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Lot 443
A group of silver, white metal and silver plated items to include a Dutch silver tea caddy spoon with windmill finial, silver plated and mother of pearl spoon, white metal child's rattle and whistle combination, along with a Victorian brass framed and cut and bevelled mirrored glass panel fire screenLocation:
Lot 407
ITALIAN SCHOOL, 19TH CENTURY. PORTRAIT OF LEONARDO DA VINCI; PORTRAIT OF BACCIO BANDINELLI. A pair, oil on panel, Each 21 x 16.5cm approx. (2), * Derived from original compositions probably by Leonardo da Vinci and by Andrea del Sarto. * Each generally good; some slight grazes and each in need of a light clean. **BP 22.5% inc VAT + Lot Fee of £8
Lot 413
CHRISTIAN WILHELM ERNST DIETRICH (1712-1774). In the manner of. FOUR SAGES. Four, oils on panel, in a common frame, Each 12 x 9.5cm. * One of the subjects (2nd from left) with flaked losses; the others in satisfactory condition but in need of a light clean. **BP 22.5% inc VAT + Lot Fee of £8
Lot 505
JONATHAN HOYLE (B.1957). THREE SMALL PICTURES. (d) Comprising a back view of a seated nude, inscribed verso, oil on board, 12 x 9cm, within a handpainted frame 24.5 x 19.5cm.; a plant study, signed and dated 1979 verso, oil on canvas laid on board, 26.5 x 21cm.; and a study of a house, signed and dated 1979 verso, oil on panel, 15 x 20cm. (3). * Each in good condition, may benefit from a light clean. **BP 22.5% inc VAT + Lot Fee of £8
Lot 600
STEPHEN BONE (1904-1958). SIX SKETCHES OF EUROPEAN VIEWS. (d) Comprising Groenburgwal and Zuider Kerk, Amsterdam; Evening on the Gulf of Finland; Swedish Lake; Langsjon, Sweden (1927); The Sierra Nevada (1927); St Tropez, five signed and/or inscribed verso, five oil on panel, one on canvasboard, unframed, 27 x 35cm. approx. (6). * Fair-good condition overall. **BP 22.5% inc VAT + Lot Fee of £8
Lot 607
STEPHEN BONE (1904-1958). PORT MADOC ESTUARY; THE BARN; WHEAT IN WARWICKSHIRE; AUGUST IN THE ISLE OF WIGHT. (d) Five, three signed and/or inscribed verso, oil on panel, unframed, 33 x 41cm or slightly smaller (5). * Fair-good condition overall; one with broken corner. **BP 22.5% inc VAT + Lot Fee of £8
Lot 609
STEPHEN BONE (1904-1958). WINTER SLEDGING; TRITONS IN MILLES'S GARDENS; PEMBROKESHIRE; PEN CAER FROM THE CLIFFS, NEAR PORTH GUIN (1932); OTHER VIEWS. (d) Eight, three signed and/or inscribed verso, oil on panel or on board, unframed, 30.5 x 41cm or smaller (8). * Fair-good condition overall. **BP 22.5% inc VAT + Lot Fee of £8
Lot 610
STEPHEN BONE (1904-1958). THE KYLE OF TONGUE, SUTHERLANDSHIRE; TAYCHREGGAN, APPIN (1925); CALEDONIAN CANAL; ANOTHER VIEW. (d) Four, three signed and/or inscribed verso, three on panel, one on canvas, unframed, 30.5 x 40.5cm. and smaller (4). * Fair-good condition overall; one with broken corner. **BP 22.5% inc VAT + Lot Fee of £8
Lot 611
STEPHEN BONE (1904-1958). CHRIST CHURCH; LINCOLN CATHEDRAL (1925); ROCH CASTLE, PEMBROKESHIRE; ST DAVID'S CATHEDRAL; KILPAISON, PEMBROKESHIRE. (d) Nine, five signed and/or inscribed with title verso, oil on panel, unframed , 33 x 41cm or smaller (9). * Fair-good condition overall. **BP 22.5% inc VAT + Lot Fee of £8
Lot 612
STEPHEN BONE (1904-1958). RINGWOOD, HANTS; CHEPSTOW; VALE OF HEALTH POND, HAMPSTEAD; ANOTHER VIEW. (d) Four, three signed and /or inscribed with title verso, oil on panel or on board, unframed, 30.5 x 40.5cm approx (4), Exhibited (Ringwood) probably London, New English Art Club (label verso, n.d.). * Fair-good condition overall. **BP 22.5% inc VAT + Lot Fee of £8
Lot 613
STEPHEN BONE (1904-1958). THE CASTLE, HAVERFORDWEST; DARTINGTON (1957); DERWENTWATER FROM MANESTY (1933); DUNLOUGHAN SANDS AND ESKIMORE; OXFORD (?). (d) Five, each signed and/or inscribed with title verso, oil on panel or on board, unframed, 27 x 35cm or smaller (5). * Fair-good condition overall. **BP 22.5% inc VAT + Lot Fee of £8
Lot 615
STEPHEN BONE (1904-1958). DOWNTON CLIFF BY MILFORD, HANTS; PEMBROKESHIRE COAST; THE KINGAIRLOCH HILLS (1925); CNOC NAM BRADHAN (1925); STORM AT CUCKMERE HAVEN. (d) Five, four signed and/or inscribed with title verso, oil on panel or on board, unframed, 27 x 35.5cm approx. (5). * Fair-good condition overall. **BP 22.5% inc VAT + Lot Fee of £8
Lot 803
SET OF FOUR MEISSEN PORCELAIN CUPS - DRESDEN. A set of four small porcelain cups, each with a painted panel with a small landscape scene of Dresden, and also panels with sprays of flowers against a yellow ground (5.5cms diameter). Also with a miniature Meissen jug with encrusted flowers (5cms high), and a pair of Dresden cups and saucers each with vignettes painted with figures and boats against a cobalt blue ground. (9). * Meissen cups, one cracked and chipped, the others seem fine., Miniature jug, second quality, nibbles to the flowers., Dresden cups and saucers, one cup cracked and with a chip to rim, one saucer with star crack to base. **BP 22.5% inc VAT + Lot Fee of £8
Lot 813
PAIR OF GERMAN PORCELAIN LIDDED JARS - MEISSEN STYLE. A pair of large jars with dome top lids and gilded finials, each panel painted with figures in a tavern and with a gilded border, the panels against a turquoise ground. With a 'Crossed Swords' mark to the bases in the Meissen style. 31cms high. (2). * One jar, two small chips to the footrim, a little wear to the gilding to the finial, edge of the lid and the rim where the lid sits., , One jar, the rim of the jar has been knocked and has a couple of chips/repairs/cracks in those areas, small chips to footrim and some crazing to the base, small chip to top of finial, wear to the finial, edge of lid and rim where the lid sits. **BP 22.5% inc VAT + Lot Fee of £8
Lot 838
BOHEMIAN GLASS BOWL & METAL MOUNTS - INSECTS. The blue glass bowl with a pair of gilded herons or storks within a panel, also with various insects and flowers. Mounted on a metal base and supported on three feet with 'masks' at the top of each leg. Unmarked, approx 19cms across, 18cms high. * Good condition. **BP 22.5% inc VAT + Lot Fee of £8
Lot 840
WELLINGTON, COACHING INTEREST - LARGE ENGRAVED VASE. A 19thc engraved vase or oversized rummer, etched with a coach and horses with the name Wellington across the coach, with a road marker to London and also engraved with a dove above a plain panel and various foliage. 20.5cms high, 20cms high. * Generally good condition and rings nicely, some scratches to the base. **BP 22.5% inc VAT + Lot Fee of £8
Lot 841
PAIR OF CHINESE FAMILLE ROSE VASES. A pair of 19thc baluster vases, each painted with a Court figure to each side within a panel, also painted with small panels of flowers and foliage and surrounded by a green criss cross design. With two matching lids with dog of fo finials, with one of larger size (possibly from a larger vase now missing from a garniture). 22cms high excluding lids. 2). * Vases, one has a number of small chips underneath to the footrim, the other has a couple of small chips to the footrim and a hairline crack to the rim (1.5cms). The larger lid has a small chip to the underside of the rim. **BP 22.5% inc VAT + Lot Fee of £8
Lot 859
CHINESE SILK EMBROIDERED PANEL - MOUNTED AS A FIRESCREEN. A 19thc silk panel, embroidered with flowers and leaves and Chinese symbols. The panel mounted in a mahogany firescreen with carved paw feet. 94cms high, panel 65cms high, 44cms across. * The panel has faded in colour over the years, with a few small holes in places including the border. **BP 22.5% inc VAT + Lot Fee of £8
Lot 860
CHINESE BRONZE CENSER. Probably late 19thc, the bronze censor of hexagonal form, each panel of raised design with Dragon's and foliage. Supported on four legs with animal mask motifs, mounted on a hexagonal base with further decoration, and with a lid with buddhist lion finial (tail broken). 34cms high. * Tail broken on the finial but still with the item. **BP 22.5% inc VAT + Lot Fee of £8
Lot 903
CHINESE CARVED WOODEN PANEL - FIGURES & ANIMALS. Probably late 19thc/early 20thc of rectangular form, intricately carved the central pierced panel carved with warriors on horseback and various other figures, and also carved with fish, crabs etc. The outside of the central panel with various pierced sections with further carved animals, buddhist lions, birds, flowers and foliage, and within a wooden frame with brass fixings. 110cms by 46cms. * Most of the carving has survived in good condition, there is the odd small chip in places including the crabs. The outer frame has a couple of larger chips out of it. **BP 22.5% inc VAT + Lot Fee of £8
Lot 4
A.W.N. PUGIN (1812-1852) FOR THE NEW PALACE OF WESTMINSTER WALL PANEL, CIRCA 1850 carved oak, within later frameDimensions:72cm x 36.5cmProvenance:Provenance: The Peter Rose and Albert Gallichan CollectionNote: Literature: The John Scott Collection: Architect-Designers from Pugin to Voysey, The Fine Art Society, London 2015, pp. 47-9 where a similar example is illustratedNote: Gillow won the furniture contract for the New Palace of Westminster project, however it is thought that the panelling was made by Holland & Sons after a Gillows estimate was rejected. Many of the original panels were removed from the building after the Palace was severely damaged by bombing during the Second World War.
Lot 50
DANIEL COTTIER (1837-1891) FOR COTTIER & CO. AESTHETIC MOVEMENT STAINED GLASS PANEL, CIRCA 1870-75 stained painted and leaded glass, within later pine frameDimensions:70cm x 104cmNote: Note: The artist, designer, decorator and art dealer Daniel Cottier (1838-1891) is acclaimed for his creative exploitation of the building and decorating boom of the late 19th century and his entrepreneurial founding of an intercontinental business empire in response. Cottier was born and raised in Glasgow, the ‘second city’ of the British Empire, where he established a reputation as an accomplished stained glass designer and business owner and soon became one of Scotland’s most innovative decorators. Encouraged by his growing success, Cottier founded ‘Cottier & Co.’ in London in 1869 with one of its specialities being the design and manufacture of stained glass in churches, public buildings and private homes. In the following decade, Cottier’s glass palette was increasingly marked by the richer and darker colours associated with the Aesthetic Movement, of which he became a key exponent. The peacock, sunflower and lily became popular adornments of ‘The House Beautiful’ during this artistic period, and feature prominently in Cottier’s glass designs. In particular, the peacock became a prevailing icon of the Aesthetic movement for its colour and splendour which perfectly matched the movement’s goal to produce and experience “art for art’s sake”.
Lot 75
PILKINGTON’S TILE & POTTERY CO. 'PERSIAN' TWO-TILE PANEL, CIRCA 1900 glazed earthenware, framedDimensions:each tile 22.5cm square approxNote: Literature: Blanchett C. 20th Century British Tiles, Schiffer Publishing, p. 455 where similar Iznik tiles are illustrated.V&A collection, accession no. C.203-1976 for a similar example
Lot 78
ENGLISH FRAMED FOUR-TILE PANEL, CIRCA 1890 glazed ceramic, painted with an owl on a branch, each tile 20cm square; together with a FRAMED WEDGWOOD TWO-TILE PANEL, printed and glazed ceramic, each bearing inscription MAY GOOD DIGESTION WAIT ON APPETITE and ENOUGH, MEANS HEALTH: MORE, - DISEASE, each tile 15cm square; and a FRAMED TILE, probably Doulton Lambeth, painted and printed glazed ceramic, painted marks verso C.W. 532/ FB/ E.G./ 0,490, 20.2cm square
Lot 95
GEORGE WASHINGTON JACK (1855-1931) (DESIGNER), LONGDEN & CO., SHEFFIELD (MAKER) ARTS & CRAFTS FIREPLACE, CIRCA 1893 cast iron, plated copper & Cipollino marble, bears cast inscription of a riddle to the left-hand panel THE FIRE MY GLITTERING FATHER IS/ TH' EARTH'S MY MOTHER KIND / THE SEA MY YOUNGER BROTHER IS/ BUT ME NO MAN CAN FIND, and to the right-hand panel WHO CAN STAND AGAINST HIS COLDDimensions:cast section 141.5cm wide, 81.5cm high, 33cm deep; repoussé panel: 29cm x 141cm excluding fittings; marble panels: 159.7cm x 10cm x 2.5cm; the other two 111cm x 9.3cm x 2.5cmProvenance:Provenance: 8, Grand Avenue, Hove, until removed in 2019.Note: Note: George Jack exhibited a fire grate of this design at the fourth annual arts and crafts exhibition in 1893. It was shown in the north room of the New Gallery at 121 Regent Street, London, as item number 169. The Studio magazine reviewed the exhibition, where they commended the 'quiet unostentation of the chimney piece proper and the iron grate it houses' At least two other examples of this fireplace are known to have been made. One was supplied in 1895 to the 3rd marquess of Bute's House of Falkland, Fife, Scotland for Lady Margaret's sitting room where it remains today. It differs only by being dated quite visibly on the right-hand panel. Another example (with Carrara marble) was used by the Scottish architect James Miller (1860-1947) in the Royal reception rooms of the Glasgow International Exhibition of 1901. It was possibly then relocated for use in a bedroom at Coupar Grange in Perthshire, also designed by Miller (completed 1902) as it can again be seen there in a photograph of circa 1904.
Lot 842
Ghurka Kukri, Nepalese, 19th/early 20th century, bone handle, carbon steel blade, with ornately decorated silver covered sheath with gilt panel, with additional sheath with small knife (handle detached), overall length knife in sheath 45cm, with a small Kashmiri dagger with ornately carved hardwood handle and sheath.Provenance: Both purchased in Kashmir during the second World War, c.1944.Please be aware that the purchaser of this lot must prove that they are over 18 by sending a scan of a driving license or passport. The name and address on the document must be the same as on the invoice. Failure to provide this will result in the sale being canceled.
Lot 127
Bewick (Thomas). A History of British Birds, 2 volumes (land & water birds), Newcastle: R.E. Bewick, 1832, wood engraved vignette illustrations, armorial bookplate of Thomas Sanderson to upper pastedowns, top edges gilt, near contemporary dark green half morocco, gilt decorated spines, extremities a little rubbed, 8vo, together with:Yarrell (William), A History of British Fishes, 2 volumes, 2nd edition, London: John Van Voorst, 1841, wood engraved illustrations, contemporary calf, gilt decorated spines with contrasting morocco labels, upper panel of spine to volume 2 worn with loss, extremities rubbed, 8vo,Goldsmith (Oliver), A History of the Earth and Animated Nature, 2 volumes, London: Blackie & Son, 1872, engraved portrait frontispiece and additional hand-coloured engraved titles to each, numerous engraved plates including some hand-coloured, wood engraved illustrations, contemporary half calf, 4toBingley (William), Useful Knowledge; or, a familiar account of the various productions of nature, mineral, vegetable, and animal, which are chiefly employed for the use of man, 3 volumes, 5th edition, London: Baldwin & Cradock, 1831, engraved frontispiece to each, 13 engraved plates, some offsetting and scattered spotting, contemporary half calf, morocco labels to spines, extremities rubbed, 12moQTY: (9)
Lot 17
Dalvimart (Octavien). The Costume of Turkey, illustrated by a series of engravings; with descriptions in English and French, 2nd edition, London: William Miller, 1804, 61 hand-coloured stipple-engraved plates after Dalvimart (plate 40 duplicated), each with leaf of descriptive text in French and English, titles in English and French (English title with hand-coloured vignette), bookplate of William John Mahon to front pastedown, occasional light dust-soiling and offsetting, damp-stained to lower margin throughout (however often faintly, not affecting images), contemporary green morocco gilt, all edges gilt, boards with gilt border incorporating gilt foliate rolls, further blindstamped foliate rolls incorporated by central panel, water damage to board lower margins, rubbed, folioQTY: (1)NOTE:Abbey Travel 370; Atabey 314; Lipperheide 1422 for 1st edition.
Lot 25
Fortune (R.F). Sorcerers of Dobu, 1st edition, London: George Routledge & Sons, 1932, 8 black and white plates after photographs, folding map, further illustrations to text, lightly spotted to preliminaries, original green cloth, dust jacket, rubbed to extremities, rear panel with a few small ink spots, 8vo, together with:Burnett (Frank). Through Polynesia and Papua, 1st edition, London: Francis Griffiths, 1911, frontispiece, black and white illustrations after photographs throughout, spotting, original red pictorial cloth gilt, some light wear, 8vo, withGrimshaw (Beatrice). From Fiji to The Cannibal Islands, 1st edition, London: Eveleigh Nash, 1907, portrait frontispiece, black and white illustrations after photographs to the text, lightly spotted to preliminary and rear leaves, front hinge tender, original red cloth gilt, lightly rubbed, 8vo, with circa 55 others relatedQTY: (circa 60)
Lot 362
Berenson (Bernard). Italian Pictures of the Renaissance. A List of the Principal Artists and their Works with an Index of Places, Venetian School, 2 volumes, London: Phaidon Press, 1957, colour frontispieces, numerous monochrome illustrations, light spotting front and rear, original cloth, dust jackets, spines toned, small stains to rear panel of volume I, 4to, together with Florentine School, 2 volumes, 1963, in original slipcase and Central Italian and North Italian Schools, 3 volumes, 1968 (ex-libris, with ink stamps and marks to foot of titles)QTY: (7)NOTE:A complete set.
Lot 396
Cabell (James Branch). Jurgen, a comedy of justice, London: The Bodley Head, 1923, original blue cloth, dust jacket, some wear to extremities, rear panel and spine toned with a few marks, 8vo, together with:Mansfield (Katherine). The Garden Party, 1st edition, London: Constable & Company, 1922, spotting, library ticket to rear pastedown, front hinge cracked, original blue cloth gilt, sticker removed to front cover, worn, 8vo, withSackville-West (Vita). All Passion Spent, 1st edition, London: The Hogarth Press, 1931, lightly spotted, sticker removed to rear pastedown, original green cloth gilt, worn, 8vo, with Middleton Murry (John). The Things We Are, 1st edition, London: Constable & Company, 1922, spotting, endpapers toned, rear hinge broken, library stamp to rear pastedown, original blue cloth, Boots sticker partially removed to front board, worn, 8vo, with 82 other early 20th-century literature books, predominantly 1st editionsQTY: (85)
Lot 79
Stark (Freya). Dust in the Lion's Paw, 1st edition, London: John Murray, 1961, black and white illustrations throughout, faint spotting to preliminary leaves, original green cloth gilt, dust jacket, faintly marked, chipped to base of spine, 8vo, together with:The Lycian Shore, 1st edition, London: John Murray, 1956, black and white illustrations throughout. endpapers toned, original green cloth gilt, dust jacket, price-clipped, rear panel lightly dust-soiled, 8vo, withEast is West, 1st edition, London: John Murray, 1945, black and white illustrations throughout, leaves lightly toned, original green cloth gilt, dust jacket, backstrip toned, extremities chipped, 8vo, with 20 others relatedQTY: (23)
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360406 item(s)/page