We found 360406 price guide item(s) matching your search
There are 360406 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
360406 item(s)/page
Nameplate CARDIFF PANEL SIGNAL BOX 1966 - 2016 ex High Speed Train class 43 43141. Built at Crewe in 1979 nameplates fitted April 2016 nameplates removed in 2018. Cast aluminium in ex loco condition measures 59in x 10in. Sold on behalf of Great Western Railways in aid of their nominated Charity and comes with an official GWR certificate of authenticity confirming the original owner.
Nameplate BLWCH SIGNALAU PANEL CAERDYDD 1966 - 2016 ex High Speed Train class 43 43141. Built at Crewe in 1979 nameplates fitted April 2016 and nameplates removed in 2018. Cast aluminium in ex loco condition measures 59in x 10in. Sold on behalf of Great Western Railways in aid of their nominated Charity and comes with an official GWR certificate of authenticity confirming the original owner.
Diesel flamecut cabside ex BR diesel class 40 40120 built by Robert Stephenson & Hawthorn Darlington in 1961 and originally numbered D320 renumbered 40120 in 1973. Withdrawn in 1981 and scrapped at BREL Swindon in 1973. In as removed condition complete with data panel and angle iron to rear. Measures 38in x 29in.
Laurence Stephen Lowry RA (1887-1976) Street scene, factory gates Signed and dated 1962, oil on board, 17cm by 15cm Provenance: Crane Kalman Gallery, London, 14 March 2002, April 1964 Ex Collection D Heyward Esq Sale; Christie's, London ''20th Century British Art'', 5th March 1999, lot 175 Lowry was not interested in reproducing an exact copy of the streets and people he had seen while he walked through Pendlebury and Manchester, instead noting the features around him and building composite images based on these studies. Indeed, much of the architecture is repeated throughout Lowry's industrial scenes, whether that be the church spire breaking through the chimney stacks, the domed roof of the mill or even the mill gates themselves, many of which can be seen in this small study completed in 1962. Street scene, factory gates illustrates Lowry's development of figure studies, moving from adding figures which he took from his sketch books to impressionistic representations consisting of only a couple of brushstrokes, suggesting the movement of the crowds. While these figures may be of simple form, his compositional skill guides the viewers eye around the picture, either by rows of figures which bring the gaze into the heart of the picture or by sectioning off areas with an architectural feature or wall to create a scene within a scene. As is evident in this small oil, the eye is drawn up from the lower edge of the panel by the group of figures in the foreground heading up to a narrow lane, squeezed by the mill to the left and the tower on the right to suggest subtlety of a bus heading off into the distance. See illustration Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
A Victorian hear-shaped pendant, set with a cabouchon garnet and vacant glazed panel to reverse, a Victorian mourning brooch with diamond and lobed garnet central boss and glazed hair panel to reverse, a single stone citrine ring, a garnet necklace with three rectangular cluster panels to centre, a 19th century glazed brooch with later print to centre and a yellow metal herringbone chain.
A Chinese Porcelain Dish, Kangxi reign mark but not of the period, painted in famille verte enamels with a central panel of carp amongst waves on a ground of dragons chasing the flaming pearl within ruyi scroll borders and panelled lattice rim, bears six character mark in underglaze, 4.5cm diameter
An Ormolu Striking Mantel Clock, retailed by Howell & James, Paris, circa 1890, surmounted by an urn finial and decorated with swag flowers, rams heads and cherubs playing musical instruments, light green porcelain panels painted with flowers, 3-1/2-inch dial with gold coloured Roman numerals, twin barrel movement striking on a bell, movement backplate stamped Japy Freres and with the retailers signature, numbered 248, raised upon a gilt wooden base, 44cm high, see illustration 17.10.18, Ormolu surfaces are faded and slightly discoloured, central porcelain panel beneath the dial with one minor hairline crack, dial with minor chips around both winding holes, movement in going order and striking, with original pendulum with bob numbered 248, wooden base with chips and with scratches and the gilt surfaces are rubbed.
A Gilt Brass Perspex Mantel Timepiece, signed Jaeger LeCoultre, model: Marina, ref: 487, circa 1975, rectangular form case with perspex panels and depicting a crane amongst foliage, gilt coloured dial with dagger hour markers, mechanical lever movement, underside numbered 487, 20.5cm by 17.5cm, with Jaeger LeCoultre box see illustration 15.10.18, Gilt surfaces are slightly stained and rubbed in parts, small staining marks around the front brass frame just behind the perspex panel, metal movement back with small scratches, hand setting correctly and winding smoothly, movement in going order.
A Carved Oak Chiming Bracket Clock with the Original Wall Bracket, circa 1890, case carved with floral and mask decoration, pierced side sound frets, 8-inch brass dial with a silvered chapter ring, three dials in the arch for chime on eight bells/Westminster chimes, chime/silent and fast/slow, triple fusee movement, quarter chiming on a nest of eight bells or four gongs and a further gong striking for the hours, 80cm high, with the original carved oak wall bracket, 42cm high see illustration 15.10.18, Top carved mounts with pieces missing and broken, side frets are damaged and some pieces are missing, one piece of moulding has come off, case surfaces are dusty, case with one scuff marks, back door pieced metal panel is bent and dented, dial is dirty and slightly discoloured in parts, movement needs cleaning, pendulum suspension spring is broken, wall bracket with chips to edges, bracket backboard with some cracks.
Flemish Tapestry Panel, 17th century Woven in silk and wool depicting a group of ladies picking flowers startled by a serpent and with a hunting scene beyond enclosed by a wooded and mountainous landscape enclosed by narrow pale lemon plain borders, 210cm by 180cm See illustrationTaken from a larger tapestry. Areas restored. Borders added later. Later linen back.
17th Century Silk Panel Worked in various stitches depicting a flowering leafy plant flanked by a lion and lioness, birds and a butterfly and further plants, 153cm by 60cm See illustrationNow framed and behind glass. Some stitches pulled. General fading of colours. Otherwise good/fair given age.
A Joined Oak Press Cupboard, the later boarded top above a carved frieze bearing initials TCM and dated 1708 flanked by carved S curves above a central carved panel and flanked by cupboard doors all between turned and inverted finials, the base with two drawers above cupboard doors all between guilloche carved stiles, part late 17th/18th century and adapted, 126cm by 50cm by 158cm
A Satinwood and Polychrome Decorated Two-Tier Étagère, late 19th/early 20th century, of oval graduated form, the top painted with flower garlands around a lozenge shaped panel depicting a putto, on splayed tapering legs joined by a curved stretcher, the top with removable glass tray with brass handles, 89cm by 56cm by 79cm See illustration

-
360406 item(s)/page