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Lot 18

DIAMOND SET BANGLE, with a central pierced diamond set panel, 64mm wide to outer edge, marked 375, 8.7g; along with a white gem set five stone ring, in nine carat gold, size Q, 2.2g (2)

Lot 55

EARLY VICTORIAN BAND, with moulded borders to a central raised overlaid section, also with moulded decoration, with central monogrammed panel, 10.7mm wide, unmarked, approximately size P, 5.4g

Lot 131

A very ornate Victorian gilt gesso firescreen with scrolled, leaf ornament and an embroidered, bead and raised wool tapestry panel, on scrolled feet, 54"h, 30"w

Lot 150

A pair of Victorian black painted, bow front table screens, fashioned as fire screens, with a spindle gallery and a slice of blue agate geode behind a bevelled, curved glass panel, flanked by pillars, on splayed feet, 11 1/2"h x 6 1/4"w

Lot 204

An early 20th century brass binnacle compass with a carrying handle and viewing panel, over a plaque Reynolds & Son Manufacturers, 14 London Street, London EC, on a wooden plinth

Lot 10

An enamel, pearl and diamond set pendant of heart-shaped outline, the green enamelled ground in a white enamel border with applied rose cut diamond and pearl heart motif to centre, surmounted by similarly set ribbon motif, glazed panel to rear, to a pearl set neck chain, all unmarked, in a fitted box for Joseph Heming & Co ... London Length of pendant (inc. bale): 33mm

Lot 15

An Art Deco marcasite and jade set double clip brooch of symmetrical form, each half with a carved and pierced oval jade panel, marcasite set scrolling surround; together with a seed pearl and amethyst set brooch, in a box for David Dow & Son ... Glasgow (2) Overall length of double clip: 65mm

Lot 190

A Victorian gem set snake necklace the head set with four oval and cushion cut foil backed amethysts, the eyes modelled with two green gems, and engraved detail, suspending a heart shaped pendant with glazed panel, to a graduated fancy link chain, unmarked Overall length: 37cm

Lot 191

A late 18th century mourning ring, Clan McFarlane the oval glazed panel with latticed hair and applied initials 'GD', engraved to reverse 'Geo. Drummond Ob: 6 March 1789 Et 31', to a plain shank Ring size: M, glazed panel: 31mm x 20mm Note: George Drummond, 3rd Earl Stanmore, B. 1758, D. 6th March 1789.

Lot 192

An 18ct Victorian hinged mourning ring modelled as a plain band, with two hinged panels opening to reveal a channel of braided hair and the initials M A L M, one hinged panel engraved '29 Feb E A M 1888', engraved to inside of the band 'Good Friday Evening 3rd April 1885 Ring size: M

Lot 231

A modern multi-gem set necklace the pave set diamond panel suspending four graduated belcher link drops, set with various briolette cut peridot, amethyst, garnet etc. and grey pearls, stamped WG 750, to a thin snake link chain stamped 750 ITALY Length of pendant: 80mm

Lot 315

A group of jewellery, Harumi Klossowski de Rola to include a necklace composed of stained orange quartz beads alternated with three black silk panels with amethyst-set flower decorations; a freshwater pearl necklace with central silk spacer; and a freshwater pearl bracelet with central flower-shaped silk panel, all mounted in silver with adjustable clasps, signed with maker's mark (qty) Harumi Klossowski de Rola was born in 1973 as the daughter of Count Balthazar who is better known as the artist Balthus, and the highly respected Japanese painter Setsuko Ideta. Spending her early childhood in Rome, she moved with her family to the Grand Chalet in the tiny Swiss village of Rossiniere near Gstaad. In 1995, after working for Galliano in Paris, Harumi turned to jewellery design and together with her friend Charuvan Sursock-Rangsit, Princess of Thailand, has become one of the fastest rising jewellery designers in Europe. Their Asian-inspired earrings and necklaces were first shown in Geneva in November 1996, where they sold out. The coloured silk threads combined with gemstones gives an ethnic allure to their creations.

Lot 453

A silver cased travelling clock Walker and Hall, London 1911, of square cushion form, hinged cover with engraved initials, eight-day clock in hinged panel Width: 10.5cm

Lot 138

A two way design ring, the central rectangular panel set with tiny diamonds (one missing) to one side, and square cut rubies to the other, attached by two yellow metal ring bands, unmarked, ring size N½, 12.2g.

Lot 178

An Eastern style bangle, with tiny white CZ stone set borders, and silver pierced and scrolled design central panel, set with pale blue paste stones, and a gold coloured border setting, marked to inside 925 AH MH TPCO, the bangle 7cm W, in Panos Jewellery Shop box.

Lot 256

Chinese School. Cranes on a tree bough, lacquered panel, wishing a good life, signed, 56cm x 36cm.Believed to have been purchased in Hong Kong. Probably c.1910.

Lot 259

A 19thC Abusson tapestry panel, figures in flowing robes before trees and goat, in colours, 87cm x 57cm.

Lot 285

A sapphire and diamond dress ring, with P shaped decoration set with square cut sapphires, in three section design with a panel of five round brilliant cut diamonds to each edge, yellow metal stamped 750, ring size O, 5.4g all in.

Lot 466

A Victorian mahogany mirror back breakfront sideboard, with floral carved and double moulded arched plate, double moulded top and a four door base with chamfered and shaped door panel surrounds divided by turned classical columns, on plinth base, 183cm H, 217cm W, 77cm D

Lot 467

A late Victorian aesthetic movement light ash wardrobe compactum and dressing table by Shapland & Petter, the wardrobe having centre moulded cornice and gallery sides, the central fitted mirror door having press drawers over three solid and flanked by rosette and moulded panel doors with period brass handles, the dressing tables having a dentil moulded mirror with bevel plate, side drawers with wrythen taper supports, line scored decoration and a combination of drawers and platform base, stamped S&P of Barnstaple to the locks, the wardrobe 220cm H, 186cm W, 53cm D, the dressing table 137cm W.Henry Shapland had been apprenticed to a cabinet maker in Barnstaple, before travelling to America in 1851 to learn about a wave moulding machine. When back in England he was joined by Henry Petter. By 1888 the Raleigh Cabinet Works were employing hundreds of workers from Raleigh and the surrounding areas when on 5 March 1888 a fire destroyed the factory. The new factory was restarted at a new site on the River Taw, a former shipbuilding yard known as Bridge Wharf. Working together as Shapland and Petter they were to become one of the town's largest employers. They employed craftsmen but also used the most up-to-date machinery available for their products. Henry Shapland was a time-served cabinet maker and Henry Petter was an amazing salesman who found the market for their products.

Lot 478

A George III mahogany standing corner cupboard, with dentil moulded cornice, astragal glazed single door with flamed banding surround, string inlay and later moulded panel base on bracket feet, 194cm H, 80cm W around the canted corners.

Lot 483

A Regency mahogany cabinet secretaire bookcase, with reeded arch top, over two lozenge astragal glazed doors, the secretaire door revealing pigeon holes and drawers, over two moulded panel doors and bracket feet, 234cm H, 90cm W, 50cm D.

Lot 57

A micro mosaic memorial brooch, of circular form, set with micro mosaic type design, with central dove, on a blue background, (AF), in a yellow metal casing, with scroll design pendant drop and memorial panel back, yellow metal unmarked, the pendant 2.7cm W, 4.2cm H, 11.3g all in. (AF)

Lot 60

Three Victorian memorial brooches, to include a small enamel set memorial brooch, with inscription to rear George Price November 1890, lacking back panel, the front with floral enamel decoration and blue and yellow flower, a Victorian bloom gold memorial pendant, with central oval cut pearl, in star shaped design, with black enamel oval backing and black enamel design overall, 2.5cm W, and a circular memorial brooch, with seed pearl and blue enamel decoration to centre, memorial panel back, yellow metal unmarked, 3.5cm W. (3)

Lot 68

A Victorian memorial pendant, set with layers of amethyst and seed pearls, with locket memorial panel centre, bearing inscription to back Josh Marshall June 1832, 4cm H including drop, 7.1g all in.

Lot 71

A Victorian style memorial ring, with oval memorial panel depicting column and trees, bearing inscription J V, surrounded by garnets, with V shaped leaf scroll shoulders, yellow metal unmarked, ring size S, 3.7g all in. Auctioneer Announce: This is a reproduction, not period.

Lot 718

A Chinese oval brooch, with central oval design panel, with green glass backing and raised silver animal and flower motifs, in a yellow metal casing, with two ball design, yellow metal, unmarked, 3cm wide.

Lot 72

A Victorian memorial ring, by maker J.B & Co, with rectangular memorial panel centre, surrounded by gold scroll decoration and outer black enamel panel with In Memory Of inscription, with V shaped shoulders, each with tear drop centre, black enamel decoration, yellow metal stamped 18ct, ring size Q½, 5.2g all in.

Lot 79

A silver gilt and enamel Danish silver necklace, each link of twist design with central oval white enamel panel depicting a flower, with various markings 925, 42cm L, 23.2g all in.

Lot 284

A French Art Deco moulded glass planter of square form with canted corners, each panel decorated with a kneeling female figure, height 14.5cm.

Lot 369

Two c1920 Chinese silk embroidered screens in reticulated hardwood frames in the form of bamboo and a Chinese silk panel with bird and peony, height 61cm (3). CONDITION REPORT There are no obvious signs of significant damage or repair.

Lot 424

A 19th century Meiji period four-section silk screen with floral decoration to one side and a landscape scene verso, each panel approx 170 x 56cm.

Lot 425

A Meiji period black lacquered two-panel Shibayama screen with mother of pearl bird and cherry blossom decoration, each panel 77 x 26cm (probably part of a four-panel screen).

Lot 427

An early 20th century Japanese black lacquer four-panel folding screen, each silk panel with woven images of a lion and lioness, each panel 89 x 30cm (af).

Lot 504

WILLIAM EADIE (Scottish 1847-1926); oil on panel of a young sailor in domestic setting learning a tune on the fiddle, signed lower-left and dated 1895, with 'W J Cooper Picture Dealer and Frame Maker St Ives' label verso, 46 x 29.5cm, in oak frame. CONDITION REPORT In need of a clean though with no obvious signs of significant damage or repair.

Lot 783

A gold and white metal Belle Époque bracelet, link chain with central panel floral-set with twenty-eight old-cut diamonds, approx 7g.

Lot 96

A mahogany-framed sectional wall mirror with nine sections, length 109cm. CONDITION REPORT The central glass panel is loose.

Lot 192

A 19th century Indian export bone, ebony and sandalwood Vizagapatam-style games compendium, width 25,5cm, with chessboard, cribbage board and checkers-decorated lid opening to reveal a backgammon board with removable panel to store red-stained and white bone chess pieces, dice, draughts pieces and tiddlywinks and a similar ivory, horn and sandalwood box containing various Indian decorated games counters (2).

Lot 435

A copper Art and Crafts style pierced panel, decorated with a peacock and stylised flowers. 61cm x 61cm

Lot 1011

A 19th century gilt framed pier mirror, the central glass below a relief moulded panel decorated with classically modelled figures below a beaded corder flanked by fluted columns, 101 cm high, 67 cm wide (total).

Lot 1015

A small early English oak side table, the planked top with a hinged side panel above chamfered squared legs united by simple rail stretchers, 60 cm high, the top measuring 76 x 70 cm (extended).

Lot 1020

A section of 18th century and later oak panelling, centred with a shallow carved stylised foliate panel, framed in a later panelled frame, 118 x 53 cm total, the central panel measuring 42 x 43 cm.

Lot 104

De Vries (20th century), Frozen Dutch river in mid winter, signed lower left, oil on panel, 29 x 38cm

Lot 105

Fayern (20th century), Wild fowl beside a river, signed, oil on panel, 29 x 39cm

Lot 106

Herkelmann (20th century), Summer canal scene, signed, oil on panel, 38 x 58cm

Lot 107

De Vries (20th century), Windmill bedside a canal, signed, oil on panel, 29 x 39cm

Lot 108

Steenhouwer (20th century), Busy Dutch street scene, signed lower left, oil on panel, 38 x 29cm

Lot 109

De Vries (20th century), Skaters on a frozen canal, signed, oil on panel, 29 x 38cm

Lot 110

De Vires (20th century), Extensive view of a frozen canal, signed, oil on panel, 38 x 58cm

Lot 115

Cornelius Van Leemputten (1841-1902), Cockrell and hens in a barn, signed lower left, oil on panel, 24.5 x 30cm

Lot 337

A 'S è vres' style jewelled cream jug and similar coffee can 19th century each with cobalt grounds and raised polychrome jewelling, the jug painted with an oval panel of Charles I and Oxford at Hyde against a dark blue ground and set on tripod feet, the coffee can painted with a battle scene, painted titles to each, 9cm and 10cm high (2) Provenance: Coton Hall.

Lot 344

An English porcelain wall pocket attributed to Spode circa 1820-25, finely painted with a panel of flowers spilling from a basket and gilt heightened details, unmarked, 17cm wide together with a further English porcelain free-standing letter rack, perhaps Coalport, the overall blue ground with a central panel of fancy birds within landscape setting, unmarked, 21cm high (2)

Lot 347

A Coalport twin-handled 'Naworth Castle' landscape vase and cover circa 1900 with figural lion handles and an overall cobalt and lemon ground, the oval panel signed P. Simpson, titled to the base, printed factory mark and painted number V7586, 25.5cm high

Lot 352

A Coalport twin-handled vase and cover late 20th century painted with a still life panel of fruit, signed M. Pinter, with ramshead handles, printed factory mark, 24cm high - complete with original box

Lot 353

A limited edition Coalport twin-handled vase and cover certificate dated 1st November 1973, numbered 90/100, painted with a view of Madeley Court against a dark red ground, artist's monogram to panel, printed factory mark, 25cm high - complete with original box

Lot 360

A pair of Coalport vases and covers late 20th century each painted with an oval panel of fruit, signed B. Higham, against an overall cobalt and lemon ground and with ramshead handles, printed mark in blue, 24.5cm high (2)

Lot 414

A group of Coalport, late 19th century, comprising a twin handled green and lemon landscape vase, a jewelled twin-handled vase and cover, a blue and white twin-handled vase painted with oval panel of flowers, a tripod handled cobalt and lemon ground vase painted with landscape panel, a small twin-handled vase painted with panel of fancy bird in landscape and an opposing panel of flowers and a further similar larger vase, assorted sizes (6)

Lot 490

An interesting collection of mixed objet d'art to include three fragments of amber containing insects, 10 cm long, A Japanese lacquered tortoiseshell cigar case decorated with a crane and songbird, 12.5 cm high, a Chinese carved horn study of a tiger on bespoke hardwood base, 17 cm long, an incised white metal Japanese katana tsuka tsuba, 8 cm in diameter a 19th central European incised bonework panel, etc.

Lot 669

An English school copper clad oak Arts and Crafts book trough, the panels with repoussé decoration, the front panel detailing a central mythical beast, possibly 'The Jabberwock' after the Jabberwocky poem published in the 1871 novel 'Through The Looking Glass' by Lewis Carroll, the beast flanked by stylised flora and fauna, flanked by panelled sides decorated with mirrored motifs of serpents encircling the trunks of trees, (unsigned), 10.5 cm high, 35 cm wide, 14.5 cm deep (measurements include oak base).

Lot 675

An early oak carved panel detailing a figure presented in side profile, the figure of stylised proportions wearing a decorative ruff collar and head dress , set in a rounded bevelled aperture, 17th century or earlier, 8.5 cm in diameter, 27 x 24 cm panel total.

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