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![[VERVE]. Verve. Vol.1, nos. 1-4. Paris: Teriade, 1937-1939.4 volumes, Folio. Lithographed plates by Kandinsky, Masson, Chagal](https://cdn.globalauctionplatform.com/14116182-6b38-4f40-9d98-ad0b011c8511/252dd5b2-2021-4e1e-88b7-ad0b011e8a60/468x382.jpg)
Lot 101
[VERVE]. Verve. Vol.1, nos. 1-4. Paris: Teriade, 1937-1939.4 volumes, Folio. Lithographed plates by Kandinsky, Masson, Chagall, Miro, Rattner, Klee, Matisse and Derain and numerous reproductions. Original printed wrappers (slight rubbing to spine ends, very minor soiling); original printed board boxes nos.1-3 (overall slight wear to extremities and minor soiling, top edge lacking vol.1 box, top panel of box present but lacking box below).For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
![[CHESS]. A group of 3 works, comprising:SARRATT, J. H. The Works of Damiano, Ruy-Lopez, and Salvio on the Game of Chess. Lond](https://cdn.globalauctionplatform.com/14116182-6b38-4f40-9d98-ad0b011c8511/8e4892cb-2fa6-4633-8fe7-ad0b0122f65d/468x382.jpg)
Lot 148
[CHESS]. A group of 3 works, comprising:SARRATT, J. H. The Works of Damiano, Ruy-Lopez, and Salvio on the Game of Chess. London: T. Boosey, 1813. 8vo. (Some minor spotting to endpapers; slight marginal toning.) Contemporary half brown morocco over marbled boards (front hinge cracked, some rubbing to boards and extremities, with some paper loss to rear cover). Provenance: Herbert Greenwell[?] (faint ink signature on front free endpaper; catalogue label "845" on front pastedown). --STEINITZ, WILLIAM. The Modern Chess Instructor. Part I. New York and London: G. P. Putnam's Sons, 1889. 8vo. Original cloth gilt (minor wear to spine ends and extremities; some rubbing to covers, hinges tender). FIRST EDITION. --FISCHER, BOBBY. My 60 Memorable Games. New York: Simon & Schuster, (1969). 8vo. Original cloth-backed boards; dust jacket (spine panel and front panel faded, some chipping). FIRST EDITION.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Lot 205
SALINGER, J.D. (1919-2010). The Catcher in the Rye. Boston: Little, Brown and Company, 1951.8vo. Original black cloth (some rubbing, half ring stain to upper cover);in the second issue dust jacket (spine slightly toned, light chipping, some minor staining). Provenance: J.D. Witter (stamp, 1951).FIRST EDITION, second printing with "Reprinted July 1951" on copyright page. In second issue dust jacket with the $3.00 price on the front flap and with the Lotte Jacobi photo credit on Salinger's portrait on the rear panel, but with about 1/8 inches between the top of Salinger's hair and the top edge of the jacket on the rear panel.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
![[SHELLEYANA]. A group of material relating to Shelley and his circle, including manuscripts from the collection of Charles W.](https://cdn.globalauctionplatform.com/14116182-6b38-4f40-9d98-ad0b011c8511/19a561fd-9acc-49a9-a318-ad0b01437078/468x382.jpg)
Lot 221
[SHELLEYANA]. A group of material relating to Shelley and his circle, including manuscripts from the collection of Charles W. Frederickson.Letter dated 1813, etching laterA group of manuscripts from Shelley's publishers, biographers, and relatives FROM THE COLLECTION OF CHARLES W. FREDERICKSON, comprising the majority of Lot 2387 from his sale, Bangs, 24-28 May 1897:Capt. E. S. Trelawny, ALS, 8vo, 1841 -- J. Shelley, ALS, 4to, 1799 -- Augusta Leigh (sister of Lord Byron), AL, 3p., 8vo -- Peter Finnerty, ALS, 4to, 1804 -- T. Shelley, 2 ALSs, 1813 and 1828 -- Edward Dowden, ALS, 4pp., 8vo, 1885, regarding his Life of Shelley -- Lady J. S. Shelley, ALS, 2pp., 8vo -- Sir Percy F. Shelley, ALS, 8vo, 1883 -- J. C. Jeaffreson, ALS, 4pp., 8vo, 1883 -- Edward Moxon, ALS, 2pp., 8vo, 1867 -- H. Buxton Forman, ALS, 3pp., 8vo, 1876, regarding Shelley's letters -- Joseph Severn, ALS, 3pp, 8vo -- Charles Cowden Clarke, ALS, 4pp., 8vo, 1842 -- T. F. Dillon Croker, 2 ALSs, 8vo, 1854 -- Prof. C. Short, MS, Oration on Shelley. [With:] A small group of letters to Frederickson, comprising: Anna J. Gould, ALS, 2pp, 8vo 1889; Charles Short, ALS, 2pp., 8vo, 1875; Ernest North, 8vo, 1895, with a dried flower from Shelley's grave; W. H. Randolph, 4pp., 8vo, with a dried flower from Shelley's grave. -- Also with: J. Shelley? Cut address panel, 1820 -- John E. Burke Jr., ALS, 4pp., 8vo, 1894.[Also with:] A small group of engravings and periodical publications about Shelley.Property from Historic Sengen House, Cornwall-on-Hudson, New YorkDimensions overall with frame: 12 7/8 x 21 inches.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
![[GRABHORN PRESS]. TSA TOKE, Monroe (1904-1937). The Peyote Ritual. Visions and Descriptions of Monroe Tsa Toke. San Francisco](https://cdn.globalauctionplatform.com/14116182-6b38-4f40-9d98-ad0b011c8511/e171253b-e6f0-4483-8e73-ad0b0165abf6/468x382.jpg)
Lot 75
[GRABHORN PRESS]. TSA TOKE, Monroe (1904-1937). The Peyote Ritual. Visions and Descriptions of Monroe Tsa Toke. San Francisco: Grabhorn Press, 1957.Folio. 14 color reproductions of paintings by Toke. Publisher' cloth-backed decorated boards, original plain dust jacket (slight soiling, tears with losses to spine panel and edges).LIMITED EDITION, one of 325 unnumbered copies featuring Tsa Toke's Native American ceremonial artwork. Publisher's prospectus laid in. GB 589Property from the Collection of Jack BelcherFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Lot 161
Burroughes & Watts London oak snooker, billiards and life pool scoring board featuring central slate panel, two rollers with black painted numbers 0-100, slides for marking life pool consists of 12 slides with coloured discs representing the player's cue ball, with hidden mother of pearl disc to mark extra lives, 44 x 26 inches
Lot 351
Large Victorian ebonised and ormolu mounted credenza, having a central large fielded panelled door featuring a large hand painted ceramic panel depicting lovers in a wood within a laurel and ribbon surround, caryatid mounts, further smaller hand painted porcelain panels of figures and flowers, to each side is a curved glass door opening to reveal two shelves within. Note: one glass panel broken. Brass line inlay throughout, 173cm wide x 41cm deep x 110cm high
Lot 382
Late 19th century large oak and Bergere armchair in Carolean style, the back featuring carved detail of scrolls and two putti with central floral urn, oval caned back panel, barley twist supports, acanthus carved arms, caned seat with repeated putti and urn carved panel under, barley twist supports and stretchers, width 62cm, depth 62cm, height 140cm, (matching in design to Lot 384)
Lot 384
Pair of 19th century stained oak standard chairs in Carolean style, cresting rails featuring two cherub and scroll carvings with central floral urn, oval cane panel with foliate carved surround, barley twist uprights, cane seat, repeated cherubs and urn motif to frieze under, barley twist uprights and stretchers, width 48cm, depth 42cm, height 127cm, matching in design to Lot No 382
Lot 135
A George III mahogany standing corner cabinet, circa 1780, the astragal glazed doors enclosing a proscenium arch with gilt vine decoration surrounding the shaped shelves and the arrangement of short drawers, the base with a pair of panel doors enclosing further shelves, 224cm high overallProvenance: Berwick House, ShropshireCondition Report: Marks, knocks, scratches, abrasions consistent with age and use,Old splits and cracks, some chips and losses,The interior painted surfaces with dirt and discolouration, rubbing and wear to the decorative painted areas,Please refer to additional images for visual reference to condition Additional measurements:75cm deep122cm wide across the front overallCondition Report Disclaimer
Lot 161
A Chinese Export black lacquered and parcel gilt and floral painted games table, mid 19th century, 75cm high, 101cm wide, 61cm deepProvenance: The Collection of Countess Veronica MunsterCondition Report: Marks, scratches and abrasions consistent with age and useChips and splits, some later painting to the lacquerwork. Some areas of cracked lacquer including to the chequerboard panel, corners.Raised and cracked lacquer, and lacking lacquer including to areas where movement of the underlying carcass has ocurred.Chips and cracks to the turned ivory handles.Please refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 162
A Chinese Export black lacquer and gilt chinoiserie decorated cabinet on stand, first half 19th century, decorated throughout with traditional village scenes, the arched cabinet with a pair of panel doors opening to an arrangement of small drawers and pigeon holes around a pair of sliding pierced panel doors, the two tier stand with spirally turned supports, the lower tier with a pierced apron and shaped bracket feet, 140cm high, 51cm wide, 34cm deep Provenance: The Collection of Countess Veronica MunsterCondition Report: Marks, scratches, knocks and abrasions consistent with age and use. Overall of aged appearance.The cabinet lacquer exterior with a crackelure to varying degrees from raised and bowed cracks to smaller cracks. Less crackelure to the interior drawer fronts. Drawer interiors with split lacquerwork. The base generally with a finer crackelure. The back cracked along a construction join. Fading including to the top of the cabinet. The interior central sliding doors are slightly bowed so that they do not run smoothly or to the full extent. One outer door visibly bowed. One white metal door hinge mount detached. Repairs to the bracket feetEvidence of old worm including to the base. Please refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 173
Jeremy Holt (20th century)Portrait of a girl wearing a blue headband Oil on board Inscribed to the board (verso)37.5 x 30cm (14¾ x 11¾ in.)Provenance: The Collection of Countess Veronica MunsterCondition Report: Cracking to the panel, visible. Light surface dirt throughout. Otherwise no significant condition issues. Condition Report Disclaimer
Lot 273
A collection of various tapestry cushions, panels, fragments and carpets, various dates, comprising; a set of four needlework seat 39 x 50cm, a pair of similar needlework cushion covers, 48 x 54cm, a needlework panel with silver thread fringes, 52 x 37cm, an embroidered textile panel, probably Turkish, 95 x 38cm, a circular needlework and velvet backed panel, 32cm diameter, a triptych panel incorporating antique carpet fragments, probably North West Persian, 157 x 44cm, another European hooked runner, 215 x 64cm, a woolwork runner with floral motifs, 232 x 65cm, a yellow entre-fenetre, with label for John Kiel, Bristol, 234cm long, 84cm wide, a pair of green cushions, 44 x 26cm, a yellow ground cushion with central panel 104 x 48cm, and a panel to match, 122 x 28cmProvenance:Property from The Manor House, Stanford in the ValeCondition Report: All items bear the expected wear, discolourations, 'pulls' and some fraying commensurate with age and use. The needle work seat cushions; all with some stains to the back and sides and some additional needlework elements to the sides when the original panels were adapted to cushionsTwo similar needlework covers; both with some fading and dirt on the red cover fabric, and various small losses to the stitchingThe needlework panel with silver thread fringes; parts of the silver fringe missing to both edges and one longer loose thread, some staining to the backAn embroidered textile panel, probably Turkish; some fraying to edges and pulls throughoutA circular needlework and velvet backed panel; staining to the front and back, notably a green/blue stain approximately 6cm wide, fading to the embroidery, pulls and loose thread to the velvet back panelA triptych panel; pulled thread and staining to the back panel, some old stitch repairs, wear to panel throughout revealing underlying weft, fabric backing to one end openingAnother European hooked runner; significant wear and surface dirt, wear has caused some hole in areas throughout, staining to the back fabricA woolwork runner with floral motifs; fading of varying degrees , some old stitch repairs, wear throughout resulting in some losses, some patches missing to the trim onall sides, staining to the back fabricA yellow entre-fenetre; some fading and pulled thread, some fraying to tassels, no serious stains A pair of green cushions; seam opening slightly down the middle, some pulled thread on both, fringing with wear and frayingCushion with central panel; the panel with wear, some tears, losses and loose threads throughout. The fabric of the cushion with various tears, as illustrated. The panel to match; wear, some tears, losses and loose threads throughout. Please refer to online and additional images for visual reference to condition. Condition Report Disclaimer
Lot 274
A Chinese rectangular woven rug or panel, approximately 89cm high, 94cm wide together with a Persian shaped oval rug, with long fringes, approximately 120 x 130cm (excluding fringing)Provenance:Property from The Manor House, Stanford in the ValeCondition Report: Persian rug- Wear overall. Wear reveals underlying weft in areas throughout (see images for extent). Tasselling with the expected wear, discolourations and fraying. Please refer to additional images for visual reference to condition. Chinese rug- Some minor wear overall and discolouration/fading. Some loose threads to edges. Two later strips of fabric applied to the reverse of the rug. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 275
A collection of various cushions, comprising; a pair of seat cushions, 47 x 55cm, and a scatter cushion en-suite, 41cm square, a pair of cushions with gold and silver thread, 40cm square, a seat cushion with tassel fringing, 50cm square, a modern cushion with stumpwork type decoration, 37 x 43cm, and seven various tapestry panel cushions, together with a needlework panel, with central courting couple, 59 x 67cmProvenance:Property from The Manor House, Stanford in the ValeCondition Report: Pair of blue woolwork cushions - thread worn thin / moth? in places to reveal underlying canvas, torn Pair of tapestry cushions with girl and boy - fringe worn, ribbon trim fragmented, stitched repairs, tears, sewn onto another fabric for stability, patched repairs Pair of cushions woven with blue and pink flowers - wear to the gilt thread border, stains and marks, worn threadsthree small tapestry cushions - one more torn and fragmented than the other two Silk squab with tasselled border - stain; and silk embroidered cushion - the coloured silk embroidery with some wear, appliquéd by machine onto a modern silk ground Two woven silk squabs and a matching cushion - the fringes and edges worn, stains, the main fabric worn and torngros and petit point panel - extensive restoration with later stitching, repairs, stitched onto a later linen, with later edges, some wear, moth Condition Report Disclaimer
Lot 276
A collection of various verdure tapestry and other tapestry cushions and fragments, comprising; a group of five cushions, the largest 60 x 40cm, a pair of drop in seats, with timber frames, 34 x 33cm, a pair of table runners, 106 x 44cm, a tapestry panel, 148 x 50cm, a fragment with silver thread fringing, 59 x 22cm, and a further panel with yellow bound edges, 87 x 36cmProvenance:Property from The Manor House, Stanford in the ValeCondition Report: The longer elements are also tapestry - they appear to be flat weaveCondition Report Disclaimer
Lot 299
An oak cupboard, early 18th century, the panel moulded door opening to a shelved interior, 166cm high, 81cm wide, 48cm deep Condition Report: Marks, chips, scuffing, scratches and abrasions consistent with age and useCracks to two front panels and panels to the sideSome later replacements including interior shelves, runners, door handle Lacking the lockLater metal hingesFeet later reduced in heightEvidence of old wormPlease refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 304
A George III mahogany clothes press, circa 1780, the doors opening to three sliding trays, 199cm high, 127cm wide, 58.5cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and use, Some old cracks, there is an old inset piece of timber to the rear of oneside, this has had a further break and the piece is detached but present with the lot. Other chips and losses include to the cock-beadingThe handles are not original, there is an old hole to the interior of the drawer frontOverall with a dark colour overall but there is colour variation There are three slides to the interior, but space for five - these may be missing or perhaps the extra gaps is for added flexibility. they run on runners to the sides of the panel doors. The hinges are quite stiff and may benefit from an oil Please refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 382
A Charles II oak chest of drawers, circa 1680, 91cm high, 95cm wide, 62cm deep Condition Report: Marks, scratches and abrasions consistent with age and use Old chips and splits, including across the top and side panels.Some sections of replacement and losses including to the corner of one side panel, and possible shrinkage to one side panel leaving a gap. One section of fielded panel detached. Later drawer runners.Later dowel and other fixings to the top possibly incorporating later timber to the back of the top.Handles, escutcheons and locks replacedPine drawer linings and backboardsEvidence visible of old wood wormPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 449
A Victorian painted and carved wood truncheon by Parker of Holborn, of Welsh Interest, the turned and tapered handle painted and gilt with Royal crown above V.R cypher and C-Scroll bordered panel inscribed BORO' OF WREXHAM, above an undecorated ribbed handle, the end section stamped PARKER 233 HOLBORN, 44.5cm long
Lot 54A
Y A Japanese Ivory Group of a man and boy seated on a large tree trunk, a basket of kumquats beside them, another boy stands on the log, red lacquer signature panel "Munehisa", length 18.5cms, Meiji Period; An Ivory Netsuke of Ebisu catching a large carp; A Chinese Ivory Basket of lobed circular form; Another Japanese Ivory Okimono of a walking peasant; And a Chinese soapstone fishProvenance: Berwick House, ShropshireCondition Report: Various damages and lossesCondition Report Disclaimer
Lot 58
A suite of oak Aesthetic movement bedroom furniture, third quarter 19th century, Collier & Pluncknett, Warwick & Leamington, with painted and gilt panels throughout, comprising; a breakfront wardrobe, 245cm high, 191cm wide, 60cm deep, a breakfront compactum wardrobe, 245cm high, 191cm wide, 60cm deep, a washstand, with Japonisme tiles above the variegated grey marble top, 123cm high, 135cm wide, 69cm deep, a writing table, with glazed superstructure, 148cm high, 133cm wide, 60cm deep, a half-tester bed frame, with heraldic lions to the footboard, 253cm high, 206cm long 161cm wide, and an overmantel or wall mount, 140cm high, 175cm wide, 25cm protuberance, some elements with maker's labelProvenance: Berwick House, Shropshire James Plucknett was originally in partnership with Frederick Collier with showroom in Leamington Spa and workshops in Warwick. The firm advertised in various trade directories between 1872-1880 and gained many commissions from well healed local families as well as from further afield. They advertises themselves as '...Manufacturers of rich carved furniture in the peculiar styles characteristic of the Gothic, Tudor and Elizabethan ages' Perhaps Collier and Plucknett's best known commission was for Tyntesfield, the celebrated Victorian Mansion, which was re-modelled for William Gibbs (1790-1875). Collier and Plucknett supplied much of the Gothic revival furniture to Tyntesfield. Today Tyntesfield is owned by the national trust and as well as examples of furniture visitors can also view the fully fitted Collier and Plucknett bathroom of Matilda Blanche Gibbs. Condition Report: OVERALL - Marks, chips, knocks, scratches and abrasions consistent with age and useWood quite matt and dry in appearanceHandles and mounts with some scratching to the lacquered brassBED - Faded to upper sides of half testerThe lion rampant carved finials chipped and cracked, one lion with front paws and shield detached and with cracks to base where they fit to the bed endSide curtain rail to side curtain rail 162cm wideCornice 171cm wideLacking a moulding to the baseA burn mark above the shelf to the back of the bed (presumably from a chamberstick)Wea/rubbed arear to painted panel 'Somnus'Upholstery aged, some stains, moreso to the upholstery on the mattress baseWARDROBES - Some fading to some sides and elsewhere, some marks around handles, some white paint marksSome tiny flakes to painted panelsCrack and bowed beading to lower panelled section of side doorsDamage to one door escutcheonLined with wriggle pattern printed fine cotton - spotting, aging and discolouration to fabricOVERMANTEL - the wood of darker appearance than the other pieces of furnitureThe central panel fadedChipped area along the mantel shelfA couple of tacks to the sidesDESK - Scratches to the central top area, the leather inset dry, with scuffing and some marksThe drawer locks have been sawn openLacking one swing handleWASHSTAND - scratches, scuffs and stains to the marble, chips around the marble edge more' visible' to touch than eyeSome water marks and fading to the wood below the ceramic tilesPlease refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 68
A Regency mahogany library bookcase, circa 1815, of breakfront outline, the moulded cornice above glazed bookcase doors, the base with arrangement of cupboard doors, 236cm high, 251cm wide, 56cm deepProvenance: Berwick House, ShropshireCondition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Old splits and chips. Section of moulding to one side of the cornice is an ebonised old replacement. Some opening of the joints at the edges of the panel to the doors of the lower sections. Some fading and variation in the colour of the timber between different sections of the bookcase. The sides are darker and have a more 'dry' surface than the front of the bookcase. This is likely from where the piece was placed in a room and the sunlight has caught different areas. The flame mahogany used in the bookcase is of impressive quality. One key present and operates lock to central lower doors. No key present for other locks. All are open except for the central upper doors where the lock is seized in the closed position. The central upper doors can still be opened and closed though. Some of the doors catch slightly on the hinges of the adjacent doors when opening. Two of the upper glazed doors with a panel of replacement glass each (old glass has been used). Some screws lacking to the hinges and various later screws are securing hinges. Escutcheon and lock plate to one side lower door is lacking. Some minor wood worm to underside and back. Very slight gap between the two pairs of central doors when closed (not flush). Please refer to additional images for visual reference to condition. Overall length across the cornice - 249cm. The bookcase disassembles into nine pieces; cornice, three glazed sections, three lower section, the 'waist', and the plinth base. Condition Report Disclaimer
Lot 87
An English cut-glass and engraved beer glass, circa 1820, decorated with an oval panel engraved with a classical maiden emblematic of Justice, reserved on a ground strawberry diamonds, 12.5cm highProvenance: Berwick House, ShropshireCondition Report: Lightest of nibbles to the top rim and the basal flutes. Condition Report Disclaimer
Lot 93
A group of eight George III and Regency silkwork pictures, late 18th and first quarter 19th century, comprising five in oval gilt frames and three rectangular examples with verre eglomise inserts, various sizesProvenance: Berwick House, ShropshireCondition Report: Pair of silkwork and painted portraits of girl and boy: She with discoloured, stained background, some fading to the silkwork, the verre eglomise border split. He with fragmenting silk ground and extensive fading overall. Some pulled threads, 30cm x 26.5cmPair of oval silkwork pictures of female classical figures: Both faded, one more extensively than the other. Damage including fragmenting silk ground, worm and other holes, pulled threads, etc, 37.5cm 31.5cmTwo floral oval silkwork pictures; one on paper ground, 35.5cm x 29.5cm; the other on a fragmenting silk ground, faded 34cm x 29cmA silkwork picture of a female figure by Shakespeare's tomb; some fading, 40.5cm x 34.5cmA larger oval floral panel; the silk satin ground fragmented and faded to reveal the underlying stretcher, the coloured silk faded, some holes, 52cm x 41.5cmAll giltwood frames aged with marks, knocks, scratches, cracks and chips. Condition Report Disclaimer
Lot 1
An 18th century oak Wainscot armchair, possibly Cheshire, rectangular cresting rail carved with scrolling acanthus flanked by pyramidal ears, the panel back carved with a flowerhead boss and stylised foliage, scroll hand rests, turned arm posts, boarded seat, turned supports, rectangular stretchers, 127cm high, 61cm wide, the seat 47cm wide and 49cm deep
Lot 151
A Rupert Griffiths 'Monastic' oak wine cupboard or drinks cabinet, by John McGinn, slightly oversailing rectangular top above a pair of raised and fielded panel doors, each carved with artisanal figures within a cellar beneath fruiting vine, enclosing three adjustable shelves and a bottle holder, the slide inscribed Caritas Nunquam Finita above a further pair of raised and fielded panel doors enclosing an arrangement of adjustable shelves and a removable tray, stylised paw chip-carved stile forefeet, 126cm high, 88cm wide, 41cm deep
Lot 16
A 'Regency' rosewood break-centre secretaire side cabinet, verde antico marble top with three-quarter gallery above three drawers, the central fitted as a desk with a writing surface, small drawers and pigeonholes, swing handles, oval escutcheons pressed with a lion mask, military ensign flags, canon, anchor, galleon and and meandrous border, the pleated and grilled door enclosing a shelf flanked by panel doors, each enclosing a further shelf, plinth base, 86.5cm high, 118cm wide, 42cm deep, elements c.1820
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