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Lot 602
A rare George III, blue john, silver and two tone gold mounted, circular snuff box & cover. Sheffield 1801, by Edward Goodwin. The cover mounted with pierced silver panel depicting a classic vase with flowers, inset with rubies and diamond chips. 3.8cm diameter. With a leathe r bound fitted case.
Lot 835
A Regency burnished gold and cameo glass memoriam buckle converted to a brooch. The black and white glass cameo panel, sined to the edge 'l . Rosi', carved depicting 'Perseus saving Andromeda'. The mount with laurel wreath motif decoration. The rear fitted with glass cover lo cket containing a hair lock. Later fitted with a pin. 7cm max diam.
Lot 1072
Central European School circa 1900- The Holy Spirit Anointing the Infant Christ; oil on metal panel, 11.5x9.2cm: Hungarian School early 20th century- Elegant riders with a child and a dog by a wood; oil on panel, 12.7x17cm: together with a pair of floral still life paintings in oils on panel and a pair of maritime scenes in oil on board, tondo, all by different hands, (6)
Lot 1102
Cecily Brown b.1969- Untitled, 1993; oil and enamel on metal panel, 183x56.5cm., (unframed). Provenance: Purchased by her tutor, the artist Ron Bowen at her final year degree show at The Slade School of Fine Art, London. Ron Bowen recalls: 'Cecily's final exhibition at the S lade was both like and singularly unlike any of the work she had previously made. All the works were on metal (the leftovers, I believe, from some sculpture that Bruce McLean was working on at the time), relatively narrow and in landscape format, painted in a mixture of oils and enamel. The long horizontals suggested a sort of 'moving through' as if one were in a slowly moving limousine. Taken together they conjured up a certain kind of ominous urban landscape. Attack dogs, guns, sexy pigtailed girls, guys, hangin', cars drifting by, all drawn or painted, in slightly cartoonish attitude, with a sort of loose decorativeness. The paint attack was extraordinary assured, the world evoked, entirely convincing, at the same time incredibly casual and highly charged. I thought they were simply terrific'. 'I think the painting on metal certainly came from Bruce McLean. The imagery, including the attack dogs and the distortion perhaps from Jock McFadyen - she was talking a lot to him then - I'm not sure about my own input, but I was collecting up images in similar fashion from various sources then, talked with her about this collagist approach, and lent her quite a few images from my collection'. (may be subject to Droit de Suite)
![Zero BOOK OF HOURS, USE OF [?PARIS], IN LATIN AND FRENCH, ILLUMINATED MANUSCRIPT ON VELLUM, [northern France, late 15th Cent](http://lot-images.atgmedia.com/SR/1620/2724307/1854-57-1620_468x382.jpg)
Lot 1854
Zero BOOK OF HOURS, USE OF [?PARIS], IN LATIN AND FRENCH, ILLUMINATED MANUSCRIPT ON VELLUM, [northern France, late 15th Century]. 188 leaves, 165mm x 120mm, 16 lines, ruled in very pale red ink, written space 95mm x 60mm, written in black ink in lettre batard, rubrics in dark red, Calendar in alternate lines of blue and red with major entries in gold, capitals touched in yellow, one- and two-line initials and line-fillers throughout in burnished gold on red and blue grounds with white tracery, some 3-and 4-line initials on illuminated leaves and in Hours of the Virgin in liquid gold, 349 panel borders in outer margins of every page, c. 95mm x 28mm, and 9 all-round panel borders all of a leaf and flower pattern in blue, red, green and liquid gold, some rubbing and thumbing affecting outer margins, seven large miniatures in arched compartments above large initials and within full borders, generally sound, near-contemporary inscription at foot of fol.178v, some trimming to margins with slight loss of borders, eighteenth century calf, ruled in gilt, spine gilt, morocco spine label, rebacked, preserved in a modern drop-backed box. Provenance: (1) Bookplate of Thomas Weld-Blundell, of Ince Blundell, Lancs, b. c.1830. (2) Present owner - date of acquisition unknown. Catalogue Notes Text: A calendar, in French (fol. 1r), with an entry for every day, singling out in burnished gold the feasts of Saints Genevieve, and Denis, patron saints of Paris; the Gospel Sequences (fol. 13r); Obsecro te (fol. 18r); O Intemerata (fol. 21v); the Hours of the Virgin, Matins (fol. 29r), Lauds (fol. 47v), Prime (fol. 56v), Terce (fol. 61r), Sext (fol. 64v), None (fol. 67v), Vespers (fol. 71r), Compline (fol. 76v); the Penetential Psalms (fol. 86r); Litany (Fol. 97r); Hours of the Cross (fol. 102r); Office of the Dead, (fol. 108v); Fifteen Joys of the Virgin (Fol. 150r)]; Seven Requests (fol. 155v), ending on fol. 188v. Illumination: The illumination is carefully rendered in an attractive, highly competent and detailed manner in the style of northern France. The subjects of the large miniatures are: 1.St. John on Patmos. 2. The Annunciation with roundells after the style of the Bedford Master depicting the Birth of the Virgin and the meeting at the Golden Gate. 3. David at Prayer. 4. Mary and St. John the Divine 5. A funeral service 6. Virgin and Child with Angels 7. The Trinity enthroned.
![Zero BOOK OF HOURS, [UNCERTAIN USE], IN LATIN AND FRENCH, ILLUMINATED MANUSCRIPT ON VELLUM, [north east France or Flanders,](http://lot-images.atgmedia.com/SR/1620/2724307/1856-57-1620_468x382.jpg)
Lot 1856
Zero BOOK OF HOURS, [UNCERTAIN USE], IN LATIN AND FRENCH, ILLUMINATED MANUSCRIPT ON VELLUM, [north east France or Flanders, late 15th / early 16th Century]. 116 leaves, 140mm x 100mm, 20 lines, ruled in very pale red ink, written space 95mm x 60mm, written in black ink in lettre b atard, rubrics in dark red, Calendar in alternate lines of blue and red with major entries in gold, one- and two-line initials and line-fillers throughout in burnished gold on red and blue grounds with gold tracery, 4-line initials on illuminated leaves, 24 zodiac and labour borders on calender, 191 panel borders in outer margins of text leaves, all c. 95mm x 20mm, and 2 all-round panel borders all of an acanthus leaf pattern with compartments, in blue, red, green and liquid gold, fourteen large miniatures in arched compartments above large initials and within full borders of acanthus leaves, with coloured flowers, birds, fruit, grotesques, people, snails, insects, dragons, etc, some rubbing and thumbing affecting outer margins, generally sound, some trimming to upper margin with slight loss of some borders, eighteenth century fine morocco, elaborately tooled in gilt, spine gilt. Provenance: (1) Present owner - date of acquisition unknown. Catalogue Notes Text: A calendar, in French (fol. 1r), with an entry for every day, singling out in burnished gold Saint Thomas Becket in gold and not erased, hence possibility of partial English use, several Norman saints also mentioned; the Gospel Sequences (fol. 13r); Obsecro te (fol. 18r); O Intemerata (fol. 21r); the Hours of the Virgin, Matins (fol. 25r), Lauds (fol. 33v), Prime (fol. 46r), Terce (fol. 50r), Sext (fol. 52r), None (fol. 55r), Vespers (fol. 57r), Compline (fol. 62v); the Penetential Psalms (fol. 67r); Litany (Fol. 76v); Hours of the Cross (fol. 81r); Hours of the Holy Spirit (fol. 84r); Office (Vigil) of the Dead, (fol. 87r); Fifteen Joys of the Virgin (Fol. 110r); ending on fol. 116v. Illumination: The illumination is extremely competent and very much in the style of Rouen. The subjects of the large miniatures are: 1. The four Evangelists. 2. The Annunciation. 3. The Visitation. 4. Nativity. 5. Annunciation to the Shepherds. 6. Adoration of the Magi 7. Presentation in the Temple 8. Flight to Egypt 9. Coronation of the Virgin. 10. David in Prayer. 11. Crucifixion. 12. Pentecost. 13. Funeral scene. 14. Virgin and Child with unidentified female [Patron of book?].
Lot 1857
Zero BOOK OF HOURS, GERMAN, UNKNOWN USE, IN LATIN AND GERMAN, ILLUMINATED MANUSCRIPT ON VELLUM, [Germany, Nurnberg, after Feast of St. Bartholomew 1423]. 216 leaves, 70mm x 60mm, 10 lines, ruled in very pale red ink, written space 38mm x 33mm, written in black ink in Gothic black letter, rubrics in red, Calendar in black and red, one- and two-line initials occasionally in gold, some 4- and 5-line initials on illuminated leaves in gold, panel borders in outer margins of every page, variable, full-page miniatures above large initials and within full borders, scribal colophon on last leaf, generally sound, near-contemporary inscription at head of [fol.178v], heavy trimming to margins with significant loss of borders, lacking all calendar before September, heavy wear to most leaves, near-contemporary cloth binding with remains of ties, preserved in a modern drop-backed box. Provenance: (1) Present owner - date of acquisition unknown. Catalogue Notes Text: A set of devotional texts. Illumination: The illumination, the product of several different hands, whilst relatively accomplished, is now heavily worn.
![Zero BOOK OF HOURS, USE OF [?PARIS], IN LATIN AND FRENCH, ILLUMINATED MANUSCRIPT ON VELLUM, [northern France, late 15th / ea](http://lot-images.atgmedia.com/SR/1620/2724307/1858-57-1620_468x382.jpg)
Lot 1858
Zero BOOK OF HOURS, USE OF [?PARIS], IN LATIN AND FRENCH, ILLUMINATED MANUSCRIPT ON VELLUM, [northern France, late 15th / early 16th Century]. 274 leaves, 135mm x 95mm, 13 lines, ruled in very pale red ink, written space 65mm x 45mm, written in brown ink in lettre batard, rubrics in red, Calendar in alternate lines of blue and red with major entries in gold, one- and two-line initials in gold with tracery in red and blue, line-fillers throughout in burnished gold and blue, some 3- and 4-line initials in liquid gold, one large miniature, six 7-line historiated initials on illuminated leaves, many panel borders in outer margins of every page, c. 65mm x 25mm, and 10 all-round panel borders all of a leaf and flower pattern in blue, red, green and liquid gold, some with animals and grotesques, some rubbing and thumbing affecting outer margins, repaired damage with loss to calendar, repaired, collation towards end uncertain due to incomplete initials and miniatures, generally sound, good margins, eighteenth century fine morocco tooled in gilt, spine gilt. Provenance: (1) Present owner - date of acquisition unknown. Catalogue Notes Text: A calendar, in French (fol. 1r), with an entry for every day, singling out in burnished gold the feasts of Saints Genevieve, and Denis, patron saints of Paris; the Gospel Sequences (fol. 13r); Obsecro te (fol. 20v); O Intemerata (fol. 25v); [?? (fol. 34r)]; Matins (fol. 64r), Lauds (fol. ?? [lacking]), Prime (fol. 85v), Terce (fol. 94v), Sext (fol. 102r), None (fol. 110v), Vespers (fol. 118v), Compline (fol. 133r); [?? (fol. 145r)]; Litany (fol. 164r); Hours of the Cross (fol. 169r); [?? - Psalmes (fol. 200r)]; Sufferages (?fol. 248r); All Saints (fol. 270r), ending on fol. 274r. Illumination: This book gives the impression of not having been completed. The historiated initials are by a very accomplished hand but the illumination appears to be incomplete, particularly given the accomplishment of the single miniature. The large miniature depicts the following subject: (fol. 169r) The crucifixion. The subjects of the historiated initials are: (fol. 64r) Annunciation. (fol. 85v) Nativity. (fol. 102r) Adoration of the Magi. (fol. 110v) Presentation at the Temple. (fol. 118v) Flight from Egypt. (fol. 133r) Coronation of the Virgin.
![Zero BOOK OF HOURS, UNKNOWN USE [?UTRECHT], LATIN, ILLUMINATED MANUSCRIPT ON VELLUM, [Flemish, late 15th / early 16th Centur](http://lot-images.atgmedia.com/SR/1620/2724307/1859-57-1620_468x382.jpg)
Lot 1859
Zero BOOK OF HOURS, UNKNOWN USE [?UTRECHT], LATIN, ILLUMINATED MANUSCRIPT ON VELLUM, [Flemish, late 15th / early 16th Century]. 189 leaves, 110mm x 75mm, 17 lines, ruled in very pale red ink, written space 70m x 40m, written in brown ink, rubrics in red, incomplete calendar in red and black, one- and two-line initials in gold with brown background, twelve large miniatures in semi-grisaille, heightened in gold in arched frames, nine 7-line historiated initials on illuminated leaves, 181 panel borders in outer margins of every page, c. 70mm x 20mm, and 12 all-round panel borders all of a leaf and flower pattern in blue, red, green and liquid gold with fruit, flowers, grotesques and people, some light rubbing and thumbing affecting outer margins, repaired damage with loss to calendar, generally sound, good margins, eighteenth century fine morocco tooled in gilt, spine gilt. Provenance (1) Bookplate of Renate Koenig. (2) Present owner - date of acquisition unknown. Catalogue Notes Text: A calendar, in Latin (fol. 1r), incomplete in red and black; the Gospel Sequences (fol. 18r); O Intemerata (fol. 19r); Obsecro te (fol. 23r); Hours of the Cross (fol. 28r); Hours of the Holy Spirit (fol. 36r); Stabat Mater (fol. 42r); the Hours of the Virgin, Matins (fol. 49r), Lauds (fol. 60v), Prime (fol. 72v), Terce (fol. 77v), Sext (fol. 82v), None (fol. 87v), Vespers (fol. 92r), Compline (fol. 100v); Litany (Fol. 120r); Office of the Dead, (fol. 137r); ending on fol. 183r. Illumination: This illumination is entirely in grisaille throughout. The subjects of the miniatures are: [(fol. 28r) The Crucifixion. (fol. 36r) Pentecost. (fol. 49r) Annunciation. (fol. 61r) The Visitation. (fol. 72v) The Nativity. (fol. 77v) Annunciation to the Shepherds. (fol. 82v) Adoration of the Magi. (fol. 87v) Presentation at the Temple. (fol. 92r) Flight to Egypt. (fol. 100v) Massacre of the Innocents. (fol. 107r) David in Prayer. (fol. 137r) Raising of Lazarus. The subjects of the historiated initials are: (fol. 13r) Saint John. (fol. 14v) Saint Luke. (fol. 16r) Saint Matthew. (fol. 18r) Saint Mark. (fol. 19r) Virgin and child standing in crescent moon. (fol. 23r) Virgin and child. (fol. 42r) Pieta. (fol. 45r) Prayer scene. (fol. 46v) Saint with book.
![Zero BOOK OF HOURS, UNKNOWN USE, IN LATIN, ILLUMINATED MANUSCRIPT ON VELLUM, [Flemish, late 15th Century]. 173 leaves, 120mm](http://lot-images.atgmedia.com/SR/1620/2724307/1860-57-1620_468x382.jpg)
Lot 1860
Zero BOOK OF HOURS, UNKNOWN USE, IN LATIN, ILLUMINATED MANUSCRIPT ON VELLUM, [Flemish, late 15th Century]. 173 leaves, 120mm x 80mm, 17 lines, ruled in very pale red ink, written space 70mm x 50mm, written in black ink in lettre batard, rubrics in red, Incomplete calendar in red a nd black, one- and two-line initials in burnished gold with red and blue tracery, fifteen 6-line initials in gold on bordered leaves, one historiated initial, 16 all-round panel borders in the Ghent-Brugges style, some rubbing and thumbing, particularly of gold, generally sound, margins cropped close but mostly good, nineteenth century fine morocco by David, ruled in gilt, spine gilt. Provenance: (1) Present owner - date of acquisition unknown. Catalogue Notes Text: A calendar, in Latin (fol. 2v), incomplete; Salva Sancta Facies (fol. 15r); Office of the Cross (fol. 17r); Office of the Holy Spirit (fol. 23r); Mass of the Virgin (fol. 29r); the Hours of the Virgin, Matins (fol. 39r), Lauds (fol. 56r), Prime (fol. 67r), Terce (fol. 71r), Sext (fol. 75r), None (fol. 79r), Vespers (fol. 83r), Compline (fol. 90r); Office of the Virgin for Advent (fol. 95r); Penetential Psalms (fol. 103r); the Litany (Fol. 113v); Office of the Dead, (fol. 122r); Obsecro te (fol. 161r); O Intemerata (fol. 165r); Illumination: The illumination consists of sixteen borders in the Ghent-Brugges style. (fol. 165r) Historiated initial - Pieta.
Lot 2117
A late 19th century french gilt brass cased mantel clock, the drum shaped movement striking on a single bell, by Lepine Paris, the porcelain dial painted with Roman numerals and putti, the case decorated with foliate scrolls, caryatids, a finial of doves, and a foliate painte d porcelain panel, height , 31.5cm, ( lacking pendulum and key).
Lot 2178
A Collection of seven snuff and patch boxes and further items. Early 19th century & later. To include a horn, rectangular snuff box. The cover with bone and tortoiseshell parquetry inlay; A Queen Anne style oval, horn box and cover. The cover gilded & engraved depicting a por trait of Queen Anne wearing crown with monogram 'A R'; A carved wooden circular patch box 'Souvenir of Palestine'; A 17th century style, oval fruitwood, bone and metal, box and cover. The wooden panel inset to the cover with carved bone sections engraved 'The Best Is Not Too Good For You' and date '1668'; A further gilt metal and circular patch box and cover; also a miniature tortoiseshell veneered Georgian design knife box. (7)
Lot 2182
A French ivory & silver oval box and cover, 19th century. The oval silver body, inset with ivory panels to the top and bottom. The top panel with brass pin head inlaid design of a foliate sprig. 8cm max diam. Also an ivory and gilt metal mounted rectangular patch box and cov er, 19th century. The cover decorated with fine brass pin head foliate decoration, 8cm wide; also a Victorian ivory and silver plated mounted purse, of rectangular shape. The ivory cover carved with a floral vignette, the interior fitted with leather and blue silk lined expanding wallet. 8.5cm wide. (3)
Lot 2248
A Victorian electroplated copper electrotype shield, 1878, with a central panel depicting a scene from Pilgrim's Progress of Christian fighting Apollyon, framed by four further panels, the top two with angels and cherubs, the lower panels with demons, and scrolling foliate de coration, signed 'Morel Ladeuil 1878, Elkington', with small diamond Elkington plaque verso, 88 x 64cm
Lot 2283
*An Indian carved wooden panel, 19th / 20th century. Carved with three seated buddhas in a niche. 26 x 72cm; An Indian chip carved wooden box and cover, of rectangular shape, 35cm wide; a collection of misc wooden stands, a persian tooled leather book front and a turned wooden finial. ( a lot)
Lot 2653
A Dutch oak cupboard, 18th century and later elements, the moulded cornice above strapwork carved frieze with leaf carved corbels over two fielded panel doors flanked by fluted pilasters with Ionic capitals, the conforming base with twin fielded panel doors above mask carved apron upon bulbous bun supports, 201 x 167 x 65 cm.
Lot 670
A good quality 19th century French ormolu mantel clock, the striking twin drum movement stamped CR 146, the white enamelled dial with blue Roman numerals and secondary Arabic numerals, surmounted by a rams head and swag decorated urn with lift off cover, the base with inset Paris porcelain panel and further decorated with trailing rose vines and foliage, standing on a shaped and gilded wooden plinth and c/w large glass domed case, in original unrestored condition
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328190 item(s)/page