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Lot 180
A VICTORIAN SILVER WAITER, GEORGE IVORY, LONDON, 1849 shaped circular, engraved with a crest surrounded by a scroll foliate and flowerhead band, moulded rim, on three cast foliate panel feet, underside stamped for the retail jewellers: TURNER'S 58 & 59 NEW BOND ST. 17.5cm diameter, 229gr (7oz)
Lot 194
A SPANISH SILVER INKSTAND, MAKER'S MARK E.MZ, PROBABLY REAL ESCUELA Y FABRICA DE MARTINEZ, MADRID, 1806 beaded borders throughout, the pointed oval stand with trellis pierced gallery, on shaped panel feet, with its silver cylindrical containers and covers, two as inkwells with glass liners, one with pierced cover, the central pounce pot with pierced top, undersides of all containers and stand with assay zigzag, maker's, town and assay marks 23cm long, 692gr (22oz)
Lot 238
AN EDWARDIAN SILVER COMBINED SHOOTING PEG (OR BUTT) SELECTOR AND VESTA CASE, J.C. VICKERY, LONDON, 1908 rectangular, fitted with a turning printed scroll indicating different peg positions for up to eight drives for eight guns beside a panel with card insert for names, one long side hinged for the vesta compartment and striker, the other fitted with a suspension ring, the later inscribed reverse opening to reveal eight numbered pegs, underside stamped 'PATENT No.3217 / J.C. VICKERY 179,181,183 REGENT St.', in its fitted leather case 6.2cm long including scroll handle (2)
Lot 269
A FRENCH GILT-BRASS CARRIAGE CLOCK, JOSEPH SOLDANO, PARIS, CIRCA 1860 with hour push repeat and alarm, striking the half and full hours, all on a bell, the scroll foliate engraved gorge case with bevelled glass including a top panel with engine-turned oval mask to the escapement, the white enamel dial with Roman hour numerals, Arabic five minutes and 'Breguet' hands above a subsidiary alarm dial, signed for the retailer 'OLLIVANT & BOTSFORD / MANCHESTER', the twin train eight day movement with 'blanc roulant' supplied by the Honoré Pons workshop of St Nicholas d'Aliermont, the silvered platform Soldano escapement signed 'JS' and numbered '31', the baseplate, backplate and original winder all similarly numbered '31', backplate also with Pons roundel and additional number '312', in its (distressed) leather carrying case 16cm high to raised handle Joseph Soldano's company is famed for its high quality numbered escapements, thought to have been produced in Geneva, as well as the gorge cased carriage clocks. ...
Lot 270
A FRENCH ORMOLU MANTEL CLOCK, ACHILLE BROCOT, PARIS, LATE 19TH CENTURY the eight day movement striking the hours and halves on a bell, the cobalt blue 'Sèvres' style porcelain dial with gilt framed Roman numerals surrounding a scene of two putti playing with a goat, the domed case with bud finial with four further pineapple finials to the corners above laurel wreath handles, fluted pilasters and a lozenge-shaped porcelain panel to the base, on toupie feet, with glass cover to backplate, stamped AB in a star and numbered 016, case with the same number and initialled AB, with key and watch key for the suspension regulator, 26cm high; together with a small 'Sèvres' style ormolu-mounted pedestal urn, probably originally one of a pair to form a garniture, cobalt blue, painted with further putti and a goat, 11.5cm high (2)
Lot 5
‡ A BERLIN (KPM) TOPOGRAPHICAL CUP & SAUCER, CIRCA 1815 each with gold ground bands flanking a burnished leaf band, the cup with beaded scroll handle and rectangular panel painted with a view of Dresden and the Augustus Bridge over the Elbe, underglaze blue sceptre mark to cup and saucer, cup impressed '10', saucer '28'
Lot 1431
A stoneware Bellarmine jug, probably Rhenish, 17th century, the brown glazed pear shaped body moulded with a smiling bearded man to the neck above an indistinct oval panel, height 22cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1567
An Hispano Moresque lustre charger, late 19th century, the centre painted with the coat of arms of Kingdom of Sicily within a lobed panel border, diameter 46cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1706
A Kosta Boda glass Satellite flask, designed by Bertil Vallien, circa 1980, the clear flattened body decorated to each side with a metallic panel and polychrome splashes against a mottled orange ground, engraved marks to base with numerals '7089726' and applied label, height 28.7cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1597
A Delft four-tile panel, late 18th century, polychrome painted with a yellow bird in an elaborate cage, approx 27cm square, held within a grey veined marble frame (repainting to join lines).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1623
A Staffordshire porcelain rectangular panel, 19th century, painted with a titled view of Trentham Hall, 28cm by 22cm, held within a wooden frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1500
A cobalt blue ground 'Vienna' porcelain vase and cover, late 19th century, the urn shaped body painted by A. Heer, signed, with a panel of two classical females, titled in German 'Sehnsucht' (Yearning), within a dotted gilt frame opposing a smaller figural panel, within elaborate gilt foliate scrollwork surrounds, raised on a square pedestal base, underglaze blue shield mark, height 46cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 107
A Victorian mahogany chiffonier or sideboard, shaped half-gallery carved and applied with acanthus above a shelf and two small drawers, shaped top with moulded edge above an arrangement of drawers and a pair of panel doors, each enclosing a shelf, turned feet, 154cm high, 165cm wide, 54cm deep
Lot 12
A late Victorian walnut-trimmed, ebonised, parcel-gilt and painted drawing room or parlour cabinet, shaped half-gallery centred by a bevelled rectangular mirror, slightly oversailing top above a pair of short drawers and a panel door, painted with a Pre-Raphaelite beauty gathering flowers, flanked by open mirror-backed shelves, turned supports and forelegs, 129.5cm high, 124.5cm wide, 40cm deep
Lot 402
A 17th century design oak duodarn, outswept cornice above three panel doors, the projecting base with two further panel doors above a pair of short drawers, carved throughout with leaves and symbols of the Union, English rose, Scottish thistle, Welsh dragon and Irish shamrock, stile feet, 171cm high, 139cm wide, 52.5cm deep
Lot 120
KNOEBEL, IMI1940 DessauTitel: Anima Mundi 19-3. 3-teilig. Datierung: 2013. Technik: Acryl auf Aluminium. Maße: Jeweils: 37 x 28,7 x 5,5cm. Bezeichnung: Signiert und datiert verso auf dem dritten Panel: imi 2013. Zudem jedes Panel verso mit einem Etikett mit Werkangaben versehen. Bei diesem Werk handelt es sich um ein Unikat. Es befindet sich in der originalen Holzkiste inkl. Installationsanleitung.Zu dieser Arbeit liegt ein Zertifikat der Galerie Fahnemann, Berlin, vom 21. April 2014 vor.Provenienz:- Galerie Fahnemann, Berlin - Privatsammlung Nordrhein-Westfalen- Knoebel zählt zu den wichtigsten Vertretern der deutschen Minimal Art- Hochattraktive Farbkombination- Werke des Künstlers befinden sich in zahlreichen bedeutenden Sammlungen, darunter Museum of Modern Art, New York und Museo Reina Sofia, MadridImi Knoebel beschäftigt sich seit 2010 mit der "Anima Mundi" Serie, in der reduzierte Mittel und intensive Farbigkeit direkt aufeinander treffen. Die Konstruktion aller Werke ist identisch - ein hochrechteckiges Mittelfeld wird von vier Profilen eingefasst, jedes Feld in einer eigenen Farbigkeit. Sie stehen einzeln oder in Gruppen. Dadurch eröffnen sich enorm vielfältige Farbvariationen und -kombinationen. Das hier angebotene Werk "Anima Mundi 19-3" ist dreiteilig. Zwei pastellige Farbtafeln flankieren eine kraftvolle, dunkle Tafel im Zentrum. Aus einer eigentlich simplen Komposition entsteht so ein Gesamtwerk von unendlicher Vielfalt und einem spannenden Veränderungspotenzial. Der international renommierte Künstler ist einer der bedeutendsten Vertreter der deutschen Minimal Art. Inspiriert von den Werken Malewitsch' stehen die Beziehungen zwischen Raum, Form und Farbe im Fokus seines Schaffens. Auch experimentiert er immer wieder mit verschiedenen Materialien wie Hartfaserplatten, Aluminium und Papier, später mit Fundstücken wie Eisen, Schläuchen und Wellblech. Knoebels Werke sind in zahlreichen Museen und Institutionen in Deutschland und weltweit vertreten. Imi Knoebel Deutschland Minimalismus Fotografie Nachkriegskunst Unikate 2010er Formen Gemälde Acryl FarbeErläuterungen zum Katalog
Lot 150
English School, 19th/20th century Bull terrieroil on panel17.5 x 23cmFramed size: 34.5 x 29.5cm, frame has oval aperture. There is a hairline scratch to the paint across right side of dog's head, some paint loss at the edges, mostly covered by frame. A split to the wood of frame, please refer to images. Not viewed out of frame or under uv light, please contact the department for a full report.
Lot 161
English School, 19th century'Waiting for Master'oil on panel23 x 18cmPanel is sound. A fine craquelure in parts, under uv light, a small spot of retouching to the neck of the black and white dog, and very tiny flecks elsewhere, possibly some additional flecks to the doorway, generally in a good, stable condition, well-framed and ready to hang.
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