18th century oak and mahogany longcase clock with swan neck pediment, the hood flanked by turned columns enclosing brass silver dialled face with moon phase and calendar, subsidiary seconds hand with floral engraving with chased spandrels, the door flanked by reeded columns, on a panel box base, bracket feet, eight-day striking movement by Thomas Lister, Halifax, height 223cm
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Late Victorian/Edwardian white metal, diamond, enamel and pearl pendant locket, the circular pendant with pale blue enamel ribbon and husk surmount set with old and rose cut diamonds, having glass locket panel to reverse, pearl drop and pearl set to the suspension chain, all on white metal chain (af) in Skinner & Co fitted gilt tooled leather case
A 1980s Rosenthal Studioline heavy clear moulded glass panel 'The Couple' by H A P Grieshaber (1909-1981), having raised and frosted underside, cased with black enamelled metal, signed to the mould lower left, 45 x 31.5cm, housed in original box, the panel labelled verso and numbered 231/3000 and dated 1981
An Art Nouveau oak and brass bound mantel clock in the Glasgow School style, having stylised circle embossed dial, twin winding holes over coloured glass plaque, German H.A.C 14 day strike movement with pendulum and key, h.36.5cm Condition Report / Extra Information Missing vertical brass panel from left hand side. Dial heavily tarnished and discoloured. Bell tarnished and rusty. Oak worn, faded and with handling wear throughout. Scratches and scuffs to back.
A pair of Art Deco moulded and frosted glass hanging ceiling shades, each of wavy shaped form, with chrome fittings and further linked chains, dia.35cm Condition Report / Extra Information Chrome fittings tarnished throughout, particularly to undersides. One hanging with single fingernail sized chip to outside edge of glass and one other slightly smaller chip to the same glass panel. Glass with rough unfinished edges all over and further smaller chips.
Gilbert William Bayes (1872-1953) - A green patinated relief work metal panel of a warrior and horses, housed in an oak frame, the panel 23 x 16.5cm Note: This panel originates from an extent cabinet exhibited at the Arts & Crafts Exhibition 1901. Also further illustrated in The Studio 1901, vol.23, page 128. Condition Report / Extra Information Frame good. Panel with verdigris patination and some handling wear.
After Henri Matisse (French 1869-1954) - Reclining nude female bronze panel, in the post-Impressionist manner, bears incised monogram H.M. and further numbered 1/1, 10 x 16cm Condition Report / Extra Information Some handling wear resulting in high points, mainly to extremities. Some grubbiness to low relief areas. Otherwise good.
A PAIR OF MID 19TH CENTURY MINIATURE PORTRAIT PAINTINGS, a lady and gentleman of standing, elegantly dressed, both wearing long belcher chains, stylised landscape backgrounds, Watercolours on ivory panel, 7.5cm x 6cm in black lacquer frames with deco rative gilt brass slips securing convex glass, mounted with floral gilt metal ring suspension mounts
17TH CENTURY OIL PAINTING ON CANVAS, Oliver Cromwell, portrait, set within a large oak panel with 17th century carved panel frame of acanthus leaves and cherub masks, gouge carved beneath portrait "God With us 1650", bears brass plate lower left, "Th is panel and painting of Oliver Cromwell were originally in Astley Hall, Lancashire, being placed there at the time of the re-building of the Hall, then styled Dam House by Adam Mart Esq., in the year 1650. In the year of 1889 they became the propert y of R.T. Marsh Esq., J.P. of Westleigh Hall, Leigh, Lancashire, who in the year 1909 presented them to William Eckersley Esq., of Lime House, Lowton". Portrait oval 45cm x 36cm, overall frame 140cm x 144cm
AN UNUSUAL VICTORIAN HALLMARKED SILVER TWIN HANDLED SUGAR BOWL BY GEORGE ANGELL - LONDON 1850, having a shaped panel effect with scrolling rim and intersection detail with shaped scrolling handles to the sides, engraved with a similar pattern to each section, approx weight 500 g, H 15 cm Buyers - for shipping pricing on this lot, visit www.cuttlestones.co.uk/shipping
TWO GENUINE LADIES RADLEY LEATHER HANDBAGS, comprising one in a rich dark brown with contrasting pastel leather embellishment and matching corded interior, retains original protective dust bag, the other in cream with textured effect leather, shaped edge and panel effect to both sides, lemon striped interior, also retains original protective dust bag (2) Buyers - for shipping pricing on this lot, visit www.cuttlestones.co.uk/shipping
A CHINESE COCONUT BOWL AND TEACUP, the bowl being metal lined with Oriental script, engraved and highlighted in green with a band of decoration below, Dia 12 cm, the teacup similarly lined and with carved panel detail, Dia 7 cm (2) Buyers - for shipping pricing on this lot, visit www.cuttlestones.co.uk/shipping
A VICTORIAN WALNUT WRITING SLOPE, the hinged lid bearing a mother-of-pearl inlaid panel to the top, opening to reveal a reverse folding writing surface, velvet lined, with fitted compartments for inkwells and pens, further inlaid mother-of-pearl panel to the front escutcheon, various contents to include a five year diary, H 17.5 cm, W 30 cm, D 23 cm Buyers - for shipping pricing on this lot, visit www.cuttlestones.co.uk/shipping
A LATE 19TH CENTURY TWIN FUSEE CUCKOO CLOCK ATTRIBUTED TO JOHANN BAPTISTE BEHA, the chalet style case with carved grape and vine decorated panel to the front, matched carved fencing / border to the base, the circular face with Roman numerals, with carved doors above that open to reveal an articulated wooden cuckoo, H 34.5 cm, A/F Buyers - for shipping pricing on this lot, visit www.cuttlestones.co.uk/shipping
A COLLECTION OF VINTAGE COSTUME JEWELLERY, comprising mostly brooches, including signed examples by 'Miracle', and a carved jet brooch with central cameo panel, together with a small selection of necklaces etc. (Approx 28) Buyers - for shipping pricing on this lot, visit www.cuttlestones.co.uk/shipping
A 19th Century oak long case clock, with pie crust topped front panel and door with two column supports to head, the brass face having ornate scroll decoration with cast mask design within, the chapter ring having black Roman numeral hourly markers with inner minute track, centre dial marked A. Grumble, Leicester, height approx. 194cm.
Framed, unsigned, oil on panel, c. 1830's three quarter length portrait of a 'Mrs Brock' in white dress sat before a red curtain, indistinctly inscribed on label verso, '? Mrs Brock. (Actress)/ Contemporary of Mrs Siddons/ of ? a mistress of Geo IV/ one of his brother./ No record at the Garrick/ Club', 32.5cm x 27.1cm.
ART NOUVEAU OAK HALL WARDROBE originally part of a hallstand, with shaped top, the door with carved upper panel, shelved interior with rail and hooks, raised on shaped base and foot support, 196.5cm high x 72.5cm wide Note: This lot is sold on behalf of St Mungo's Retreat, Parson Street, Glasgow
EDWARDIAN OAK HALL STAND with a shaped carved top rail above a central carved panel with a fan motif and a bevelled mirror below, with an arrangement of six metal coat hooks, above a marble panel with a glove box flanked by a pair of stick stands with removable metal drip pans, with turned columns and turned stout front supports, 93cm wide x 208cm high
A 19th Century mahogany cased mercury barometer, by I B Polte, the broken arched pediment with central pineapple finial over a marquetry flowerhead and long arched top thermometer, in turn over a marquetry panel of Prince of Wales feathers and 20cm silvered dial with marquetry flowerhead to the circular base, 98cm high
A Victorian American mantel clock, with Ansonia brass eight day movement striking on a single gong, the circular cream dial with Roman numerals and recessed centre with brocot escapement in architectural style black slate case, the arched pediment inset with an embossed brass hunting panel over two pairs of fluted columns on line incised stepped oblong base, 35.5cm wide, 33.5cm high
An early 20th Century longcase clock, the triple weight eight day movement marked Jsgus DRP with circular dial, silvered chapter ring with Arabic numerals, striking and chiming on eight gongs, in oak case with stepped pediment over a carved panel to the frieze, full length door with arched bevelled glass panel flanked by full length barley twist columns on a plain platform base, 219cm high

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