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Lot 184
DANIEL COTTIER (BRITISH, 1838-1891) COURT CUPBOARD; CIRCA 1873 Oak, inset with painted panels 194cm high, 183cm wide, 61cm deepProvenance: Private Collection of Late 19th Century Design Furniture, Cadogan SquareLiterature: Cooper, J., Victorian & Edwardian Furniture & Interiors, Thames & Hudson, London, 1987, p.152, fig. 391 for a cabinet with similar carved decoration Condition Report: Marks, knocks, scratches, abrasions consistent with age and useThis is dated 1873 to the upper frieze Some surface dirt and deposits to the painted panels of the back as well as the polished counter-top One of the panels has six indentations and 'caps' to cover where screw holes appear to come through the rear - why these might have been drilled and then later repaired is enigmatic. the other panel appears free from these . Some small chips and losses, missing a small mitred moulded panel to the side of one upright The key that is present is operating the lock to the front of the cabinet at time of report, it appears to fit the second lock but is not turning freely to release the catch - the second lock may require an oil or a replacement key - Dreweatts makes no guarantees it is sold as being locked shut. Overall entirely solid and stable Please see additional images for visual reference to condition Condition Report Disclaimer
Lot 163
AN ENGLISH OAK LETTER BOX 19th/20th century, the glazed front panel with a brass letter slot over gilt text 'Post Arrives ... Leaves', with a hinged side panel revealing a vacant interior, on a stepped base, 27cm high x 40cm wide x 13cm deepProvenance: By repute, once belonging to Sandford Orcas Manor, with Lady Medlycott notecard inside.
Lot 83
MANNER OF THOMAS SIDNEY COOPER (1803-1902) Study of three sheep in a pasture labelled verso ascribing artist as 'Dr Corfield', oil on panel, 18cm x 27cm; together with two further watercolours in the Cooper style, one signed lower left 'Sidney Cooper', 14cm x 25cm and 14.5cm x 25cm (3)Provenance: A private North Dorset collection.
Lot 100
Vinyl - Black Sabbath Master Of Reality LP on Vertigo Records 6360 050. Original UK 1st pressing, 1Y//1 2Y//1 matrices, original swirl inner sleeve, original six panel matt poster, outer box sleeve. VG++ (still maintaining its box format) / VG+ (light neon feelable marks). Poster is EX- (with age marks on back).
Lot 7
Vinyl - Black Sabbath Master Of Reality LP on Vertigo Records 6360 050. Original UK 1st pressing, 1Y//1 2Y//1 matrices, original swirl inner sleeve, original six panel matt poster, outer box sleeve. VG++ (still maintaining it’s box format) / EX. Poster has pin holes and writing / dedication to bottom right
Lot 542
An early 19th Century mahogany worktable, the elongated octagonal top cross-banded over two frieze drawers, on a turned centre pedestal to waisted platform and C scroll supports and brass castors, 53 cm wide x 38 cm deep x 77 cm high, together with an early 19th Century mahogany tea table, the rounded rectangular fold-over top cross-banded over a beadwork panel decorated frieze, on a turned centre pedestal to waisted platform C scroll supports, brass lion's paw caps and castors, 92 cm wide x 45.5 cm deep x 75 cm high
Lot 423
A machine woven Persian style circular rug, the red central panel with red ground and floral decoration, within a stepped brown and cream floral decorated border, approx 177 cm diameter, together with a further machine woven Persian style rug, the central panel set with floral decorated medallion on a red and cream ground, within a stepped foliate decorated border, approx 169 cm x 120 cm, a further modern machine woven runner, the central panel set with stylised hook motifs on a cream ground, within a stepped red and black scrolling decorated border, approx 250 cm x 80 cm and a modern Bokhara style rug, the central panel set with repeating diamond medallions on a blue ground, within a stepped blue, red and cream diamond decorated border, approx 136 cm x 72 cm (4)
Lot 433
A modern Kelim style rug in mustard, pink and grey, approx 155 cm x 93 cm, together with a further modern Kelim type rug, the central panel set with six repeating tiles on a pale blue ground, within a stepped border, approx 185 cm x 126 cm and a further small rug, the central panel set with tiled design on a pale pink ground, within a stepped border, approx 97 cm x 56 cm (3)
Lot 520
An Edwardian mahogany and inlaid Sheraton Revival corner cabinet, the broken arch pediment over a single glazed door enclosing two shelves over a further fielded panel cupboard door on bracket feet, 70 cm wide x 198 cm high, together with a 19th Century mahogany and cross-banded bureau bookcase, the associated oak top with two glazed and barred doors enclosing three shelves over a sloping fall enclosing a fitted interior with pigeonholes, central cupboard door and drawers over four long graduated drawers with brass swan neck handles raised on bracket feet, 102 cm wide x 52 cm deep x 202 cm high (2)
Lot 558
A set of seven (5 plus 2 carvers) William IV mahogany dining chairs, the carved bar backs over a scrollwork decorated back rail and drop-in seats, on sabre legs, 46 cm wide x 87 cm high, together with a William IV carved mahogany carver chair, the kidney-shaped back with ornate foliate and floral decoration over an upholstered seat, flanked by acanthus carved scroll arms, on turned and reeded tapering legs, 58 cm wide x 93 cm high CONDITION REPORTS All are in need of some TLC. One of the carver chairs has had repairs to the scrolling arms. One of the standard chairs - the joints are incredibly loose throughout including to the bar back and has had splits and repairs throughout to the legs. Several have signs of old worm to the back seat support rail. Another standard chair has a chunk missing from the top left hand corner of the back rail. The back rail is loose. Most have some damage to the veneered panel on the bar back. All are in need of some significant TLC. The associated carver chair has significant damage to the back rail which is gapping. There is a significant repair to the left hand support. The left hand front leg has significant chips and losses, the right hand leg has some smaller losses, again in need of TLC, has some signs of old worm to the back rail. In need of re-upholstering. See images for more details.
Lot 590
A circa 1900 oak dining table in the Arts and Crafts style, the four plank top over a plain frieze on turned and ringed tapering legs, 181 cm x 100 cm x 72 cm high together with a set of six matching chairs with carved back splats and panel seats and two similar bar back carver chairs with fretwork carved back splats and upholstered seats on cabriole front legs united by stretchers
Lot 425
A Ziegler designed Chobie carpet, the central panel set with red ground and all-over foliate decoration, within a stepped cream, beige and red scrolling foliate decorated border, approx 350 cm x 272 cm CONDITION REPORTS Has general wear. A little bit light in colour in various places, possible fading, however the back doesn't look that dark either - see images for further details
Lot 506
An 18th Century Breton French chestnut armoire or cupboard, the two doors with carved fielded medallion decoration over a frieze of four further medallions on moulded stile supports, 130 cm wide x 64 cm deep x 187 cm high CONDITION REPORTS Has been later converted with mirror added and hanging bar. Has had various plates added to the back to stop the back boards coming apart and it looks as though there might have been some other repairs/structural supports added. Smells a bit "fruity". The doors don't sit level. There is some splits to the wood variously throughout, particularly to the bottom right hand carved panel and the left hand front corner all through. There is damage to the feet both animal and it looks like damp damage. The hinge on the left hand top door looks to be replaced. Piece is generally in need of some TLC. Incredibly heavy - see photos for more details
Lot 565
A pair of 1930s oak framed bergere armchairs with caned back and arms, over an upholstered seat on splayed supports, 70 cm wide x 71 cm deep x 78 cm high, together with an 18th Century Provincial oak panel seated elbow chair with vase-shaped back splat and scroll arms on turned supports, to block and turned legs united by stretchers, 63 cm wide x 105 cm high
Lot 435
A Khotan carpet, the central panel set with vase design on a red ground, within a stepped mustard and taupe floral decorated border, approx 383 cm x 202 cm CONDITION REPORTS Has heavy wear throughout. Has clearly had moth in the past although no current evidence. Has possibly has some areas re-dyed. Areas of staining and discolouration. The tasselled edges are very worn - see images for more details
Lot 114
Two 19th Century Chinese famille-rose plates with figural and floral and bird panel decoration, 24.5 cm diameter and two Japanese Imari scallop-edged shallow dishes with all-over flower head and foliate panel design, 22 cm diameter CONDITION REPORTS There are some minor chips/roughness to the edges of the two famille rose plates. Otherwise all items have wear to the gilding and enamel especially to the edges, in need of a clean - see images for more details
Lot 522
A Victorian burr walnut piano front Davenport with pop-up stationery compartment, the three quarter galleried top opening to reveal a sectional interior with fretwork carved decoration, the pull-out writing surface with tooled and gilded leather panel, ebonised pen tray and inkwell with two drawers over four side drawers with turned knob handles, the front with carved, turned and fluted columns on a platform base to bun feet and castors, 57.5 cm wide x 57 cm deep x 100 cm high
Lot 529
A 19th Century barrel box seat (conversion) approx. 46.5 cm diameter x 66 cm high together with a 19th Century Continental wall mounted cellarette or cool box with hanging hook, the hinged lid opening to reveal a tin lining stamped "R&B H&P" with slope top over a slatted panel front, 32 cm wide x 30 cm deep x 37.5 cm high
Lot 592
An Edwardian mahogany washstand with tile top over drawer and fielded panel cupboard door, a late Victorian wrought iron sewing table base with replacement mahogany top, two industrial style wrought iron stools converted to tables with grey veined marble tops, deck chair and a beech slatted deck chair
Lot 361
SCHOOL OF PAULUS MOREELSE (1571-1638) "Emerentia van Ravenswaeg", study of woman in pearl and lace embellished striped dress, a fan in her left hand, portrait study, three quarter length, oil on panel, apparently unsigned, with lattice secured back to the panel 39cm x 31cm CONDITION REPORTS Not viewed under UV. Crazing throughout. Some surface scratching. There is some wear to the edges along frame line and a rougher section bottom right and left. The frame has general wear to include some rubbing to the gilding and there is a hole/build up of something to the lower edge of the frame. General wear and tear conducive with age and use - see images for more details. Provenance -has come from a local private client who is moving
Lot 632
A 19th Century mahogany dining table, the circular top with moulded edge on a turned and ringed centre pedestal to splayed moulded quadruped base, 162.5 cm diameter x 72.5 cm high CONDITION REPORTS The top is heavily water marked with both rings and areas. The table has several large scratches and some dents/bumps to the wood. There is a large split running down one area where the two pieces have been joined together and coming away and there is a further split to the central panel. Top does not feel that sturdy on the base, however it is not screwed into place. The base has mildew and water marks. In need of a good clean. Some scratching and filling conducive with age and use. Possibly has had another base previously. There are some marks underneath which are more of a square than a cross. Otherwise general wear and tear conducive with age and use - see images for more details
Lot 70
ATTRIBUTED TO MACKAY HUGH BAILLIE SCOTT (1865-1945) FOR ALEXANDER MORTON & CO. PANEL, CIRCA 1900 woven wool, within associated period frame 70cm x 52.5cm (frame size 80cm x 63cm) Provenance: Lyon & Turnbull, Edinburgh, Paul Reeves: Textiles as Art, 23 February 2017, lot 60 M.H. Baillie Scott was a prolific Scottish architect and artist involved in the Arts and Crafts movement throughout Britain. This panel parallels other works by Scott such as stained glass windows at Blackwell Arts and Crafts House in the Lake District depicting simplified and sinuous birds and tulips.
Lot 11
A. W. N. PUGIN (1812-1852) OR E. W. PUGIN (1834-1875) NEEDLEWORK WOOL PANEL, CIRCA 1850 wool, with later linen backing, with later cotton binding to each end, the panel a section of a larger carpet 222cm x 111.5cm Provenance: St. Leonards - Mayfield Chapel, Mayfield, Sussex, England. Between 1863 and 1866, Edward Welby Pugin converted the remains of a medieval palace, once owned by the Archbishops of Canterbury, into Mayfield School of the Holy Child. One significant work from this time is a needlework carpet or runner that covered the entire Chapel floor. Due to its large size, the rug was made in small sections and then stitched together. It was hand-sewn by the sisters of Mayfield Chapel for Mother Cornelia Connelly, the founder of the Society of the Holy Child Jesus. Pugin likely used decorative designs created by his father, as he did in other projects.
Lot 205
LIBERTY & CO. THREE 'TUDRIC' BOXES, CIRCA 1920 hammered pewter, enamel with wood lining, comprising BOX, the panel depicting a tree in a landscape, stamped 01021/ ENGLISH PEWTER/ MADE BY/ LIBERTY & CO., 11.5cm wide, a BOX, The panel depicting a Tower Bridge, stamped 01021/ ENGLISH PEWTER/ “TUDRIC”/ LIBERTY & CO., 11.5cm wide and a BOX, he panel depicting sailing boats, stamped 0693, 11cm wide; together with a LIBERTY STYLE CIGATETTE BOX, pewter and enamel, inscribed NONE BUT THE BRAVE DESERVE THE FAIR, stamped 0891, 15cm long (4)
Lot 33
MAY MORRIS (1862-1938) FOR MORRIS & CO. ‘MAIDS OF HONOUR’ EMBROIDERED PANEL, CIRCA 1890 coloured silks on a cotton ground, framed 55cm x 56cm (frame size 71cm x 71.5cm) The outer border of the roundel is inscribed with the opening lines of Robert Herrick’s (1591-1674) poem ‘Welcome, maids of honour, you do bring in the Spring and wait upon her’.
Lot 35
WILLIAM MORRIS (1834-1896) FOR MORRIS & CO. 'BRER RABBIT' PERIOD TEXTILE PANEL, CIRCA 1890 printed cotton, later framed and mounted 33cm x 43cm (frame size 50.5cm x 70cm) Literature: Parry L. William Morris Textiles, V&A; 2013, p. 229, pl. 45Note: This pattern was named after a character in 'Uncle Remus, His Songs and His Sayings', published in 1882, by J. C. Harris, which was being read to Jenny and May Morris at the time.
Lot 26
WILLIAM MORRIS (1834-1896) FOR MORRIS & CO. GROUP OF THREE ‘TULIP & ROSE’ PATTERN TEXTILE PANELS, CIRCA 1880 woven woollen 3-ply cloth, to include a large SINGLE PANEL, 237cm x 149cm; and a PAIR OF PANELS, each 224cm x 73cm (3) Literature: Parry L. William Morris Textiles, V&A; 2013, p. 210, fig. 18 illus.
Lot 36
SIR EDWARD BURNE-JONES (1833-1898) AND JOHN HENRY DEARLE (1859-1932) FOR MORRIS & CO. 'ST CECILIA' TAPESTRY, 1888 lunette, wool and silk, within carved giltwood frame 99cm x 117cm (frame size 116.5cm x 135cm) Provenance: Commissioned by Mrs. Playfair, circa 1888Morris & Company Mrs. Lucius Gubbins and by descent Literature: The Revival of Tapestry-Weaving, An Interview with Mr William Morris, The Studio, no. 16 (July 1894), p. 100, Vallance A. William Morris His Art His Writings and His Public Life, London 1898, pp. 119-121Marillier H.C. History of the Merton Abbey Tapestry Works, London, 1927, pp. 18-20, illustrated pl. 12Wilhide E. William Morris: Decor and Design, Harry N. Abrams 1991, p.107, where this tapestry is illustratedThe original drawing for this figure is held in the collections of the Huntington Library, San Marino, California (2000.5.1525E William Morris Collection)Sewter A. Charles The Stained Glass of William Morris and his Circle- A Catalogue, Yale University Press 1975, p.42Sewter A. Charles The Stained Glass of William Morris and his Circle, Yale University Press 1974, pl. 413In his 1893 essay Textiles, William Morris called tapestry “the noblest of the weaving arts,” highlighting the importance of “elegance of the silhouette” and “crispness and abundance of beautiful detail” in a successful design—qualities that St Cecilia certainly embodies.The final design for St Cecilia was a collaboration between Edward Burne-Jones and Henry Dearle, a former pupil of William Morris who later became the chief designer for Morris & Co. in 1890. Burne-Jones created the figure, while Dearle designed the fruit trees and balustrade. The design for this version of St Cecilia was first used in a stained-glass window for Morris & Co. in 1873, which now features in the South transept window of Jesus College Chapel, Cambridge. The figure is nearly identical to the St Cecilia in the tapestry offered here in terms of pose, drapery, and expression, and was chosen for the simplicity of the drapery. A slightly different version of St Cecilia was woven a year earlier, in 1887, as part of a series of seven single-figure panel tapestries, also adapted from existing Burne-Jones stained-glass designs. Like those works, this lunette includes Burne-Jones' figure set within Dearle’s intricate millefleur flower and foliage patterns, with the curved balustrade helping to delineate the figure.St Cecilia was woven in 1888 by William Sleath at Morris & Co.’s Merton Abbey Works. The company had moved there in 1881 to accommodate larger dye vats and weaving looms, each operated by up to three workers. Sleath, one of the first apprentices taken on at Merton Abbey, was an experienced weaver by the time he created this tapestry. According to records kept by Morris & Co.’s last managing director, H. C. Marillier, the 1888 St Cecilia was commissioned by Mrs. Playfair.In the early part of the 20th century, Morris & Co. bought back the tapestry, a not-uncommon practice for pieces they had manufactured. St Cecilia was then purchased by the prolific patron of the firm, the New Zealand-born Mrs. Lucius Gubbins, who furnished her Eastbourne home with Morris pieces. It is from her descendants that this tapestry now comes to sale.
Lot 96
ENGLISH AESTHETIC MOVEMENT FRAMED TILE PANEL, CIRCA 1890 printed, painted and glazed earthenware, inscribed I SHALL NOT, each tile 15.3cm square (frame size 34.5cm x 18.5cm; together with a LARGE AESTHETIC MOVEMENT FRAMED TILE, painted and glazed earthenware, 30cm x 44cm (frame size 35cm x 49cm) (2)
Lot 233
CARL SIGMUND LUBER (1896-1934) PAIR OF JUGENDSTIL WALL PLAQUES, CIRCA 1900 glazed earthenware with tube line decoration, each with gilt metal frames, panels 27cm x 16cm (frame size 44cm x 26cm) ; together with a PANEL, by the same hand, later framed, 26.5cm x 15cm (frame size 46cm x 35cm) (3)
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