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Lot 737
George III oak closed dresser, two plank top above three frieze drawers all with replacement handles, two cupboards with raised and fielded panels flanking central fixed panel, 172cm (68") wide. condition reportReplacement handles, knobs, escutcheons and H hinges.Originally had a plate rack.Panel shrinkage gaps and cracks all over.Evidence and decay caused by woodworm around feet area.Alterations and minor repairs to the drawers.
Lot 233
Davenport and Sullivan electro-plated canteen of rat tail cutlery nominally for 12 place settings in black case with a silvered panel of horses' heads (unused condition, incomplete: 10 dessert spoons, 12 dessert forks, 10 table forks, 12 soup spoons, 10 fish knives, 10 fish forks, 1 table spoon, 12 tea spoons, 12 coffee spoons, 12 dessert knives, 10 table knives).
Lot 272
A PAINTED GLASS PANEL, PROBABLY GERMAN, 17TH CENTURY STYLE oval, with an angel before a square shield emblazoned with a lion rampant, 28.5cm high excluding suspension rings; together with a small painted glass panel, 17th century style, lozenge shaped, painted with a bird, 16.5cm high excluding suspension ring (2)
Lot 412
A VICTORIAN SILVER BOSUN'S CALL (WHISTLE), GEORGE UNITE, BIRMINGHAM, 1846 of typical form, with fouled anchor to the bowl, reeded bands to the pipe and bright-cutting to the panel,12.5cm long; together with another Victorian silver bosun's call, similar, Roberts & Belk, Sheffield, 1865, 9cm long (2)
Lot 377
A GEORGE III SHEFFIELD PLATE CHAFING DISH, CIRCA 1800 oval, reeded rim, lid engraved with a crest below the bun finial, with screw-in wood handle to the water reservoir, 31.5cm long; together with a George III Sheffield plate salver, circa 1800, plain except for engraved matching crest, on fluted panel feet, underside with double-struck serrated punch reading SILVER / EDGES, 25cm long (2)
Lot 470
A MOTHER-OF-PEARL, SILVER-GILT AND HARDSTONE SNUFF BOX, PROBABLY LOW COUNTRIES, EARLY 18TH CENTURY AND LATER cartouche-shaped, the lid set with a mother-of-pearl panel finely carved with grotesques in low relief in the manner of Jean Berain (1640-1711) with Europa and the Bull at the centre surrounded by birds, putti, urns, canopies, Caesar profiles and other motifs, circa 1720, the later base of subtly striated honey-coloured hardstone 7.7cm wide
Lot 90
A SILVER AMULET BOX, TIBET, CIRCA 18TH CENTURY of oval form, with scrolling repoussé decoration, set with central carnelian in brass mount, 3.7 x 4.8 x 6cm; together with an Inlaid Silver Amulet Box (gau), Tibet, circa 18th century, parcel gilt silver, with copper back plate, of octagonal form, the central panel with repoussé foliate design around an inlaid carnelian, surrounded by a border of turquoise inlay, flanked by triple loops inlaid with turquoises, 6.7 x 5.2cm (2) Provenance: Private Collection, Germany, acquired 1960-66 in Nepal by the vendor while working in development assistance.
Lot 58
A CHINESE GILT AND BLACK LACQUER BRISE FAN, PROBABLY CANTON, MID 19TH CENTURY each side painted with a central scene of figures amidst pavilions surrounded by various borders, the sticks each terminating in a domed panel featuring pairs of figures, a crimson and an apricot tassle attached to the gilt-metal loop length of stick 20.2cm
Lot 346
AN EDWARD VII SILVER INKSTAND, CHARLES STUART HARRIS, LONDON, 1905, RETAILED BY THE BRISTOL GOLDSMITHS' ALLIANCE rectangular, applied gadroon border above four panel supports, engraved with an inscription, complete with two detachable silver-mounted glass inkwells the stand, 22.5cm wide, 348gr (11oz 3dwt) The inscription reads: 'Presented to Mrs C.M.A. Lenanton Commandant B.R.C.S.B/12 1939-1944 by Officers & Members of the Detachment'
Lot 262
A GROUP OF DIYABAKIR BORDER TILES, OTTOMAN ANATOLIA, LATE 16TH CENTURY polychrome underglaze painted fritware, the design forming a repeated pattern of interlinked split palmettes held by 'Italian clasps' and interwoven with arabesques, each with ropework and plain turquoise edging, framed as a panel 29.5 x 101cm (together), individual tiles various lengths, 14.5cm high There are tiles of the same design in the Potteries Museum, Stoke on Trent (311P52) and the Powerhouse Museum, Sydney, Australia A9636-19
Lot 385
A PAIR OF GEORGE III SILVER SALVERS, PAUL STORR FOR RUNDELL, BRIDGE & RUNDELL, LONDON, 1810 shaped circular, each engraved with Ogilvy coat of arms below a Baron's coronet, the applied gadroon rims interrupted by shell motifs, on four formal foliate and panel feet 26.5cm diameter, 1428gr (45oz 18dwt) Provenance: The Earls of Airlie, by descent. The arms are those of David Ogilvy (1785-1849), Baron Ogilvy (later 9th Earl of Airlie).
Lot 3200A
A 19th century Chinese silk sleeve panel, embroidered in coloured and gilt threads with figures in a panoramic landscape of temples, mountains, rivers, prunus, peonies and further foliage on a pale green celadon ground, 56cm x 13cm, c.1870, framed; another, similar, framed [2]Provenance: Grace Pacey Collection
Lot 50
A William IV flame mahogany long case clock, square 34cm painted dial with roses in the spandrels, Roman chapter, Arabic minute chapter, subsidiary seconds and date dials, ringed winding holes, signed Barlow/Preston, gilt pierced hands, eight-day movement, striking on a bell, the weights marked Barlow, the hood with curly pediment, brass paterae, supported on reeded piers, short door flanked by reeded pilasters, frieze below, black line inlaid base panel with canted angles, ogee feet, 210.8cm highThe Barlows were a prolific and long standing Lancashire dynasty of makers originally from Oldham, of whom, Henry occasionally signed from Preston and who may have been the maker of this clock.
Lot 602
AFTER SIR ANTHONY VAN DYCK PORTRAIT OF KING CHARLES I feigned oval, oil on canvas, 39.5 x 30.5cm and a portrait of King Henry VIII after Holbein by the same hand, oil on panel, 32 x 26cm (2) ++Both old, probably early 19th c copies, by a naive hand, that of Charles I with extensive restoration, principally retouched paint shrinkage and relined, now of satisfactory appearance, the portrait of Henry VIII also in ready to hang condition with evidence of it having been reduced in size, in matching modern silvered wood frames
Lot 112
A FINE DERBY GREEN GROUND GARNITURE OF CAMPANA VASES, C1820 well painted with panels of flowesr, 16.5-20cm h, printed circular BLOOR DERBY mark ++In unusually fine condition and minimal wear to gilding. Minute spots of flaking on the panel of one of the smaller vases, not on the other two. On one of the smaller vases one handle possibly restored, of very fine appearance. Note minor variation in the size of the smaller vases
Lot 560
MARINE SCHOOL, 19TH CENTURY DUTCH COASTAL SCENE; A MAN O'WAR AND DUTCH BARGE AT DAWN two, one signed indistinctly, oil on panel, 36.5 x 59cm and 38 x 60cm (2) ++One with old repaired horizontal split, both cleaned and restored c mid 20th c and the varnish now in need of a light clean, in 19th c style gilt cavetto frames as a pair
Lot 55
AN ENGLISH PORCELAIN BOUGH POT, Wxxx FACTORY, C1800 painted with a rectangular panel of travellers crossing a bridge in blue and gilt borders, 25cm h, impressed W(xxx), painted title Craigie Hall Bridge The Property of the Honble William Hope Weir Linlithgow shire in sepia script ++Old restoration to one back foot and light wear, originally with a grid cover now lacking
Lot 584
GEORGE SMITH (1829-1901) THE FIRST LESSON signed and dated 1866, oil on prepared panel, 59 x 49.5cm Provenance: In the present private family ownership since 1910 or earlier. George Smith, one of three artists of the 18th and 19th centuries to be so named, can be counted with his near contemporaries F D Hardy and G B O'Neill as perhaps the three foremost Victorian genre painters. Their work was characterised by the fineness of rich detail amply evident in the present beautifully preserved picture, often focusing on interior scenes with children. All were influenced by, and two were directly connected with, the so called Cranbrook Colony of artists whose mentor was Thomas Webster, RA (1800-1886). George Smith studied at the Royal Academy Schools under Charles West Cope and lived in London and at Haslemere, Surrey. His pictures were shown at the annual Royal Academy Exhibition from 1848-1887. ++In superb original condition beneath glass undisturbed in the original ornate Victorian giltwood and composition frame
Lot 831
AN UNUSUAL VICTORIAN PANEL SAMPLER OF COTTON, SILK, LINEN, WOOL AND CROCHET KATE A DIXON PUPIL TEACHER ST MARIE'S SCHOOL OLDHAM, 1878 the eighteen pieces centred by a larger floral alphabet square, on the original bright blue paper and cotton backing, 92 x 95cm, framed ++The blue backing with localised loss consequently placed in the modern gilt frame by the present vendors several years ago
Lot 826
'HAMLET' A NOTTINGHAM LACE PANEL BELIEVED TO HAVE BEEN EXHIBITED BY SIMON MAY & CO AT THE PHILADELPHIA EXHIBITION, 1876 of curtain lace, with multiple scenes and title 204cm x 138cm, with Exhibition Award, Philadelphia, December 12, 1876 to Simon, May & Co, Nottingham for "Embroidered curtains mantles and vestibule laces of very tasteful designs and superior workmanship, also embroideries with fast warranted colors", sealed, framed (2) ++
Lot 605
ITALIAN SCHOOL, EARLY 19TH C A NORTH ITALIAN LANDSCAPE with peasants netting in the foreground, oil on panel, 30 x 40cm ++The support lined in the early/mid 20th c Localised paint shrinkage, minor loss lower right hand corner from chaffing by the frame; varnish dirty, the support not warped with old repaired horizontal split, bearing an old attribution to Porcellis
Lot 209
A SÈVRES STYLE JEWELLED CABINET CUP AND SAUCER, LATE 19TH C painted with a panel of lovers or musical trophy reserved on a bleu celeste ground, saucer 15cm diam, painted pseudo Sèvres mark ++Two small chips on edge of foot of coffee can at back. Saucer lacking several of the small jewels around the gilt ring framing the musical trophy but no substantial damage, no restoration
Lot 76
A CHAMBERLAIN WORCESTER TRIO, C1805-10 finely painted with a octagonal gilt panel of a bird, saucer 13cm diam, painted mark and titles Oriole, Olive Brown Creeper or Yellow Wagtail in puce script ++Light wear to the gilding on the rims or in the well of the saucer, not cracked or chipped, no restoration
Lot 579
W S ROGERS, EARLY 20TH CENTURY SNOW signed, inscribed with the title, artist's address 42 Westvere Road, W Hampstead, NW and Langham sketch, oil on panel, 26 x 15.5cm ++Some paint shrinkage and the medium thin in places, varnish dirty, undisturbed in what maybe the original c early 20th c chamfered giltwood frame. An attractive Art Nouveau figure subject
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328190 item(s)/page