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Lot 1126
A walnut veneer, inlaid and seaweed marquetry rectangular occasional table in the William and Mary taste:, bordered with sycamore lines, the top with a central panel of geometric scrolling foliage within an oyster veneer border and a satinwood crossbanded and strung edge, on turned and polygonal tapered legs, united by curved X-frame stretchers, terminating in turned feet, the top 99cm (3ft 3in) x 60cm (1ft 11 1/2in).
Lot 1192
Harvey Nichols & Co, Ltd - A 1930's oak kneehole desk,: the top inset with a panel of leather, containing eight small drawers with chromium handles, on plinth bases, the top 121cm (3ft 11 3/4in) x 61.5cm (2ft 0 1/4in), together with a tub shaped armchair with curved upholstered back and seat.
Lot 1163
A George IV mahogany dressing table :, the top with a crossbanded and line inlaid border, fitted with two frieze drawers, the concave fronted cupboard below enclosed by a pair of panel doors, flanked by projecting ring turned columns terminating in brass cappings and castors, 102cm (3ft 4in) wide.
Lot 1072
R.J. Bickell, South Molton, a floor-standing regulator: the eight-day duration, timepiece movement having a dead-beat escapement with screw-adjustment for the depthing of the wheel arbors, with a brass-bound weight and brass bob to the wood-rod pendulum, the round silvered fifteen-inch dial engraved with a typical regulator layout showing seconds to the outer aspect and with hour and minute subsidiary dials to the centre and engraved with the name R.J. Bickell, So. Molton, with blued steel spade hands, the curved topped mahogany case having a glazed trunk door, canted corners, inset shaped panels to the hood either side of the dial and an inset panel to the base, height 202cm.* Biography Richard John Bickell is recorded as a clock and watchmaker, silversmith and gunsmith at South Street, South Molton in 1838 and then Broad Street from 1844 until 1878. He was mayor of the town in 1852 and made and supplied the Town Hall clock in 1851/52 for which he was paid £101.00. The address for the business was given as 19, Broad Street in 1883, whilst his home address is recorded as Sunnyside.
Lot 1180
A Victorian oak, ebonised and bronzed mounted upright cellarette cupboard: with a ledge back, the frieze with raised bevelled ebonised panels and lion's mask roundels, the interior with two cutlery drawers below, enclosed by a door with a central oval bronzed panel decorated with hanging game in high relief, within a moulded border with ebonised banded spandrels, the tapering pilaster stiles to either side headed with ribbon tied fruit on a plinth base of recessed breakfront outline, 80.5cm (2ft 7 3/4in) wide, 106.5cm (3ft 6in) high.
Lot 1221
A mahogany and gilt metal and brass mounted bijouterie display table in the French taste:, with a serpentine bevelled glazed panel hinged top and glazed panel sides within foliate surrounds, on cabriole legs, headed with foliate scroll ornament, terminating in sabots, 59cm (1ft 11 1/4in) x 59cm (1ft 3 1/2in).
Lot 1103
An 18th Century oak and mahogany Architectural standing corner cupboard:, in two parts, the upper part with a moulded cornice of recessed breakfront outline and mahogany banded frieze, the interior with serpentine fronted fixed shelves enclosed by a pair of mahogany crossbanded and fielded panel doors flanked by fluted pilasters and canted angles, the lower part with a similarly enclosed cupboard, on a plinth base, 132.5cm (4ft 4in) across, 225cm (7ft 4 1/2in) high.
Lot 1242
A 1950's Heal & Sons Ltd Jacaranda wood and stained beech frame two-tier trolley:, the sliding and hinged twin-handled top with a central black plastic panel, on tapered legs and castors, 101cm (3ft 3 3/4in) overall length.*Notes Sold together with the original bill of purchase from Heal & Sons Ltd, 193 - 199 Tottenham Court Road, Lond W1 dated 3-2-1958 £17-15-00
Lot 1104
An 18th Century oak and crossbanded hall cupboard:, in two sections, the upper part with a moulded cornice, the interior with pegged hooks and later hanging rails, enclosed by a pair of cartouche moulded and fielded panel doors, the lower part containing four short drawers, on bracket feet, 116cm (3ft 9 3/4in) width, 202cm (6ft 7 1/2in) height, 45cm (1ft 5 3/4in) depth.
Lot 1136
A mid 18th Century mahogany side cupboard on a low stand:, adapted as a wardrobe with a moulded dentil cornice and cushion frieze, the interior now with a brass hanging rail and with two short drawers to the base, enclosed by a pair of cartouche moulded and fielded panel doors, the stand on bracket feet, 131.5cm (4ft 3 3/4in) wide, 190cm (6ft 2 3/4in) high.
Lot 1056
Starey, London, an ebonised bell-top bracket clock: the eight-day duration, double-fusee movement having a verge escapement and striking the hours on a bell with pull hour repeat, the backplate engraved with floral and rococo decoration and signed Starey, London within a cartouche, the eight-inch brass break-arch dial having a painted centre with black Roman hour numerals and decorative blued steel hands, with two painted subsidiary dials within the arch for 'strike/silent' and alarm setting either side of a shaped inset panel signed for the maker Starey, London, with engraved decoration below and with cast-brass floral spandrels to the four corners, the case ebonised on fruitwood, with applied cast-brass mounts to the lower front moulding, the canted corners, the bell-top and inset either side of the top of the dial, with turned wooden finials and surmounted by a brass carrying handle, with decorative cast side frets, standing on brass bracket feet, height 58cm, handle up, 54cm handle down.* Biography John Starey is recorded as working at the Royal Exchange, London from circa 1770, becoming a Freeman of the Clockmakers Company in 1785 until his death in 1800.
Lot 1204
A late 18th/early 19th Century Dutch walnut and floral marquetry domed display cabinet:, of canted outline, decorated with trailing flowering stems bordered with sycamore lines, the domed upper part with a moulded cornice, having fixed serpentine fronted shelves enclosed by a pair of moulded glazed panel doors, between chequer inlaid stiles, the lower part containing three long drawers flanked by canted angles with panels each decorated with a bird amongst urns of flowers and foliage, on bracket feet, 145cm (4ft 9in) wide, 216cm (7ft 1in) high.
Lot 1203
A 19th Century Indian carved wood and inlaid writing cabinet:, with mother of pearl decorated stellar medallions, blind fret geometric and spindle turned ornament, the superstructure with a shaped ledge back, two arcaded pigeon holes with drawer below and cupboard enclosed by a spindle turned panel door, the lower part having a spindle turned frieze on square section splayed legs, united by an undertier with raised platform, 67cm (2ft 2 1/4in) wide.
Lot 1201
A French mahogany and gilt metal mounted square bijouterie display cabinet:, with a bevelled glass panel top, glazed panel sides and enclosing door with plate glass shelf, having a shaped apron with applied foliate scrolls on cabriole legs with cabochon foliate ornament, 42cm (1ft 4 1/2in) square, 110cm (3ft 7 1/4in) high.
Lot 957
A Victorian coromandel and brass bound vanity box: of rectangular outline, the hinged lid enclosing fitted compartments with clear glass and silver topped jars and bottles, lift-out compartment, with spring loaded single drawer to the side and another to the front containing a writing slope and a mirror panel to the lid interior, 31cm. wide.
Lot 1191
By Shapland and Petter, Barnstaple - An Edwardian satin walnut three piece bedroom suite:, with applied oxidised metal handles and hinges comprising a combination wardrobe with a moulded cornice, open shelves and an arrangement of four drawers and with two hanging cupboards, enclosed by a leaded glazed and carved panel door and a bevelled mirror panel door, on bracket feet, 202cm (6ft 7 1/2in) wide, a kneehole dressing table with swing frame bevelled mirror and four short and single long drawer, 135cm (4ft 5in) wide and a washstand with rouge variegated marble top and two short drawers and two enclosed cupboards, 122cm (4ft) wide.
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Lot 1197
A French mahogany, decorated and gilt metal mounted Encoigneur:, surmounted by a panel of Breche voilette marble, the classical frieze with central female mask, flanked by cornucopia of fruit and foliage, goats and scrolling foliate stems, enclosed by a panel door painted in the Vernis Martin style with figures in a garden landscape flanked by pendant foliage and with rounded fluted columns headed with ribbon tied floral garlands, on short tapered legs terminating in sabots, 68.5cm (2ft 3in) across, 101.5cm (3ft 4in) high.
Lot 1070
John Roucleiffe, Bridgewater, apprenticed to William Stumbels, an oak longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic outer five-minute markings to the outer and signed either side of VI o'clock John Roucleiffe, Bridgewater, the silvered centre engraved with c-scroll decoration and having a subsidiary seconds dial and date aperture, with decorative blued steel hands and cast-brass female-head spandrels to the four corners, the oak case having turned pillars with cast-brass gilded capitals to the flat-topped hood, a raised mahogany panel to the base and standing on bracket feet, height 206cm.* Biography - John Roucleiffe is recorded as having been apprenticed to the eminent clockmaker William Stumbels of Totnes in circa 1740 at a premium of £20. In 1760 he took an apprentice, John Pine, for seven years at a premium of £10, and he was assessed at 2d for his house in the Totnes Poor Rate of 1762 after which he moved to Bridgewater. He was involved in maintaining many local parish church clocks, Stumbels having been a fine maker of church clocks, with records showing a payment of nine pounds for Cleaning and Righting the Parish Clock at Pawlett in 1755, with the last payment to him for the same work in 1785. In 1758 he cleaned the parish church clock at Goathurst with the last record of work on this being in 1778, whilst in 1757 he was paid eight-pounds to clean the Chedzoy church clock, then paid £10 in 1759 to provide A new Church Clock, with his last payment from here being in 1772. He worked alongside Tristam Brimble when making and repairing the various church clocks and there is a longcase clock signed by both in the Blake Museum, Bridgewater. A silver pair-cased watch with champlevé dial as signed by Roucklieffe was illustrated in Transactions of the Devonshire Association in 1935.Ref: A.J. Moore, The Clockmakers of Somerset, 1675-1900, Pub. 1998.
Lot 1106
A 17th Century and later Continental oak, ivory and ebony inlaid side cupboard:, now in two parts, having chequer and dentil geometric banding and lozenge panels with cruciform, fan bullseye and figural ornament, the upper part with a later moulded cornice and fluted frieze, enclosed by a pair of domed panel doors with owl key plate and with three short drawers below, the lower section with a later top and plinth base, enclosed by a pair of moulded and fielded panel doors, the sides with 19th Century carved lozenge and foliate panels, 94cm (3ft 1in) wide, 205cm (6ft 8 1/2in) high.
Lot 1187
An Edwardian mahogany and inlaid display cabinet: crossbanded in satinwood, bordered with boxwood and ebony lines, the ledge cresting and frieze decorated with ribbon tied husk swags centred by a neo-classical urn, enclosed by a pair of glazed panel doors, on square tapered legs, terminating in spade feet, 122cm (4ft) wide, 177cm (5ft 9 3/4in) overall height.
Lot 1213
A 1920's/1930's stained mahogany and Chinoiserie decorated rectangular low display cabinet:, with birds, foliage, lattice work, bamboo and figures in pagoda garden landscapes, heightened in gilt and red colours, having a shaped ledge back and a glazed panel top, with carved paterae and ribbon edge and glazed sides, enclosed by two pairs of glazed panel doors, containing three drawers below, on moulded square chamfered legs, headed with scroll spandrels, united by an undertier, 152.5cm (5ft) long, 125.5cm (4ft 1 1/4in) high.
Lot 1068
Simpson, Wigton, an oak and mahogany moonphase longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals and outer five-minute numerals, the silvered centre with decorative scroll engraving and marked to the outer aspect for the sweep date hand, with a subsidiary seconds dial and signed for the maker Simpson, Wigton, with cast-brass female-head spandrels to the four corners, and having a moon-phase disc to the arch painted with the moon against a blue ground with gilt stars, the oak case having mahogany crossbanding to the trunk, door, hood and base, the swan-neck pediment with brass ball-and-spire finial to the centre and brass patrea, the hood having full pillars with cast-brass Corinthian capitals, the trunk with canted corners and boxwood stringing to the mahogany upper panel, the base standing on bracket feet, height 226cm (inc. finial)* Biography The Simpson family of clockmakers were Quakers with the brothers John and Joseph setting up business circa 1758. John died in 1796 and Joseph soon after with John Simpson Junior continuing the business until his death in 1837. The majority of their clocks were of thirty-hour duration, but a number of eight-day examples are known with at least two housing musical movements.See Brian Loomes 'Clockmakers of Northern England', Mayfield Books 2007.
Lot 1245
An Art Nouveau mahogany and inlaid standing corner display cabinet:, with a moulded cornice and frieze with copper cartouche inset stylised panels, the plush lined interior enclosed by a pair of glazed panel doors, the open centre with a rectangular bevelled mirror flanked by stylised floral tendrils, the cupboard below enclosed by a pair of bevelled glazed panel doors on square tapered legs, united by a galleried undertier, 82cm (2ft 8 1/4in) across, 194cm (6ft 4 1/4in) high
Lot 1169
A late Regency rosewood chiffonier:, of small size, with reel turned mouldings, the shelved superstructure with angled arch ledge back, roundel ornament and ring turned column uprights, containing two frieze drawers, the cupboard below enclosed by a pair of brass lattice and silk panel doors, on bracket feet, 92.5cm (3ft 0 1/2in) wide.
Lot 1202
A 19th Century carved giltwood fauteuil in the Louis XVI taste:, the arched upholstered panel back in guilloche decorated frame with reeded ball finials, having padded and foliate decorated arm supports and bowed upholstered stuff over seat with guilloche decorated seat rail, on fluted tapered legs, headed with paterae.
Lot 1147
A George III mahogany linen press:, the upper part with an architectural moulded broken pediment with dentil ornament, fitted with sliding trays enclosed by a pair of moulded panel doors with husk and foliate scroll carved spandrels, the lower part containing two short and two long drawers, on moulded bracket feet, 138.5cm (4ft 8 1/2in) wide, 226cm (7ft 5in) high.
Lot 1188
An Edwardian walnut pedestal desk:, of large size, the top with a moulded edge, inset with a triple divided panel of green tooled leather, containing three frieze drawers, the pedestals with three short drawers to one side and a single short and a deep drawer to the other, having fielded panels to the reverse on moulded plinth bases, the top 180.5cm (5ft 11in) x 100.5cm (3ft 3 1/2in).
Lot 1205
A pair of 19th Century French kingwood, tulipwood, walnut and marquetry, gilt metal mounted card tables:, the baize lined hinged tops with projecting rounded corners and moulded edges, each with a cartouche panel depicting a bird of prey amongst flowering foliage, having walnut veneer shaped spandrels and tulipwood crossbanded borders, the shaped aprons similarly crossbanded, on cabriole legs, headed with gilt metal masks and foliage, terminating in sabots, 87cm (2ft 10 1/4in) wide.
Lot 1207
A 19th Century French ebonised and gilt metal and porcelain mounted pier cabinet:, applied with Sevres style porcelain panels with floral polychrome decoration within pastel blue reserves, the top with a cabochon foliate edge, shaped rectangular frieze panel and enclosed by a single door with central panel of cherub with quiver of arrows in pierced cartouche surround and with oval floral panels to the spandrels, the pilasters having shaped rectangular panels headed with pendant fruit and foliage, on a shaped plinth base, 79cm (2ft 7in) wide, 108.5cm (3ft 6 3/4in) high.
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