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An unusual antique Dentist's cabinet - The Harvard Company of Canton, Ohio - having tambour front and drawers and swing out side cabinet - 155cm high x 74cm wide CONDITION REPORTBy our judgement, overall condition of lot is good, with both roll front shutters and swing racks fully functional.Notably the leather insert on the drop down panel shows signs of age, with one corner currently loose.Furthermore, whilst a key is included that fits the swing rack, the lock appears to have ceased.There are no further keys with the cabinet.The cabinet is presented on rolling castors.Dimensions are as follows:Height, 155cmWidth, 74cmDepth, 41cmOur team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention.
A blonde mink fur short jacket and cape and a black fox fur jacket. The cape has a 'Emba the American Mink' label. (3) (B.P. 21% + VAT)Cape - generally good condition, very minor wear to fur. Someone has hand sewn in a panel of fabric to protect the collar area.Fox fur - fur is in good condition, some small pale stains to liningMink jacket - Generally good condition, one pinprick hole to lining and fur slightly worn around the collar.
Engraved lead crystal panel (20 x 30 cm approx) by Llewelyn Williams, 'Peregrine Falcon Perched on a Rock' standing on a turned wooden base, together with a lead crystal pint mug of red kites together with a lead crystal short stemmed bowl after Hokusia's 'The Wave' with dolphins and fish, all by Llewelyn Williams. (3) (B.P. 21% + VAT) Dolphins and birds , overall items are ok
Poirot: A large mahogany panel from the production set of Murder On The Orient Express,ITV Studios, 2010,the solid mahogany panel inset with resin to look like carved glass, moulded from the original panel in the dining car of the actual Orient Express train, and used on the set of the production of the TV series, accompanied by a letter of provenance from David Suchet, 23in x 33in (58cm x 83.5cm)Footnotes:Murder on the Orient Express is Episode 3 in Season 12 of the Agatha Christie mystery crime series, in which 'Poirot' investigates the murder of a shady American businessman stabbed in his compartment on the Orient Express when it is blocked by a blizzard in Croatia. Provenance:Kindly donated by David Suchet CBE to BAFTA for this sale, proceeds of which will go towards the Illuminating BAFTA campaign, expanding BAFTA's learning and new talent programme.For further information on this lot please visit Bonhams.com
Judas Priest/Ian Hill: A Vintage Acoustic 320 Bass Amp,serial no. 32002163, blue and black, controls marked for presets, back panel with tape inscribed Stage Left, black tolex covering, 'road' condition but apparently in working order, extensively used by Judas Priest's bassist Ian Hill for touring in the late 1970s, 6 1/2in x 11 1/2in x 26 1/2in (16.5cm x 29.2cm x 67.4cm); together with two photos of the band onstage at Donington Monsters Of Rock, 1980, and a 2015 Wacken Open Air festival board signed by the band in silver marker, 17 3/4in x 23 1/2in (45cm x 59.5cm), (4)For further information on this lot please visit Bonhams.com
George Harrison: A Hofner President 'thinline' semi-acoustic guitar owned by George Harrison,1959,Serial no.185, natural finish carved spruce top and Hofner decal, flame maple back and sides, maple and mahogany neck, rosewood 22-fret fingerboard with eight inlaid fret markers, headstock with inlaid floral sprays and lettered 'HOFNER', faux tortoiseshell scratchplate, plastic control panel with two rotary controls, single pickup, label with serial number inside body beneath upper f-hole, modern strings, with a set of five vintage strings in a RotoSound bag, accompanied by a vintage case labelled Guild Case 2516, and a letter from the vendor concerning the provenance, CITES License no.587592/01 (3)Footnotes:Provenance:From the collection of Alan Herring, who was employed by both George Harrison and Ringo Starr from 1967-1969. Given to the vendor in the summer of 1969, before the release of 'Here Comes The Sun'. Used by Harrison at his home, Kinfauns, and originally acquired by him as it reminded him of one of his first guitars, also a Hofner President.'...George gave me this Hofner President... in the summer of 1969, before the release of 'Here Comes the Sun'. I'd gone to George to ask him to show me the chord I was missing from the song 'Here Comes the Sun' which I was trying to teach myself to play. George told me to go and get a guitar from his guitar room, which I did, he described this guitar as 'Blondie' and remarked that a Hofner President was his first good guitar. George showed me the chord then took the guitar from me, and told me, whilst smiling, 'Play it up here at the seventh fret', he then handed the guitar back to me telling me it was mine. He said it needed some work doing on it and gave me a set of strings for it that he thought would be better for me than the ones on the guitar. I played this guitar frequently when waiting for the band whilst they had their long sessions at Abbey Road Studios. One night I was playing in the kitchen at the studios when George came in with Mal Evans. George took the guitar from me and started to play the Simon and Garfunkel song 'Mrs Robinson' delightfully substituting his nickname for me 'Alan Herringbone' for that of Mrs Robinson. This was a very special moment for me - one of the best of my time there...' - Alan Herring.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Spooner's, 4 pictures to comprise 'Spooner's Protean Views No. 16 The London Mail Obstructed by a Snowdrift' , 'Spooner's Transformations No. 4 The thinking Philosopher' (both hold to light), 'Spooner's Changing Drolleries No. 12 The Rival Lovers' with rotating back panel to alter the facial expressions, sold together with a hold to light transparency entitled 'A Cavern' (some age toning, slight creasing and one small tear) (4)
Trade cards, Topical Times, a collection of various football cards in sets, part sets & odds inc. Football Special Issue 'E' size, coloured 1934 (set of 8), Triple Portraits 'E' size (set of 8), two complete albums 'Great Players' 'L' size & 'Stars of Today', plus numerous other 'E' size & smaller panel portraits, b/w & coloured (gd)
A GEORGE III SATINWOOD AND TULIPWOOD CROSS-BANDED PAINTED SIDE CABINET, C.1790, the shaped rectangular top with concave fore corners, painted with putti leading a classical chariot, within feathered leaves and floral swags, the body with twin glazed panel doors bordered with painted flower trails, concave side panels and supported on turned tapering legs. 124cm wide; 88cm high; 45.5cm deep
ENGLISH SCHOOL (19TH CENTURY) Portrait of an Officer with Groom and Horse Oil on panel, 76 x 58cm Believed to be Lieutenant General William Thornton (1779-1840) who took part in the Battle of New Orleans, 1815. Provenance: Collection of the Peck Family, Prehen House, Derry The Corps of Colonial Marines was division of British Marines created from former slaves for service in the Americas, at the direction of senior Royal Navy commander Alexander Cochrane. In this painting, the black figure's white tunic is concurrent with the light-coloured uniform worn by the Colonial Marines. The first group of Corps served in the Caribbean between 1808 - 1810. With the Mutiny Act 1807, all former slaves in the British Army were emancipated, and as such any subsequent recruited slaves were considered free on enlistment. The second more substantial corps served between 1814 - 1816 mostly stationed on Apalachicola River in northwest Florida. On 2nd April 1814, Cochrane issued a proclamation to all persons wishing to emigrate, that they would be welcomed at any British outpost and if seeking sanctuary could enlist in His Majesty's Forces. The actions of the British in establishing the force caused much controversy at the time and angered the slave-owning society of the United States who feared the military threat but also the potential for inducing a revolt amongst their enslaved workers. The Battle of New Orleans saw the British troops decisively defeated by the American armies, despite their advantage in terms of numbers, training and experience. With the British withdrawal, the main post in Florida was disbanded and a number of men travelled to Bermuda with the British as part of a refugee group which re-joined the main body of the Colonial Marines. The British army had to pay substantial reparations to the slave owners in the United States as compensations for the loss of their earnings.
A GEORGE III SATINWOOD, ROSEWOOD, AMARANTH AND MARQUETRY SECRETAIRE BREAKFRONT DISPLAY CABINET, the arched pediment centred by a draped urn flanked by foliate scrolls above four glazed crossbanded doors, enclosing shelving against paper lining, over a fall front secretaire section with fitted interior and flanked by deep side drawers, over four marquetry panel cupboard doors on outset plinth base, 133cm wide; 227cm high; 94cm deep
A REGENCY ROSEWOOD AND BRASS INLAID COLLECTOR'S SIDE CABINET, the rectangular top with ropetwist rim, the frieze inlaid with central brass panel and floral motifs at each end, above central grille panel door, flanked either side by eight graduated shallow drawers, raised on short spiral fluted supports. 97cm high, 202cm wide, 47cm deep
A GEORGE III STYLE RED LACQUERED BUREAU BOOKCASE, the moulded cornice above twin fielded panel doors enclosing fitted shelves and with painted panels of cranes above a slopefront bureau with fitted interior raised on four long graduated drawers, the entire decorated with scenes of figures in traditional Chinese garden landscapes, on bracket feet. 98 x 237cm
A FINE PAIR OF FRENCH BOULLE WORK AND MARBLE TOP SIDE CABINETS, mid 19th century, each of rectangular form, surmounted with arched crest above glazed panel door and canted corners, enclosing three velvet lined display shelves, the cupboard section decorated with cut brass scrolls, arabesques and pendant flowers within an oval reserve, on turned bun feet. 76cm wide x 197cm high
ROYAL WORCESTER CENTRE PIECE BOWL and a hand painted continental rectangular vase, the Worcester being blush and gilt decorated with acanthus leaf foot and twin rococo style handles, pattern No 1459, 16cms H, 31cms across, the vase similarly decorated having three green panels and a single front panel of hand painted flowers, 12.5cms H (slight gilt rubbing to vase, chipped loss to the foot of the Worcester bowl)
FRENCH BRASS CARRIAGE CLOCK REPEATER retailed by Harrods, London, having a fine gilt mask and white enamel dial set with Roman numerals and Arabic outer markers with spring movement and coiled gong half hour and hourly strike with repeat button, the visible balance wheel under thick bevel edged glass, the four panel case having half pillar corner decorations on a stepped base, 19cms H handle up, appears in working order, reputedly regularly serviced with original travel case and winding key
CROSSBANDED MAHOGANY DINING SUITE of sideboard, extending dining table and eight chairs, the sideboard with crossbanded moulded edge and inverted breakfront having two central drawers with decorative lower frieze, flanked by shaped top panel doors, interior ivorine label reads 'Bartholomew and Fletcher' on cabriole supports, 91cms H, 183cms W, 62cms D, the oval top dining table with wind-out action and single additional leaf on cabriole supports, 75.5cms H, 220cms L additional leaf in, 106cms max W, the chairs with central splatbacks individually inlaid with various floral sprays with upholstered drop-in seats
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328190 item(s)/page