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Abraham Borm (d. 1668). Milkmaids with a sleeping child, cows and sheep in a mountainous landscape, a cowherd in the distance, Oil on panel, Signed and dated 1657 lower right, 34 x 45.5cm (13 1/2 x 18in). A pupil of Karel Slabbaert in 1653, Abraham Borm is listed as a member of the guild of Middelburg in 1657.
A LATE VICTORIAN TWO HANDLED BOWL, maker Charles Stuart Harris, London 1894, in the Continental style, of lobed oval form, chased with flowerheads and scalework panels, the base with prickwork flower panel, and raised upon four cast stylised dolphin, acanthus and scroll supports, 6 1/2" x 6" excluding handles, 9ozs 13dwts
AN OAK CASED ARTS AND CRAFTS MANTEL CLOCK, the H.A.C. fourteen day movement striking on a bell, the silvered dial with hammered centre, beaded edging and Roman numerals, stained glass panel below, in arched oblong case with white metal strapwork applied with coloured glass studs, bell surmount and bracket feet, maker`s label to rear No.32575, 14 1/2" high (Illustrated)
A MAHOGANY LONGCASE CLOCK by Elliott, Leeds, the eight day movement with anchor escapement striking on a bell, 14" arched dial with Roman numerals and painted with cottages and a milk maid, secondary dials, the rosewood banded case with scrolled pediment on baluster turned columns, canted trunk with arched panelled door, the base with inset circular panel, on turned feet, 97" high
AN ORMOLU AND VEINED GREY MARBLE CLOCK GARNITURE by Japy Freres, the twin barrel movement striking on a bell with back plate stamped E B 13650, marble dial with gilded Roman numerals and central flowerhead, in arched oblong case surmounted by resting doves and turned finial, reeded side pilasters headed by masks and with scrolled bases, scrolling foliate panel below the dial centred by a mask, the base with fruiting branch and portrait medallion, raised on lion paw feet, 12" x 6 3/4" x 17 3/4", en suite with a pair of five light candelabra, with flame finials, urn shaped sockets and leaf cast scrolled branches, turned fluted stem with laurel festoon
A STAINED AND LEADED GLASS PANEL, c.1900, of oblong form, depicting a Yorkshire Rose on a grid of pale green, yellow and clear glass within a narrow border of blue and yellow glass interspersed with geometric designed panels, 22 1/4" x 18 1/4" Provenance: Parts originally removed from a window in Kettlewell Methodist Church
AN ADZED AND STAINED OAK REFECTORY TABLE by Robert Thompson, the 2 1/2" thick plank top raised on plain frieze and square section legs joined by a similar peripheral floor stretcher, 90" x 29 1/4" x 30", together with a set of eight chairs to match including two elbow chairs, the panel back with straight top rail and carved with a coat of arms, panel seat, raised on square section legs joined by stretchers, carved trade mark in relief to the two elbow chairs (9) Provenance: This unusual suite was originally commissioned by the Clay family of Huddersfield in the 1920`s, and appears to have been deliberately stained and distressed together with fake worm holes by Robert Thompson in compliance with his client`s wishes. It was purchased by the vendor`s father from the original owners in the 1940`s.
A VICTORIAN SATIN WALNUT TRIPLE WARDROBE comprising two arched mirrored doors each with carved floral panel enclosing a hanging space, and flanking a central section with flower carved cornice centred by a female mask over mirrored recess with spindle supports, two doors below over two small drawers, the base with two small and four long drawers, brass Art Nouveau style handles, on plinth, one drawer stamped Reg. No.435783, 87 3/4" x 23 1/4" x 86 3/4"
A LATE VICTORIAN MAHOGANY PART SALON SUITE with bone and foliate marquetry inlay and stringing, comprising two seater settee, the part padded back with waved top rail, central marquetry panel flanked by two pierced splats, downswept arms, bowed padded seat, on cabriole legs and peg feet, 43" wide, two arm chairs and two single chairs to match (5)
Rare late eighteenth century Chinese export famille rose porcelain foxhunting punch bowl with two reserves depicting European figures riding out with hounds and the chase with hounds chasing fox up a tree - the central inside panel depicting hounds with huntsman all within floral sprig ground and rococo floral borders, 28.5cm diameter, 13cm high Further images and condition reports are available at www.reemandansie.com Two long breaks restored - enamels bright
Unusual Continental white metal sifter or strainer in the form of a shield with pierced foliate decoration around a central embossed panel of a three horse chariot driven by a semi-clad figure. The classical border with rams head corners. The stem depicting a classical figure standing on a stylised Corinthian column, 15.8cm overall Further images and condition reports are available at www.reemandansie.com
Antique gold bracelet with three articulated panels also forming a concealed clasp, each panel set with a cabachon green stone (probably replacing lockets of hair) surrounded by seed pearls, on a later antique gold (9ct) mesh bracelet with adjustable buckle clasp Further images and condition reports are available at www.reemandansie.com Total weight 37.1 grams
Mid-nineteenth century circular cameo carved sardonyx stickpin in yellow metal mount decorated in relief with a jockey on a horse, believed to be Loiterer, that in 1810 as a four-year-old won the Gold Cup at Ascot, panel 1.8cm diameter Further images and condition reports are available at www.reemandansie.com
Nineteenth century eight day longcase clock with circular white painted dial, brass winding holes in a mahogany case with shaped door and domed hood with canted reeded corners and circular glass panel to door. Hood locking latch, approximately 203cm overall height Further images and condition reports are available at www.reemandansie.com
A German Porcelain Naval Beerstein, printed and painted with scenes related to the 1.Hochsee-Torpedobbbts-Flotille Wilhemshafen 1907-1910, a lithophane panel to the base, the domed pewter cover with sailor and ensign knop, with eagle thumbpiece, 28cm; a Very Similar Beerstein, to the 3.(Bayer.) Pionier-Battaillon. 3.Kompanie, Ingolstadt, 1911-1913, the domed pewter cover with railway tank engine knop, and with winged wheel thumbpiece, 24cm (2 - late 20th Century)
A German Porcelain Cavalry Beerstein, printed and painted with scenes related to the 1. Schw.Reiter-Regiment "Prinz Carl v. Bayern"3.Est. 1896-99, the base set with a lithophane panel, the domed pewter cover with mounted cavalry officer knop and with rampant lion and shield thumbpiece, 28cm; a Very Similar Beerstein, to the Infanterie Rgt.11.Comp. 1903-05, Munchen, decorated with Infantry training scenes, the domed pewter cover with infantryman and lion knop and rampant lion and shield thumbpiece, 26cm (2 - late 20th Century)
A German Porcelain Artillery Regimental Beerstein, printed and painted with scenes related to the 3.Feld-Artillerie-Regiment. 1.Batt.-1899-1901-Munchen, with a lithophane panel to the base, the domed pewter cover with gun carriage knop, and with rampant lion and shield thumbpiece, 25cm; a Similar Beerstein, to the 1.Bayerisches Luftschiffer-Bataillon, Munchen 1910, the domed pewter cover with eagle knop, 24cm. (2 - late 20th Century)
A Sterling Silver and Enamel Brooch, possibly Canadian, the central shield shape panel decorated with a steam train with cow catcher over three corn stooks, within a garter divided by three fleur de lys surmounted by a King`s crown; a Copy of a Railway Plaque, for London Midland and Scottish Railway (2)

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360412 item(s)/page