGANY WORK TABLE IN THE MANNER OF THOMAS SHEARER, C.1780 inlaid with stringing and satinwood banding, the serpentine top inset with an oval flame mahogany panel, above a frieze drawer, originally with divisions and a bag slide, on splay legs and moulded feet 71.5cm high, 52cm wide, 39.5cm deep Provenance Acquired by the present vendor from Ronald Phillips Ltd., 26 Bruton Street, London, 22nd November 1985. A Private Collection, London.
A GEORGE III PAINTED PINE LADY'S KIDNEY SHAPE SIDE TABLE LATE 18TH / EARLY 19TH CENTURY with gilt edging and decorated with bands of harebells, the hinged top with a rising blue silk firescreen, above a gilt brass wirework panel with a pair of doors above a drawer, on splay legs and brass castors 66.2cm high, 64cm wide, 42.3cm deep Provenance Ethel Margaret Campbell, Duchess of Argyll (1912-1993) formerly in the drawing room of 48 Upper Grosvenor Street, London.
A DUTCH SATINWOOD AND ROSEWOOD SIDE CABINET 19TH CENTURY with parquetry banding, with an inset marble top, above a frieze drawer and a door (locked) decorated with an Oriental lacquer panel, enclosing a shelf 82.7cm high, 65cm wide, 39.5cm deep Provenance Redlynch House, Salisbury, Wiltshire.
A GEORGE III QUILLWORK OR SCROLLED PAPER TEA CADDY LATE 18TH CENTURY of rectangular form, the rolled paper decoration around oval panels, the front centred by a mirrored panel , enclosing a vacant interior, together with a Regency mahogany and boxwood line inlaid rectangular caddy, with a twin divided interior (2) 12.5cm high, 16.7cm wide, 11.6cm deep (max)
A GEORGE III MAHOGANY AND MARQUETRY TEA CADDY LATE 18TH CENTURY of canted form inlaid with conch shells, fan paterae and an oval burr yew panel, with an ivory escutcheon, the interior originally divided 12.2cm high, 18.7cm wide, 11.1cm deep *This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.
A JAPANESE SHAKU DOKEI PILLAR CLOCK MID-19TH CENTURY the weight driven brass movement with a crown wheel style escapement, a pair of turned brass pillars before the reticulated front plate with scrolling foliate decoration, the body inset with a panel showing the time with a pair of pointers above a small drawer containing the key, the three pane hood with ebonised frames 49.2cm high
A GEORGE IV MAHOGANY AND BRASS BOUND CAMPAIGN STYLE WRITING SLOPE C.1820-30 with Greek key style decoration and sunken brass military style handles, with a shaped escutcheon and plaque, the fitted interior with a locking slope, a lift-out inner compartment, pen tray and two covered compartments, one enclosing a pair of candle sconces, a button in the side releasing a panel to reveal a pair of secret drawers and three cylindrical bone sovereign pots and covers 18cm high, 50.5cm wide, 27.7cm deep
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