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VICTORIAN REVERSE GLASS PATENT PEARL BOX, by Lane of Birmingham, rectangular form, papier-mache casing with gilt highlights, painted in polychrome, the hinged top inset with a mother of pearl glass panel painted with a rose bouquet, fitted interior, raised on four bracket feet, impressed marks to verso, 27 x 20cm
TABRIZ TYPE RUG, the ivory ground with a central blue oval medallion worked with herati style trailing leafage and flowerheads, with a central shaped panel within floral outer borders and guards, 284cm x 176cm, and another Tabriz style small carpet with an ivory ground and central pale salmon medallion, 310cm x 200cm (2)
CHARLES II OAK WAINSCOT CHAIR with a serpentine cresting carved with the figure of a green man and the ears with heraldic beasts, the panelled back carved with an urn of stylised flowers within carved and inlaid borders and beneath a panel carved with the date "1661" and the initials "IW", with downswept arms on turned supports and an associated solid seat over a lunette-carved frieze, on ring-turned legs joined by squared stretchers, 67cm wide x 127cm high
PAIR OF REGENCY EBONISED AND GILT ELBOW CHAIRS, each with a turned cresting rail centred by a panel decorated with acorns and oak leaves over two pierced horizontal splats centred by rectangular panels painted with musical trophies and crossed palmettes, with downswept arms and caned seats, on turned tapering legs, redecorated, 54cm wide x 85cm high (2)
PAIR OF NORTH ITALIAN KINGWOOD AND MARQUETRY COMMODES in the manner of Guiseppe Maglioni, each with a rectangular top inlaid with a central neo-classical circular panel within a banded border inlaid with circular medallions containing neo-classical busts alternating with urns joined by garlands of fruit and flowers tied with ribbon, above three drawers with conforming decoration, the sides with conforming marquetry decoration, on square tapering legs, one fitted with later castors, 121cm wide x 58.5cm deep x 87cm high (the commode without castors). See illustration Provenance: A deceased Estate, London.
AUGUSTUS LEOPOLD EGG (1816-1863) A cottage garden, inscribed on two labels on the reverse, including one for JS Maas & Co. Ltd., oil on panel, 27cm x 26cm Exhibited: JS Maas & Co. Ltd, 15A Clifford Street, London W1 "Victorian Exhibition", 1968, and with an earlier label identifying the subject as "Old Cottages" under the number 142
ASCRIBED TO EGBERT VAN HEEMSKERCK (1634-1704) A woman with a cat, the back extensively inscribed including a label dated December 1817 stating "Richard Cosway RA is of the opinion that this picture bought for one shilling by Lord de la Zouche at Brighton 1816 was painted by Egbert Hemskirk", oil on chamfered oak panel, 16.5cm x 13cm Provenance: A noble West Country collection.
19TH CENTURY FRENCH BRASS AND PORCELAIN MANTLE CLOCK, the painted porcelain dial with Roman numerals, the two train movement stamped "HY MARC PARIS", striking on a bell, in a brass case with painted porcelain panel sides. 33cm high, together with a pair of painted porcelain urns with brass mounts
EDWARDIAN PAINTED SATINWOOD OCCASIONAL TABLE with banded decoration, the rectangular top with a central oval panel painted with figures beside a coastal cottage, within floral borders, the single frieze drawer with a fitted interior for writing, on square tapering legs joined by crossover stretchers and ending in splayed feet, 45.5cm wide x 37.5cm deep
A RARE SILVER RESIST LUSTRE POTTERY JUG inscribed "Grosvenor For Ever" surrounding the family crest of a hound surmounted by a coronet, flanked on either side by a purple transfer printed panel of a country house, probably representing Motcombe Park in Dorset, with deer in the foreground, 16cm high Provenance: The Grosvenor family and thence by descent.
A 17TH CENTURY EUROPEAN TABLE DESK for the ISLAMIC MARKET, with tortoiseshell, ivory and coloured woods, the rising top opening to reveal a mirror in the lid and tray with compartments, the front with double panel doors opening to reveal small sliding drawers with ivory knop handles, the sides with brass carrying handles. 11ins high x 8.5ins deep x 12ins long.
RIVERS & SON, CORNHILL LONDON A GEORGE III MAHOGANY QUARTER CHIMING LONGCASE CLOCK the arched moulded hood with blind fret above a glazed arched door flanked by reeded brass capped corinthian columns, the trunk with matching quarter columns enclosing a moulded framed bridge top door above a box base with applied moulded panel. The 12" arched brass dial with painted circular Roman centre and subsidiary seconds, the arch having subsidiary dials for regulation and Strike/Silent with centre cartouche reading 'Rivers & Son, Cornhill, London. Successer's to Daniel De Sir Leu, WATCHMAKER To her MAJESTY'. The three train weight driven eight day movement striking the hours on a bell and the quarters on a nest of eight bells 223cm high - comes with brass cased weights, pendulum, winding key and original pagoda top, now removed
A 17TH/18TH CENTURY OIL ON CANVAS LAID ON PANEL. Depicting the famous scene of the siege of Weinsberg with women carrying their men out of the city 45.5cm high 51cm wide, with old text to reverse - In 1140, when an opposition castle was captured by King Konrad III, the women of the castle were granted free departure and allowed to take what they could carry on their backs. Thinking quickly the women carried the men on their backs The King kept his word and let the men live.
R. B. THOMAS PORT MADOC A MID 19TH CENTURY FIGURED MAHOGANY REGULATOR LONGCASE CLOCK the flat top moulded case above a glazed door with pierced carved decoration on box base with recessed panel enclosing a 14" silvered engraved observatory dial with outer minutes and subsidiary seconds and hour dials fronting a substantial eight day weight driven movement with mercury pendulum, jewelled pallets, Harrison's maintaining power and six-spoke wheel work between thick brass plates 218cm high
J. TURNER LONDON A REGENCY FIGURED MAHOGANY DOMESTIC REGULATOR LONGCASE CLOCK having a break arch hood with canted corners and brass fish scale frets on a matching slender trunk and box base with applied panel, the 12" painted brass dial with Roman numerals, subsidiary seconds and calendar dials fronting a 5 pillar eight day weight driven movement with deadbeat escapement and Harrison's maintaining power striking the hours on a bell 211cm high without finials
C. TAYLOR & SON BRISTOL A MID 19TH CENTURY FIGURED MAHOGANY REGULATOR LONGCASE CLOCK having an arched hood with canted corners above a matching glazed trunk on box base with inset panel, the 13" silvered engraved circular dial with Roman numerals and subsidiary seconds dial fronting an eight day weight driven movement with tapered pillars, Harrison's maintaining power and dead-beat escapement driving a mercury pendulum with rolling pin suspension and micro adjustment 207cm high
AN EDWARDIAN MAHOGANY CASED TUBE CHIMING LONGCASE CLOCK the swan neck pediment above a glazed door and canted corners on matching trunk with boxwood inlay and box base with inset oval panel. The 12" arched brass dial with gilt spandrels and silvered chapter ring with applied gilt Arabic numerals fronting a triple weighted eight day movement chiming the quarters on five tubular gongs 237cm high

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360412 item(s)/page