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Lot 973

FOLLOWER OF REMBRANDT (18th Century), Study of a Bearded Gentleman wearing a turban, oil on panel, unsigned, 10" x 8", unframed (Illustrated)

Lot 983

ENGLISH SCHOOL (19th Century), A View in Derbyshire, unsigned, oil on panel, inscribed Wright of Derby verso, 8" x 10 1/4", gilt frame

Lot 984

GIAN GIVANI (Late 19th Century), Latest News, signed oil on panel, 9 1/2" x 6 1/4", gilt frame

Lot 1038

AN OAK LONGCASE CLOCK by Samuel North, Leconfield, the eight day movement with anchor escapement striking on a bell, arched dial gilded with foliate scrolls and name in the arch, Roman and Arabic numerals, seconds dial and calendar aperture, the case with scrolled pediment on turned columns, arched door, panel base on plinth, 86 1/2" high

Lot 1058

A VICTORIAN CAST IRON FOLDING GARDEN BENCH by the Unity Wood & Iron Co, Padiham, with two plank wood back and similar hinged seat, the square tapering supports with pierced scrolling foliate panel, on trestle base and pad feet, 45 1/2" wide

Lot 1141

AN OAK HIGH BACK SIDE CHAIR, late 17th century, the slatted back with arched scroll crest, scrolled finials, on square uprights, panel seat, turned and block legs with square stretchers and turned front stretcher, on turned feet

Lot 1142

A VICTORIAN CHILD`S MAHOGANY ELBOW CHAIR, the square uprights with curved top rail and horizontal splat, down curved arms on baluster supports, panel seat, on turned tapering front legs

Lot 1185

A GEORGE III OAK CORNER CUPBOARD, early 19th century, with dentil moulded cornice, single panel door with mahogany crossbanding enclosing shaped shelving, canted angles and moulded base, 27" wide, 36 1/4" high

Lot 1194

TWO SIMILAR ADZED OAK DINING CHAIRS by Robert "Mouseman" Thompson, the single panel back with square tapering uprights and straight top rail, padded seat with cow hide covering, raised on turned faceted legs with mouse trademark in relief, on black feet joined by an H stretcher

Lot 1223

AN EDWARDIAN MAHOGANY BIJOUTERIE TABLE of mildly serpentine oblong form with ebony trim and stringing, hinged lid with inlaid and penwork trailing foliage, raised on square section cabriole legs with splayed feet, each headed by a foliate panel and joined by cross stretchers, 24 1/4" wide (Illustrated)

Lot 1242

AN OAK PANELLED COFFER, 17th century, the hinged plank lid with moulded edge, the fascia with central panel carved with a lozenge flanked by geometric carved panels, on moulded stiles, 47" wide, 24" high

Lot 1245

A VICTORIAN MAHOGANY SIDEBOARD, the raised mirrored back with moulded cornice on fluted columns, arched plate flanked by bracket shelves, the base with with Art Nouveau style handles and carved foliate panels, comprising three cushion shaped frieze drawers over two panelled cupboard doors, flanking a central panel, raised on bracket feet, label and stamp for Jas Shoolbred & Co, London Rgd. No.473110, 75" wide, 80" high

Lot 618

AN EDWARDIAN OAK CASED `IMPROVED TORRICELLI` BAROMETER, the silvered circular main dial printed with numerous forecasts set for yesterday and today, with adjustable brass pointers around the head of the mercury filled tube, the trunk`s glazed door enclosing a panel printed with Admiral Fitzroy`s remarks, a hydrometer and thermometer, all within a carved oak case. 107cm(h)

Lot 648

A VICTORIAN CARVED OAK WALL-MOUNTED CORNER CUPBOARD having a moulded cornice and nulled frieze above the arched fielded panel door carved with foliate designs and central mask, opening to reveal the shaped internal shelving, all between carved columns and canted corners with central shaped and carved apron. 102cm(h) x 70cm(w) x 33cm(d)

Lot 650

A VICTORIAN SATINWOOD TRIPLE WARDROBE, having a moulded breakfront cornice with floral decoration over the central arched mirror door which opens to reveal the fitted and linen drawers, flanked by the arched panel doors which enclose the internal hanging space and base drawer, raised on plinth base. (Stamped - from Robert Weston, Upholsterer & Cabinet Maker, 22 Rodney Street, Liverpool) 211cm (h) x 217cm (w) x 70cm (d)

Lot 718

A VICTORIAN MAHOGANY MIRROR BACK PEDESTAL SIDEBOARD by James Winter & Son, 101 Wardour Street, Soho, London; the large shaped mirror plate with carved fruit and foliate cresting between scrolling columns, the moulded rectangular top with three frieze drawers, one bearing the maker`s stamp, the supporting pedestals each having an arched panel door with carved foliate decoration between bold scrolled columns, raised on plinth bases. 170cm(h) x 212cm(w) x 63cm(d)

Lot 723

A VICTORIAN MAHOGANY PEDESTAL DESK, having a raised back with two arched panel cupboard doors flanking the central shaped shelf, the rectangular top with raised and hinged writing slope, inset leather skiver and conforming surfaces to each side, with three frieze drawers below, raised on two pedestals, one with three drawers, the other with panelled cupboard door enclosing shelves, and a small side cupboard section, on plinth bases. 136cm(h) x 168cm(w) x 92cm(d)

Lot 726

A VICTORIAN WALNUT CANTERBURY, the rectangular top with finial corners and three divisions, supported on turned spindle supports and fret work panel, all over a single frieze drawer, raised on turned legs. 49cm(h) x 54cm(w) x 39cm(d)

Lot 728

AN EDWARDIAN MAHOGANY DISPLAY CABINET of serpentine form having a shallow moulded cornice and line inlaid frieze, the serpentine glazed door with plain panel enclosing the shelved interior, raised on square section legs with spade feet. 168cm(h) x 70cm(w) x 34cm(d)

Lot 58

A robe la Francaise of Chinese lampas satin, circa 1760, the fabric circa 1750, the satin woven with bronze and cream peonies and coiling foliage, the open-robe and petticoat trimmed with furbelows of matching braid trimmed silk, the sleeves with shirred double ruffled `sabot` cuffs, the back panel of the skirt of brown and white 1740s European silk, (2)

Lot 101

A turquoise and gold brocaded satin evening gown, circa 1917, un-labelled, the bodice adorned with tasselled panel of silver bugle beads, tulle sleeves, above draped skirt with wide inner petersham waistband, bust 86cm, 34in

Lot 120

A Charles James black wool and terracotta tweed jacket, circa 1958, un-labelled, cut in the round, the back formed from a single panel, the curving front tweed panels fastened by hook and eye, short squat sleeves, lined in black taffeta. Provenance: Marit Guinness: Charles James was a life-long family friend of the Guinness family. He made many of Marit`s clothes including her wedding gown and most of her trousseau in 1937. This jacket was the last thing he made for her. In 1992 Marit auctioned some of her Charles James collection at Christies but retained this treasured jacket until her death.

Lot 309

A group of Christopher Nemeth clothing, 1980s, some pieces labelled, eight pieces including: black and beige linen trousers with contrasting crotch panel and laces; two pairs of denim trousers with yellow toile outline markings; a hessian sacking dress with star design; assorted shirts and jackets with interesting pocket details (8)

Lot 313

A House of Beauty & Culture cropped white denim jacket, 1980s, the back inset with knitted panel `Casa Vaselina` together with a bracelet made from slivers of antler, probably by Judy Blame; a pair of high-waisted black Demob trousers; and two shirts by John Flett and Stephen Linnard, (5). The House of Beauty & Culture, situated at 34-36 Stamford Rd, Hackney was a collaboration between John Moore the shoe designer, Chris Nemeth the fashion designer and Judy Blame the jewellery designer.

Lot 316

An ice blue satin and silver embroidered bed canopy, French, circa 1800-20, the pieced central ground sprigged overall with small buds, the flounced pelmet edges with broader sprays of flowers, central panel 161 by 195cm, 63 by 77in, the pelmet on four sides is 33cm 13in deep and edged in silver coiled fringing

Lot 317

An embroidered skirt panel, French, 1730s, embroidered in file and frise silver strip and floss silks in satin and split stitch with exotic blooms and foliage, approx 81 by 214cm; 32 by 84in

Lot 144

French School 19th Century Portrait of a young man with a beard Oil on panel 46 x 24.5cm; 18 x 9¾in Old split down the middle repaired right hand edge of panel missing

Lot 297

Circle of Francis Wheatley R.A. A girl fetching water from a stream a cottage beyond Oil on panel 25.5 x 20cm; 10 x 8in Provenance: Samuel Day of Hinton House Hinton Charterhouse (1757-1806) Mary Day his widow till 1846 Thomas Jones (1788-1848) who inherited the estate from her Edward Talbot Day Jones (1837-1911) and thence by descent to the present owner Literature: Inventory of all the Household… including Paintings at Hinton Charterhouse the Property of the Late Thomas Jones made August 23rd-28th 1848 by English and Sons Bath referred to as: Small Landscape with Woman dipping up a pitcher of water

Lot 299

Attributed to Steven Van der Meulen (active 1543-1568) Portrait of Robert Dudley Earl of Leicester Three quarter length standing wearing the Order of the Garter Oil on panel 114 x 86cm; 45 x 34in Sir Roy Strong suggested the attribution to Steven Van der Meulen for this portrait of Robert Dudley when he saw the picture at the request of Basil Telford Sharp 20-30 years ago. Van der Meulen moved to London from Antwerp in 1560 and took English nationality in 1562. Provenance: Elsie Beatrice Sharp nee Henry 1879-1952) Basil Telford Sharp (1917-1988) By descent to the present owner a direct descendant of the Henry family

Lot 304

David Cox Senior (1787-1859) View in North Wales Signed and dated 1850 Oil on panel 35 x 46cm; 13¾ x 18in Provenance: The Collection of Alderman James Dawson of Lytham St Annes and by descent to the current owner Good condition

Lot 305

Follower of David Teniers Village scene with men bowling Bears signature Oil on panel 21 x 32cm; 8¼ x 12¼in Crack to the panel lower right

Lot 314

W. Rogers (late 19th Century) Fishing scenes on the shore A pair both signed Both oil on panel Each 19 x 29cm; 7½ x 11½ (2) Good condition

Lot 329

Nicholas Matthew Condy (1818-1851) A sailing ship and other vessels in a swell Signed N. Condy Junr Oil on panel 17.5 x 23cm; 7 x 9in Good condition

Lot 336

Circle of Thomas Barker of Bath (1769-1847) The beggar Oil on panel 18 x 14cm; 7 x 5¾in Would benefit from cleaning some blemishes

Lot 347

Thomas Sidney Cooper (1803-1902) Sheep in a highland landscape Signed with artist s label verso Oil on panel 29.5 x 40cm; 11¾ x 15¾in Provenance: Richard Howarth Blackburn Good condition

Lot 348

William Mainwaring Palin (1862-1947) Bosham harbour Signed and dated 1934 also signed and dated verso Oil on panel unframed 25 x 35cm; 10 x 13¾in Good condition

Lot 356

English School 19th Century Ducklings eating peas from a bowl Oil on panel 25 x 20cm; 10 x 8in Minor scuffs and blemishes otherwise good

Lot 362

*Donald Brooke (b. 1927) Still lifes of roses and flowers A pair both signed and dated 1971 Both oil on panel Each 66 x 51cm; 26 x 20in (2) Good condition one with small area of bloom lower right

Lot 365

English School 19th Century Still life of flowers on a ledge Oil on panel 37 x 30cm; 14½ x 11¼in Minor blemishes otherwise good

Lot 385

Frederick Daniel Hardy (1826-1911) Closing a Bargain Signed Oil on panel 31 x 25cm; 12 x 10in Some gathering in the paint in several areas blemishes and spots but otherwise in untouched condition

Lot 391

Augustus Lunn (1905-1986) Building site Signed and dated 37 Tempera on panel 29.5 x 37.5cm; 11½ x 14¾in Minor scuffs and abrasions to the margins otherwise good

Lot 407

Bertram Priestman (1868-1951) In the heart of Surrey Signed with initials and dated 21 also signed titled and dated verso Oil on panel 24 x 34cm; 9½ x 13½in Provenance: From the collection of the Late Lord Alington of Crichel House Good

Lot 6

A Minton 8in vertical four tile panel, blue and white painted with putti within scroll foliage, moulded marks, 81.5cm high; another single tile from a similar panel; and five 6in tiles from similar panels (10). (see illustration on our website). Visit www.dnfa.com for condition reports.

Lot 33

An Arts and Crafts set of seven oak dining chairs, with panel to the centre of the backs and rush seats, the six sides 101.5cm high, the elbow 111cm high. Visit www.dnfa.com for condition reports.

Lot 38

Gordon Russell, an oak bedside locker, the panel door with a wooden handle, on square section supports, paper label detailing: no. 498, designer Gordon Russell, foreman F. Shilton, cabinet maker W. Monks, Timber used English oak, lined cedar, date 26/5/30, 83.5cm high, 40.5cm wide, 35.5cm deep. Visit www.dnfa.com for condition reports.

Lot 206

A silver salver by C. J. Vander Ltd, London 1962, retailed by Garrard & Co. Ltd, square with re-entrant corners and a reeded rim, on panel feet, 34.5cm (13.5in) wide, 1402g (45 oz). Visit www.dnfa.com for condition reports.

Lot 256

An early Victorian silver lobed baluster coffee pot by John Wrangham & William Moulson, London 1838, with an apple and leafy finial, an S-scroll handle, on scroll and anthemion panel feet, engraved with a crest, 25cm (9.75in) high, 1010g (32.25 oz) gross. The crest of COPILDYKE of Kent. Visit www.dnfa.com for condition reports.

Lot 257

An early Victorian silver salver with a cast border by Robert Hennell II, London 29th May to 20th June 1837 (William IV duty mark), the border with C-scrolls, flowers and foliage on an engraved diaper ground, on three acanthus and rocaille panel feet, 47.5cm (18.5in) diameter, 2921g (93.75 oz) (engraving erased verso). Visit www.dnfa.com for condition reports.

Lot 258

A William IV silver shaped circular salver by Edward, Edward junior, John & William Barnard, London 1835, chased with a band of scroll foliage, the raised border with scrolls and foliage, on foliate pierced panel feet, engraved a script `H`, 25cm (9.75in) diameter, 463g (14.75 oz). Visit www.dnfa.com for condition reports.

Lot 260

A William IV silver melon shape tea pot by Edward, Edward junior, John & William Barnard, London 1830, with a melon and leaves finial, a moulded loop handle and four anthemion panel feet, 29.5cm (11.75in) long, 769g (24.75 oz) gross. Visit www.dnfa.com for condition reports.

Lot 287

A George III Scottish silver small circular salver by James Newlands & Philip Grierson (of Glasgow), Edinburgh 1810, with a gadrooned rim and three plain panel feet, engraved with an armorial, a crest and a motto `Armis Et Animis`, 23cm (9in) diameter, 538g (11.75 oz). The arms of CARNEGIE, originally of Lour, Forfar. Visit www.dnfa.com for condition reports.

Lot 322

An Art Nouveau silver and paste brooch by Charles Horner, Chester 1914, the pierced panel set with an oval amethyst coloured paste, 2.5cm long. Visit www.dnfa.com for condition reports.

Lot 328

An Arts and Crafts silver, enamel and garnet pendant, attributed to John Edward Wilson (1854-1934), the enamelled rose panel to a frame of wire work and stylised leaves with a garnet cabochon drop beneath, on a trace link chain with S shaped hook clasp, 42cm long, pendant 5cm long. Visit www.dnfa.com for condition reports.

Lot 348

An Arts and Crafts moonstone bracelet, the cabochons alternating with long panel links with curled leaves, 18cm long. Visit www.dnfa.com for condition reports.

Lot 403

A Victorian blue enamel, diamond and bouton pearl brooch, circa 1880, the central blue guilloche panel applied with a rose cut diamond flower spray witihn a border of rose cut diamonds and bouton pearls (untested), mounted in gold backed silver, 2.9cm diameter. Visit www.dnfa.com for condition reports.

Lot 405

An early 20th century enamel yacht flag bracelet, each panel enamelled with the letters of the alphabet, to a concealed box snap clasp, stamped `9ct`, 17.4cm long; Royal Dorset Yacht Club, an enamel burgee stick pin, mounted in 9 carat gold; a further yacht club burgee stick pin by Benzie of Cowes, stamped `18ct`; a yacht club burgee bar brooch, stamped `18ct`; and an enamel brooch with two yachting flags. Visit www.dnfa.com for condition reports.

Lot 407

A late 18th century gold and sepia wash ring, circa 1790, the oval sepia wash panel depicting a lady resting on an anchor, in a rub over mount above an engraved under bezel and shoulders, finger size L. Visit www.dnfa.com for condition reports.

Lot 470

An early 20th century Egyptian revival bracelet, compsed of five silver gilt panels with woven decoration, each panel inset with a classical Egyptian motif and marked on the back `18` with Egyptain control marks, to a concealed screw clasp, 17.5cm long. Visit www.dnfa.com for condition reports.

Lot 233

Barclay (James). Barclay`s Universal English Dictionary, newly revised by Henry W. Dewhurst, n.d., c.1840, eng. port. and eng. title, fifty-four uncol. county maps and plans [by Thomas Moule], a few eng. views and ports., some maps closely cropped, some spotting and waterstaining throughout, contemp. diced sheep, upper board detached, lower joint cracked, spine worn and torn (lower panel detached), lacks title label, generally rubbed and worn, 4to (1)

Lot 518

Bede (The Venerable). Homiliae Venerabilis Bedae ... hyemales, quadragesimales, de tempore item & sanctis, nu[n]c denuo summa diligentia restitutae, Coloniae Ioannes Gymnicus excudebat, 1541, final blank leaf present, three woodcut initials, slight dust soiling, contemp. blind-stamped pigskin over wooden boards, the sides with roll-tooled floral borders with a figured central panel, lacking one (of two) metal clasps, corners rubbed, small 8vo. Ex libris Geo. R. Woodward and the Ronald Knox library, Prinknash Abbey. Not in Adams. (1)

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