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Lot 1422
Edward Bird RA (1772-1819) The Benevolent Village Instructress; Visiting the Sick Two, the former signed E BIRD (lower left); the latter signed E BIRD (lower right) Both oil on panel 25.7 x 33.6cm; 10 x 13¼in; 25 x 32.6cm; 9¾ x 12¾in (2) Exhibited: Bristol, Corn Street, Edward Bird Memorial Exhibition, 1820, nos.60 & 61
Lot 1461
Domenico Ammirato (Italian 1833-1883) Neapolitan coastal landscape with fishermen mending their nets and Vesuvius in the distance; Neapolitan coastal landscape with two women outside a villa A pair, both signed Ammirato (lower centre) Both oil on panel, oval Each 17.1 x 13.1cm; 6¾ x 5¼in (2)
Lot 639
FLEMISH SCHOOL, CIRCA 1700; oil on copper, a cavalry skirmish before an open landscape with a walled city to the horizon, unsigned, 20.5 x 25.5cm, in Flemish ebonised frame. Provenance: private collection, UK. Purchased Messrs Bonham's Knightsbridge Old Masters Auction, 13th/4/11, lot 164.Additional InformationTouching up to the edges, the metal is angulated and may have an some creases flattened out. Two curve lines visible to the paint upper right and lower left corners, and paint has a pitted feel in areas, revarnished and with modern frame and later back panel.
Lot 641
19TH CENTURY ANTWERP SCHOOL; triptych oil panel, 'The Adoration of the Magi with St John and St Luke in the Wings', with gilt edge panels, overall approx. 43 x 51.5cm, the central panel 43 x 26cm, side panels 43 x 13cm. Additional InformationPanels are generally bright. A fine craquelure throughout There is a possibility that the scenes are laid on non-original back panels. The are general age scuffs and rubbing to the gilt areas of the frame. The central panel with two vertical shadow lines where the panel may have opened. There are some lines where the varnish has degraded a little and there may be some slight re-painting in parts.
Lot 662
IN THE MANNER OF FREDERICK PIERCY (1830-1891); oil on board, portrait of a lady in lace trim dress within a stormy landscape, bears signature lower right, 39 x 29cm, framed. Additional InformationImage perhaps slightly grubby, but essentially OK. Frame with minor wear. The back of the panel is stained. It is possible that this is 20th century coy of a 19th century work.
Lot 676
19TH CENTURY ENGLISH SCHOOL; oil on panel, an elderly lady with child reading, Indistinctly signed lower left, 14 x 19cm, framed.Additional InformationFolds to oil on board, frame with losses. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 688
FOLLOWER OF ANTONIS MOR (circa 1512-1576); oil on panel, portrait of a lady, three-quarter length, standing, wearing a black embroidered and bejewelled dress and headdress with right hand resting on a chair, unsigned, 126.5 x 66cm, framed. Provenance: private collection, UK. Purchased Messrs Christie's Old Master & 19th Century Art sale, 28/04/2010, lot 23.
Lot 691
WALTER KERSHAW (born 1940); oil on panel, 'Moorland Fires From Calderbrook', signed lower right, 60.5 x 121cm, framed. (D)Additional InformationImage generally clean and bright. Frame with very slight wear. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 76
WWI AND WWII INTEREST; a collection of assorted ephemera including British and Commonwealth identity discs, mathematics pocket book for the service, British War Cemeteries postcards, WWII Allies progress maps (folded), a print of the Earl of Chester’s Yeomanry, a brass snuff box with enamelled panel, honour of Bradford Territorials, and later ephemera.
Lot 130
An oil on panel portrait of Tim Bobbin, late 18th century, in a gilt frame, 26.5 x 24.5cm.Footnote: Thought to be a famous local character called Tim Bobbin from the Rochdale and Blackburn area of East Lancashire. He was born in 1708 and lived his adult life in Rochdale. A painter, caricaturist, satirist, a dialect poet and writer who styled himself as the Lancashire Hogarth.The vendor came from that area originally and he was informed by his ancestors that this was Tim Bobbin.
Lot 792
A PAIR OF PETER HEAP ADZED OAK ELBOW CHAIRS, the straight top rail on pierced latticed panel back, downswept arms on shaped supports, leather padded seat, on faceted turned and block supports joined by square H section stretchers, carved rabbit trademark in high relief, 20 3/4" x 16 1/2" x 36" (Est. plus 21% premium inc. VAT)Good colour, wood good, structurally sound, leather seats beginning to sagg a little and to show signs of age but no rips/tears
Lot 793
A ROSEWOOD MODULAR ROOM UNIT probably designed by Poul Cadovius, Royal System, comprising a pair of cabinets with flush doors, 18 1/4" deep, a pair of cabinets with panel doors, 11 3/4" deep, a similar cabinet with glazed panel doors, another with sliding glass doors, a four drawer chest and a bureau, mounted on seven rosewood wall laths, 80 1/2" high (Brazilian Rosewood (Dalbergia Negra) CITES regulations on post 1947 furniture requires this rosewood item to have an Article 10 certificate. This is available for inspection particularly for those buying for commercial purposes.) (Est. plus 21% premium inc. VAT)Some fading to drawer unit and lower cabinet to right as per image, minor chipping around keyhole of full front, minute minor chip to top of right side of glazed cabinet, chip to slide rail of lower left cabinet (see image), drop front cabinet 80cm wide.
Lot 805
A GEORGIAN OAK DRESSER, early/mid 18th century, the boarded delft rack (reduced) with moulded cornice and pierced frieze over two shelves, the base with three frieze drawers over a pair of twin panelled cupboard doors flanking a central fielded panel, twin panelled sides, on stiles, 73 1/4" x 22 1/2" x 19 1/2" (Est. plus 21% premium inc. VAT)good colour, replaced handles, some shrinkage between top planks, repairs to base of both back stiles
Lot 817
AN OAK PANELLED COFFER, early 18th century, the hinged plank lid with moulded edge, the fascia with three fielded panels, on moulded stiles, 50 1/2" x 20 1/4" x 23 1/4" (Est. plus 21% premium inc. VAT)Good colour, small loss to front right corner of lid - well polished in, shrinkage split to left fascia panel, one floor board, renewed and one missing
Lot 818
A VICTORIAN WALNUT FOLDING ROOM SCREEN, each part glazed panel with arched leaf and scroll carved crest centred by a shell and silk lined lower section depicting cranes and water plants in pale green and pink, 62" x 57 1/2" (Est. plus 21% premium inc. VAT)some losses to carved foliage of crests, cloth panels a little loose
Lot 825
A GEORGIAN OAK DRESSER, c.1800, the boarded delft rack with moulded cornice over waved frieze and three shelves, the base with three drawers over two cupboards flanking a central panel, brass drop handles, panelled sides, on stiles, 60" x 19 1/2" x 70 3/4" (Est. plus 21% premium inc. VAT)Delft rack cut down otherwise good, shrinkage splits to top of base and small repair rear left corner, replaced metal ware, some old worm and rot to base of feet
Lot 838
A VICTORIAN ROSEWOOD POLE SCREEN, the leaf carved shield with needlework panel depicting a crane amongst bulrushes, on turned brass pole with turned finial, the waisted wrythen turned stem with fluted collar, on pierced scrolled tripod base, 59 3/4" high (Est. plus 21% premium inc. VAT)Very good condition bar some veneer loss to tip of shield
Lot 859
A GEORGIAN PINE PANELLED CLOTHES CUPBOARD, 18th century, the moulded cornice over a pair of fielded panel doors enclosing a hanging space, the base with three fielded panels over two small drawers with brass drop handles, on stiles, 47" x 18 1/2" x 72 3/4" (Est. plus 21% premium inc. VAT)generally good, some scuffing, replaced handles, interior hanging pegs missing and now with brass, parts of waist moulding rail possibly replaced
Lot 875
A VICTORIAN EBONISED, YEW BANDED AND MARQUETRY JARDINIERE STAND of rounded oblong form with gilt metal mounts, central lift off galleried panel inlaid with a gardening trophy revealing a tin removable liner below, raised on turned tapering legs joined by a shaped H stretcher, 25" x 14 1/2" x 31" (Est. plus 21% premium inc. VAT)Generally very good, possibly some repairs to marquetry border surrounding the lid, minor loss of ebonising to centre of cross stretcher
Lot 882
A VICTORIAN EBONISED AND YEW WOOD BANDED WORK TABLE of oblong form protruding corners and gilt metal mounts, the hinged top inlaid in a geometric pattern centred by a floral marquetry panel and opening to a velvet lined fitted interior with mirror to lid, raised on baluster turned tapering legs joined by a shaped cross stretcher with central boss, on turned feet, 20 1/2" x 15 1/2" x 28 3/4" (Est. plus 21% premium inc. VAT)Very good condition throughout, interior may lack some fitted compartments(?)
Lot 129
AN OLD SHEFFIELD PLATE TWO HANDLED ENTREE DISH, COVER AND LINER, early 19th century, of rounded oblong form with stamped and fluted gadrooned angles and fixed handle, raised upon four bun feet, the cover with rubbed-in silver panel engraved with a crest, 14" wide, together with another plated on copper oval entree dish, cover and liner engraved with a crest and motto "Stand Sure", 14" wide, and a pair of Old Sheffield Plate small sauce tureens and covers of rounded oblong form, 7" wide (Pr. & 2) (Est. plus 21% premium inc. VAT)Generally good, large oval has detached handle
Lot 185
A LATE VICTORIAN SILVER ROSE BOWL, maker Elkington & Co. Ltd., Birmingham 1898, the everted crimped rim over a band chased and repousse with rococo scroll and diapered panels enclosing two cartouche, one engraved with a presentation inscription dated 1913, raised on a low domed foot, 11 1/2" diameter, 7" high, 39ozs (Est. plus 21% premium inc. VAT)Inscription engraved over another which has been polished out so very thin in places. The vacant panel appears to be ok. Scratches to interior. 6cm section of crimped rim is noticably bent out of shape
Lot 193
A MID VICTORIAN SILVER THREE PIECE TEA SERVICE, maker Robert Harper, London 1873, of semi-reeded globular form with chased acanthus leaf shoulders, comprising teapot with hinged flat inset cover, reeded handle with ivory stops, two handled sugar basin and milk jug, teapot 10" wide, 44ozs 6dwts With non-transferable standard ivory exemption declaration number 8ZMRQ557 (Est. plus 21% premium inc. VAT)The knop is likely to be missing a small "washer" (perhaps ivory?) as screw is very long and the knop is tight to the cover. Milk jug quite dented. All pieces have a thin polished out panel
Lot 280
A DIAMOND DRESS RING, the open lozenge panel point set with numerous small round brilliants within a border of baguette cut stones, the open shoulders further channel set with round brilliants to a plain shank stamped 18k and overstamped 750, size R (Est. plus 21% premium inc. VAT)5.2g gross, generally good
Lot 730
AN OAK AND MAHOGANY LONGCASE, signed John Gilbertson, Ripon, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 11" square brass dial with Roman and Arabic numerals, chased foliate centre with signature and calendar aperture, the case with moulded cornice on turned columns, moulded edged door, panel base on plinth, 85" highProbably marriage of case and movement, movement and dial very good, movement may need a clean, beautifully patinated case
Lot 733
AN OAK LONGCASE signed T Dodson, Leeds, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, the 13" arched dial painted with flowers and with female figure in the arch, Roman and Arabic numerals and secondary dial, the mahogany banded case with scrolled pediment on fluted columns, arched trunk door flanked by fluted quarter columns, on panel base and bracket feet, 88 3/4" high (Est. plus 21% premium inc. VAT)all in very good condition but probably a marriage of movement and case
Lot 734
A BURR WALNUT LONGCASE signed William Creak, Royal Exchange, London, the eight day movement with anchor escapement striking on a bell, 12" arched brass dial with moonphase and with Roman and Arabic numerals, the matted centre with seconds dial and signature, the banded and string inlaid case with pagoda top and turned finials on fluted columns, arched burr wood trunk door, on panel base with waved apron, 96" high (Est. plus 21% premium inc. VAT)Marriage of case and movement, all appear to be in very good condition
Lot 739
AN OAK LONGCASE signed William Boot, Sutton, the eight day movement with anchor escapement striking on a bell, 11" square brass dial with Roman and Arabic numerals, the centre chased with foliage and with signature and calendar dial, the mahogany banded case with moulded cornice and cushion frieze on engaged columns, arched door, panel base and bracket feet, 75 1/4" high (Est. plus 21% premium inc. VAT)Good restored condition, marriage of case and movement
Lot 75
A ROYAL WORCESTER CHINA SMALL URN AND COVER, 1912, of plain U form with two flower moulded angular handles on waisted socle and square foot, painted in colours by Harry Stinton with Highland cattle watering within a raised flower gilded oval panel, on a cobalt blue ground, signed, puce mark, shape 2366, 8 1/2" high (Illustrated) (Est. plus 21% premium inc. VAT)Minute chip to tip of finial, finial glued on. Minor crazing to inner lip of vase and socle, no restoration
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360406 item(s)/page