We found 360406 price guide item(s) matching your search
There are 360406 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
360406 item(s)/page
Lot 173
Tunbridge ware - the modern makers, Robert Vorley, two pieces, comprising a rectangular playing card box, the pull off lid with two panels of floral mosaic, signed to base 'Robert Vorley, 1985', 13.6 x 10.7 x 3.2cms, and a rectangular box, the lid with a mosaic panel of a butterfly, signed to base 'Robert Vorley 1985', varnish degraded, 8.2 x 7 x 4.8cms. (2) From the collection of Dr. Brian Austen
Lot 91
Two Tunbridge ware Besique boxes, comprising a rosewood rectangular box the hinged lid with inset mosaic panel 'Besique', within narrow geometric mosaic border, interior in printed paper with two inlaid marker boards and peg provision, 12.8cms, and a mahogany example with lift off lid titled in mosaic 'Besique', within mosaic numerical scoring panels, the base with untitled photographic coastal view, 12.6cms. (2) From the collection of Dr. Brian Austen
Lot 427
A Palais Royal satinwood sewing box, circa 1830, of rectangular form, the lid with inset burr panel and mother of pearl tablet within canted borders and patterns of cut steel pins, ogee base raised on brass ball feet. The lid interior with a mirror over a blue velvet flush fitted tray with two of four mother of pearl thread winders, a pair of steel scissors with carved mother of pearl arms to plain loops, a matched carved and engraved mother of pearl needle case with pansy motif, a mother of pearl handled stiletto with pansy motif, a gold thimble with shield cartouche and fruiting vine border, and a velvet painted basket of fruit pin cushion, the lower section lined in gilt foil, 18 x 13 x 7cms.
Lot 73
A Tunbridge ware rosewood stationery box, the exaggerated domed lid with an inset panel of floral mosaic within geometric mosaic borders, the front with a border of geometric mosaic, lid interior and upstand in old blue silk otherwise re-lined, with key, 18.5 x 9.5 x 14.5cms. From the collection of Dr. Brian Austen
Lot 76
A Tunbridge ware burr maple box attributable to Henry Hollamby, of rectangular form, the cushion lid with inset mosaic panel of Eastnor Castle, Hereford, with vertical and horizontal tesserae, within a broad border of leaf mosaic, the concave sides with a similar broad band of mosaic, lined in blue velvet and paper, tray lacking, small dent to edge of inset lid mosaic, 23.2 x 15.3 x 10cms. From the collection of Dr. Brian Austen
Lot 469
An attractive continental silver filigree and enamel chatelaine mount, the hook to a shield form filigree panel set with a rectangular coloured enamel plaque of a woman waist length holding a snake, possibly Cleopatra, indistinct mark to suspension loop, late 18th/early 19th Century, 6.5 x 3.8cms.
Lot 90
A rare Tunbridge ware rosewood rectangular tea caddy, the cushion form lid with inset mosaic panel of Eton College, Berkshire, within a narrow border of geometric mosaic, the concave sides with a band of narrow geometric mosaic over a broad band of floral mosaic, stick ware button escutcheon. The lid interior lined in rosewood over a pair of lids with narrow bands of geometric mosaic, foil lining, 21 x 11 x 12cms. From the collection of Dr. Brian Austen
Lot 153
A good Tunbridge ware ebony go to bed, probably Thomas Barton, turned ebony circular base with striker, octagonal body in variant panels of floral mosaic below a turned ebony screw top inset with a circular panel of cube ware within triangle border below a stick ware candle sconce, bone match holder, compartmented interior, 9.5cms max. dia., 13cms high. From the collection of Dr. Brian Austen
Lot 194
An unusual and intensely decorated Tunbridge ware tea caddy, of sarcophagol form raised on bun feet, the canted top with a panel of cube work within twin borders of geometric stick ware, the sides with conforming bandings and a broad band of van dykes, the interior lined in silvered paper and complete with two cube work lids with conforming borders, 21.4 x 12.5 x 14cms.
Lot 164
Tunbridge ware - the modern makers, Robert Vorley, two pieces, comprising a rectangular box, the pull off lid in cube work, the sides in van dyke, signed to base 'Robert Vorley 1982', 10.2 x 7.5 x 5cms, and another of square form, the lid with mosaic panel of a butterfly, signed to base 'Robert Vorley, 1989', 6 x 6.2 x 3cms. (2) From the collection of Dr. Brian Austen
Lot 377
A Regency red leather sewing box, circa 1815, of sarcophagol form raised on brass paw feet, leaf mounted brass ring side handles, the top with an oval tablet initialled 'LM', replacement escutcheon. The interior with printed silk lid panel emblematic of victory (some loss), over a compartmentalised and lidded base with tan leather fittings, 22.5 x 13.5cms. From the collection of Enid Riley Part 5
Lot 183
A Tunbridge ware rosewood netting box, of rectangular form, the cushion lid with central floral mosaic panel within a border of geometric mosaic, the concave sides with a broad band of floral mosaic, mother of pearl circular escutcheon, interior lined in green silk with tool provision to lid, 25 x 9.5 x 7.5cms. From the collection of Hilbre Marriott
Lot 69
Mosaic and Related Wares A rare Robert Russell labelled 'Tunbridge Wells Marquetrie' rosewood jewellery box, the lid with star form marquetrie panel, the sides with a band of marquetrie, interior lined in original red velvet with ring compartments, the base with printed rectangular label in black on yellow 'To H.R.H. The Duchess of Kent - R. Russell Inventor and Manufacturer of Tunbridge Wells Marquetry - Chapel Place, Tunbridge Wells - NB No stained or dyed woods used', 11.5 x 11.5 x 5.2cms. From the collection of Dr. Brian Austen
Lot 150
A William De Morgan Late Fulham Period tile, painted with carnations in shades of green and aubergine on a white ground, and a Minton's two tile panel printed with flowers and foliage, framed, impressed De Morgan mark, collection label, 15 x 5.5cm. (2) ProvenanceThe John Catleugh Collection, cat no.69 (De Morgan tile).
Lot 363
A large copper double wall sconce designed by J W Oddie and executed by J C Martin of the Lyzwick Hall Art School, the well hammered in low relief with a classical figure playing a lyre, two water nymph in the foreground playing music, inside a frame of musical instruments, the shaped top with cornucopia panel, stamped WO and JCM to well 59cm. highLiteratureIan Bruce The Loving Eye and Skilful Hand, The Keswick School of Industrial Arts, Bookcase, page 6 and notes to the text chapter 1.4 for a discussion on Mr Oddie and Lyzwick Hall. Work by Oddie & Martin were exhibited by the Arts and Crafts Exhibition Society in 1890.
Lot 279
A Heal's mahogany cabinet designed by Ambrose Heal, made to celebrate his marriage and dated 1895, central two door cabinet flanked with angled cupboards, below glazed, shelved display cupboard, with overhanging wide mantel, the cupboard doors with tooled, red leather date panel 1895 and initials for Alice Rose his wife,181cm. high150cm. wide.42cm deep ProvenanceSir Ambrose Heal, thence by descent LiteratureOliver S Heal, Sir Ambrose Heal and the Heal Cabinet Factory 1897-1939, page 148 this cabinet illustrated.
Lot 455
A gold and enamel pendant necklace probably by John Paul Cooper or H G Murphy, made at Henry Wilson's workshop, the gold pendant pierced and chased with a rose branch, set below diamond shaped panel with green and white enamel chequerboard, the elaborate link chain with six green paste stones, unsigned, 6.5cm. drop. ProvenanceDidier Antiques.
Lot 247
An Art Nouveau porcelain vase on gilt bronze mount by Charles Korschann, the tapering body with square aperture, cast in low relief with a panel of a child amongst scrolling flowers and strapwork, the reverse with Secessionist panel,stamped with Louchet Paris seal to back, signed Pl Alp to base,19cm. high
Lot 445
A rare Keswick School of Industrial Arts silver and enamel pendant necklace, the design attributed to Herbert Maryon, possibly made by Isabel McBean, heart-shaped wirework frame with simple leaf terminals and set with three mother of pearl cabochon, around central elliptical blue enamel panel, stamped KSIA, 4.5cm. drop ProvenanceHill House Antiques, 2005. LiteratureIan Bruce The Loving Eye and Skilful Hand The Keswick School of Industrial Arts, Bookcase, page 68 plate 50 for silver and jewellery designs by Isobel McBean.
Lot 143
Melody a large Della Robbia Pottery plaque designed by Ellen Mary Rope, rectangular cast in low relief with three young figures playing music gathered around a central tree, as two groups of young figures listen and rest, in colours, in pokerwork wooden frame, incised numbers to reverse, 48 x 29cm. ProvenancePrivate collection. LiteratureThe Studio volume 13, 1898 page 190 for an example of this plaque illustrated. this example listed as designed by Miss Rope and painted by E.M. Wood.Peter Hyland The Della Robbia Pottery, Birkenhead 1894-1906, Antique Collector's Club, page 207 figure 222 for a related, smaller tile plaque by Rope decorated with children dancing around a tree.ExhibitedMelody (panel) was exhibited by the Della Robbia Pottery in 1905, catalogue number 1939 priced at £3.3s.
Lot 438
A silver brooch by Winifred Whitside, originally half a buckle, circular with chased band of scrolling foliage, the centre with enamel panel of stylised flowers in colours on a blue ground, and a half-sovereign brooch by Winifred Whitside, unsigned, 7.8cm. diam. (2) ProvenanceBonhams, 4th November 2009, lot 168 (enamel brooch).
Lot 285
A silk embroidered panel by Christine Angus, the circular silk panel embroidered with four radiating female figures and floral panels in green, pink and white silk thread, framed unsigned, 51cm. diam. ProvenancePurchased by Ambrose Heal about the time Angus was commissioned to produced designs for furniture inlay for Ambrose Heal, and also a silk embroidered Dalmatic, exhibited at the 1916 Arts and Crafts Exhibition Society. LiteratureOliver Heal, Sir Ambrose Heal and the Heal Cabinet Factory, 1897-1939, page 80 for a figural inlay by Christine Angus designed for Ambrose Heal's throne chair made for Christine's sister Joan. Illustrated.The Studio Special - Modern Design in Jewellery and Fans, 1902, plate 43 for a design for a fan 'Sweat Peas' with comparable figures illustrated.
Lot 351
A large Reformed Gothic brass mantel clock designed by Bruce Talbert, probably by Cox & Co or Hart, Son, Peard & Co, triangular open scroll work decoration of flowers and foliage, the flowers set with red glass and moonstone cabochon, circular dial enamelled with Roman Numerals, the foliate finial set with agate stone panel, the movement attributed to Gay Vicarino & Co, London, bevelled glass door, movement signed GV 1461, 51.5cm. high LiteratureCharlotte Gere & Michael Whiteway 19th Century Design from Pugin to Mackintosh, page 118 for a comparable example illustrated.The John Scott Collection, Modern English Design From the 1860s and 1870s, Fine Art Society, 11th June-3rd July 2014, catalogue number 68 for a comparable example. Catalogue NotesBruce Talbert (1838-1881) trained as an architect before becoming one of the leading exponents of the Reformed Gothic style. This clock, designed circa 1871, was illustrated in The Illustrated Catalogue of Gothic & other Artistic Domestic Furniture, Fittings, Decorations, Upholstery & Metal work, published by Cox & Sons in 1872. Gay Vicarino worked in London between 1864 and 1875,
Lot 288
A Heal's oak John Dawson single wardrobe designed by Ambrose Heal, designed 1919, hinged panel door with ebonised wood handle, internally fitted with pegs and central hanging bar, unsigned, 173cm. high, 76cm. wide, 39cm. deep ProvenanceSir Ambrose Heal, thence by descent LiteratureOliver S Heal, Sir Ambrose Heal and the Heal Cabinet Factory 1897-1939, page 240 this wardrobe and chest illustrated.
Lot 451
A gold and opal necklace by Joseph Hodler probably made at the Bromsgrove Guild, the openwork shield shaped pendant with flower and foliage border, set with central elliptical opal, with small gold drop with mother of pearl panel, foliate bale, on chain, stamped Hodel, 6cm. drop. ProvenanceVan Den Bosch, 2004.
Lot 453
A silver necklace by Horace Minns probably made at the Artificers Guild, the design attributed to Edward Spencer, raised heart-shaped openwork frame with flowers and foliage, set with a large central cornelian cabochon, with two smaller red cabochon and a smaller abalone shell, with a tear-shaped drop, the wirework chain with smaller silver foliate panel with red cabochon and two small abalone trefoil wirework panels, etched to reverse AK 1923, signed panel to reverse Minns, 6.5cm. drop Catalogue notesAlthough little is known about the maker Horace Minns, he is listed as making jewellery for the Artificer's Guild (designs by Edward Spencer) until 1926. ProvenanceVan Den Bosch, 2004.
Lot 346
A large Morton Sundour woven wool gauze textile panel designed by Gavin Morton, woven with flag iris in purple, inter-spaced with yellow and pink wild flowers with Art Nouveau linear foliage, repeat design, in pastel colours, framed and mounted153 x 120cm (panel)168.5 x 136cm (frame)ProvenanceKerry Taylor Auctions,4th December 2012 lot 54Private collectionCatalogue notesThis semi-transparent curtain fabric was woven by the firm of Morton Sundour, an off-shoot of Alexander Morton & Co. The parent company was established in Scotland in 1867 under the direction of James Morton (1867-1943) - the firm that supplied Liberty's and other leading stores with gauzes, textiles and carpets. It included amongst its designers Charles Francis Annesley Voysey, the Silver Studio and Mackay Hugh Baillie Scott. Gavin Morton (1867-1954) was the nephew of Alexander Morton and cousin of James who became chief designer for the firm. This panel was woven for the drawing room of his own house in Carlisle
Lot 388
Sir Hubert Von Herkomer RA (1849-1914)The Triumph of the Hour, 1898four Limoges enamel paintings on copper from The Triumph of the Hour shield, comprisingThe Lowest Shall Destroy The Highest,The Raised Shall Touch the Fallen,The Mistaken Shall Fail,Faith Shall Engender Hope,three panels signed HH and dated 98,29 x 19cm (largest panel - The Lowest Shall Destroy the Highest), (4) ExhibitedRoyal Academy, 1899, where the shield won a gold medal. An Exhibition of 19th & 20th Century Decorative & Novelty Silver, Nicholas Harris, 23rd October-2nd November 1984.Bushey Museum, 1988. LiteratureThe Magazine of Art, 1899, page 186 for the shield illustrated and an article on Herkomer's enamelA L Baldry Hubert von Herkomer, page 69 for an illustration of the shield.Lee, MacCormick & Edwards Herkomer a Victorian Artist, page 80, figure XXIV the enamels illustrated. Catalogue notesThese are the only known enamel panels from the shield that have survived.
Lot 446
A silver necklace in the manner of Newlyn Industrial Classes, silver wirework links with Celtic knot and ball decoration, set with abalone panel links and drops, unsigned, 43.5cm. long ProvenanceDreweatt Neate, November 2004. LiteratureDaryl Bennett & Colin Pill, Newlyn Copper Arts and Crafts Copper Work in Newlyn, Sansom & Company, page 40&41 for comparable enamelled silver jewellery illustrated.
Lot 369
A large and impressive John Pearson oak and repousse copper wall mirror, rectangular, oak frame with central bevelled glass mirror, flanked with two repousse copper panels each hammered in deep relief depicting a gecko climbing a stylised branch, above simple flower and foliage motif, stamped signature and date visible to left hand panel 122 x 76cm, 59 x 24cm (panels)ProvenanceA private collection of John Pearson.
Lot 1445
Art Deco sapphire and diamond cocktail watch, 10mm circular dial with Arabic numerals and blued steel hands, manual wind movement, set within a round brilliant diamond and fancy cut sapphire panel, on a mesh bracelet, tested as platinumCondition Report: Gross weight 21.5gHinge on case back is faulty and will not open without breaking the hingePlease note that the movement has not been tested for the accuracy of time and may need a service at the buyer's expense.Ewbanks does not guarantee the future working of the movement and we do not guarantee the authenticity of any individual component parts since subsequent repairs and restoration work may have resulted in the replacement of original parts
Lot 1048
Edwardian necklace, centrally set with an oval cut ruby, estimated weight 1.71 carats, surrounded by an openwork seed pearl set design, with three claw set pear peridot drops, estimated total peridot weight 4.00 carats, with further articulated seed pearl links, mount stamped 15 ct, on a later integrated twisted rope chain, 40cm in length, with a hook clasp stamped 9 ct and a loose 15 ct barrel claspCondition Report: Overall good conditionGross weight of necklace 11.8 gramsNecklace hook clasp opens and closes securely weight of barrel clasp 0.4 grams, barrel clasp opens and closescentral pendant panel with peridot drop measures 3.8 x 2.5cmall peridot drops have scratches to surface
Lot 1137
Four antique stick pins, including a mourning stick pin with a clear panel of plaited hair and a seed pearl surround in 9 ct, a turquoise and seed pearl sword pin in 15 ct, turquoise pin in 9 ct and diamond stick pin with a 15 ct head and a base metal pinCondition Report: 9 ct gross weight 2.6 grams15 ct gross weight 3.4 gramssword pin is missing some pearls
Lot 1133A
Opal set bangle, with a bezel set oval cabochon cut opal, measuring 7.8 x 6mm, mounted in a sold asymmetric panel motif, with belcher and bolt ring clasp fitting, in 9 ct yellow gold hallmarked London 1988 and a opal set bar brooch, 5.3 x 0.6 cm, with pin catch and safety chain, stamped 9 ct in an antique fitted boxCondition Report: 9 ct gross weight 9.6 grams opal in brooch has scratch to side of the stone
Loading...-
360406 item(s)/page