Ransome (Arthur). 'Swallows and Amazons'. A complete set of all twelve titles, 1930-1950, all 1st editions except Peter Duck, 22nd impression, 1950 and Pigeon Post, 2nd impression, 1936, illustrations, a few minor spots, previous owner inscription to The Big Six, map endpapers, original cloth (light fading to Swallows and Amazons, more pronounced fading to Swallowdale), dust jackets for all except Swallowdale and The Picts and the Martyrs, Peter Duck and Secret Water price-clipped, some toning to spines, a few tears and losses to spines of Winter Holiday, The Big Six, Missee Lee and Great Northern?, small light water stain to Swallows and Amazons front panel and small nicks and tears to spine ends, a little light spotting to a few panels, 8vo (Qty: 12)NOTESFrom the Library of Alan and Joan Tucker, Stroud, Gloucestershire.
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Steadman (Ralph, illustrator). Inspector Mouse, by Bernard Stone, 1st edition, London: Andersen Press, 1980, colour illustrations throughout, verso of front free endpaper inscribed by the artist 'From Ralph Steadman 21 Oct 85, and facing leaf with sketch of a mouse incorporating the printed illustration of eye and magnifying glass, original pictorial boards, 4to, together with Emergency Mouse, A Story by Bernard Stone, 1st edition, London: Andersen Press, 1978, colour illustrations throughout, signed by the artist in gold ink across the front endpapers, original pictorial boards, 4to, plus two copies of Treasure Island by Robert Louis Stevenson, illustrated by Ralph Steadman, 1985, both original boards gilt in dust jacket, one copy with small closed tear in rear panel of jacket, both signed by the artist in gold ink across the front endpapers, small folio (Qty: 4)
Woolf (Virginia). The Waves, 1st US edition, Harcourt Brace, New York, 1931, original cloth, price-clipped, dust jacket, spine toned with tiny tears at end, small stains to rear panel, 8vo, together with The Moment and Other Essays, 1st edition, 1947, original cloth, price-clipped dust jacket, spine faded, 8vo, with five others including Walter Sickert. A Conversation, 1934, The Waves, 2nd impression, 1931 (rebound in morocco-backed boards) and Vita Sackville-West's The Edwardians, 1930 (Qty: 7)
Woolf (Virginia) . Three Guineas, 1st edition, Hogarth Press, 1938, original cloth, soiled and partly damp stained, dust jacket present but chipped and soiled and lacking spine, together with Isherwood (Christopher) , Lions and Shadows, 1st edition, Hogarth Press, 1938, portrait frontispiece, original cloth, spine cocked, remains of orignal upper panel of dust jacket, plus Muisil (Robert) , The Man without Qualities, 3 volumes, 1st English edition, Secker & Warburg, 1960, original cloth gilt in chipped and damp stained dust jackets, plus Naipaul (V.S) , In a Free State, 1st edition, Deutsch, 1971, some spotting at front and rear, author's signed presentation inscription 'For Christopher & Elizabeth', dated 31 October 1971, to title, original cloth in dust jacket, a little rubbed and soiled, plus Powell (Anthony) , From a View to a Death, John Lehmann, 1948, author's signed presentation inscription 'For Elizabeth (from Tony), 1949', to front free end paper, original cloth gilt, a little rubbed, all 8vo, plus other mostly modern literature, etc (Qty: 48)NOTESBy descent, from the library of Christopher Grey Tennant, 2nd Baron Glenconner (1899-1983) and his second wife Lady Elizabeth (née Powell), who were friends with various writers including Cyril Connolly, Stephen Spender and Anthony Powell. They were parents to the author Emma Tennant and Lord Glenconner's siblings included Edward Wyndham Tennant and Stephen Tennant. See also lots 800 & 866.
Gerhard Richter (German b.1932), ‘Flow (P15)’, 2016, diasec-mounted chromogenic print on aluminium composite panel, published by the artist and Fondation Beyeler, Basel, in collaboration with Heni Productions, London, with their label verso, numbered from an edition of 500, 100cm x 200cm ARR
Marc Chagall (1887-1985)Paravent (Mourlot 390) Lithograph in colours, 1963, on four sheets of wove paper mounted in the original waxed oak folding screen, signed and numbered 93/100 in black ink at the lower right corner of the right hand panel, published by Gerald Cramer, Geneva, the full sheets, with time and light-staining, the colours slightly attenuated, with foxing, otherwise in good conditionOverall 1470 x 1908mm. (57 7/8 x 75in.)This lot is subject to the following lot symbols: * AR
δ Full Lot Details Damien Hirst (b.1965)H5-2. Beverly HillsDiasec-mounted giclée print in colours on aluminium panel, 2018, signed and numbered from the edition of 100 an adhesive label verso, published by Heni, London, the full sheet printed to the edges, 900 x 900mm (35 ¼ x 35 ¼in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Damien Hirst (b.1965)H5-8. SavoyDiasec-mounted giclée print in colours on aluminium panel, 2018, signed and numbered from the edition of 100 an adhesive label verso, published by Heni, London, the full sheet printed to the edges, 900 x 900mm (35 ¼ x 35 ¼in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
WALTER GILBERT (1871-1946), a gilt plaster panel, c.1975, after the original by Walter Gilbert for Derry & Toms Department store, cast in relief with antelope and bluebirds, 46 x 183cm The original panel was made by Bromsgrove Guild for Derry & Toms department store on Kensington High Street in the early 1930s. This example was made c.1975 for the Biba department store.
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