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A Charles II oak panel back armchair circa 1660 the back profusely carved... A Charles II oak panel back armchair circa 1660 the back profusely carved with guilloche decoration with triple lunette carved central panel and twin lozenge detail below with downswept arms, with turned supports, solid seat on ring turned legs joined by stretchers 115cm high, 57cm wide
A Charles II oak panel back armchair circa 1660 with pointed finials and... A Charles II oak panel back armchair circa 1660 with pointed finials and lunette carved toprail, twin lozenge panelled back, downswept arms on turned supports, solid seat and carved seatrail on ring turned legs joined by stretchers 110cm high, 60cm wide
A George III mahogany, ebonised and parcel gilt four post bed, circa 1810 A George III mahogany, ebonised and parcel gilt four post bed, circa 1810, the ebonised frieze decorated with bead moulding and a greek key frieze centred by tablets depicting scrolling laurel branches, hung with a pleated fabric pelmet and matching curtains to the reverse, the turned, reeded and square section front posts centred by an arched and upholstered panel, on spade feet, 280cm high, 185cm wide, 216cm long overall Provenance: Parkhill House, by Arbroath, Angus Parkhill House near Arbroath has been the home of the Duncan Family for over 200 years. Many of the family who lived at Parkhill had distinguished naval careers including John Alexander Duncan C.B., R.N.(1878-1943). Alexander Duncan acquired the property in 1799 when he retired from the East India Company, and built the House in 1804 in the classical style. He was a pioneer of plant collecting in the 18th century, sending back hydrangeas and magnolias from Canton, China and a tree peony, for which he received a fellowship of the Royal Society.
A French ebony, ebonised and marquetry escritoire, third quarter 19th century A French ebony, ebonised and marquetry escritoire, third quarter 19th century, in the manner of Alphonse-Gustave Giroux, Paris, inlaid with bone stringing throughout, the rectangular top above the frieze drawer and hinged fall opening to an arrangement of six drawers and an open recess with open shelf, above the leather inset, above three further drawers, flanked overall by fluted pilasters headed by Doric capitals, on turned tapering feet, the rear panel bearing an ivorine retailers plaque titled `J.WALTON & CO. LTD, ANTIQUE FURNITURE, MERE, WILTS`, 140cm high, 87cm wide, 54cm deep For a related side cabinet demonstrating similar marquetry panels and stamped A.Giroux see Christie`s, The Opulent Eye, 10th September 2012, Lot 70 This escritoire relates closely to pieces made for Maison Alphonse Giroux in the tradition of 18th century marchands-merciers. It is thought that the firm probably did not make any of the wares they sold but rather commissioned them from a number of craftsmen. The firm was established in 1799 by François-Simon-Alphonse Giroux (d.1848), with premises at 7, rue du Coq-Saint-Honoré, Paris. Dealing in luxury goods, and known for its high-quality objects such as glove boxes, caskets for weddings and baptisms, and gifts for the New Year, by 1834, the company also sold small items of furniture. In 1838, the company was taken over by Giroux`s two sons, Alphonse-Gustave (d.1886) and André (d.1874), who under the name of Giroux & Cie, further extended the business, showing and frequently winning medals at the Exposition des Produits de l`Industrie française. Between 1855 and 1857, Maison Alphonse Giroux supplied Napoléon III and Empress Eugenie with furniture including a small bureau, two ormolu-mounted chiffonniers, candelabras, clocks and vases. In 1857, the business relocated to 43, boulevard des Capucines, where it remained until 1867 when it was taken over by Duvinage and Harinkouke.
An impressive collection of beaded and sequinned Valentine type Pincushions including a large Merry Christmas 7th Hussars, heart shaped with central silk work panel, a Good Wishes Galore The Worcestershire Regiment, ‘Remember Me’ Royal Irish Rifles, Britannia and The East Kent S. Africa 1879, Mizpah 1915. 14H Kings Hussars and a red and cream Forget Me Not with anchors (7)
Full length 19th Century portrait silhouette of a gentleman, early 19th Century needle point panel of a mother and child with puppy in gilt frame, 19th Century framed collage print of St. James of Spain, watercolour study of a French cafe garden, 19th Century oil on canvas depicting figures around a mill pond with water mill. (9)
Full length 19th Century portrait silhouette of a gentleman, early 19th Century needle point panel of a mother and child with puppy in gilt frame, 19th Century framed collage print of St. James of Spain, watercolour study of a French cafe garden, 19th Century oil on canvas depicting figures around a mill pond with water mill. (9)
19th Century oak longcase clock, Triggs Guildford, the hood with a swan neck pediment above a square glazed door, white painted dial with foliate polychrome painted spandrels. subsidiary seconds dial and date apperture, long trunk door and panel base, twin train movement striking on a bell, 210cm high

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