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Lot 2166
Four assorted decorative prints and engravings including an example after CW Radclyffe entitled Great Dean's Yard, 23 x 32cm, pair of prints after Heywood Hardy entitle At the End of the Day and The Hunt, also a hand highlighted printed panel depicting children with a garland of fruit, 21.5 x 26.5cm (5).
Lot 2421
A Victorian tortoiseshell hinged box of rectangular form with hallmarked silver rim and applied white metal panel decorated with a cherub beside scrolling detail, the hallmarked silver mount for William Comyns, London 1890, width 19cm, with a hallmarked silver hair brush (2).Additional InformationLight scratches to the box, the cover is slightly warped, the brush with numerous dents, knocks and it has been engraved.
Lot 2688
J INGRAM OF SPALDING FECIT; an 18th century oak cased thirty hour longcase clock, the brass dial with applied chapter ring bearing both Arabic and Roman numerals with subsidiary date and hour dials, set in oak case with arch door, raised on plinth base, height 187cm, width 44cm, depth 21cm.Additional InformationElements of the case are later replacements, such as the panel wood on top of the hood and the moulding around the plinth of the base. The locks and the hinges to the door are not original. No weights or pendulum. There is a chip to the top of the column on the left hand side of the hood and some old worm damage to the back of the hood.
Lot 2751
A Victorian stained oak and coloured glass rectangular wall mirror, dated 1891, the outer border decorated with scrolling acanthus leaves against and red ground, 80 x 52.5cm.Additional InformationThere is crack to the bottom left coloured panel, lightly grubby throughout with general age wear to the frame but essentially ok.
Lot 2775
An early 20th century mahogany music chest, with five drawers and lower shelf on tapered legs, height 108cm, width 49cm, depth 35cm.Additional InformationGeneral light scuffs and some marks here and there, there are two screw holes to the right hand side panel where wires may have been pushed through.
Lot 196
δ Damien Hirst (b.1965)H9-5 HonestyLaminated giclée print on aluminium composite panel, 2021, signed in pencil, and numbered from an edition of 728 to the label affixed verso, published by HENI Editions, London, overall 1200 x 960mm (47 ¼ x 37 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 195
δ Damien Hirst (b. 1965)H9-4 Politeness (The Virtues)Laminated giclée print on aluminum composite panel, 2021, signed in pencil, and numbered from the edition of 1549 on the justification label verso, Published by Heni Productions, London, the full sheet, overall 1200 x 960mm (47 1/4 x 37 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 194
δ Damien Hirst (b. 1965)Butterfly Rainbow H7-2Laminated giclée in colours on aluminium composite panel, 2020, with the artist's stamped signature and numbered from the edition of 4150 on the justification label affixed verso, published by Heni Editions, London, the full sheet printed to the edges, within the original fitted cardboard box, sheet 241 x 500mm (9 ½ x 19 5/8 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 201
δ Julian Opie (b.1958)Medieval Village ILenticular acrylic panel mounted on to white acrylic, 2019, signed and numbered from the edition of 20 on an adhesive label verso, published by Cristea Roberts Gallery, London, with full margins, overall size, 300 x 32 x 400 mm (11 3/4 x 1 1/4 x 15 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 50
Tomkison Cabinet Piano No 97(c1815) A cabinet piano in a rosewood case with turned and fluted baluster supports, the front panel having a pleated silk front with a central rosette; having a 5.5 octave compass FF-c4. The fascia reading 'Thomas Tomkison, Dean Street, Soho, MAKER To His Royal Highness the Price Regent'. This instrument has been sympathetically restored and is in good playing condition. Height 1.84 metres.
Lot 341
A JAPANESE SHIBIYAMA IVORY CARD CASE, 19th century, decorated with peacock, wading birds, butterfly's and insects, in gilt and mother of pearl against an ivory ground, repeated to the back panel and spine 10.5cm high; together with another ivory note case, 19th century, decorated to one side with a lion and the opposing with tiger, 9cm high
Lot 5
A SILVER GILT DESK SET, London 1907, mark of Horace Woodward & Co Ltd, the rectangular panel with a pair of cut glass ink wells, the central blotter engraved with initials to the lid and inscribed to the interior, with recessed pen wells to either side with fountain pen and pencil, raised on claw and ball feet, (c.20.34 troy ozs excluding glass inkwells). 25.5cm long
Lot 117
Thomas Sword Good (British 1789-1872)The egg sellerOil on panel25.5 x 19cm (10 x 7¼ in.)Traditionally identified as a portrait of the artist's nieceProvenance:From the collection of Matthew G. Erinson [?], 1886Bought by John Wheeldon Barnes, Esq, 1894Leggatt Brothers, LondonSale, Christie's, London, 4 November 1988, lot 192Condition Report: Some light rubbing and abrasions to the framing edges. There is a small line of gilt running along the right framing edge, which probably occurred whilst gilding was applied to the frame. The panel is beginning to bow ever so slightly and therefore doesn't sit completely flush in the frame. There is some very light surface dirt around the top left of the sitter's bonnet which flairs under UV however this does not appear to be retouching. Inspection under UV light reveals traces of a green cloudy varnish which has been partially removed, but no further evidence of restoration or repair.Condition Report Disclaimer
Lot 22
Flemish School (17th Century) The Archduchess Isabella Clara EugeniaOil on paper laid on panel32.5 x 21cm (12¾ x 8¼ in.)UnframedAfter a detail of a picture by Sir Peter Paul Rubens in The Norton Simon Museum, Pasadena, California Condition Report: The paint surface is a little uneven and there are some cracks to the panel and chips to the edges of the paper. Under UV light there is scattered retouching around the edges and to the darker pigments although this is quite hard to read. Condition Report Disclaimer
Lot 309
Attributed to Thomas Griffiths Wainewright (British 1794-1847)A Landscape Moonlight EffectOil on panelTitled and inscribed (to label affixed verso)25 x 35cm (9¾ x 13¾ in.)UnframedProvenance:John Graham Esq of Skelmorlie Castle, AyrshireCondition Report: Craquelure throughout. The panel support appears to be in good overall condition. Under UV light there are scattered areas of retouching, the largest of which to the tree centre right, this is also partially visible in natural light. There is a further similar patch to the cottage lower right. Some light surface scratching throughout. Would benefit from a clean, as the varnish is very uneven.Condition Report Disclaimer
Lot 188
Frederik Marinus Kruseman (Dutch 1816-1882)Villagers in a snowy landscapeOil on panel Signed (lower right); inscribed and dated 1881 (verso)59 x 48cm (23 x 18¾ in.) The present lot was painted in 1881, a year before the artist's death and during his second period of living in Brussels. The Belgian countryside was a constant source of inspiration to the artist who used not only the frozen waterways as subjects but also the ruined monuments, abbeys, and houses which he made detailed studies of and then used in his compositions. Villagers in a winter landscape is a good example of this with the large snowy red brick house to the right overlooking the icy landscape animated by the figures below.Kruseman was a Dutch painter, born in Haarlem, but lived in Brussels for two separate periods in his life, first between 1841 and 1852, the second time from 1856 until his death in 1882. For Kruseman, the city was a place where Dutch artistic influence was still strong, and the expanding middle class was creating a better demand than in his native Holland. During 1844 Kruseman visited Paris briefly where he would have been exposed to the work of the more progressive artists of the Barbizon School. It was after that trip, when the landscape tradition was splintering into various groups that Kruseman committed himself to the tradition of Koekkoek and the Dutch Romantic School.The hallmarks of Frederik Marinus Kruseman's mature style for his winter scenes are all present in Villagers in a winter landscape: the large house, the carved tracks in the snow, the leafless trees set against the sky with the suggestion of a city in the distance and the characters on the ice and snowy path enjoying the winter weather. This was a formula Kruseman early on in his career and which sold well for over forty years.
Lot 118
English School (circa 1800)Two views of St. Mary Magdalene Church TauntonOil on board, a pairEach 30 x 44cm (11¾ x 17¼ in.) (2)Condition Report: Generally both panels are in stable condition, some craquelure visible throughout with the grain of the panel visible throughout. Some minor scuffs and scratches to paint surface. One of the panels has a defect where an oval area (approx. 3cm to the lower centre) is protruding and lifting but is stable. Inspection under UV reveals scattered retouching throughout each panel, with some additional retouching to the aforementioned oval area.Condition Report Disclaimer
Lot 18
After Sir Peter Paul Rubens The Assumption of the Virgin Oil on panel80 x 59cm (31¼ x 23 in.)After the picture in the Royal CollectionCondition Report: The panel has been cradled. A number of vertical splits running the length of the panel with some associated retouching visible in natural light. There are a number of dents to the panel and some associated loss/retouching throughout. Rubbing and abrasions to the framing edges. This work has been previously restored and appears to be in stable condition. There is an extended area of scuffing to the left half of the panel but it is not clear what has caused this. Inspection under UV reveals retouching throughout, together with an uneven and green cloudy varnish.Probably late 18th century.Condition Report Disclaimer
Lot 43
Circle of Ferdinand Bol (Dutch 1616-1680)Portrait of a womanOil on panel, framed as an oval67.5 x 53.5cm (26½ x 21 in.)Condition Report: The panel has been cradled. There are a couple of scuffs to the corners where the work has been framed. The panel itself appears to be in three or four sections and these joins are visible in natural light. There is and old repaired crack to the right of the sitter's head. There is a layer of discoloured varnish and surface dirt. Inspection under UV light reveals scattered retouching, including to the areas of the sitter's sleeve, as well as to the background, the vertical panel joins, face, ruff and clothing. Condition Report Disclaimer
![Carl Fredrick Sørensen (Danish 1818-1879)Figures on a hulkOil on paper laid on panelIndistinctly dated 18[?][?] and signed (l](https://cdn.globalauctionplatform.com/29d9e9bb-6120-4da6-a87a-adbc015d046c/d8bee0ba-32c5-4a2c-8159-addd0132c795/468x382.jpg)
Lot 264
Carl Fredrick Sørensen (Danish 1818-1879)Figures on a hulkOil on paper laid on panelIndistinctly dated 18[?][?] and signed (lower right)27.5 x 34cm (10¾ x 13¼ in.) Condition Report: The slip is falling out of the frame and would benefit from being secured. There is a faint horizontal line running the length of the panel in the sky, which is visible in natural light, and also flairs under UV light. There are a few surface scuffs and scratches. Inspection under UV light reveals a few other scattered spots of retouching. Condition Report Disclaimer
Lot 4
Manner of Raffaello Sanzio da Urbino, called RaphaelThe AscensionOil on panel50.5 x 60cm (19¾ x 23½ in.)Condition Report: The panel has cracked vertically down the centre, and this is visible both rector and verso, where there is corresponding repair and support to the back of the panel (visible in online illustration). Surface dirt and a dirty varnish throughout. Rubbing and abrasions to the framing edges. Some light, scattered craquelure throughout the panel, together with some scattered areas of retouching which are visible in natural light. Scattered cracking and retouching to the panel throughout but most notably to the to the figures at the right side of the panel. Would recommend viewing.Condition Report Disclaimer
Lot 457
A Chinese headstone mounted black lacquer four part- folding screenModernEach panel applied with a vase of flowers, blossoming branches below, within a border of mother-of-pearl petals, the reverse decorated in gilt with birds and blossoms, each panel 183 cm high, 40 cm wideThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 235
Edward William Cooke, RA (British, 1811-1880)The upper floor of Rembrandt's father's mill, Koukerksigned and dated 'E.W. Cooke/1838' and inscribed 'JAN BRANDT/R' (to the wall centre right) oil on panel 50 x 61cm (19 11/16 x 24in).Footnotes:Provenance: Purchased by Sir Thomas Baring, 1839, and by descent to The Countess of Northbrook, C.B.E., sold for the benefit of the Red Cross and St John Fund, Christie's, London, 20 December 1940, part lot 46, as A Corner of the Mill (2½ gns to Gibbon).H. S. Gibbon, Christie's, London, 30 October 1942, part lot 89, as A Corner ofthe Mill (3 gns to Beck).Anon. sale, Bonham's, London, 22 January 2014, lot 72.Exhibited: London, British Institute, 1839, no. 131.Literature: John Munday, E.W.Cooke A Man of his Time, Woodbridge, 1996, Appendix 2: 'Catalogue of Paintings in Oils', 38/18, p.329; Appendix 4: 'The Itinerary 1824-1879: '1838 Oct. 8 Hazersworde: Rembrandt's mill'', p.366Five paintings of 'Rembrandt's father's mill' are mentioned in the Catalogue of Paintings in Oils, three of them being roughly the same size as the present lot including one that depicts the lower chamber of the mill. The other two depict the upper floor and measure 20.5 x 20.5cm and 25 x 32cm respectively. Four of the paintings were exhibited at the British Institute in 1839.One of the versions measuring 20.5 x 20.5cm is illustrated in John Munday, E.W.Cooke A Man of his Time, Woodbridge, 1996, p.249, 38/4, illus. pl.163and was sold at Christie's, 25 January 1974 for £550 (lot 116); and Sotheby's A Great British Collection: The pictures collected by Sir David and Lady Scott, 19 November 2008 for £31,250 (lot 18).The version measuring 25 x 32cm was sold at Sotheby's, Chester, 6 November 1986 for £528 (lot 3192). Both of these versions are cropped compositionally as well as being of smaller dimensions than the present lot.For an external view of Rembrandt's father's mill see 'The Mill on the Old Rhine near Leiden', J. Munday, E.W.Cooke..., p.107, 38/19, illus. pl. 53.The present lot is rare example of a Dutch interior from Cooke, him being mostly pre-occupied with maritime subjects. The fact that this mill was in Rembrandt's family was obviously of great interest to the artist. This is demonstrated by his returning to the subject repeatedly and also a note detailing the link of the mill to the van Rhijn family via Rembrandt's father which Cooke wrote and attached to the back of one of the pictures he exhibited at the British Institute. It was acquired by William Wells who kept an open house for artists in Redleaf, where Cooke stayed frequently.The well worn steps, the objects hanging on the walls, the old hook holding up the sack for the flour to find at the bottom of the wooden ramp, well polished by use, all of these details combine to create a vivid portrait of a place of work. The building seems to have seen better days but still functions and does so with great character, all of which is captured by Cooke who relishes these details as well as the overall composition which draws the eye through the room, past the shutter hanging off its hinge and out to the river beyond. The rich and varied ochres, siennas and umbers that form the palette are a tribute to Rembrandt whilst maintaining the unmistakable economy and strong draughtsmanship of Cooke.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 337
A MATCHED COADE STONE FRIEZEBy Coade, London, late 18th / early 19th centuryOne with an urn supported by dolphins, both with garlands of trailing bellflowers, 82cm wide, 11cm deep, 38cm high (32in wide, 4in deep, 14 1/2in high) and 64cm wide (2)Footnotes:Provenance: Christie's, London, South Kensington, 26 October 2016, The Hone Collection, lot 57.The design for the 'Dolphins, Vase and Festoons of Husk' panel is illustrated in Coade's Descriptive Catalogue of Coade's Artificial Stone Manufactory, Section XXVII Pieces of Furniture and Various Ornaments, 1784, p. 8, no. 190.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 284
A PAINTED PLASTER RELIEF FRAGMENT PANEL OF A CHARIOTAttributed to Samuel Pepys Cockerell, after the north frieze of the Parthenon, Temple of Zeus, Olympia, first half 19th century119cm wide, 12cm deep, 93cm high (46 1/2in wide, 4 1/2in deep, 36 1/2in high) Footnotes:Provenance: Porteus Terrace, Paddington.Christie's, London, South Kensington, 26 October 2016, The Hone Collection, lot 118.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 143
20th Century SchoolA decorative panel of a verdure tapestry cartoonOil on canvas, 220 x 200cm (86 5/8 x 78 3/4in).This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 418
A mahogany and sycamore inlaid centre table Early 19th CenturyOf rectangular form, the top inset with a silk marquetry panel, monogram PDP and 'AMITIE','FERMETE', and urns, on square tapering legs, 84cm wide x 63cm deep x 72.5cm high, (33in wide x 24 1/2in deep x 28 1/2in high)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 108
A French painted Chinoiserie decorated panelEarly 20th centuryWith asymmetrical moulded decoration, the central panel painted with storks, 79cm wide x 5.5cm deep x 82cm high, (31in wide x 2in deep x 32in high)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
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