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Click here to subscribeA large Bow octagonal blue and white dish, circa 1765, painted with a central chinoiserie landscape panel with a figure in a boat and another standing on a riverbank, against a powder blue ground reserved with fan and circular shaped panels enclosing landsape and flowers, six character script mark, 36cm. wide. Illustrated.
A group of jewellery, comprising; a Mexican panel link bracelet, with pierced decoration, detailed Sterling 925, a bead link bracelet, a malachite brooch, designed as a star and a crescent, two Mexican brooches, designed as masks, six further brooches and a pair of cornelian earrings, (12).
A collection of jewellery, comprising; a marcasite set wide bracelet, the foldover clasp detailed 925, a green gem set bracelet, a colourless paste set bracelet, a rock crystal bracelet, a rock crystal necklace, a silver bangle, a silver bangle with an oval panel to the front, a rectangular link bracelet, having a foldover clasp and four further items, (12).
A group of Asian style and Chinese jewellery, comprising; a panel link bracelet, detailed Made In China, a gilt filigree and cornelian bracelet, on a snap clasp detailed Silver, a carved cornelian necklace, a dress clip designed as a mask, a filigree ring, a brooch designed as a figure and three necklaces, (9).
A Chinese embroidered silk panel, Qing dynasty, 19th century, worked in gold coloured and coloured threads with three birds of paradise and a butterfly surrounded by peony and floral scrolls against a purple ground, tondo, glazed ebonised frame for hanging 70cm diameter Provenance: This once belonged to Samuel Tate Beckett, ship's doctor, who saved the life of a mandarin's daughter and this was a gift to him. Samuel Tate Beckett was the vendor's great grandfather
A 19th century continental painted porcelain panel, depicting Christ surrounded by infant angels, stamped verso 334, set in a chased brass easel-backed frame, with a hinged arched panelled front, decorated with a crucifix and further floral and foliate motifs, 23 x 15.5 cm (total) together with a filigree and enamel casket and dish, and a cloisonné enamel match box case
A large 18th century and later oak food cupboard or dudarn, the frieze dated centrally '1716', over a pair of hinged panelled doors enclosing a fixed central panel, above a base fitted with three panelled drawers, over a further pair of hinged panelled cupboards, raised on straight supports, with fluted carved borders and applied brass knop handles throughout, 181 cm high, 174 cm wide, 63 cm deep.
A Victorian walnut veneered Davenport, with a serpentine sloping tooled leather top before a divisional stationary box, over a vacant interior fitted with drawers, vennered throughout in satinwood, the base with a central panel, flanked by four real and four dummy drawers, fitted throughout with turned wooden handles, over brass casters, 89 cm high, 55 cm wide, 55 cm deep (maximum).
Otto Pilny (Swiss 1866-1936), North African Street Scene, oil on panel, dated 1901 bottom right, framed. Measurements 34 x 24 cm, framed 50 x 39 cm Otto Pilny was a Swiss painter who specialised in the Oriental genre. He spent much of his career in Egypt and was appointed the Court Painter to the Ottoman authorities there. He is most famous for his North African landscapes and depictions of Bedouins, becoming one of the first European painters to also paint Muslims at prayer.
A late Victorian oak and burr elm double wardrobe, with a moulded cornice above a mirrored door, enclosing hanging hooks beside a further panel door enclosing further hooks, above an arrangement of two short and four long drawers, each with turned wooden handles on a plinth base, 118cm wide.
A 19th century carved stag horn and ivory box, length 9cm, together a stag horn whistle, handle and 3 other pieces (6)Box - some small chips to corners and edges.Handle - small section missing to end - lengtn 15cm.Whistle - possibly missing sections to relief carving.Plaquettes - good overall conditionStag case- leather and strike interior are good, pitting to metal and small chip to front panel.
A 19th century carved stag horn snuff box, a treen box circa 1806 with carved stag horn panel and a stag horn and silver brooch. (3)Stag horn box - 8cm long, slight chips to hinge corners, good overall condition.Treen box - 8cm long, panel and hinge in good condition, leathered exterior and interior worn from age and use - overall good condition.Brooch - pin fastening missing.
A 19th century French marble 8-day mantel clock, by Woppenheim of Paris, gilt-bronze mounts with painted enamel panel numerals and painted Classical panels, plate no. 241, striking on a bell, case height 42cm, not currently workingGood overall original condition although not currently working, movement potentially over-wound, some small sections of case are chipped but these are mostly to the rear of the case, mounts would benefit from a polish, all enamel panels are present with no obvious damage, with key and pendulum
A French 18th century rosewood inlaid dome-top bracket clock, brass cherub and floral dial with Roman numerals hour markers, 8-day movement striking on a gong, plate no. 2754, case height 32cm with key, door key and pendulum, working orderGood overall working order, side panels of case have all over light craquelure possibly from heat expansion, left panel has one very small chip on bottom corner, inlay in good condition, dial in good condition with no damage but a few splits to the wood surrounding on the inner case, complete with key, pendulum and door key along with several old service documents, no bracket
A continental ormolu clock and pair of candelabra, with enamelled dial and pink painted porcelain panels, clock height 30cm.Clock - marked to back 1347 & 55 and engraved w30424. Porcelain panel on base has painted inscription, not legible. 1 back foot is loose, rubbing and marks consistent with age. It has no pendulum, not currently working.Candelabra, Height 57cm, both have broken branches, some bent, one completely off and others loose but parts are present. Gilding and painted panels are rubbed. Some evidence of previous repair.
A Regency mahogany bracket clock, 8-day fusee movement with brass inlaid case and pineapple finial, case height 38cmCase is in quite tired condition with a few moulding edge chips and one small crack on the right hand side panel. Dial in good clean condition but glass has a few small chips around the edge. Case is also chipped around hinge for glass door. Movement and pendulum seem to be original but clock is not currently running
An 18th century unmarked gold Stuart Crystal mourning ring, gold thread monogram panel with silver-topped shoulders and closed back settings, setting height 6.6mm, size P, 2.4gGood overall condition, all stones present with slightly rubbed and abraded edges, gold thread is slightly loose inside and does move around, settings surface scratched all over and rubbed through general use, unmarked
A 19th century unmarked yellow metal and enamel panel miniature photo frame brooch, cannetille surround with removable back, frame height 27.9mm, 6.3gVery good overall condition, no obvious damage or repair, high points and edges are rubbed through to a possible base metal, very light surface abrasions on enamel, unmarked
A large 18ct gold signet ring, floral engraved shoulders with monogram panel, maker's marks AC Co, panel height 13.8mm, size Z, 10.2gVery good original condition, no obvious damage or repairs, edges and high points are lightly rubbed with light surface scratches all over through general use, hallmarks are extremely lightly rubbed but clear, stamped 18
An 18ct gold modernist abstract diamond panel ring, total diamond content approx 0.3ct, platinum-topped woven gold panel with curb closed back, panel height 21.3mm, size K, 9.1gVery good original condition, all stones present with no obvious chips or abrasions, stones are relatively bright and very slightly grey with a few tiny black spot inclusions visible through a loupe, settings nicely polished and only very lightly surface scratched, no maker's marks, marks clear, stamped 18ct and PLAT
A Victorian unmarked gold pink topaz and rose-cut diamond cluster hinged bangle, pierced settings, cluster panel height 11.2mm, internal width 5.7cm, internal height 4.7cm, 8.6gVery good overall condition, with a few cracks and internal black spot inclusions but generally these are only visible through a loupe, topaz has clean facet faces and sharp facet edges, hinge and clasp working perfectly and safety chain is present, settings lightly abraded all over and part of the back band is very slightly bent inwards and the metal very slightly changes colour for a small section, unmarked
A Victorian unmarked gold signet ring, floral engraved central panel with relief scrolled shoulders, panel height 14.3mm, size S, 1.9gFair overall condition, settings have several small holes, creases and dents, one shoulder has a small edge section missing, settings abraded all over through general use, some marks on one shoulder with tarnishing on back of main panel, tests as gold
A 19th century unmarked gold diamond cluster marquise panel ring, set with old and rose-cut diamonds, total diamond content approx 0.4ct, panel height 19.8mm, size N, 4.2gVery good overall condition, all stones present, diamonds have mostly clean facet faces and sharp facet edges, just a few have tiny girdle chips and a few small internal fractures only visible through a loupe, diamonds are slightly grey with a hint of yellow but are still bright and lustrous, settings lightly surface scratched and rubbed, unmarked.
2 Georgian unmarked gold flat-cut garnet memorial brooches, one example with central hair panel and split pearl surround, largest length 23.1mm, 6.3g total (2)Both in good overall condition, all stones present with no obvious chips cracks or abrasions, largest brooch has repaired fitting, both have light dents to backs of settings and surface scratches all over through general handling, both unmarked
A pair of Arts and Crafts unmarked silver and enamel cufflinks, circular floral panels with dumbbell ends, panel diameter 13.6mm, 2.6gBoth in very good original condition, no obvious damage or repairs, one enamel panel has a tiny chip but only really visible through a loupe, settings lightly surface scratched, unmarked
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