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Lot 800
A Late 19th Century French Gilt Metal and Porcelain Mounted Three-Piece Clock Garniture, the clock, No.1588, with 3ins diameter porcelain dial with Roman numerals to the eight day two train movement striking on a bell, contained in case surmounted by two-handled urn inset with porcelain panel painted with a couple in a landscape, flanked by putti and on paw pattern feet, 15ins high, and a pair of similar two-handled urns, 13.5ins high
Lot 820
A 19th Century Oak Longcase Clock, by Jacob Mickelfield of Goldhanger, the 11ins square brass dial with silvered chapter ring with Roman and Arabic numerals, to the 30 hour movement striking on a bell, contained in case with moulded cornice and split turned columns to hood, plain panel trunk door, and on plinth base, 77ins high
Lot 969
A George IV Rosewood and Brass Inlaid Rectangular Card Table, the baize lined folding top inlaid with wide band of leaf scroll and floral ornament and with rounded front corners, plain apron with raised centre panel on rectangular centre column and quadruple splayed legs with brass paw feet and castors, 36ins wide x 17.75ins deep x 29ins high
Lot 991
A Late Victorian Walnut and Gilt Metal Mounted Dwarf Display Cabinet, with ebonised moulded edge to top, the frieze inlaid with arabesques, fitted two shelves enclosed by a single panel door with gilt metal mounts to sides, on plinth base with turned feet, 30ins wide x 13ins deep x 42ins high
Lot 1131
A contemporary joined light elm Welsh dresser, having three-tier open plate rack, fitted with five short lower drawers over base fitted with three frieze drawers to conforming recessed panel cupboard doors, width 151cmExcellent condition. One minor chip above top left hand drawer on plate rack. Some faux woodworm marks.
Lot 1135
An early Victorian satin wood round cornered linen press, the twin panelled upper doors enclosing four interior linen slides, the base fitted with two short over two long graduated lower drawers, width 145cmHeight 224cm, depth 72cm.In three parts; cornice, top section and base section.Area of treated woodworm to upper central area of right hand side upper section.Further smaller area to centre of left side lower section.Some missing veneer to one side of cornice.Gap between upper panel doors (approx. 10mm throughout).General scuffs, scratches and surface fading throughout.Structurally sound.
Lot 65
A George V Silver Teapot and Hot-Water Jug, by Charles S. Green and Co. Ltd., Birmingham, The Teapot 1932, The Hot-Water Jug 1934, in the Art Deco-style, each piece tapering and on fluted panel feet, with ebonised handle and finial, the hot-water jug engraved with a presentation inscription dated 1935, the teapot engraved with an initial 'M', the hot-water jug 19.3cm high, total gross weight 45oz 4dwt, 1,405gr (2)
Lot 1170
Ellen Vernon (1860-1927)Figures beside a country steamSigned, oil on panel; together with a further landscape oil depicting figures loading packhorses by Charles Ross (1874-1933), and a Follower of Alfred Augustus Glendening (19th/20th century) River landscape with timber barge and grazing cattle, initialled, oil on panel, 23cm by 29cm, 23cm by 28.5cm and 22.5cm by 28.5cm respectively (3)
Lot 1459
A George III Mahogany Bureau Bookcase, circa 1770, the moulded, dentil and blind fret-carved frieze above moulded cupboard doors enclosing adjustable shelves, the crossbanded fall enclosing a good quality fitted interior of pigeon holes and small drawers all around a central cupboard door, the base with two short over three long oak-lined drawers, on moulded bracket feet113cm by 59cm by 202cmGood quality timber various faults throughout with section of moulding missing on left hand panel below the blindfret carved frieze further faults throughout with the cornice cupboard doors rather scuffed and scratched the fall some minor splitting but section of moulding missing on corner as photographed drawer fronts previous handle marks visible with later brasses drawers are oak lined faults to cockbeading natural? splits in the base end panelsMiddle drawer/front stuckFront bracket foot section missing possibly in stuck drawer?
Lot 5003
Sean Jefferson. Three of Clubs. Oil Painting on panel 42.2 x 27.7cm, signed. I am self taught,coming to art through experiments with automatic drawing, and close observational drawing of biological specimens as part of my degree at Imperial College. Initially I exhibited at The Portal, Cyril Gerber (Glasgow)and subsequently The Piccadilly Gallery. During eight years living in Cornwall I showed with the Ruralists and The South West Academy. I have had solo exhibitions in Moscow, Amsterdam and London, most recently with Messum's St.James's who now represent me. I chose the Three of Clubs because of the trefoil nature of the symbol corresponding with the card No. hence the North European Qabalistic references. The main theme is Fairy Clubs, a poetically named group of fungi. Victorian Fairy lore and its associated art, along with the closely related 'nonsense' tradition, which I believe prefigures continental surrealism, are major influences on my work.
Lot 5012
Sarah Jarrett. Queen of Clubs. Image transfer and painting with collage on wood panel. 42 x 29.7cm. "I define myself as an Artist working with digital and analogue collage. Im fascinated by the human relationship with nature and the natural world. I love plants and botany. Ive been an artist all my life and have been published globally. Im an eccentric, a visual storyteller. trying to view the world through an odd shaped glass. My images reflect that and my interest in nature. Im drawn to the strange and bizarre. I want my images to provoke an emotional response and to leave an impression that is not easily forgotten."
Lot 5037
Jackie Berridge. Jack of Hearts. Oil painting on panel, 15.2 x 10.1cm. Signed on reverse. "My Jack of Hearts design is based on a traditional card by with a contemporary twist". Jackie Berridge studied BA Fine Art at Nottingham Trent University (1993-95) and an MA Childrens Book Illustration at the Cambridge School of Art, (2004-07). Selected group shows include: invitation to exhibit at the Royal Scottish Academy (2022); Shortlisted for Trinity Buoy Wharf Drawing Prize (2022, 2021, 2019); Royal Academy Summer Exhibition 2021, 2017, 2016, 2010; UK and Indian Artists exhibition , Reliance Art Centre, Baroda, Gujarat, India (2019); Solo exhibitions include: Living Rooms, The Angelus Gallery, Winchester College (2019); Lost, Rabley Gallery, Marlborough, Wilts (2016); Perfume and Savages, Angears Gallery, Nottingham (2014); Awards include: RSA Maude Gemmell Huchinson Prize; Prizewinner Nottingham Castle Open (2011, 2012, 2014, 2016); SKETCH2013, Exhibition Prize, Rabley Gallery, Marlborough (2013). She lives and works in Southwell, Nottinghamshire.
Lot 103
A RARE NANBAN SIX-PANEL BYOBU SCREEN DEPICTING THE ARRIVAL OF A PORTUGUESE SHIPJapan, 18th-19th century, Edo period (1615-1868)Finely painted in ink, watercolors, and gold on paper to depict a Portuguese ship arriving at the port of Nagasaki. The ship is filled with passengers and sailors, some of which perform acrobatic feats as they prepare to dock. A number of smaller boats are approaching land as well, while two boats which are heavily filled with goods are departing. A group of Portuguese men are carrying large boxes and leading a spotted deer toward a bridge, one of the men appears to shrug as he tries to communicate with two Japanese men. The two rightmost panels show a chaotic scene of numerous Japanese and Portuguese men carrying goods in all directions, as well as a fenced terrace with Portuguese noblemen seated at a table and enjoying tea and wine. The screen is further decorated with thick, gold-sprinkled clouds.SIZE (when opened) 88 x 259 cm Condition: Good condition with some wear, minor soiling, occasional light scratches, and few small losses.The scene presents a narrative of the dynamic conflation of East and West around 1600. Portuguese traders reached Japan in 1543, and by 1570 they had selected the Bay of Nagasaki as the ideal natural harbor for the center of their commerce, which was conducted with little or no restriction. The Portuguese nau do trato was known to the Japanese as the kurofune (black ship) or nanban bune, ship of the Nanban, or Southern Barbarians, so called because these foreigners arrive from the south. (The term originated in China, where all foreigners were regarded as barbarians.)The Portuguese made large profits selling Chinese silk to the Japanese in exchange for silver. Some European goods were traded, but for the most part the Iberians served as middlemen between the Chinese and Japanese. The great ship was a three-deck carrack of up to 1,600 tons, and its enormous size and exotic crew and cargo were the cause of much wonder and excitement.The earliest screen of this type is thought to date from the 1590s and is attributed to Kano Mitsunobu (1561/5–1608), who was called from Kyoto to decorate Hideyoshi's Nagoya Castle in northern Kyushu. Mitsunobu may have traveled to Nagasaki to observe the “Southern Barbarians” first hand. The fad for Nanban screens continued into the second quarter of the seventeenth century. The novel subject fascinated the Japanese, and the Kano-school atelier as well as other professional painting studios in Kyoto made numerous versions in the early seventeenth century for clientele prepared to enjoy the strange costumes and odd physiognomy of these tall, hairy and long-nosed Southern Barbarians, a throwback to the outlandish imagery familiar from the iconography of Daoist immortals.Museum comparison:Compare to a related pair of Nanban screens, dated to the first quarter of the 17th century, in the Metropolitan Museum of Art, New York, accession no. 2015.300.109.1, .2.Auction comparison:Compare to a related important Namban screen, dated to the 17th century, sold at Christie's, European Courts Encounter Japan, 11 May 2015, London, lot 8 (sold for 818,500 GBP).
Lot 31
A SHIBAYAMA INLAID AND LACQUERED WOOD PANEL DEPICTING ANTHROPOMORPHIC FROGSJapan, Meiji period (1868-1912)The wood ground finely decorated in gold takamaki-e and hiramaki-e and neatly inlaid with mother-of-pearl, bone, some of which is stained green, and horn to depict two frogs by a stream amid blossoming flowers under the crescent moon partly obscured by thick clouds. One of the frogs is holding a chrysanthemum stem as if he was playing the flute, while the other approaches dragging another floral stem as if it was a club, about to strike the provocateur. SIZE 23 x 22.5 cm (the panel) and 36.4 x 35.7 cm (incl. frame)Condition: Good condition with minor wear, occasional light scratches, few losses to inlays. Provenance: French private collection. With an old gilt wood frame with velvet padding. The depiction of the frogs on the present panel is reminiscent of the Choju-jinbutsu-giga scrolls from the 12th and 13th centuries. This famous set of four emakimono belonging to Kozan-ji temple in Kyoto are also referred to as Scrolls of Frolicking Animals in English and feature many anthropomorphic frogs.
Lot 222
Only Fools & Horses - a lifesize 1/1 scale replica side panel from Reliant Regal Supervan III ' Trotter Van ', in full Trotters Independent Traders livery, signed by sixteen cast members, including Sir David Jason (Del) and other autographs include; Tessa Peake Jones (Raquel), Gwyneth Strong (Cassandra), Sue Holderness (Marlene), Denis Lill (Alan Parry), Nick Stringer (Jumbo Mills), Antoni Corone (Rico), Andree Bernard (Nerys), Ron Aldridge (Bronco), Philip Pope (Tony Angelino), Christopher Ryan & Roy Marsden (Driscoll Brothers) and others. Yellow, with livery in black, with a deliberately dirty paint scheme. Mounting points to rear for easy wall-mounting. Supplied with a COA from the Only Fools & Horses Appreciation Society. Measures approx 114cm long.
Lot 25
Only Fools & Horses - an original 1990s in-store shop display stand for Only Fools & Horses VHS tapes. Comprising a pictorial panel to the top showing Del Boy, with various show-themed signage and decoration. Supplied with a large quantity of original VHS tapes. The stand also fits DVDs / books or ornaments. Ideal piece for any Only Fools & Horses themed room.
Lot 181
KATSUYOSHI: AN UNUSUAL WOOD TONKOTSU WITH STAG ANTLER ONI FINIALBy Katsuyoshi, signed KatsuyoshiJapan, first half of 20th centuryOf stylized pouch form, each side with a dark wood panel carved in relief to one side with a shishi prancing above a kirin within a palace scene with blossoming branches, swirling clouds, pavilions, and a pagoda, continuing onto the reverse with further opulent palace structures. The cover surmounted by a superbly carved stag antler finial with a turning lock mechanism in the form of a fierce oni head, flanked by finely carved buffalo horn double-gourd-form cord runners, the narrow sides decorated with stag-antler-inlaid circular designs. The base inlaid with a gold plaque signed KATSUYOSHI.WIDTH 10 cmCondition: Very good condition with minor wear, few natural age cracks, few minor losses to inlays.Provenance: Formerly from a noted German private collection, Munich.The artist appears to be unrecorded, but clearly a talented individual who was versatile in many different materials.13% VAT will be added to the hammer price additional to the buyer's premium – only for buyers within the EU.
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