panel Auctions Prices | panel Guide Prices

the saleroom

Sign in

Register

Sort by

List
Grid

360406 item(s)

/page

A WOOD CASED QUADRUPLE AUTOMATIC WATCH-WINDER WITH STORAGE FOR A FURTHER SIX WATCHES, unsigned, mains (UK 240 Volt) or batter

Holts Auctioneers

Lot 1027

A WOOD CASED QUADRUPLE AUTOMATIC WATCH-WINDER WITH STORAGE FOR A FURTHER SIX WATCHES, unsigned, mains (UK 240 Volt) or battery operated, the lacquered wood case measuring approximately 13 1/2in. x 10 3/4in. x 8 1/2in., black leatherette lining with four winding drums and cushions and storage (on cushions) for a further six watches, the lid with sloping glazed panel, the underside fitted with four rubber feet, complete with UK mains lead and locking key, appearing little used (some minor marks).

Live Auction

AN INDESIT IWDD7143 WASHING MACHINE ( crack to top corner of plastic front panel ) (PAT pass and powers up)

Richard Winterton Auctioneers

Lot 1126

AN INDESIT IWDD7143 WASHING MACHINE ( crack to top corner of plastic front panel ) (PAT pass and powers up)

Live Auction

A BLOMBERG LARDER FREEZER with centre read out panel 169cm high ( PAT pass and working at -18 degrees)

Richard Winterton Auctioneers

Lot 1139

A BLOMBERG LARDER FREEZER with centre read out panel 169cm high ( PAT pass and working at -18 degrees)

Live Auction

A BEECH HABERDASHERY CABINET, made up of sixteen glass fronted drawers and silvered handles, width 92cm x depth 46cm x height

Richard Winterton Auctioneers

Lot 1318

A BEECH HABERDASHERY CABINET, made up of sixteen glass fronted drawers and silvered handles, width 92cm x depth 46cm x height 156cm (condition- carcass cut down and missing further drawers, missing right side panel, otherwise drawers in good condition)

Live Auction

A LATE 19TH CENTURY 'THE BRITISH ARMY ALBUM' MUSICAL PHOTOGRAPH ALBUM, with coloured lithograph pages having cut out oval and

Richard Winterton Auctioneers

Lot 490

A LATE 19TH CENTURY 'THE BRITISH ARMY ALBUM' MUSICAL PHOTOGRAPH ALBUM, with coloured lithograph pages having cut out oval and rectangular photograph reserves and scenes of famous battles, including Tel-el-kebir, Lucknow, Balaclava, Kassasin etc, with gilt military trophy to front cover, and the cylinder musical movement located in the deep back cover, beneath a glazed panel working and playing 'British Grenadiers' and retaining original key (Condition Report:- binding distressed and worn, loose, rips inside, cover of movement coming away)

Live Auction

A WOOD FRAMED TIFFANY STYLE WALL MIRROR, the central mirror panel is surrounded by a repeat pattern of cut panels with Dragon

Richard Winterton Auctioneers

Lot 670

A WOOD FRAMED TIFFANY STYLE WALL MIRROR, the central mirror panel is surrounded by a repeat pattern of cut panels with Dragonflys to each corner, size approximately 79cm x 63cm including frame together with two framed Monet prints and a framed Pierre Gontier print (4)

Live Auction

A leather four fold screen, each panel 50 x 180cm

Gorringes

Lot 117

A leather four fold screen, each panel 50 x 180cm

Live Auction

An early 20th century glazed oak two fold screen, each panel width 51cm, height 176cm

Gorringes

Lot 132

An early 20th century glazed oak two fold screen, each panel width 51cm, height 176cm

Live Auction

A Victorian and later four fold scrap screen, each panel width 53cm, height 178cm

Gorringes

Lot 179

A Victorian and later four fold scrap screen, each panel width 53cm, height 178cm

Live Auction

A late Victorian walnut three fold dressing screen with painted canvas panels, each panel width 50cm, height 138cm

Gorringes

Lot 190

A late Victorian walnut three fold dressing screen with painted canvas panels, each panel width 50cm, height 138cm

Live Auction

An Edinburgh Crystal Appin pattern part suite of table glass and other mixed table glassware,comprising 12 Appin pattern glas

Gorringes

Lot 331

An Edinburgh Crystal Appin pattern part suite of table glass and other mixed table glassware,comprising 12 Appin pattern glasses of various sizes, a set of twelve panel-cut wines, a set of four pineapple-cut wines and a part set of plain wine glasses

Live Auction

19th century Flemish School, oil on wooden panel, 17th century gentleman holding a letter, 24 x 21cm

Gorringes

Lot 587

19th century Flemish School, oil on wooden panel, 17th century gentleman holding a letter, 24 x 21cm

Live Auction

Peter Messer (1954-), egg tempera on panel, 'Wilfred Owen 1916', signed, 30 x 35.5cm

Gorringes

Lot 598

Peter Messer (1954-), egg tempera on panel, 'Wilfred Owen 1916', signed, 30 x 35.5cm

Live Auction

Geschnitztes Paneel eines Raumteilers, China, 18./19. Jhdt. Einteilig fein geschnitzte Tafel aus Hartholz mit originaler, fa

Hermann Historica

Lot 6617

Geschnitztes Paneel eines Raumteilers, China, 18./19. Jhdt. Einteilig fein geschnitzte Tafel aus Hartholz mit originaler, farbiger Fassung und Teilvergoldung. Darstellung verschiedener Genreszenen, am unteren Rand zwei Hähne neben zwei Fledermäusen. Die Rahmen mit Resten alter Bemalung. Maße 22 x 44 cm.Zustand: IIA carved wooden panel, China, 18th/19th century Einteilig fein geschnitzte Tafel aus Hartholz mit originaler, farbiger Fassung und Teilvergoldung. Darstellung verschiedener Genreszenen, am unteren Rand zwei Hähne neben zwei Fledermäusen. Die Rahmen mit Resten alter Bemalung. Maße 22 x 44 cm.Condition: II

Live Auction

Bemaltes Leinenfragment, Ägypten, Spätzeit, 6. - 4. Jhdt. v. Chr. Polychrom bemaltes Leinenfragment einer Mumie mit fünf Bil

Hermann Historica

Lot 6664

Bemaltes Leinenfragment, Ägypten, Spätzeit, 6. - 4. Jhdt. v. Chr. Polychrom bemaltes Leinenfragment einer Mumie mit fünf Bildfeldern. Zentral der heilbringende Djed-Pfeiler, beidseitig davon je zwei Horus-Söhne. Zwischen den Bildern jeweils Schriftbänder mit Hieroglyphen und folgenden Texten: 1. Bild (links): "Kebehsenuf, der falkenköpfige spricht: Spende Libation für Hathor SEMSET selig, Tochter von PADIHOREMHEB selig ..."; 2. Bild: "Duamutef der schakalköpfige spricht: Möge er loben und preisen Hathor SEMSET selig, Tochter von PADIHOREMHEB selig (geboren von) der Herrin des Hauses TAREPIT." 4. Bild: "Amset der menschenköpfige spricht: Beschütze Hathor SEMSET selig, Tochter von PADIHOREMHEB, geboren von der Herrin des Hauses TAREPIT." 5. Bild: "Hapi der pavianköpfige spricht: Möge er geben ... Kleider und Weihrauch für Hathor SEMSET selig, Tochter von PADIHOREMHEB selig." Ein Vergleichsobjekt für dieses attraktive Stück in der Sammlung der Universität Tübingen. Maße 18,5 x 35 cm. Unter Glas gerahmt (Rahmen 30 x 47 cm). Provenienz: Privatsammlung A. Z., zuvor Privatsammlung M. K. (Schweiz), erworben 1994 bei Nefer Antike Kunst, Zürich. Davor alte englische Sammlung.Zustand: II -Polychromatically painted linen fragment of a mummy, Egypt, 6th - 4th century BC Polychromatically painted linen fragment of a mummy with five fields. The central panel shows the pillar of Djed bringing salvation, with two sons of Horus on either side. Between the images are bands of hieroglyphs with the following texts: 1st panel (left): "Kebehsenuf, the falcon-headed one says: Give libation to Hathor SEMSET blessed, daughter of PADIHOREMHEB blessed ..."; 2nd image: "Duamutef the jackal-headed one says: May he praise and glorify Hathor SEMSET blessed, daughter of PADIHOREMHEB blessed (born of) the lady of the house TAREPIT." 4th image: "Amset the human-headed one says: Protect Hathor SEMSET blessed, daughter of PADIHOREMHEB, born of the lady of the house TAREPIT." 5th image: "Hapi the Pavian-headed says: May he give ... clothes and incense to Hathor SEMSET blessed, daughter of PADIHOREMHEB blessed." A comparative object for this attractive piece in the collection of the University of Tübingen. Measures 18.5 x 35 cm. Framed under glass (frame 30 x 47 cm). Provenance: Private collection A. Z., previously private collection M. K. (Switzerland), acquired 1994 at Nefer Antike Kunst, Zurich. Previously old English collection.Condition: II -

Live Auction

Terrakottaköpfchen der Medusa(?), Griechenland, hellenistisch, 3. - 2. Jhdt. v. Chr. Terrakotta-Reliefkopf mit feinen Zügen

Hermann Historica

Lot 6725

Terrakottaköpfchen der Medusa(?), Griechenland, hellenistisch, 3. - 2. Jhdt. v. Chr. Terrakotta-Reliefkopf mit feinen Zügen einer vornehmen Dame mit fast pausbäckigem Gesicht. Unterhalb des Kinns gebrochen. Die Haarsträhnen könnten durchaus als Schlangen interpretiert werden, was eine Identifikation mit Medusa erlauben würde. In hellenistischer Zeit wurde diese nicht mehr mit Fratze, sondern durchaus als Schönheit dargestellt. Ohne Ergänzungen. Höhe 9,5 cm. Auf Samttafel montiert. Provenienz: Aus alter Sammlung.Zustand: II -A Greek-Hellenistic terracotta head of Medusa(?), 3rd - 2nd century B.C. Terracotta head with fine features of a distinguished lady with an almost chubby face. Broken below the chin. The hair strands could well be interpreted as snakes, which would allow identification with Medusa. In Hellenistic times, she was no longer depicted as a monster, but as a beauty. Without additions. Height 9.5 cm. Mounted on a velvet panel. Provenance: From an old private collection.Condition: II -

Live Auction

A late 19th century converted oak Kist base having similar dresser back with carved panel doors, approx W133cm overall height

1818 Auctioneers

Lot 582

A late 19th century converted oak Kist base having similar dresser back with carved panel doors, approx W133cm overall height 186cm

Timed Auction

A late Victorian light stained hallway hat cloak and coat stand having tiled back and mirror centre panel

1818 Auctioneers

Lot 654

A late Victorian light stained hallway hat cloak and coat stand having tiled back and mirror centre panel

Timed Auction

A traditional wardrobe having carved panel doors with under drawer

1818 Auctioneers

Lot 655

A traditional wardrobe having carved panel doors with under drawer

Timed Auction

ALAN GRAINGER 
AN ACORNMAN OAK PEW, of three five panel sections, adzed to all visible areas, carved acorn signature. 47

Elstob & Elstob

Lot 3143

ALAN GRAINGER AN ACORNMAN OAK PEW, of three five panel sections, adzed to all visible areas, carved acorn signature. 475cm long

Timed Auction

ROBERT INGHAM 
A KINGPOST OAK FIRESCREEN, with carrying handle and glazed needlework panel, signed. 81cm high by 53cm wi

Elstob & Elstob

Lot 3148

ROBERT INGHAM A KINGPOST OAK FIRESCREEN, with carrying handle and glazed needlework panel, signed. 81cm high by 53cm wide

Timed Auction

A BACCARAT CRYSTAL DECANTER AND STOPPER WITH SIX GLASSES, the decanter, marked on the base 'Baccarat France', in the portcull

Elstob & Elstob

Lot 4005

A BACCARAT CRYSTAL DECANTER AND STOPPER WITH SIX GLASSES, the decanter, marked on the base 'Baccarat France', in the portcullis style with all four sides cut vertically with a plain base, the shoulder and base with panel cutting into the flanged top, the square stopper with oblong cuts to the top and panel cuts to the neck; each wine glass with tulip bowl and fluting, slightly turned out rim, a small "well" in the bottom, and set on a plain stem and flat foot, each glass signed. (7) Decanter 23.5cm high, glasses 15cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.In good condition, one glass with a very small chip to the rim

Timed Auction

A RARE SET OF SIX BOHEMIAN GREEN AND GILDED WINE GLASSES, CIRCA 1790, the bowl of each with ten vertical panel cuts supported

Elstob & Elstob

Lot 4047

A RARE SET OF SIX BOHEMIAN GREEN AND GILDED WINE GLASSES, CIRCA 1790, the bowl of each with ten vertical panel cuts supported by diamond and pear drop cuts set on a facet cut stem and a plain conical foot, the bowls gilded with a Classical pattern and band around the rim. (6) 14.5cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.One with rim chip to bowl. A couple with tiny flea bites to the bowl. A couple with small knocks to the foot rim. Wear to gilding.

Timed Auction

AN EARLY 19TH CENTURY GILDED LIQUEUR GLASS, PROBABLY LOW COUNTRIES, the panel bowl raised on a tapering stem with facet-cut k

Elstob & Elstob

Lot 4112

AN EARLY 19TH CENTURY GILDED LIQUEUR GLASS, PROBABLY LOW COUNTRIES, the panel bowl raised on a tapering stem with facet-cut knop. 10.5cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Bubble inclusion to bowl, small chip to foot rim

Timed Auction

A Victorian Walnut marquetry planter, the tin lined interior, lifting out on twin handles can be obscured by lid panel, with

Silverwoods of Lancashire

Lot 13

A Victorian Walnut marquetry planter, the tin lined interior, lifting out on twin handles can be obscured by lid panel, with separate apron and on cabriole legs. Edwards & Roberts ' label beneath, 40cm x 61cm x 76cm

Timed Auction

J S Fry & Sons Ltd original etched glass display cabinet panel & lower rail 59.5 x 63.5

Silverwoods of Lancashire

Lot 162

J S Fry & Sons Ltd original etched glass display cabinet panel & lower rail 59.5 x 63.5

Timed Auction

Follower of Gustave Courbet (French, 1819-1877) 'Figure on a Path' signed 'G.C' (lower left) oil on panel 10 x 13cm

Silverwoods of Lancashire

Lot 227

Follower of Gustave Courbet (French, 1819-1877) 'Figure on a Path' signed 'G.C' (lower left) oil on panel 10 x 13cm

Timed Auction

A late Victorian silver christening mug with brightcut bird foliate decorationand vacant inscription panel, London 1879 by Wa

Silverwoods of Lancashire

Lot 285

A late Victorian silver christening mug with brightcut bird foliate decorationand vacant inscription panel, London 1879 by Walter & John Barnard, 9 cm H, 169 g gross

Timed Auction

George II oak settle with berry carved panel back embellished with rosettes and early strap hinges dated 1745 to central pane

Silverwoods of Lancashire

Lot 30

George II oak settle with berry carved panel back embellished with rosettes and early strap hinges dated 1745 to central panel 100cm H 170cm L 53cm D

Timed Auction

An early 19th Century 5 panel oak box settle

Silverwoods of Lancashire

Lot 30A

An early 19th Century 5 panel oak box settle

Timed Auction

A Georgian oak chest of three graduated drawers with panel sides and applied wrought iron rails 86cm H

Silverwoods of Lancashire

Lot 38

A Georgian oak chest of three graduated drawers with panel sides and applied wrought iron rails 86cm H

Timed Auction

TMW, STILL LIFE WITH ONIONS oil on panel, initialled and dated '06 image size 35cm x 50cm, overall size 51cm x 66cm Framed. P

McTear's

Lot 576

TMW, STILL LIFE WITH ONIONS oil on panel, initialled and dated '06 image size 35cm x 50cm, overall size 51cm x 66cm Framed. Provenance: a Private Collection from the Scottish Borders.

Live Auction

* JACKIE GARDINER, THE RIVER CROSSING mixed media on panel, signed, titled on personal note verso image size 32cm x 37cm, ove

McTear's

Lot 606

* JACKIE GARDINER, THE RIVER CROSSING mixed media on panel, signed, titled on personal note verso image size 32cm x 37cm, overall size Framed and under glass.

Live Auction

* MALCOLM DICKSON, UNBALANCED ACCOUNT oil on panel, initialled, signed, titled and dated 1975 verso image size 61cm x 61cm, o

McTear's

Lot 610

* MALCOLM DICKSON, UNBALANCED ACCOUNT oil on panel, initialled, signed, titled and dated 1975 verso image size 61cm x 61cm, overall size 79cm x 79cm Framed. Note: A fascinating composition from Malcolm Dickson. The use of the Royal Bank of Scotland logo must have relevance. The Royal Bank of Scotland Group (often referred to as RBS) uses branding developed for the Bank on its merger with the National Commercial Bank of Scotland in 1969. The Group's logo takes the form of an abstract symbol of four inward-pointing arrows known as the "Daisy Wheel" and is based on an arrangement of 36 piles of coins in a 6 by 6 square, representing the accumulation and concentration of wealth by the Group.

Live Auction

* ROY PETLEY (BRITISH b.1951), LUNCH IN THE CHAMPS ELYSEES oil on panel, signed, titled label verso image size 61cm x 91cm, o

McTear's

Lot 612

* ROY PETLEY (BRITISH b.1951), LUNCH IN THE CHAMPS ELYSEES oil on panel, signed, titled label verso image size 61cm x 91cm, overall size 88cm x 118cm Framed. Label verso: Monaco Fine Arts, Monte Carlo. Provenance: a Private Collection from the Scottish Borders.

Live Auction

* JAMES S DAVIS DA PAI RSW FRSA, THE WEE RED FERRY, EASDALE acrylic on gesso panel, signed, further signed and titled verso.

McTear's

Lot 701

* JAMES S DAVIS DA PAI RSW FRSA, THE WEE RED FERRY, EASDALE acrylic on gesso panel, signed, further signed and titled verso. image size 50cm x 50cm, overall size 74cm x 74cm Framed. Label verso: Wilson Fine Art, Bridge of Weir.

Live Auction

* WILLIAM CROSBIE RSA RGI (SCOTTISH 1915 - 1999), RAILWAY JOURNEY IN ENGLAND oil on panel, signed and dated LXXIX, titled ver

McTear's

Lot 714

* WILLIAM CROSBIE RSA RGI (SCOTTISH 1915 - 1999), RAILWAY JOURNEY IN ENGLAND oil on panel, signed and dated LXXIX, titled verso image size 25cm x 40cm, overall size 44cm x 59cm Framed. Note: The Scottish Gallery (Edinburgh) staged their fifth "highly successful" William Crosbie solo show "The Devoted Creative" 1st - 28th April 2020.

Live Auction

* ERLEND BROWN (BRITISH b. 1947). UNTITLED oil on panel, signed and titled verso overall size 76cm x 76cm Unframed, as always

McTear's

Lot 733

* ERLEND BROWN (BRITISH b. 1947). UNTITLED oil on panel, signed and titled verso overall size 76cm x 76cm Unframed, as always intended. Note: Erlend Brown was born in 1947 and is a nephew of George Mackay Brown. He attended Stromness Academy then studied at Edinburgh College of Art. He taught art in primary and secondary schools in Orkney for eight years before being appointed as the first curator of the Pier Arts Centre which opened in 1979. He worked there for twelve years, overseeing exhibitions of local and international artists. Since then he has been a full time artist working in Orkney and Zurich, Switzerland. He made drawings for a number of publications by George Mackay Brown: A Portrait of Orkney (1988), the story “Eureka” in The Sea King’s Daughter and Eureka (Balnain Books, 1991) and The Sea and the Tower (Bayeux, 1994). He created four of the fourteen large sails that hung between the pillars of St Magnus Cathedral in 1993 and 2017 forming the installation Sails in St Magnus: Pilgrimage of Earl Rognvald. Created for the 1993 St Magnus Festival, the work was based on the Orkneyinga Saga account of the 12th century voyage of Vikings from Orkney to the Holy Land. The saga relates that after the return from the 3 year voyage the Vikings dried their sails in the loft of the Cathedral. As well as poetry and other literature, Erlend’s work is influenced by the environment and ecology, and explores a variety of materials. Landscapes and seascapes reveal human presence, our constructions and detritus; sails bear the marks of journeys, physical and interior, their accrued memories and symbols. His work has been exhibited in Orkney, Shetland and the Western Isles; Edinburgh and London; the Faroes, Norway, France and Switzerland. At least seven of Erlend Brown's artworks are held in UK public collections.

Live Auction

* BARRY MCGLASHAN, AMISH FARM oil on panel, signed, titled and dated 2002 verso image size 57cm x 62cm, overall size 60cm x 6

McTear's

Lot 735

* BARRY MCGLASHAN, AMISH FARM oil on panel, signed, titled and dated 2002 verso image size 57cm x 62cm, overall size 60cm x 65cm Framed.

Live Auction

* DARREN SCOTT, CALM LIGHT oil on panel, signed, further signed, titled, and dated 2021 image size 60cm x 60cm, overall size

McTear's

Lot 747

* DARREN SCOTT, CALM LIGHT oil on panel, signed, further signed, titled, and dated 2021 image size 60cm x 60cm, overall size 84cm x 84cm Framed.

Live Auction

* DARREN SCOTT, SEA SPRAY, WEST COAST oil on panel, signed, further signed, titled, and dated 2021 image size 60cm x 60cm, ov

McTear's

Lot 748

* DARREN SCOTT, SEA SPRAY, WEST COAST oil on panel, signed, further signed, titled, and dated 2021 image size 60cm x 60cm, overall size 84cm x 84cm Framed.

Live Auction

* DARREN SCOTT, RED ROOF oil on panel, initialled, further signed verso image size 21cm x 30cm, overall size 37cm x 46cm Fram

McTear's

Lot 749

* DARREN SCOTT, RED ROOF oil on panel, initialled, further signed verso image size 21cm x 30cm, overall size 37cm x 46cm Framed.

Live Auction

* DARREN SCOTT, SEA SHIMMER oil on panel, initialled, further signed verso image size 21cm x 30cm, overall size 37cm x 46cm F

McTear's

Lot 750

* DARREN SCOTT, SEA SHIMMER oil on panel, initialled, further signed verso image size 21cm x 30cm, overall size 37cm x 46cm Framed.

Live Auction

* DARREN SCOTT, SEA RUSH, oil on panel, initialled, further signed verso image size 21cm x 30cm, overall size 37cm x 46cm Fra

McTear's

Lot 751

* DARREN SCOTT, SEA RUSH, oil on panel, initialled, further signed verso image size 21cm x 30cm, overall size 37cm x 46cm Framed.

Live Auction

SCANDINAVIAN SETTLE, 19th century Scandinavian grey painted with rising seat and shaped panel back, 110cm W.

Lots Road Auctions

Lot 482

SCANDINAVIAN SETTLE, 19th century Scandinavian grey painted with rising seat and shaped panel back, 110cm W.

Live Auction

EDOUARD BUZON (FRENCH, B.1979) - MAGIC A.D
Painting, photography, pigment and epoxy varnish on wood panel
Signed, titled and

Hotlotz Singapore

Lot 79

EDOUARD BUZON (FRENCH, B.1979) - MAGIC A.D Painting, photography, pigment and epoxy varnish on wood panel Signed, titled and dated 2015 verso 102cm x 103cm Condition: No obvious condition issues Provenance: Purchased from Envie d'art, Paris

Timed Auction

Ceremonial hanging from Bali used in a temple for the 'tooth filing' ceremony. Patchwork cotton triangles with embroidered c

Batemans of Stamford

Lot 456

Ceremonial hanging from Bali used in a temple for the 'tooth filing' ceremony. Patchwork cotton triangles with embroidered central panel and added reflecting discs and 'tooth' shaped decorations. 170 x 135cm. Not sure how old, but certainly pre 1930's. Notes: The tooth filing ceremony is an upper class event when a child, particularly a girl, reaches puberty. The initiation details were explained to me by a Hindu priest. He was keen to tell me it was a practice that disappeared several generations ago. It was meant to overcome man's bestiality, the pointed canine teeth were considered animalistic and thus all 6 upper front teeth were filed even. (Perhaps a dentist would like to hang this in his waiting room!)

Live Auction

Hazara dress front. Women and children of most tribes in central Asia wear a long dress with an embroidered panel at the fron

Batemans of Stamford

Lot 501

Hazara dress front. Women and children of most tribes in central Asia wear a long dress with an embroidered panel at the front. Embroidered with god wire and tiny mirrors. 40 x 32cm. late 20th c.

Live Auction

Woven and stitched beaded amulet from central Afghanistan with 5 small gul-i-peron. Used to adorn a dress below the embroider

Batemans of Stamford

Lot 525

Woven and stitched beaded amulet from central Afghanistan with 5 small gul-i-peron. Used to adorn a dress below the embroidered bodice panel. New.

Live Auction

Carved wood panel. This exquisite panel was the front of a chest from Nuristan in the very east of Afghanistan. The two peac

Batemans of Stamford

Lot 645

Carved wood panel. This exquisite panel was the front of a chest from Nuristan in the very east of Afghanistan. The two peacocks are a clear indication of its age, pre Muslim and origin, Kafiristan.120 x 42cm. Early 20th c. or possibly older. Notes: Kafiristan took its name from the enduring kafir (non-Muslim) Nuristani inhabitants who once followed a distinct form of ancient Hinduism mixed with locally developed accretions. The Kafirs, meaning "disbelievers" or "infidels" are closely related to the Kalash people, a fiercely independent people with a distinctive culture, language and religion. The inhabitants were converted from an animist religion, a form of ancient Hinduism infused with local variations to Islam in 1895. Now the region has become known as Nuristan ("land of illumination", or "land of light").

Live Auction

A panel with three arched openings and three squares opening over. This would have been set over a recess in the adobe wall i

Batemans of Stamford

Lot 691

A panel with three arched openings and three squares opening over. This would have been set over a recess in the adobe wall in the kitchen of a village house in central Afghanistan for storing kitchen equipment.

Live Auction

Carved panel decoration from Bali in contrasting two colours of wood. Showing a tree and foliage. 52 x 20cm. New

Batemans of Stamford

Lot 83

Carved panel decoration from Bali in contrasting two colours of wood. Showing a tree and foliage. 52 x 20cm. New

Live Auction

Carved hardwood panel from Bali showing two birds. These are placed at the top of an outside wall to improve ventilation. 70

Batemans of Stamford

Lot 84

Carved hardwood panel from Bali showing two birds. These are placed at the top of an outside wall to improve ventilation. 70 x 34cm. New

Live Auction

Artist: Damien Hirst (English, b.1965). Title: "Pharmacy Panel (Gold) (2004) (4 panel)". Medium: Color silkscreen and offset

Stanford Auctioneers

Lot 1261

Artist: Damien Hirst (English, b.1965). Title: "Pharmacy Panel (Gold) (2004) (4 panel)". Medium: Color silkscreen and offset lithograph. Date: Composed 2004. Dimensions: Overall size: 36 x 41 1/4 in. (914 x 1048 mm). Image size: 36 x 41 1/4 in. (914 x 1048 mm).Lot Note(s): Signed lower right. Printed with five colors and metallic gold ink. The full sheet. Fine impression. Fine condition. Backed with a conservation support sheet. Provenance: Private collection, Birmingham, England. Comment(s): A panel of wallpaper (the complete pattern). In 1997, for his restaurant called 'The Pharmacy' located at Notting Hill Gate, London, Hirst designed wallpaper (the "wall chart") based on the pharmaceutical giant Merck’s handbook endpapers, showing pills and products and describing them with their pharmaceutical titles. Merck objected and he withdrew it as an artwork of wallpaper, after he had already plastered the restaurant with silver and gold sheets of the material. Hirst's venture gained further publicity thanks to a dispute with the Royal Pharmaceutical Society of Great Britain, which claimed the name, pill bottles, and medical items on display could confuse people looking for a real pharmacy. The name itself breached the Medicines Act 1968, which restricts the use of the word "pharmacy". The restaurant's name was subsequently changed to "Army Chap" and then "Achy Ramp" (anagrams of "pharmacy"). Initial plans to open further restaurants outside London were quietly dropped and the restaurant itself closed in September, 2003. Sotheby's dispersed its contents in 2004. For the massive Pharmacy sale at Sotheby’s in 2004, though, new wallpaper was designed and made that didn’t offend copyright laws, using biblical titles and references to biblical passages. Image copyright © Damien Hirst. [26305-6-1200]

Live Auction

A large three part metal signalling control panel - removed from Hazel Grove Power Box covering the Hope Valley line from New

Excalibur Auctions Ltd

Lot 223

A large three part metal signalling control panel - removed from Hazel Grove Power Box covering the Hope Valley line from New Mills Junction to Edgeley - together with the Buxton and Cheadle branches (overall length is 106" x 25.5")

Live Auction

A large London Underground glass signalling panel from Earls Court Power Box - covering the Tower Hill and Aldgate areas - ci

Excalibur Auctions Ltd

Lot 225

A large London Underground glass signalling panel from Earls Court Power Box - covering the Tower Hill and Aldgate areas - circa early 2000s (36" x 24")

Live Auction

A small glass signalling panel from Earls Court Power Box covering train locations at Heathrow Stations on the Picadilly Line

Excalibur Auctions Ltd

Lot 226

A small glass signalling panel from Earls Court Power Box covering train locations at Heathrow Stations on the Picadilly Line - circa early 2000s (37.5" x 6")

Live Auction

Adolf Luther (1912 Krefeld-Uerdingen - 1989 Krefeld) (F)'Energetische Plastik', 1984, Acrylprismen mit Metallstiften auf Holz

Auktionshaus an der Ruhr

Lot 245

Adolf Luther (1912 Krefeld-Uerdingen - 1989 Krefeld) (F)'Energetische Plastik', 1984, Acrylprismen mit Metallstiften auf Holzplatte, Maße 30 cm x 18 cm x 13 cm, signiert, betitelt, minimale altersbedingte SpurenAdolf Luther (1912 Krefeld-Uerdingen - 1989 Krefeld) (F)'Energetische Plastik', 1984, acrylic prisms with metal pins on wooden panel, dimensions 30 cm x 18 cm x 13 cm, signed, titled, minor age related wear

Live Auction

A. Hoeman (19. Jh.)Kircheninterieur, Öl auf Holz, 33,4 cm x 24,2 cm, signiert, minimale FarbabplatzerA. Hoeman (19th C., Neth

Auktionshaus an der Ruhr

Lot 400

A. Hoeman (19. Jh.)Kircheninterieur, Öl auf Holz, 33,4 cm x 24,2 cm, signiert, minimale FarbabplatzerA. Hoeman (19th C., Netherlands)Church interior, oil on panel, 33.4 cm x 24.2 cm, signed, minor losses of pigment

Live Auction

William Adolphus Knell (1805 Carisbrooke - 1875 Kentish Town)Vor dem Hafen, Öl auf Holz, 21 cm x 50 cm, signiert, minimale Fa

Auktionshaus an der Ruhr

Lot 415

William Adolphus Knell (1805 Carisbrooke - 1875 Kentish Town)Vor dem Hafen, Öl auf Holz, 21 cm x 50 cm, signiert, minimale FarbabplatzerWilliam Adolphus Knell (1805 Carisbrooke - 1875 Kentish Town)At the harbour, oil on panel, 21 cm x 50 cm, signed, minor losses of pigment

Live Auction

360406 item(s)

/page