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An unusual 19th century Channel Islands mahogany longcase clock, the 8 day bell strike movement fronted by a painted arched Roman dial with moonphase, signed 'Thos De Gruchy 1780 Jersey', with subsidiary seconds and date dials, the architectural case with with fluted columns and broad, classical style base with columns and lancet arched blind fret panel, 82¾in. (210cm.) high, the case with faults.
A George III Channel Island mahogany six panel press cupboard, the reeded, flared pedestal with inlaid ebony, boxwood and brass cornice over two three panel doors with round brass handles and decorative pressed brass escutcheon plates, enclosing a converted hanging space, raised on a plinth base, 54 x 26¼in. (137.1 x 66.6cm.), 86¼in. (219cm.) high.
A George III inlaid mahogany square piano by George Clark of London, the boxwood and ebony strung case with split hinged lid allowing access to the action and concertina music stand, the satinwood panel above the keys with inlaid maker's name, 'Georgius Clark a London Fecit, Corner of Edward Street, Wardour Street 1791', on the original mahogany stand with square tapered legs and H-stretcher, 61¼ x 21½in. (155.5 x 54.5cm.).
A French 19th century and later burr walnut, mahogany and ormolu secretaire a abbatant, in the Louis XVI style, with burr walnut veneered panelled doors and sides, the fall front below a false drawer panel, over a pair of panelled doors, flanked by fluted pilasters, with ormolu mounts throughout, the doors and fall enclosing a vacant interior with shelves, raised on fluted taper feet, 43½ x 23¼in. (110.5 x 59cm.), 59¼in. (150.5cm.) high, alterations, lacks marble top.
A late 17th century carved and inlaid oak coffer, the three plank top on original hinges, over single panelled sides with holly and bog oak barber's pole banding, the three panel front carved with flowers, birds and stylised foliage and carved with the date 1672, the muntins with applied half-bobbin spindles, raised on stile feet, 47½ x 23¾in. (120.5 x 60.25cm.), 27¼in. (69.25cm.) high.
A late 17th / early 18th century miniature oak six plank coffer, the chip and channel carved top with penwork geometric decoration, with hinges and lock, over a conforming front panel, on the sides descending to V-cut supports, 24½ x 10¾in. (62.25 x 27.25cm.), 17in. (43cm.) high, later galvanised metal liner.
A Victorian carved oak Carolean revival fire screen, the two panel frame carved with foliage, egg & dart border and grotesque masks with protruding tongues, below a pierced foliate and cartouche cresting with military trophy, the uprights carved with lion masks with brass loose ring handles, raised on two pairs of foliate and scroll carved paw feet, 51¼in. (130cm.) high, 31¼in. (79.5cm.) wide.
A Charles II style oak full tester four poster bed, first half 20th century, the full, panelled canopy within a dentil and arcaded frame on turned and fluted column supports, raised over a panelled and lozenge carved headboard and four panel footboard, the rails and stiles with channelled moulding, with later two-part bed base, 89½ x 71½in. (227.5 x 181.5cm.), 81¼in. (206.5cm.) high.
George III oak cased longcase clock, Jeremy Spurgin, Colchester, the stepped pediment above a square glazed hood flanked by turned columns above a long trunk door and panel base, the brass singed Jere Sprugin Colchester having a subsidiary dial, Roman hours to the chapter ring and date aperture, twin train movement with anchor escapement, 221cm high, to include two weights and the pendulum
Great Eastern Railway coach makers tool chest, the purple painted exterior with hinged lid opening to reveal a foliate marquetry inlaid interior above eight sliding trays, six with drawers and two with hinged compartments, the lower section with well concealed by a sliding panel, the trays containing numerous hand tools to include planes, chisels, files etc. the majority stamped R. Sendall or E. Edwards, 94.5cm wide, 61cm high, 64cm deep.Provenance- This tool chest was a draw prize for the benefit of the widow of the late R.Sendall with tickets costing sixpence each, the draw took place on July 29th 1904 at King's Coffee Rooms, Shaftesbury Street, Derby. The winner of the chest was E. W. Edwards, an employee of Great Eastern Railway. The box comes with a folder containing the winning drawer ticket and numerous Great Eastern Railway documents relating to E. W. Edwards
Late Victorian tool chest, the black painted exterior with iron carrying handles and banding, the hinged lid with panelled interior opening to reveal a mahogany fitted interior containing two hinged lid compartments, three open trays, open compartment for saws and sliding panel opening to reveal a well to the lower section, the trays containing numerous hand tools to include planes, chisels, files etc. the majority stamped A. Willis, 85cm wide, 58cm high, 59cm deep
A collection of antiquities and later objects of interest, to include a black stone polished axehead, circa 3000BC, from near Lake Chad, South Sahara, 6cm; a Cunieform clay tablet and tablet sherd, 4cm & 3.4cm; an Ashante bronze gold weight, modelled as a man scraping bark from a tree, 5.8cm; a further Ashante figural gold weight, 7.3cm, a Burmese Hintha/Hamsa duck weight, 6.5cm, a small bronze weight cast as an elephant on stepped base, 2.5cm; a Persian clay relief moulded panel, 10.5 x 8.6cm; a collection of flint arrow heads and other flint tool, a lump of meteorite, a fossilised ammonite, a 17th century pewter spoon, the bowl with touchmarks; a bronze Merchant Taylor School nmedal, 1875; and an obsidian bust of an Aztec, 8cmAll from a private Bedfordshire collection.The axe head purchased from The Ancient World (Bernard C Pickard) in 1973.The Ashante gold weight of the man and tree purchased from BA Seaby Ltd in 1981A note states the origins of the flint axeheads and tools as derived from the Gunnersbury Museum, Cissbury Hill Fort in Essex and Brettenham in Norfolk.

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