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A 16th century style walnut and marble inlaid cabinet, in the Renaissance taste, the architectural pediment carved and applied figures and dolphins above a pair of doors and a drawer, flanked by Corinthian columns, the base having a frieze drawer above a further pair of panel doors, on bun feet, 96 cm wide See inside back cover colour illustration
A dentist's style walnut cabinet, the pierced three quarter gallery above a tambour front enclosing a mirrored interior having a marble shelf and an arrangement of 14 drawers, above two frieze drawers and a pair of panel doors below, on a plinth base, 71 cm wide See illustration Condition report Report by GH The Dentist's cabinet: Pierced gallery around the top - there is evidence of damage and re-gluing along the left hand side and also on the left hand side, a piece of dowel, which allows the gallery to fix to the top of the unit is missing, otherwise it is good with chips and scratches commensurate with age. The top of the cabinet has ring marks, old scratches and marks and wear commensurate with age. Moving down the ebonised moulding, has evidence of scratches and knocks all the way round. Moving down to the shutter style door, this operates smoothly but has one of the turned handles missing. The interior of the cabinet: The internal mirrors have some silvering and foxing to the glass but no cracks or damage. The marble is also in good condition with only some minor chips to the edges. Moving down to the array of small drawers, the top left drawer has a missing turned handle, which does not appear to be present. Moving down the brushing slide appears to have its original felt covering which is stained and worn commensurate with age. Moving down, the frieze drawers also, what appears to be the original felt lining, in good used condition with both handles present. Both cupboard doors appear to have all moulding present, however, there are two large areas of veneer loss towards the centre of the unit on both doors, and the plinth also all present but chipped, dented and scratched with use. Both sides of the unit are also in reasonably good condition, the left hand side of the unit has more sun fading than the right, and both display stains, chips and dents etc. It should also be noted that there do not appear to be any keys present with this piece. Overall good saleroom fresh condition with defects commensurate with age. Report by GH The depth of little drawers - 23 cm (Internal height) Under tambour front - 46 cm
A Swaine & Co riding crop, with silver mounts, and a Chinese embroidered silk panel, 39.5 x 41 cm (2) Condition report Report by GH Riding Crop: General wear and tear, denting to the top silver collar in multiple places, similarly the silver collar in the middle is also dented. The lower leather stitching leading down to the whip itself is coming apart in several places, it is damaged cracking and the whip is also cracking and in poor condition. The horn handle is intact and in reasonably good condition. Silk Panel: Overall good with occasional areas of missing thread, threadbare, staining, a moth hole on the left hand border of the central panel and various other minor blemishes, but colours still reasonably strong.
An Edwardian inlaid mahogany display cabinet, inset Jasperware style panels, 99 cm wide Condition report Report by GH The Jasperware panel at the rear of the piece at the top appears to have surface scratches, but otherwise it is undamaged. The top surface of the cabinet is heavily scratched, dented and gouged. The veneer is in good condition on the frieze. The glazed panels on the doors and on both sides of the cupboard, are all unbroken and the Jasperware panels on each door have various scratches and marks but are not cracked. The fabric interior of the cupboards has various wear, stains, damages and threadbare areas, but is all present. The legs are all present and appear to be undamaged, and the unit as a whole is firm with seemingly no loose joints or structural issues.
A Moorish style inlaid octagonal table (some loss), 58 cm wide Condition report Report by GH The top has many areas of loss to the mother of pearl and bone inlay as well as to the wood inlay. This loss is uniformly spread across the top of the table with one particularly large area of loss towards the edge. The loss is particularly evident in the octagonal sections and there is little or no evidence of any repairs. The rim of the top is in better condition with only very minor losses and small areas of scuff and damage. There is very occasional loss to the leading edge of the beadwork between the rim and the top of the table. The sides of the table are in better condition than the top but there are one or two small losses to each panel. There are much heavier losses towards the feet of the table, where many pieces have splintered off, probably due to vacuuming. There are also spots of water damage throughout the piece, but this is by no means extreme. Three of the side panels which form the octagon are also coming apart and are loose. Overall this is an honest and unrestored piece with defects throughout.
A Royal Crown Derby twin handled vase and cover, circa 1926, painted with a panel of exotic birds by Darlington, 29.5cm wide, (finial restuck). Condition Report: Whilst there are no visible signs of chips or cracks there is some surface scratching to the blue ground on the reverse side. Also the finial has been repaired (signs of glue). The gilt decoration is in good order. Measures: 29 cm high.
An eighteenth century oak and crossbanded table top cabinet, ogee moulded cornice above a hinged door with crossbanded wavy top panel enclosing a central pigeon hole surrounded by eleven drawers with brass button handles, set on a base with a single crossbanded drawer and moulded top edge, all supported on a bracket foot plinth, 77cm high by 54cm wide by 28cm deep
A Victorian silver open table salt, with a floral embossed body on lions paw feet, London, together with a silver cream jug, two silver boxes and covers, a spoon and a Sampson Mordan Man in the moon magnifying glass bookmark, weighable silver approximately 243 grams CONDITION REPORT: Magnifying glass - the silver has surface scratches and minor dents, tight fit on lens, lens has chips to the face, ivory panel is chipped and scratched in over all used condition
A late 19th century mahogany linen press, the moulded dentil cornice with a blind fretwork panel above a pair of cupboard doors enclosing linen slides, the base with two short and two long drawers on bracket feet, 133cm wide x 59cm deep x 210cm high CONDITION REPORT: Even colour, some cracks to the veneers, scuffs to the feet, surface scratches in overall used condition
A 17th century style three quarter oak four poster bed with a moulded cornice supported to the front by turned uprights, the back panel carved with a central secret compartment, on square legs, canopy 148cm wide x 202cm long, 187cm high. base internal measurements, 123cm wide x 177cm long CONDITION REPORT: In overall poor condition, loose joints, splits and breaks, with loose joints, in need of restoration.
A 19th century mahogany longcase clock the hood with a central carved grapes and vine panel and rope twist column above a panelled short trunk door, box base and ball feet, the 35cm dial with a moonphase to the arch, painted with figures to the spandrels, with Roman numerals, a seconds subsidiary dial and calendar aperture inscribed "WM Latch, Newport", the eight day movement striking on a bell, 232cm high
A late 18th / early 19th century mahogany longcase clock the domed hood with fluted pillasters, above a shaped long trunk door, box base and bracket feet, the 31cm brass dial with an arch with inset panel inscribed Thos Reid, Edinburgh, with Strike/ Silent switch, with a brass chapter ring, Roman numerals, seconds subsidiary dial and an aperture displaying the month and the day of the month in an arch, the eight day movement striking on a bell, 211cm high CONDITION REPORT: The trunk door is touching at the top and sticking out at the base, the base of the clock is split along the joints, the rear feet are missing, there are cracks to the base, the face does not sit within the mask, but the dial is sitting to one side, in overall used condition
An 18th century oak longcase clock the hood with a moulded cornice and Ionic columns above a long trunk door, panelled box base and bracket feet, the 28.5cm brass dial with gilt brass spandrels and a brass chapter ring with Roman numerals and a calendar aperture, bears a plaque for "Tho Baxter, Conderton", the 30 hour movement striking on a bell CONDITION REPORT: The case colour is very flat, the joints are loose, the base panel is loose, chips and cracks to the case, face fits the mask, however there is a gap at the bottom of the dial and the mask, in overall used condition

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360412 item(s)/page