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A 9ct gold brooch set with ruby and pearls, with filigree decoration and glass memory panel behind, stamped '375', length 4.9cm, together with a yellow metal bar brooch in the form of a tuning fork, set with seed pearls, with a pearl set lyre and leaves to the centre, with safety chain, length 5.5cm, combined approx. 9.5g (2).
A Continental 18ct gold octagonal snuffbox, the lid with raised border and engine turned side panel, 9.4 x 4.5 x 1.9cm, unmarked, with foreign stamps, probably Vienna, approx. 123.7g.Footnote: - The snuffbox previously belonged to a wealthy Austrian family who lived in Vienna. This was valued for insurance and assessed as 18ct gold by Prestige Valuations, Hatton Garden London in 2016, with a replacement valuation of £12,000.00.
A collection of mainly French porcelain, to include hand painted part tea service, a Sèvres twin-handled pot, a Sèvres vase, painted panel within a frame, a Sèvres star-shaped bonbon dish, etc.Condition Report: The coffee cup has a small rim chip, the other items have no obvious signs of repair or restoration, no chips or cracks and are generally in good order. Some have slight loss of gilding, mentioned only for accuracy.
A 19th century Liverpool City armorial oval plate, terracotta ground with terracotta, white and gold decoration of acanthus leaves, acorns, floral vignettes, central oval panel with the coat of arms of the City of Liverpool, gilt-heightened throughout, length 43.5cm.Condition Report: There is an old crack, which has been repaired with staples to the back. Otherwise appears to be in good condition.
Matchbox King Size K5 Racing Car Transporter - green, ivory interior, silver ramp and opening rear door, red plastic hubs with black tyres, silver trim to front - Near Mint (couple of very minor marks including roof panel) in a Excellent Plus blue and yellow window box with detailed picture on rear - see photo.
Hot Wheels (Mattel) - Redline - 6274 Volkswagen Beach Bomb - metallic olive green with orange and yellow plastic surfboards - overall condition is generally Good Plus (small marks around top edge of roof panel) - still a bright example of a hard to find colour, comes complete with tinplate button/badge.
Two large 19th century Japanese wall chargers, the largest with a central pattern of vase, flowers and birds and a wide border with panels of insects and chrysanthemums in blue and black grounds, diameter 46cm, the smaller example of Imari design with central panel of vase and garden flowers, within a wide border of panels of mountain scenes, garden scenes and repeating patterns, in blue, orange and gilts, diameter 40cm, together with a Chinese blue painted porcelain plate with vases in garden scene and trellis border, floral patterns to the underside, diameter 28cm, all unmarked (3).Condition Report: Larger charger has a visible repair to the base and expect some cracks and chips to the rim. Smaller charger has a crack from the side which measures 8cm, there may be some small rim chips. The plate has some rim chips and nibbles.
Four hallmarked silver items, comprising a double coin holder of oval form, with floral decoration and blank central panel, on a silver Albert watch chain with swivel clasps and T-bar, a small stamp case and two silver cheroot holders, the longest with a red amber-style cheroot, the other with a black plastic and yellow metal liner shorter cheroot, combined approx. 2.6ozt (4).
Various small hallmarked silver items comprising a pair of oblong napkin rings with engine turned details, each with different initials to the central panel, a six-sided napkin ring with engine turned detail, in presentation box, a shoe pincushion (lacking cushion), a napkin ring with scalloped edge and a glass box with hobnail design and hallmarked silver lid with scrolls and leaves, also a cased set of six coffee spoons, combined weighable silver approx. 8ozt (9).
A GEORGE III MAHOGANY LONGCASE CLOCKBY THOMAS FORDHAM, BRAINTREE, LATE 18TH CENTURYthe brass eight day movement with four knopped pillars and anchor escapement striking on a bell, the silvered dial with black Roman hours and Arabic minutes, with subsidiary seconds dial and date aperture, inscribed 'Thos. Fordham / BRAINTREE' to the foliate engraved centre beneath an arch with a painted moonphase and engraved hemispheres, the case with a padoga hood with a reticulated brass panel above an arched door flanked by stop fluted columns, with brass grilles to the sides, the body with an arched door flanked by stop fluted quarter columns, with key, weights and pendulum255cm high
A RARE ITALIAN MOSAIC PANEL IN THE MANNER OF FILIPPO COCCHI (ITALIAN 1762-1818)VATICAN MOSAIC WORKSHOP, ROME, LATE 18TH CENTURYthe central oval panel depicting a bacchante holding grapes in her left hand with a vine leaf in her hair, with Siena marble borders and with sixteen rondels of differing micromosaic butterflies in the manner of Giacomo Raffaelli, all inset into black marble67.6m high, 77.2cm wide, 3.4cm deep Catalogue NoteThe Vatican Mosaic Workshop was established for the embellishment of St. Peter’s, creating altarpieces and other magnificent mosaics. The mosaicists copied famous Old Master paintings by well-known Baroque artists such as the likes of Carracci, Domenichino, Guido Reni and Poussin. Hardstone and coloured glass tesserae were carefully selected and arranged to give the impression of the chiaroscuro effects of the original paintings, in Vasari’s words to ‘appear at a distance as genuine and beautiful pictures.’Rome soon became renowned for the technique and mosaics became the diplomatic gifts of the Papacy. Demand grew from royal travellers, connoisseurs and collectors visiting Rome on the Grand Tour, to quench this thirst artisans started to produce mosaici in piccolo or micromosaics. Initially the subject matter was religious but later in the 18th century classical subjects became popular like the Bacchante portrait in the present lot. A Bacchante or Maenad is a devotee of Bacchus, the god of wine and a symbol of revelry and festivity. The source for the present lot remains elusive but portraits of Bacchantes were popular in the 18th century with similar works painted by Angelica Kauffman and Joshua Reynolds. For a micromosaic plaque of the Muse Euterpe by Filippo Cocchi, dated ‘1785’ see Carlo Bertelli, Mosaics, p.72.
A LARGE VICTORIAN WHITE MARBLE PLAQUEBY HENRY ALFRED PEGRAM (1862-1937)relief carved with two scantily clad figures within billowing clouds and drapery, signed "Henry Pegram Sct", together with an iron mount (2)102 x 70.7cm Catalogue NoteHenry Alfred Pegram (1862-1937) Henry Alfred Pegram RA was an English sculptor and an exponent of the New Sculpture movement, which sought to disrupt the traditional academic style of the Victorian era by placing a greater emphasis on naturalistic forms and spiritualist themes. Pegram attended the Royal Academy Schools from 1881 and, upon graduation in 1887, worked as studio assistant for Hamo Thornycroft until 1891. At this time, he was influenced by the Symbolist aesthetic of Alfred Gilbert, as well as the ideals of the Arts and Crafts movement, becoming a member of the Art Workers’ Guild in 1890. Pegram was later elected Associate of the Royal Academy in 1904 and a Royal Academician in 1922 with his diploma work Olive, The Artist’s Daughter (RA Collection, accession number 03/1808). Pegram exhibited his work at the Royal Academy throughout his career, most notably in 1889 one of his best-known works, Ignis Fatuus (Tate, accession number N01756). This relief shares many stylistic similarities with the panel offered here. The dynamic composition, emphasised by the background of finely worked clouds, relates the two works, as well as the classically inspired subject, particularly the delicately rendered female form, displaying Pegram’s celebrated finesse of execution.
A Royal Doulton Stoneware commemorative Admiral Lord Nelson Jug, swollen cylindrical form with applied rope handle, modelled in low relief with portrait panel flanked with sailing ships, with inscription, England Expects Every Man WillDo His Duty, in colours, on a blue ground impressed marks, height 20cm
Royal Doulton Stoneware commemorative Admiral Lord Nelson jug, swollen cylindrical form with applied rope handle, modelled in low relief with portrait panel flanked with sailing ships, with inscription England Expects Every Man Will Do His Duty, in colours, on a blue ground impressed marks, height 20cm, production orange peel glaze fault lower section.
4 pieces of stained leadlight glass window panels, 2 pine-framed, largest unframed 37.5cm x 31cmThe largest unframed panel is good condition, 1 small unframed panel also in good condition, the small framed panel good condition, the larger framed panel has several cracks through it and 1 chip to the bottom corner
CORGI TOYS - Corgi Toys model 448 B.M.C. Mini Police van with tracker dog, Corgi 506 Police "Panda" IMP, Corgi Toys 492 Volkswagen European Police car, and Corgi Major Toys model 1143 aerial rescue truck, all in original packaging (4) Corgi 448 - vehicle and police dog appear in near mint and unused condition, box equally is in very good condition, minimal fraying and associated creases, 1 small pen mark on 1 of the end tabs appears to read 61. Corgi 506 - vehicle again in near mint condition, although it does appear to be missing the luminous door panel, box is also in very good condition, some minor fraying and markings associated with opening and closing box, 1 small dent in middle section of outer box. Corgi 492 - vehicle again in near mint condition, has protective covering for siren. Box is in good condition, there is however a tear to 1 side of box and some of the writing is missing as a result, tear approx 2 - 3cm. Corgi 1143 - vehicle again in near unplayed with condition, box is in good condition, some minor fraying and creasing, significant dents to bubble on 1 side, but bubble appears intact and still connected to card.
2 Canton enamelled plates, a silk panel, a Provincial blue and white ginger jar, Japanese figures etcThe 2 Canton plates - generally good condition, some surface glazing loss, wear to the enamelling. The silk panel is stained with some pulls in the thread, moth damage. Ginger jar has a hairline crack running through it, crazed and general wear
"The Eclipse", an Antique copper carriage lamp, with pivoted bulls eye glass panel, lacking carrying handle, H21.5cmGood overall condition although lacking its top carrying handle, bulls eye glass surface scratched, general surface wear, scratches and dents consistent with age and use, complete with burner
Two boxes of metalware to include: various silver plate; goblets, coffee pots, teapot, vase, milk jug and sucrier, coasters, jelly moulds, tea strainer, brass shell shaped trinket box, jugs, tankard, candlesticks, relief decorated 'Bless this house' panel, pewter flask, hip flask, horseshoes, beetle shaped ornament etc. (2)(B.P. 21% + VAT)
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328146 item(s)/page