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Lot 1458
MAHOGANY LONGCASE CLOCK, the brass dial with 11" chapter ring, inscribed Samuel Collings, Downend, with subsidiary seconds dial, date aperture and engraved with figures pointing at a three masted ship, beneath a moonphase with arched frame inscribed High Water At Bristol Key, on an eight day hourly striking movement with anchor escapement, the hood with arched glazed door, the trunk door with shaped top on a base with similarly shaped panel, height 214cm
Lot 1252
FRENCH SCHOOL, 17/18th CENTURY PORTRAIT OF A LADY, IDENTIFIED AS BLONDE DES DEUX-CHIENS (d.1318), DE LA SEIGNEURIE D'APS, WIFE OF GIRAUD ADHEMAR, Half length, wearing a black robe and headdress, her hands clasped, bears inscription Blonde De Deux Chies [sic], oil on panel, later lath frame 38.5 x 29.5cm. ++ Scattered retouching; some craquelure; needs a light clean
Lot 1424
•SIR FRANK WILLIAM BRANGWYN, RA, RWS (1867-1956) BUITENGRACHT ST, CAPE TOWN Signed with initials and dated 91, inscribed with title verso, oil on panel 42 x 31cm. In 1891, Brangwyn was invited by a London dealer to visit a foreign country of his choosing and produce work for an exhibition upon his return. The artist selected South Africa and chose to travel with the artist, writer, and poet William Hunt. The two men sailed for Cape Town in late summer with £250 to take them as far as they could go and, it was hoped, last them a year. Brangwyn and Hunt travelled inland from Cape Town to the diamond fields of Kimberley, riding by cart. The money ran out after just five months and the two men cabled London asking for extra funds. None was forthcoming so the men returned to Britain and went into self-enforced hiding to avoid meeting their sponsor. Initially infuriated by the trickery when they were found, the dealer mounted an exhibition at the Japanese Gallery on Bond Street in March 1892 and - mercifully for all concerned - it was a critical and commercial success. ++ Some bloom; slight grazes
Lot 388
BENCHLEY (Peter), Jaws, Garden City New York: Doubleday and Company 1974, 8vo, first edition, inscribed by the author "Keep yours shut if you know what's good for you, Peter Benchley", recently finely bound in full dark blue morocco, boards with single gilt line panel, spine lettered in gilt with gilt rules and centre tools, all edges gilt, marbled endpapers.
Lot 141
B* F* C* AFTER ARCHIBALD THORBURN A crane perched on a rooftop, inscribed in pencil, 18.5 x 12cm; and two further pictures to include: a family resting on a hillside, in the manner of William Shayer, oils on panel. 23 x 27.5cm; and H Andrew Freeth, 'Denham Willows', signed, watercolour, 31.5x 42cm, ex. Colnaghis (3)
Lot 161
CONTINENTAL SCHOOL, EARLY 19TH CENTURY Portrait of a gentleman wearing dark jacket and white stock, oils on panel, 18cm x 14cm; an early 19th century miniature watercolour portrait of a gentleman, 9cm (tondo); and a miniature portrait of Emma Howard (nee Webb), cased (3) The gentleman sitters believed to be members of the De Mesa family
Lot 583
A Sevres porcelain covered box, of shaped form, the cover and sides decorated with panels of figures on horseback in landscape and landscapes with gilt scroll and floral borders, having gilt metal mounts and material lined interior, af, width 6ins, together with a Sevres porcelain cup, the deep blue ground decorated with a reverse panel of a fabulous bird, raised on a pedestal foot, and a Meissen porcelain covered bowl, with handle to the side, decorated with couples and flowers, af
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