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Lot 1115
Klaes Molenaer (1630-1676), oil on panel, A winter scene with figures skating and a horse drawn sleigh in the foreground, a village beyond, 35cm x 48cm, in gilt frameCondition report: The painting has been entered by a private local client who knows nothing further about its history. There is a crack in the panel that runs diagonally throughout, areas of paint chipping either side of the crack. There doesn't seem to be any overpainting visible under a UV light, the work is apparently unsigned. Please see close up images to show condition.
Lot 57
A Victorian papier mâché rectangular panel with painted & mother o’ pearl inlaid decoration, & with lobed edge, on easel support, 22¼” x 16½”; & a similar tray, 22” x 10¾”; a Jennens & Bettridge shaped rectangular casket (w.a.f.), 11” wide; & a similar box with chinoiserie decoration, 11½” wide.
Lot 13
A Charles II stumpwork panel,decorated centrally with a waist length portrait of a lady, the field cornered with large floral and foliage motifs, further decorated with a lion, cheetah, birds, deer, unicorn and insects, with further scrolling foliate and floral decoration, famed and glazed43 x 54cm.
Lot 236
A late 17th century Portuguese ormolu mounted ebony and red tortoiseshell cabinet on stand,of architectural form, with two central doors opening to reveal a nonsuch faux architectural interior, with bone and tortoiseshell 'tiled' floor, mirrored panels and hand painted back panel depicting a fountain in a garden, surrounded by ten further drawers over a brushing slide and standing upon spiral fluted columns with bun feet,W.124cm D.46cm H.187cm
Lot 200
Fritz Kreidt. (1936 Essen - 2020 Berlin). Gondel im Hof. 1990. Öl auf Platte. 33 x 25 cm. Signiert. In Schattenfugenleiste gerahmt, dort verso m. Etikett m. Werksangaben. - Wohlerhalten. Oil on panel. Signed. Framed in a shadow gap, there verso with label and work details. - In good condition.
Lot 52
Cobra (Gruppe) - - Eugène Brands. (1913 - 2002, Amsterdam). Stadtansicht. 1959. Öl auf Platte. 17,5 x 34 cm. Signiert und datiert. Im Künstlerrahmen. - Ecken leicht bestoßen u. m. winzig kleinen Einstichlöchlein als Spur d. vorherigen Montierung. Vereinzelt mit kleineren Farbabplatzungen, diese unauffälliger. Guter Zustand. Brands gibt die anfängliche Figuration in seiner Malerei mit den 1960er Jahren auf. Die vorliegende Arbeit aus dem 1959 nimmt damit die künstlerische Entwicklung und Hinwendung zur Abstraktion vorweg. Oil on panel. Signed and dated. In artist's frame. - Corners slightly bumped a. with tiny little puncture holes as trace of previous mounting. Occasionally with smaller paint chips, these more inconspicuous. Good condition.
Lot 115
AA vintage coloured advertising print for Dee & Ess Coco Essence, 43.5 x 44.5cm approx in simple oak frame, together with a 19th century needlework panel of the Holy Family, 35 x 30cm in burrwood frame with gilt slip, a set of six late 19th century coloured postcards (framed as one) all showing fairies, insects, shells, etc, with label to mount 'Fairy Land', 37 x 60cm overall framed size, an early 20th century watercolour of a standing child in fur trimmed cloak, 34 x 24cm and an oval mirror in moulded gilt frame with floral detail (5)
Lot 1600
18th century overdress for evening or promenade, 1770's, in brocaded ivory silk lined with fine linen. The dress has a close fitting stayed bodice, pocket holes, a slight train and 3 pairs of internal ties that form 'pick ups' to kilt up the skirt and create shortening, giving a puff effect (sometimes referred to as 'a la Polonaise'), which would reveal the under skirt. Waist approx 60cm/24"The garment is entirely hand stitched with finely worked gathers at the waist to give a sculpted shape. The silk fabric is medium weight with delicate stripes of tiny shapes woven with pink and green flushing warp threads. The weave has a further decorative effect with flower motifs woven through the weft. This skilled brocading technique suggests the fabric was made either in France or under the French influence of the Spitalfields silk industry. The fabric integrity is surprisingly good with a few splits but no major evidence of shattering. Staining in several areas including bottom part of sleeves and lower hem. Perspiration marks to underarms. Photos show dress with added pink underskirt and green front panel for display purposes. Green panel is placed where dress bodice sections should meet and overlap.
Lot 1602
Mixed collection of textiles including a heavyweight blanket style reversible throw in a double weave, celebrating American independence 250 x 190cm, a vintage linen table cloth with red geometric border 2m x 132cm, a further woven panel in black and white from Ohio 215 x180cm, together with table linen and fabric remnants including 2 'Hanora Coffee' pieces designed by Greef, lengths 1.8 and 1.5m (a boxful)
Lot 179
19th century continental school - Two interior scenes, one of a pair of lovers in a carpenters workshop, the other of two figures in an apothecary's workshop, oil on copper panel possibly with printed grounds, no signatures visible but numbers verso, 386 and 241, 19.5 x 16cm approx, in wide oak frames with moulded gilt slips (2)
Lot 194
An early 19th century silk work embroidered picture of a kneeling monk in a landscape setting, possibly Saint Francis, with collage watercolour skull and head, 17.5 cm x 13 cm in gilt frame, together with a wooden panel with cut brass overlay incorporating floral and scrolling motifs and set into a wooden frame, 42.5 cm x 33 cm overall frame size (2)
Lot 2039
This lot is held at Hammonds Farm, Wick Street, Stroud GL6 7QN, Only bid on these following 53 lots if you able to clear by 3rd July.A tractor with loader will be on site to assist. Viewing Friday 25th June 10 - 5pm, or by appointment bidding on Wednesday 30th online and in person at the auction rooms premises.Fifteen galvanised iron Heras site or screening panels with concrete and rubber base, each panel 2m high x 330cm long approx
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