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Lot 43
A Victorian traveling coromandel wood vanity case, fitted with silver topped glass containers, hallmarked London, 1862, the tops engraved with decor and monograms, and mother of pearl carved handled implements, a secret draw to the side panel with a further front compartmentalised lower front drawer, both operated with internal release buttons, the internal mirror to the lid removed with hidden release button to reveal leather letter rack, monogrammed brass plaque to top, blue velvet interior, H.18.5cm W.30.5cm D.23cm Condition report: Overall very good, no chips, repairs or cracks to the glass, the wood is free from chips or splits, all mechanisms working nicely
Lot 1864
A TIFFANY AND CO SILVER BRACELET AND A TIFFANY AND CO SILVER RING (2)The bracelet in a panel shaped link design, with gilt connecting links at intervals, with a foldover clasp, detailed Tiffany and Co 925 Italy, length 18.5cm, the ring decorated with a central textured ridge and with a gilt ribbed motif, ring size M and a half, combined weight 52.5 gms, with a Tiffany and Co blue box.
Lot 330
ALFRED WILLIAM STRUTT (BRITISH, 1856-1924)Snipsigned with initials 'AWS.' and titled (lower right), further titled, inscribed with artist's name and dated '1884' (verso)oil on panel24 x 15cmCondition ReportThe panel is sound and flat - some traces of the grain of the wood visible through paint surface. Minor traces of slightly discoloured varnish. No sign of retouching under ultraviolet. Good, original condition.
Lot 373
KIND OF CYAN (21ST CENTURY)Diptych of Curved Geometry I (2021) (2) one signed in pencil 'Kind of Cyan' (in lower margin) cyanotype print each 97 x 69cm (2) ARRCondition ReportThe panel has bowed slightly, scattered surface craquelure and areas of abrasion. Ultraviolet reveals retouching to dragon's head, lower right and horse's head, upper right. We would estimate the age of this work to be early 20th century.
Lot 425
ICON OF ST GEORGE AND THE DRAGON41 x 28.5cm (unframed)Condition ReportThe panel has bowed slightly, scattered surface craquelure and areas of abrasion. Ultraviolet reveals retouching to dragon's head, lower right and horse's head, upper right. We would estimate the age of this work to be early 20th century.
Lot 343
A 19th century arch top mahogany longcase regulator with circular silver dial, figured panel base, single weight driven movement by J Mellor, Fairfield, ht. 180cm.Generally in good condition and in going order.WE TAKE GREAT CARE in the accuracy of our condition reports and may record damage and restoration if obvious. The information is provided in good faith along with detailed photographs where requested and is for guidance only. However, this does not imply that there may not be further condition issues associated with the lot and we DO NOT provIde any guarantee to the buyer.WE STRONGLY ADVISE BIDDERS TO EXAMINE PERSONALLY ANY LOT THEY ARE INTERESTED IN BEFORE THE AUCTION.
Lot 435
A rare late 19th century fairground painted portrait of Napoleon III, on wood panel, in original carved frame —48in. (122cm.) x 36 1/2in. (93cm.) - a uniquely topical subject as Nepoleon III moved to Great Britain in 1871 and died in 1873 at Chislehurst and is buried in Farnborough - for a similar walk up show see ‘Manders Royal Moving Waxworks’ in Fairground Art by G. Weedon and R. Ward page 121
Lot 547
Three British Teddy Bears to restore, one with golden mohair and clear and black oily glass eyes, 1915-20s —17 1/4in. (44cm.) high (limbs loose and body unstuffed), another small similar bear (worn and limbs loose); and a Chiltern 1930s Cubby (missing front middle panel of face and damage)
Lot 79
A good baluster sweetmeat glass, circa 1730The panel-moulded lipped double ogee bowl resting on a double collar, the stem with an upper triple-annulated knop above a teared inverted baluster terminating in a basal knop, over a panel-moulded folded domed foot, 17cm highFootnotes:ProvenanceTerence C Woodfield CollectionChris Crabtree CollectionFor further information on this lot please visit Bonhams.com
Lot 434
A Derby coffee can by George Complin, 1791-95Painted with a blue tit perched on a bunch of grapes set within an arrangement of fruit placed on a stone ledge, the fruits also including peaches, gooseberries and an apple, the rectangular panel reserved on a white ground painted with regularly spaced cornflower sprigs, 6.5cm high, crown, crossed batons, D mark and pattern number 219 in puceFor further information on this lot please visit Bonhams.com
Lot 86
A miniature opaque twist cordial glass and a miniature baluster sweetmeat glass, mid-18th centuryOf very attractive small size, the first with a drawn trumpet bowl on a double-series stem enclosing a pair of heavy opaque white spiral threads around a central gauze column, over a conical foot, 10.4cm high, the other with a panel-moulded lipped bowl, the stem with central opposing baluster knops and terminating in a small basal knop, over a panel-moulded domed foot, 7.6cm high (2)Footnotes:For miniature opaque twist cordial glasses of different form see Ward Lloyd, A Wine Lover's Glasses (2000), p.48, pl.55.For further information on this lot please visit Bonhams.com
Lot 230
Two South Staffordshire enamel needle cases, circa 1770 One with gilt metal mounts, painted with three panels of figures in garden landscapes within raised blue scrolled borders, a further panel to the cover, the white ground with a diamond pattern in raised white dots, each diamond enclosing a pink enamel dot, containing six steel needles, 11.7cm long, the other painted with a formal design of black and white stars alternating with gold dot on a lilac ground, with metal mounts, 8.9cm long (2) For further information on this lot please visit Bonhams.com
Lot 498
A Flight, Barr and Barr Worcester vase, circa 1820Ovoid with moulded bands and stiff leaves, applied pearls and gilt dragon handles, with elaborate gilded borders and a bright green ground, the front panel painted with a drover attending to two horses while a boy carries a heavy sack, 24cm high, script mark with Coventry St addressFootnotes:ProvenanceLord and Lady Flight CollectionFor further information on this lot please visit Bonhams.com
Lot 80
Two moulded-stem sweetmeat glasses, circa 1740-50The panel-moulded lipped double ogee bowls raised on eight-sided pedestal stems containing elongated tears, set between collars and above panel-moulded domed feet, one with a folded footrim, 16.4cm high, the other moulded with diamonds to the base of the bowl, shoulder and top of the foot, 16cm high (2)Footnotes:ProvenanceWalter F Smith Collection, Sotheby's, 4 December 1967, lot 257 (folded foot)Terence C Woodfield Collection (folded foot)Chris Crabtree CollectionFor further information on this lot please visit Bonhams.com
Lot 513
A Royal Crown Derby plate from the Judge Gary service, dated 1909Of 'Ely' shape, painted in the centre by Charles Harris, signed, with two partridges, the border with three baskets of flowers by Albert Gregory, each signed and within a shaped panel, the deep blue border richly decorated in raised and tooled gold by George Darlington, signed, with classical ornament, a gilded 'G' above the panel, a turquoise band inside the cavetto, 23cm diam, printed marks in gold, retailer's mark for Tiffany and Co, incised and printed datecodesFootnotes:A similar plate from the same service is illustrated by John Twitchett and Betty Bailey, Royal Crown Derby (1976), p.82.For further information on this lot please visit Bonhams.com
Lot 511
A Royal Crown Derby ecuelle and stand from the Judge Gary service, dated 1910 and 1911Of 'Ely' shape, painted with baskets of flowers by Albert Gregory, both signed and within a shaped panel, the deep blue borders richly decorated in raised and tooled gold by George Darlington, signed, with classical ornament, gilded 'G' motifs within the design, a turquoise band below, stand 13.5cm diam, printed marks in gold, retailer's mark for Tiffany and Co (2)For further information on this lot please visit Bonhams.com
Lot 477
A Flight and Barr Worcester mug, circa 1795Of cylindrical form, the scroll handle picked out in gold, painted with an octagonal panel depicting a rural river scene at dawn, figures before a thatched-roof cottage, a pretty border of trailing flowers in gold below the gold line rim, 11cm high, incised B mark and script mark in redFootnotes:ProvenanceLycett CollectionCharles Dawson CollectionFor further information on this lot please visit Bonhams.com
Lot 464
A Paris porcelain coffee can painted by Thomas Baxter, circa 1805-10Finely stipple-painted in sepia monochrome with 'Cupid in a Glass', winged cupid crouched in a glass resting on a shelf, a wine bottle to the right, the gilt-edged panel reserved on an orange ground below a gilt lattice border, the underside inscribed 'il est partout' in gold script, 6.1cm highFootnotes:ProvenanceBonhams, 21 May 2014, lot 109Charles Dawson CollectionMost probably painted by Thomas Baxter junior in the Baxter family workshop off Fleet Street. Very much a test of an artist's skill, Baxter revisited the 'Cupid in a Glass' subject on a number of occasions throughout his career. See the Swansea cabinet cup in the Glynn Vivian Art Gallery illustrated by John O Wilstead and Bernard Morris, Thomas Baxter, The Swansea Years 1816-1819 (1997), p.20, fig.4a and the Chamberlain cup illustrated by John Sandon, The Dictionary of Worcester Porcelain (1993), p.63.The inscription is in Baxter's own hand. Compare with the title written to the underside of the 'Tragic Muse' plate sold by Bonhams on 5 June 2019, lot 225.For further information on this lot please visit Bonhams.com
Lot 512
A Royal Crown Derby ramekin dish and stand from the Judge Gary Service, dated 1910Of 'Ely' shape, painted with baskets of flowers by Albert Gregory, each signed and within a shaped panel, the deep blue borders richly decorated in raised and tooled gold by George Darlington, signed, with classical ornament, gilded 'G' motifs within the design, a turquoise band below, stand 12.2cm diam, printed marks in gold, retailer's marks for Tiffany and Co (2)For further information on this lot please visit Bonhams.com
Lot 508
A Nantgarw plate of Mackintosh type and an English porcelain plate, circa 1818-20The Nantgarw plate with a plain rim moulded with twelve unequal lobes, painted in London, probably by Thomas Martin Randall, with a multicoloured bird standing on a grassy mound, surrounded by flowering plants and grasses, a misty tree in the background, the border with four full floral sprays reserved on a richly gilded ground of shells, scrolls, leaves and flowers, 23.5cm diam, impressed NANT-GARW CW, the English porcelain plate of the same pattern, the border with a pale yellow background, 23.4cm diam (2)Footnotes:ProvenanceC R Stephens CollectionThe Nantgarw plate is from the service characterised by the more compact floral sprays painted in the border. The English porcelain plate appears to be of slightly later date and may be a replacement or matching for one of the Nantgarw services of this pattern. Interestingly, the bird panel appears to be an almost exact copy of that on the Nantgarw square dish illustrated by W D John, Nantgarw Porcelain Album (1975), illustration 19.For further information on this lot please visit Bonhams.com
Lot 138
A Bohemian amber-stained goblet and crown cover, circa 1840-50 The barrel-shaped bowl cut with eight broad panels, engraved with a continuous tree-lined landscape scene depicting two figures of sportsmen with their dogs, one holding his horse by the reins, the other about to take aim at a flock of game birds with his shotgun, a group of three deer including two stags to the reverse, raised on a stepped octagonal base and spreading foot deeply scalloped at the rim and with a fancy star-cut underside, the cover unusually formed as a coronet or crown with an orb finial, each panel engraved with a landscape vignette depicting a single stag or hound, 41cm high (2) Footnotes: According to Michael Kovacek, Glass of Five Centuries (1990), p.188, crown-shaped covers were a speciality of the Harrachov glassworks. An almost identical goblet and cover, engraved with a different hunting scene, was sold by Bonhams on 11 December 2013, lot 35. For further information on this lot please visit Bonhams.com
Lot 456
A Flight, Barr and Barr Worcester rosewater sprinkler and stopper, circa 1825-30Of classical form, the spout formed as an eagle with its wings outstretched, the moulded handle, rim and stopper also picked out in gold, delicately painted with a titled view of Worcester, the scroll-edged panel reserved on a pale green ground, 9.8cm high, impressed crowned FBB mark, title and script mark in red (2)Footnotes:ProvenanceBonhams, 1 December 2010, lot 234Charles Dawson CollectionA very similar example lacking its stopper is illustrated by Henry Sandon, Flight and Barr Worcester Porcelain (1978), p.162, pl.156 (right).For further information on this lot please visit Bonhams.com
Lot 141
A transparent enamelled topographical Ranftbecher in the manner of Anton Kothgasser, circa 1820-30Of slightly tapering shape on a distinctive milled foot, the front panel painted in Transparentmalerei with a view of the Stephansdom or St Stephen's Cathedral in Vienna, within a solid gold frame, the rim with a border of Gothic arcading in amber stain and gilding, inscribed above the base in gilding 'Domkirche zu St Stephan in Wien' to the reverse, the underside of the base star-cut and stained in amber, 11.2cm highFootnotes:ProvenancePrivate Viennese collection, 1930s, and thence by family descentAn example with the same view and an identical Gothic border is illustrated by Paul von Lichtenberg, Mohn & Kothgasser (2009), p.286, fig.170. Curiously, the present lot shows a plain gold frame around the painted panel instead of the usual distinctive Viennese border favoured by the Kothgasser workshop.For further information on this lot please visit Bonhams.com
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360406 item(s)/page