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Click here to subscribeTWO CARVED TREEN PANELS, of rectangular form, 17th Century and later, carved with identical mask and scroll motifs, one oak the other fruitwood, height 39cm x width 16cm (2) (condition: the older panel is thinner in depth and has more extensive woodworm damage, the thicker panel has extensive woodworm to an area of the reverse)
A Russian white metal overlaid tempera on panel icon, depicting the Virgin Mary and Christ child, 22 x 17.5cm Condition: Looks to date to c.1900 but oklad is not hallmarked or dated, does have a feint inscription across the bottom, silver to the oklad has been pierced and damaged down the left hand margin and is bent out of shape elsewhere, looks to have traces of gilding upon it, paintwork a little scratched with discoloured varnish, velvet backed, no additional frame
A large 19th century Chinese baluster jar and cover, with gilt finial, metal mounted rim and hinged latched lid, decorated with panels of noblemen in interiors, flowers, birds and butterflies, height 62cm diameter 36cmCondition: Light rubbing to the finial, hinge and latch look later, hinge has come apart but just needs a new pin, mount around the rim shows damage to the porcelain beneath but does not show when the lid is in place, one long crack running from the rim to over half way down the side just to the left of the main panel,
A Japanese Meiji lacquer writing box, the lid decorated with five puppies playing in a garden, underside of the lid with bird perched beside a prunus tree, interior with removable tray decorated with bamboo, 23.5. x 21cm, height 4.75cmCondition: Black lacquering to the lid patchy with light surface scratching, bottom edge of lid has been repainted black, looks like it has been broken at some point and overpainted but damage still showing at corners, in fact all four corners of the lid damaged, inside of lid with bird and plant decoration good, within the box the removable tray to the right decorated with bamboo with very small marks to the rim, inkstone panel has clearly been used for some time and shows rubbing to the front edge and has a signature to the underside of the inkstone, small water dropper is gilt bronze modelled a seated goose and a little rubbed to the gilding, inside rim of main box a little worn at the corners, the top edge again shows signs of damage and overpainting with cracks running at the corners.
A pair of 1960's 9ct gold and enamel masonic cufflinks, with engraved monograms, 16mm, gross weight 8.6 grams. Condition: Hallmarks clear. Pale metal blemish on the back of one panel. A few minor scratches and nicks to the enamel on both panels. Minor surface scratches to the gold in general, commensurate with age and some use.
A George III style mahogany bookcase, with two astragal glazed doors over a fall front drawer and panelled doors, W.127cm D.62cm H.226cm Condition: Probably a marriage although the upper bookcase section is of similar age to the base, cornice has been reduced in height, top doors have original key and working lot, the bookcase top comes with three original adjustable shelves, a few short splits and minor surface wear commensurate with age to the base, the fall front drawer looks to be original but has lost all of its original internal fittings, replacement handles, a fine split running from the left side to the left side of the left handle, original lock with working key, base cupboards with old probably later lock, not working with the key, left centre of the left door has had some old patched replacements where the door has been forced at some point in its history, some radial cracks running through the grain of the panel of the left door, sides and feet with minor dents and scuffs commensurate with age. Overall of good colour but in need of internal restoration.
A small Cantonese porcelain teapot, a Satsuma vase, a silkwork panel, a doll and a broken soapstone figure Condition:- teapot with wear to gilding, crack running through spout, height 10cm- vase with wear to gilding, height 8cm- panel in good condition- doll with head broken off and top of head missing, costume faded, hands cracked- soapstone figure lacking head
Seven antique / antique fabric cushions Condition:- pair of floral tapestry panel cushions with matching fringes and pale gold backs, approximately 40 x 40cm, signs of old wear and fading to the tapestry, otherwise good- a Victorian beadwork panel with gold fringing and russet back, very good condition, 42 x 38cm- a stitched cushion with musical instrument trophy decoration and blue velvet backing, velvet a little scuffed and dirty but otherwise good, approximately 38 x 40cm- antique tapestry panel cushion decorated with red poppies, green fringe and watered silk type backing, some old light wear to the tapestry otherwise good, approximately 50 x 39cm- needlework fruit panel cushion with delicate gold fringe and chintz type back, 36 x 44cm, good- Berlin needlework panel cushion with reddish fringe and shot silk back, 46 x 48cm, possibly slight fading to the central panel in the face and very light discolouration to the back but overall very goodAll attractive cushion
A pair of Chinese Export porcelain tankards, Qing Dynasty, early 19th century, decorated in underglaze blue and famille rose with a panel of figures in a garden, inside scrolling borders, four landscape reserves either side of each handle, each 11 by 16 by 13.5cm. (2)Condition: both tankards are damaged. One has been heavily restored as there has been a large brake to one side with the repaired cracks still visible. The other tankard has chips to it top and bottom rims as well as some damage to its handle.
A group of Malawian wooden carvings, comprising two of rectangular form, one depicting the creation story, the other with various animals, together with a double mancala board, carved and part ebonised, left panel 93 by 5 by 49cm, right panel 84 by 5 by 49cm, mancala board 34 by 3.5 by 90cm. (3)
A Chinese famille rose Kangxi jar and cover decorated with figures, 13cms (5ins) high (chipped to the cover); together with a Chinese blue & white vase with associated pierced hardwood cover with inset jade panel, 11cms (4.25ins) high (2).Condition ReportChips to the cover of one, chips to the inside rim of the other, otherwise good overall condition.
A 19th century Chinese ivory visiting card case carved with figures within panels, 11.5cms (4.5ins) high.Condition Report Splits to the edge of both sides of cover, small nicks to the edges of the ivory, loss of stringing edges of inset vase panel, otherwise good overall condition. Weight 82.5g.
A pair of jade and hardstone hardwood framed panels decorated with birds, insects and foliage, each overall 19 by 23cms (7.5 by 9ins).Condition ReportLoss of central flower and rocks to the bottom of one panel and a few smaller losses overall, loss of two cabochons; the other panel with less losses to applied decoration. No visible cracks, chips or damage to jade panels.
Charles Spindler (French), 1865-1938, 'Gemar', marquetry panel, incised signature, artist label to verso stating 'Spindler Panel. Gemar. 1883' and Ruskin Gallery label, 20cm x 35cmNote : Charles Spindler was an Alsatian painter, marquetry inlayer, writer and photographer. He was also a supporter of Alsatian regionalism and founded several institutions for the promotion of Alsatian culture. Gemar is in Alsace
A Royal Worcester Sevres style cabinet plate with a central polychrome floral panel of roses, a passion and other flowers, signed by E Phillips, on a light green ground, the border with three floral vignettes in gold rococo scroll borders and three gilt panels of rococo strap work, 22cm diameter
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