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Click here to subscribeThree prints after Raphael and Joshua Reynolds. Comprising a pair of framed coloured prints on glass after Raphael of the Putti from the Sistine Madonna, and a framed black and white print similar after Joshua Reynolds. The pair printed on circular panel of glass, within giltwood frame, 30 cm square overall and the black and white print on paper, framed and glazed, 27cm x 28cm overall
Breviarium Grimani Faksimile der Handschrift Ms. Lat. I 99 (2138) der Biblioteca Nazionale Marciana in Venedig. Rom, Salerno Editrice 2009. - Faksimile eines der bedeutendsten Zeugnisse der flämischen Buchmalerei mit Illustrationen großer Meister, darunter Gerard David, Simon Bening und Gerard Horenbout. In einer aufwendig gestalteten Faksimile-Ausgabe. 1 von 750 numerierten Exemplaren. Mit dem Kommentarband von E. König und J. C. Heyder (Simbach 2016). EINBAND: Roter Orig.-Samteinband mit punziertem Ganzgoldschnitt, beide Deckel mit breiten vergoldeten Metall-Zierrahmen, Mittelfeld mit großem Porträtmedaillons mit Wappen und Zierstücken, mit 2 Schließen, in aufwendiger Acryl-Klapp-Kassette mit Holzboden. 30 : 25 cm. - Lavishly made facsimile edition of one of the finest documents of Flemish 16th century book painting. 1 of 750 numbered copies. With commentary volume by E. König and J. C. Heyder (2016). Red orig. velvet binding with gilt edges, both boards with broad decorative frame, center panel with large portrait locket with coat of arms and decorative elements, with 2 clasps, in acrylic case with wooden base. Dieses Objekt wird regel- oder differenzbesteuert angeboten.
A FINE HUANGHUALI CARVED HANGING PANEL QING DYNASTY, 19TH CENTURY the rectangular panel elaborately carved in high relief with a flowering urn on stand, framed by a border of squirrels amidst fruiting vines 137cm high, 36cm wide NOTE: the rear of the panel bears a retailer's impressed stamp "DAO-HUONG MAI, HANOI'
FINE HARDWOOD AND MOTHER OF PEARL INLAID SIDE CABINET QING DYNASTY, 19TH CENTURY the rectangular floating panel top above a front fitted with an arrangement of shelves and drawers, finely inlaid throughout with butterflies, birds, fruit, flowers and inscriptions, the whole raised on four squat cabriole legs united by an elaborately carved apron 74cm wide, 91cm high, 36.5cm deep Ivory exemption certificate submission ref no: RN133458
A CHINESE HONGMU CORNER LEG TABLE QING DYNASTY, 18TH / 19TH CENTURY the top of standard mitre with a board floating-panel construction, the moulded-edge over a recessed waist and straight moulded edge apron, the square-section legs terminating in carved scroll feet united by arched and moulded-edge stretchers 93cm wide, 86cm high, 47cm deep
A late 19th/early 20th century Uzbek (Ladak tribe) corner of a multi coloured embroidered hanging, bordered with green and white beaded fringe, together with a Uzbek border with multicoloured and white bead fringe and a similar wool corner silk embroidered panel edged with multicoloured fringe and beaded tasselling, Uzbek corner panel 90cm high
A 19TH CENTURY GILT FRAMED FIRE SCREEN, with crown on a cushion pediment, foliate scrolls, surrounding a glass panel protecting a later tapestry, on twin scrolled legs, width 106cm x height 107cm (condition:-multiple loose gilt pieces, possibly some missing, loose wire to left top corner, tapestry a replacement)
A LARGE JEWELLERY CASE AND ASSORTED ITEMS, a large wooden jewellery case with glass viewing panel, approximate dimensions length 520mm x depth 407mm height 64mm, encasing a silver bracelet and necklace, both hallmarked, approximate gross weight 19.4 grams, a small assortment of white metal jewellery, some stamped sterling, approximate gross weight 16.2 grams, a collection of costume jewellery, boxed enamel buttons a cased onyx and tigers eye necklace, together with an incomplete Great Britain pennies collection 1881 to 1901,
A LARGE ARTICULATED FISH AND THREE PIECES OF JEWELLERY, articulated Abalone shell fish, approximate length 140mm, together with a silver circular locket decorated with a floral pattern, hallmarked Birmingham, a white metal polished ring stamped 925, and a small heart pendant (condition report: the fish has a panel missing to the face, general light wear)
JIM SULLIVAN | WALES RUGBY LEAGUE 1930s An exceptionally rare 1930s Wales Rugby League jersey match-worn by record breaking – and code breaking, Jim Sullivan (1903-1977). The jersey in traditional red body with white collar. Bears a red shield crest stitched to chest having embroidered three feathers. Label to collar for ‘Fast Dye Guaranteed’. Black number 1 to white panel stitched to the back. This example is still caked with the mud of an evidently wet pitch 90 years ago! Provenance: purchased by vendor from an UK auction of Jim Sullivan items, in 2008 Some rugby historians have credited Jim Sullivan as being the greatest rugby player to be born in Cardiff. Born in Splott on December 2nd 1903, Jim’s father was a butcher from Ireland. Jim went to St Alban’s School and played rugby union for Cardiff at 16. At 16 years 10 months, Sullivan had played for the Cardiff first team and went on to make 35 appearances. He was a powerfully built full-back who doubtless was schooled in hard knocks around the streets of Splott. At 17 years four months he became the youngest ever play to represent the Barbarians RFC. At this time he was apprenticing as a boiler maker.Sullivan also represented Wales in Baseball and was said to be able to club balls out of the local parks in true American style. Because of lack of employment, six months before he turned 18, Sullivan signed a 12-year contract with Wigan Rugby League in the north-West of England, for a record equalling fee of £750 in June, 1921. If Sullivan had remained an amateur ‘…he would most probably have become Cardiff’s greatest of all full-backs’, according to the late Danny Davies, historian at Cardiff RFC, He joined Wigan and won the first of his then Welsh record 26 rugby league caps eight days after his 18th birthday. His final appearance came at 36 and he led his country 18 times. Sullivan won four Rugby League Championship finals, the Challenge Cup twice and the Lancashire Cup three times. He played 25 Tests for Great Britain, three for England and six for Other Nationalities. In his 60 international appearances he scored 329 points. He coached Wigan between 1946 and 1952, guiding them to two Challenge Cup wins at Wembley, six successive Lancashire Cups and three Northern League Championship finals. He switched to St Helens at the start of the 1952-53 season and immediately steered them to the League Championship title in 1953 and to their first Wembley triumph a year later. He has been appointed to the Rugby League, Wigan and St Helens Halls of Fame and is included on the Welsh Sports Hall of Fame ‘Roll of Honour’. The sheer size of the numbers involved in the rugby league career of Jim Sullivan still amaze. By the time he hung up his boots after 922 first-class games on 23 February 1946, he had scored 6,001 points. He played for Wigan for 20 years in 774 matches, scoring 4,883 points.
PHIL BENNETT | LLANELLI Rugby Union jersey No. 10 believed to have been worn by the great Phil Bennett (1948-2022), stitched badge and no. 10 to panel on reverse, bears Umbro label internally, 1960s Provenance: purchased from our auction house in 2016 when it was consigned by Llandaff North Sports and Social Club who had been gifted the jersey. Please see Lot 49 for further information on Phil Bennett and his Llanelli playing record.
A PAIR OF BULGARI MOTHER OF PEARL AND RUBY CLIP EARRINGS To be sold at no reserve Of scroll design set with a shaped mother of pearl panel and an oval cabochon ruby, in 18k gold setting Signed and with Italian hallmarks 2.1cm long 24.3g Provenance: Property of a prominent Singapore family. To be sold at No Reserve to benefit charitable causes Condition: Condition Report A small hairline crack to one mother of pearl panel This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A GILT METAL AND BAROQUE CULTURED SOUTH SEA PEARL NECKLACE To be sold at no reserve By Mali Pearls, With various components comprising a semi-circular foliate panel set with intans, and two barque pearl drops with chalcedony cabochons, unmarked Approximately 50cm long 57.9g Provenance: Property of a prominent Singapore family. To be sold at No Reserve to benefit charitable causes Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A RUBY AND DIAMOND RING AND PAIR OF EARRINGS To be sold at no reserve The ring with a central panel of square cut rubies, flanked by panels of round brilliant cut diamonds; the earrings with a central panel rubies between round brilliant cut diamond borders, in yellow gold setting, the ring marked '18k', the earrings '750' The ring US size 7.5; the earrings 1.7cm long 17.4g Provenance: Property of a prominent Singapore family. To be sold at No Reserve to benefit charitable causes Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Original vintage poster featuring an illustrative collage style panel by the American artist Fern Bisel Peat (1893-1971) depicting two young Japanese children playing with traditional Koinobori / red carp fish shaped kite flags in a garden by a tree while a young lady carrying a baby on her back crosses a small wooden bridge in the foreground, a scenic view of a snow topped Mount Fuji across a river in the distance. Japanese Boys' Festival: Feast of the Flags. Published by the Harter Publishing Company as part of a series of panels illustrated by various artists entitled Children of Oriental Lands. Printed in the U.S.A. Horizontal. Fair condition, folds, small tears and paper losses in margins, pinholes in corners, the colour parts of the poster have been glued onto the background. Country of issue: USA, designer: Fern Bisel Peat, size (cm): 30x89, year of printing: 1932.
Original vintage poster featuring an illustrative collage style panel by the American artist Fern Bisel Peat (1893-1971) depicting a Chinese market street with a man looking out from his shop selling kites and lanterns shop with signs in front and a young child holding a doll standing on the side, another child holding necklaces on the opposite side of the arched street and a person walking into the distance below white sheets. A Chinese Market. Published by the Harter Publishing Company as part of a series of panels illustrated by various artists entitled Children of Oriental Lands. Printed in the U.S.A. Horizontal. Fair condition, folds, small tears and paper losses in margins, pinholes in corners, the colour parts of the poster have been glued onto the background. Country of issue: USA, designer: Fern Bisel Peat, size (cm): 30x89.5, year of printing: 1932.
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