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Lot 676
Fine quality Louis XVI style kingwood and gilt metal vitrine cabinet bearing the enamel trade label for James Shoolbred & Co, London, the marble top over a single door inset with a bevelled glass panel over a parquetry panel enclosing glass shelves over a concealed cupboard, with glazed side panels and further parquetry panels upon slender cabriole legs applied with gilt metal foliate mounts, 29.5" wide, 16" deep, 63.25" high
Lot 447
AN 18TH CENTURY QIANLONG FAMILLE ROSE / MANDARIN PORCELAIN TUREEN & COVER, the body of the base with blue & white decoration with a panel decorated in famille rose depicting figures in a temple / garden setting, the cover with a moulded finial and typical blue and white butterfly and flora border decoration, with twin moulded handles of animal heads, 23.5cm high x 34.5cm wide.
Lot 454
A GOOD CHINESE QIANLONG / QIANLONG STYLE PORCELAIN WALL HANGING VASE, the body with turquoise splash with gilding, the main panel depicting birds amongst native flora, the upper section with Chinese calligraphy, the reverse with hanging groove and turquoise glaze, the base with a four character iron red qianlong mark, 20.5cm high x 11.4cm wide.
Lot 643
A FINE QUALITY JAPANESE MEIJI PERIOD SATSUMA VASE BY KINKOZAN, the body of the globular shaped vase with panel decoration depicting scenes of figures working in a landscape setting, the other with scenes of floral display, further decorated upon a blue ground ith gilded borders and scrolling foliage design, the base with the artist signature for kinkozan and remaining's of a collectors label, 11cm high x 7.7cm wide.
Lot 2127
A mid-nineteenth century Sevres-style shaped circular porcelain plate, decorated with a portrait panel of J Reynolds, within gilt circular cartouche applied with red, white and turquoise jewels, within a floral band, cobalt blue border. Pseudo crossed L mark to underside. 24 cm wide.Condition: Wear to detail gilding around rim, some jewels missing and small chip to the foot rim.
Lot 2129
A mid-nineteenth century Sevres-style shaped circular porcelain plate, decorated with a portrait panel of de Saxe, within gilt circular cartouche applied with red, white and turquoise jewels, within a floral band, cobalt blue border. Pseudo crossed L mark to underside. 24 cm wide.Condition: Wear to detail gilding around rim, some jewels missing.
Lot 2131
A mid-nineteenth century Sevres-style shaped circular porcelain plate, decorated with a portrait panel of G. Corde, within gilt circular cartouche applied with red, white and turquoise jewels, within a floral band, cobalt blue border. Pseudo crossed L mark to underside. 24 cm wide.Condition: Wear to detail gilding around rim, some jewels missing, a chip to the rim and small chip to the foot rim.
Lot 2133
A mid-nineteenth century Sevres-style shaped circular porcelain plate, decorated with a portrait panel of Henry III, within gilt circular cartouche applied with red, white and turquoise jewels, within a floral band, cobalt blue border. Pseudo crossed L mark to underside. 24 cm wide.Condition: Wear to detail gilding around rim, some jewels missing.
Lot 2134
A mid-nineteenth century Sevres-style shaped circular porcelain plate, decorated with a portrait panel of Charles VIII, within gilt circular cartouche applied with red, white and turquoise jewels, within a floral band, cobalt blue border. Pseudo crossed L mark to underside. 24 cm wide.Condition: Wear to detail gilding around rim, some jewels missing and small chip to the foot rim.
Lot 2135
A mid-nineteenth century Sevres-style shaped circular porcelain plate, decorated with a portrait panel of de Villars, within gilt circular cartouche applied with red, white and turquoise jewels, within a floral band, cobalt blue border. Pseudo crossed L mark to underside. 24 cm wide.Condition: Wear to detail gilding around rim, some jewels missing and a mark to the underside rim.
Lot 2137
A mid-nineteenth century Sevres-style shaped circular porcelain plate, decorated with a portrait panel of Gd. Turenne, within gilt circular cartouche applied with red, white and turquoise jewels, within a floral band, cobalt blue border. Pseudo crossed L mark to underside. 24 cm wide.Condition: Wear to detail gilding around rim, some jewels missing.
Lot 2138
A mid-nineteenth century Sevres-style shaped circular porcelain plate, decorated with a portrait panel of Henri de Guise, within gilt circular cartouche applied with red, white and turquoise jewels, within a floral band, cobalt blue border. Pseudo crossed L mark to underside. 24 cm wide.Condition: Wear to detail gilding around rim, some jewels missing.
Lot 2187
An early 19th Century hand painted two handled pedestal vase, possibly Derby, with panels of decoration depicting a country house garden to one side and a courting couple to opposite side, the base with a panel of decoration to front showing a musical still life, all on a duck egg blue ground, 28cm high
Lot 2189
Two 19th Century porcelain patch boxes, one possibly of French origin hand painted with floral still life on a blue ground, the other with a floral still life panel on a navy blue ground, indistinctly marked to base, together with a Prince William enamelled box celebrating his 18th Birthday, one inscribed “All things are sweetened by risk”, one of the Royal Wedding of Prince Edward and Miss Sophie Rhys-Jones, etc, (6)
Lot 2418
A collection of miniature bottleneck vases, by various factories, including one by Worcester Lock & Co hand painted depicting a peacock, an early 19th Century Derby vase, the front with a panel of decoration depicting a canal scene, a studio glass vase indistinctly signed on the base (possibly Shaks) together with an assortment of various other 20th Century bottleneck vases, tallest measuring approximately 12cm high, (9)
Lot 3004
Peter Jacquet, London, a George III mahogany eight day longcase clock, circa 1770, pagoda pediment with fretwork panel, brass flame finials, reeded corinthian columns with brass inserts, arched brass dial with silvered chapter ring and subsidiary seconds dial and date aperture, chime/silent subsidiary dial in the arch, urn and eagle spandrels, arched trunk door, height 222cm, (two weights, pendulum and key)
Lot 3010
A George III mahogany 8-day longcase clock by Joseph Brown of Worcester (1767-1796), circa 1780, arch moulded pediment above a silver chaptered ring, brass dial, roman numerals, Arabic outer-track numerals, inlay inscription of the makers name, fluted pillars with brass quarter, moulded panel door, raised on bracket feet, weights and pendulum. 207cm H
Lot 3014
A William III figured walnut 8-day longcase clock by Richard Baker of London, circa 1690, moulded cornice with floral fretwork, above barley twist columns, 10inch brass dial with silvered roman numeral chapter ring, subsidiary seconds, date aperture, cherub face mounted spandrels, signed engraving of Richard Baker, London, cushioned moulded panel door, moulded skirt on a plinth base. Weights, pendulum and key. 203cm H x 45cm W x 26cm DNote: Richard Baker is recorded in Loomes, Brian The Early CLOCKMAKERS of Great Britain as being apprenticed through the Blacksmiths` Company to John Chatfield before transferring to Richard Browne in 1683.He gained his Freedom of the Clockmakers` Company by redemption by order of the Lord Mayer in 1685. He is described as a `Great Clockmaker` and took on many apprentices including Peter Garon in 1687 for which he was fined by the Clockmakers` Company as Garon Clockmakers.
Lot 3020
A George III oak and mahogany longcase 8 day clock by J Holliwell of Derby, globe finial on swan neck pediment hood, arch top with corner rose spandrels, roman numerals, date aperture, subsidiary seconds dial, flanked by turned flute pillars with moulded brass ends, satinwood strung, moulded panel door, raised bracket feet. 225cm H x 52cm W x 25cm D
Lot 3034
A George III oak and mahogany inlaid 8-day longcase clock, circa 1780, three turned globe shape brass finials, swan neck scrolling pediment with brass floral inlay, above a square glazed door and square painted and brass inlay dial, Roman numerals, subsidiary second dial, moulded panel trunk with fluted pillars, raised on a platform base. 205cm H x 52cm W x 25cm
Lot 3037
An 18th Century European six panel room divider screen, extensively decorated in gilt with chinoiserie devices including landscapes, pagodas, figures and exotic wildlife, one side red lacquer ground, the reverse black ground. 275cm high, each panel 50cm wide, total width approximately 300cmProvenance: the property of a Staffordshire family, probably acquired by Sir Charles Trollope of Casewick, Lincolnshire, thence by descent to the present owner. See Lot 1319 from the June 1976 auction catalogue of the contents of Casewick
Lot 3135
A George IV rosewood chiffonier secretaire, circa 1829, moulded dentil pediment above two panel cupboard doors with brass locks revealing a two tier bookshelf, on a rectangular shape base with secretaire drawer enclosing lined leather writing surface with small drawers and pigeon holes interior, above a two panel cupboard with brass locks flanked by two pillars, raised on bun feet. 143cm H x 84cm W x 37cm D
Lot 3175
A late Victorian Collinson and Locke walnut breakfront library bookcase, circa 1895, made in London, the upper section fitted with four glazed doors with glazing bars, enclosing adjustable wooden shelves, the base section having four four-panel doors, each door with panels carved with stylised floral symmetrical motifs, the whole raised on bun feet, 263cm long, 206cm high, 47cm deep
Lot 3181
A late Victorian mahogany inlaid display cabinet on stand, circa 1900, dental pediment above a two panel glazed doors with glass shelves, satinwood and ebonised inlay throughout with mother of pearl and bone decoration, on a stand with a single frieze drawers, raised on tapered supports united with an under-tier. 173cm H x 82cm W x 40cm D
Lot 3365
A white padded 3/4 jacket, perfect studded and zipped design. St. Martin's Black Velvetine jacket with black and white quilted panel introduced into a panel at the back of each side edged in leather, the cuffs are padded quilting, the jacket has a grey tweed tie and fur collar. The lining has a sunburst design in red satin and a large floral medallion type badges and a hood decorated in fur. A black and white 3/4 jacket in a double scalloped pattern, with velveteen inserts and leather strips by Luis Civit (4)
Lot 163
Valentine. Collection of five Victorian Valentines, 1840s-1870s, comprising: 1) 'Faithful to thee', Windsor paper lace depicting lady and gentleman beneath an arch with flowers and swan, envelope addressed to Miss Marshall, High Street, Grantham, stamped. 2) 'Forever thine', unusual heart-shaped Valentine with paper lace border and central flowers in silk and velvet, collector's notes stating, 'produced by T. H. Burke of Newgate about 1840'. 3) 'Ever thine', Mansell, elaborate gilt paper lace with central chromolithographic design depicting cupid firing arrow. 4) 'Remember me', "sachet" (sometimes scented sachets were sent instead of cards), folding with three panels, central panel with silk design, (possibly Stevens of Coventry). 5) Elaborate silvered paper lace with artificial flowers and figures, possibly by Jonathan King (5)
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