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Lot 681
A collection of silver and paste costume jewelleryincluding a silver and lapis lazuli set necklace, marked '925' to clasp, an adjustable buckle bangle with foliate engraving, a silver bar ring, an amethyst set silver ring, a pair of blue john pendant earrings, an Egyptian Revival Scarab beetle chain link panel bracelet, a pair of purple paste ear pendants, a pair of purple paste ear studs marked 'silver' to butterfly back, a piece of coral carved into a rose, red and colourless paste necklace and other items, (qty)approx weight of necklace and ring: 0.98oztCondition: Viewing recommended in person.
Lot 284
A Royal Worcester porcelain vase painted by William Hawkinsof twin handled urn form and gilt decorated throughout on a dark blue ground, the beaded rim above a fluted neck and with vine leaf moulded decoration, the front cartouche panel with painted fruit and signed 'Hawkins', on a spreading foot, black printed factory mark leadless glaze RdNo352097 number 2099, impressed M mark, date code for 1900height 22cm, diam. 15cmCondition: In good condition overall.
Lot 327
A George V silver and pale blue guilloche enamel pill box and other itemsfirst Birmingham, 1927, Adie Brothers Ltd., circular with hinged lid and gilt interior, together with a naturalistic shell pendant and a pair of matching clip earrings, a silver filigree panel brooch, a brass and enamel powder compact etc., (7)first diameter 5.2cm., Condition: First no damage to enamel. Knocks and dings to underside. Cheroot holder lacking mouthpiece
Lot 70
A 19th century Italian Grand Tour micromosaic paperweight the shaped black marble with central blue hardstone panel inlaid with Doves of Pliny and bordered in malachite, framed by four other oval scenes depicting the Pantheon, The Colosseum, St Peters Square and The Roman Forum length 14.6cmCondition: Minor fleabite chips to edges, Good condition
Lot 19
A Regency mahogany gentleman's wardrobe in the manner of Marsh & Tathamcirca 1815of small proportions, the twin leaf scroll carved pediments with acroteria corners above two small drawers and a pair of ebony moulded triple panel doors, on splayed feetheight 197cm, width 125cm, depth 59cmCondition: In good condition overall. In four sections, the interior now with brass hanging poles.
Lot 7
A Bernard Freres of Bicester Quartz, small desk clock, awarded to Frankie Dettori, engraved 'Presented to / Frankie Dettori' and on the central panel 'THE DATASERV / HANDICAP STAKES / Royal Windsor / 18th June 1990 / WINNING JOCKEY'5cm high;together with a Frankie Dettori signed hardback book titled 'A Year in the Life of Frankie Dettori', signed on the title page (2)Provenance:Frankie Dettori
Lot 18
A Breeders' Cup Juvenile Turf stone plaque, awarded to Frankie Dettori, the central panel with a stylised anatomical sketch of a horse and the opposing corners are engraved 'BREEDERS' CUP JUVENILE TURF / OAK TREE RACING ASSOCIATION / JOCKEY: LANFRANCO DETTORI / NOVEMBER 7, 2009' and 'POUNCED / RAHY - GOLDEN CAT BY STORM CAT / APRIL 14, 2007 / BRED IN KENTUCKY'3 x 17.5 x 17.5cm Provenance:Frankie Dettori
Lot 178
Set of four Chinese lacquered spindle back side chairs. The curved top rails fitted flush with the corner posts of the round section. With single-panel wood seats with stepped stretchers resting on square legs and plain feet.Provenance: The collection of Bruce Dayton and Ruth Stricker Dayton - Selections from The Marsh, Minnetonka, Minnesota.Each, height: 40 in x width: 17 1/2 in x depth: 14 1/2 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 58
Japanese watercolor painted 6-panel floor screen. Depicting cranes gathered along the edge of a stream under the shade of a large tree. One crane swoops down from the sky to join the others.Height: 68 in x width: 151 in.Condition: The screen is structurally sound and stable. The colors are bold and bright. There are no major losses or restorations. There are small creases throughout. There are light scuffs and some small scratches throughout; there is a larger scuff along the lower margin of the third from the right panel. Some of the paper along the interior joints are fraying slightly and are worn. There is a large tear along the second from the left panel along the center right edge measuring approx. 7 inches in length. Along the extreme margins of all the panels there is chipping and small losses to the paint. Some evidence of moisture exposure along the lower margins. Some discoloration to the metal components along the sides. The silk border is in good condition. The paper along the back is in generally good condition. There is general wear along the outside edges consistent with age and use.
Lot 176
Pair of early 19th century Chinese yolk back hardwood armchairs with curved top rail extending beyond round stiles above single-panel wood seats set within the rectangular frame. Plain elmwood back splat with shaped apron, rounded legs.Provenance: The collection of Bruce Dayton and Ruth Stricker Dayton - Selections from The Marsh, Minnetonka, Minnesota.Each, height: 46 in x width: 25 in x depth: 17 1/2 in.Condition: Good condition overall; wear consistent with age and use. Finished stripped, sun bleached.
Lot 172
Chinese huanghuali recessed-leg side table. With multi-panel top set within a rectangular frame with everted ends above plain aprons and spandrels, the legs of rounded section joined to mate with two high stretchers.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Height: 35 in x width: 42 in x depth: 14 in.Condition: Possibly restored. Throughout the piece, along the areas where different pieces meet, there is a visible sign of glue restoration that is fluorescent under UV light. However, given that it is visible throughout the piece, it is difficult to disregard the possibility that it is original. No major dents, losses, or visible cracks. Consistent with age and use, wear throughout; finish color has faded along the top; please see the listing image. Wear along the underside as expected.
Lot 57
Japanese four panel floor or room screen with mother-of-pearl and bone inlay depicting wisteria and various birds, late 19th or early 20th century. With a well carved and pierced gallery along the top of the screen.Height: 60 in x width: 112 in.Condition: The screen is structurally sound and stable. There are no major chips, losses, or restorations to the wooden border of the screen. General wear throughout. some dust collected in the recessed areas of the work. There are some splits to the center panels, most visible along the upper right corner of the right-most panel (with the ducks) and the upper center of the panel second from the right (with the chickens). There are some losses and rubbing to the paint layer. Some small losses to the applied mother-of-pearl and bone. The largest loss is to the neck of the lowest bird perched in the branch on the left-most panel. To the back of the work the cracks mentioned before are more noticeable. Some further scuffs and scratches. Wear and some losses to the applied decoration along the back. There are two decorative keys along the lower edge of the left-most panel that are detached; one is missing and one is included with the lot but is not attached.
Lot 29
Group of three Japanese woodblock prints including:Toyohara Chikanobu (Japanese, 1838-1912). Right panel of a triptych titled "Snow Scene on the Banks of Sumida River" depicting two finely dressed women under an umbrella, 1891.Utagawa Hiroshige (Japanese, 1797-1858). Woodblock print titled "The First Race Course, Horse-Dealer's Street" depicting blue pennants strung up near a race track with a tower rising in the background, 1857.Utagawa Hiroshige (Japanese, 1797-1858). Woodblock print titled "Mount Atago, Shiba" number 21 from the series "One Hundred Famous Views of Edo" depicting the proprietor of the Atagoya teahouse dressed in an elaborate New Year's costume, 1857.Light brown frames, each; sight; height: 13 in x width: 8 3/4 in. Framed; height: 20 in x width: 15 in. Dark beige frame; sight: 13 in x width: 9 in.Condition: "Snow Scene on the Banks of the Sumida" -There is toning and undulation throughout. There is creasing in the lower right corner, one crease is measuring 3 1/2 inches. There is exposure to moisture in particular along the top of the upper quadrants. Framed with a window mat, there is moisture exposure along the top and bottom left quadrant. Framed under plexiglass, there is adhesive residue along the top center of the plexiglass. Wear and losses to the frame. "Mount Atago, Shiba"- There is toning throughout the sheet. Minute foxing and discoloration throughout. There is wear to the edges. Framed under plexiglass. Light wear to the frame. "The First Race Course, Horse-Dealer's Street"- There is toning throughout the sheet. There is minute foxing and discoloration throughout. Light wear to the frame. Not examined out of frame. No signs of restoration under UV light.
Lot 335
Early 19th century Chinese silk embroidered kesi or kossu panel depicting figures in a cloudy and mountainous landscape.Height: 20 1/2 in x width: 7 1/4 in.Condition: The piece shows wear throughout. The item is toned and has stains throughout as shown in the listing image. Light losses along the extreme edges. In the lower left margin in the center image, there is a 1/2in tear. In the upper left quadrant, the silk is not firmly attached to the board. The verso could not be inspected due to the nature of how the artwork is framed. The board affixed to the silk fabric has heavy toning, skimming, and losses along the margins; there are two lines of old framer's tape loosely attached, and along the margins, there are old adhesive accretions.
Lot 331
Chinese silk embroidery panel depicting intricately detailed butterflies among flowers and foliage. Bordered with dark blue flowers and butterflies. Housed within a wooden tray and framed under glass.Height: 2 in x width: 18 3/4 in x depth: 10 1/2 in.Condition: There are no major tears, losses, or restorations. There is some light wear along the extreme edges including one loose thread. There are several areas of dark stains throughout, most along the edges, visible in the lot listing. There is evidence of water exposure along the verso which has likely caused the dark stains seen in the recto. The colors are likely slightly faded. Some wear to the frame; the handles are slightly loose; framed under glass; not inspected out of frame.
Lot 150
Persian-Bakhtiari (Iran) hand knotted wool on cotton hallway runner rug, mid to late 20th century. With an allover pattern on a red field, with narrow borders with a barber-pole guard stripe. One end panel. Approximately 130 knots per square inch.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Length: 12 ft 2 in x width: 3 ft 8 in.Condition: There are no major rips, tears, or losses. The pile is even and there are no threadbare areas.There are losses to the fringe on both sides. There is dirt and dust throughout. Light wear throughout, consistent with age and use. Light wear to the back.
Lot 180
Pair of Chinese Anglo Export carved wood armchairs with scrolling arms and legs and a dragon motif. Each with a marble panel inset in the backsplat.Each, height: 40 in x width: 24 1/2 in x depth: 22 1/2 in.Condition: Both chairs are structurally sound and stable. All components are firmly attached. The marble inserts are in good condition with no visible chips, cracks, or major losses. There is some uneven discoloration to the wood along the seats where they have been covered by cushions. To one chair there is light wear throughout, mainly along the feet. There is one minor crack along the lower edge of the right arm where the joint is located. To the other chair there is separation along almost all the joints; some evidence of previous attempts at restoration. General wear throughout, mainly along the feet.
Lot 168
Chinese hardwood low bench. Simple unadorned top framing a two panel top, all above plain aprons and cloud-form spandrels, supported on legs of square section joined by pairs of square stretchersProvenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Height: 21 in x width: 45 in x depth: 15 1/2 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 334
Chinese silk embroidered kesi kossu panel depicting figures on horseback weilding weapons and flags, 19th century. Carefully embroidered with gold wrapped thread.Height: 38 1/4 in x width: 9 3/4 in.Condition: Color has faded throughout. Heavy wear throughout. Along the margins, there is wear, and minute rips and losses to the fabric. Pins along the extreme edges have heavy oxidation. The verso could not be inspected due to the nature of how the fabric is affixed to the board. From the back, the board is heavily toned and has minute tears and areas with adhesive residues; please see the listing image. In the center of the upper margin, there is a 1 1/2 in tear to the board. In the upper side of the left margin of the back, there is a dent.
Lot 96
Tibetan polychrome painted wood trunk with a metal lock plate, early 20th century. With a cinnabar-ground panel of scrolling clouds above stylized mountains representing the five Chinese elements. Each side panel with a vase of flowers and a dovetailed case.Provenance: Heart of Tibet, Stillwater, Minnesota; From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Height: 29 3/4 in x width: 43 1/4 in x depth: 17 3/4 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 59
One large two panel Japanese ink on paper calligraphy screen. Translated the text reads, "Mountains and rivers, one color stretching three thousand li, I lean against the building [waiting] for the wine’s strength to disappear." This is a poem by the poet Gao Shitan (d. 1146). It conjures the image of a drunken poet, leaning against a pavilion in the wilderness, looking out over an unbroken stretch of mountains. The back with a patterned medallion decoration.Provenance: The collection of Bruce Dayton and Ruth Stricker Dayton - Selections from The Marsh, Minnetonka, Minnesota.Each, height: 68 in x width: 34 1/2 in x depth: 3/4 in.Condition: The screen is structurally sound and stable. The ink is bold and deep. General wear throughout consistent with age and use. There are many long cracks throughout the work; some of which show evidence of restoration. Along each panel there is a crack that runs vertically through the center. There is discoloration to the paper throughout. The silk border is in generally good condition; there are some small creases throughout. Some wear including small chips and losses to the wooden border. The paper backing is in fair condition. There are small scuffs, stains, creases, and a few small tears throughout.
Lot 223
Chinese three platformed rosewood stand. Carved to resemble lily pads with undulating leaves underneath.Height: 7 in x width: 24 in x depth: 7 1/2 in.Condition: The item is in fair condition. Structurally stable and sturdy. Wear throughout as expected; dust collected. To the underside, there are several cracks. There are losses to the edge of the top panel; please see the listing image. There is another loss to the lower right panel. When inspected under UV light, there is no visible sign of restoration; however, there is an adhesive residue on the right side.
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360406 item(s)/page