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Lot 245
Adolf Luther (1912 Krefeld-Uerdingen - 1989 Krefeld) (F)'Energetische Plastik', 1984, Acrylprismen mit Metallstiften auf Holzplatte, Maße 30 cm x 18 cm x 13 cm, signiert, betitelt, minimale altersbedingte SpurenAdolf Luther (1912 Krefeld-Uerdingen - 1989 Krefeld) (F)'Energetische Plastik', 1984, acrylic prisms with metal pins on wooden panel, dimensions 30 cm x 18 cm x 13 cm, signed, titled, minor age related wear
Lot 426
Gregor von Bochmann (1850 Gut Nesat - 1930 Hösel)Seestück mit Segelboot, Öl auf Holz, 24,5 cm x 32,2 cm, signiert, Holzplatte gewölbt, reinigungsbedürftigGregor von Bochmann (1850 Gut Nesat - 1930 Hösel)Seascape with a sailing boat, oil on panel, 24.5 cm x 32.2 cm, signed, panel slightly warped, in need of cleaning
Lot 434
Eberhard Viegener (1890 Soest - 1967 Bilme) (F)'Gasteiner Tal im Winter', Öl auf Holz, 52,5 cm x 75 cm, signiert, betitelt, 1941 datiert, altersbedingter Zustand, partiell craqueliertEberhard Viegener (1890 Soest - 1967 Bilme) (F)'Gasteiner valley in winter', oil on panel, 52.5 cm x 75 cm, signed, titled, dated 1941, age related wear, partial craquelure
Lot 600
August Sander (1876 Herdorf - 1964 Köln) (F)'Der Maler (Gottfried Brockmann)', Fotografie, 25 cm x 18,5 cm, Stempel 'Aug. Sander Köln-Lindenthal', auf Holz montiert, partiell beschädigtAugust Sander (1876 Herdorf - 1964 Cologne) (F)'The painter (Gottfried Brockmann)', photograph, 25 cm x 18.5 cm, stamped 'Aug. Sander Köln-Lindenthal', mounted on panel, partially damamged
Lot 471
AN EARLY 19TH CENTURY OAK AND MAHOGANY 30-HOUR LONGCASE CLOCK, the 13-inch painted break arch dial, signed 'Terry Ripon', with date crescent, the hood with swan neck pediment and reeded square section columns, the shaped trunk door inlaid with a conch shell and flanked by reeded pilasters, the panel base raised on bracket feet, with pendulum and a weight. 226cm high
Lot 472
A 19TH CENTURY MAHOGANY 8-DAY LONGCASE CLOCK, the 13.5-inch painted break arch dial with subsidiary seconds and date calendar, the hood with swan neck pediment and baluster columns, the shaped trunk door flanked by reeded pilasters, the panel base with bracket feet, with two weights and a pendulum. 240cm high
Lot 563
AN ARTS AND CRAFTS OAK DESK, the rectangular top above a hinged fall front with inset stylised foliate repousse panel, opening to reveal an interior with two trays, opposed by another repousse panel to the other side, raised on trestle ends with pierced stylised cut-outs, joined by a book trough stretcher and raised on short splayed legs. 76.5cm high by 61cm wide by 31cm deepThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Split to left hand side trestle. Drawers to the interior probably later. The usual scuffs and scratches around the feet. Structurally sound and no sign of worm, in generally good condition commensurate with age.
Lot 595
A 19TH CENTURY WALNUT AND FLORAL MARQUETRY CENTRE TABLE, the quarter veneered shaped oval top centred by an oval panel of floral marquetry and crossbanded, raised on cabriole legs with foliate and scroll cast gilt metal mounts. 73.5cm high, 138cm wide, 85.5cm deepThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Few losses of marquetry in the floral panel, surface scratches and marks commensurate with age, small thumb print size rise in the veneer on the top, legs and gilt metal mounts all sound.
Lot 667
AN EDWARDIAN PAINTED SATINWOOD SECRETAIRE BOOKCASE, IN GEORGE III STYLE, the cornice painted with floral swags and putti over a pair of astragal glazed doors, flanked by free-standing floral painted and gilt metal capped columns, the base with secretaire drawer painted with floral and ribbon tied swags, flanked by oval figural medallions over a pair of free standing gilt metal topped floral painted columns, flanking a pair of oval panel doors each painted with a figure in a landscape, raised on splayed bracket feet. 239.5cm high, 103cm wide, 45cm deep
Lot 284
A 19TH CENTURY CHINESE FAMILLE ROSE PORCELAIN PANEL, circular, enamel painted in the characteristic palette with courtly figures, in a square wooden frame. Frame 41cm square (exc. handle), plaque 31.2cm diameterThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Some surface scratching with ingrained surface dirt, light wear to the design, not removed from frame
Lot 327
A 19TH CENTURY CHINESE SILK EMBROIDERY, circular, in a pierced hardwood frame. Overall 45cm by 45cmThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Some cracks to the fretwork. the back panel to the frame is loose. The silk embroidery appears to be in good condition without damage.
Lot 146
An Art Nouveau mahogany satin wood cross banded and inlaid display cabinet, having raised mirrored back shelf, central marquetry panel flanked by velvet lined shelves and enclosed by glazed bowed doors, raised on square tapering supports and spade feet united by stretchers, possibly by Shapland and Petter, 122cm wide x 160cm high
Lot 1038
An Arts & Crafts Stained Glass Panel, the central roundel painted with a swallow and butterfly, surrounded by painted and coloured glass, unmarked, 63cm square By repute rescued from the former North Riding Training College, Scarborough during alterations to the buildings in the 1990's. The building was designed by Fred Rowntree (1860-1927) as Orleton Preparatory School for boys.
Lot 484
Artist: Damien Hirst (English, b.1965). Title: "Pharmacy Panel (Gold) (1997) (4 panel)". Medium: Color silkscreen and offset lithograph. Date: Composed 1997. Dimensions: Overall size: 36 x 42 1/2 in. (914 x 1079 mm). Image size: 36 x 42 1/2 in. (914 x 1079 mm).Lot Note(s): Signed lower right. Printed with five colors and metallic gold ink. The full sheet. Fine impression. Fine condition. Backed with a conservation support sheet. Provenance: Private collection, Birmingham, England. Comment(s): A panel of wallpaper (the complete pattern). In 1997, for his restaurant called 'The Pharmacy' located at Notting Hill Gate, London, Hirst designed wallpaper (the "wall chart") based on the pharmaceutical giant Merck’s handbook endpapers, showing pills and products and describing them with their pharmaceutical titles. Merck objected and he withdrew it as an artwork of wallpaper, after he had already plastered the restaurant with silver and gold sheets of the material. Hirst's venture gained further publicity thanks to a dispute with the Royal Pharmaceutical Society of Great Britain, which claimed the name, pill bottles, and medical items on display could confuse people looking for a real pharmacy. The name itself breached the Medicines Act 1968, which restricts the use of the word "pharmacy". The restaurant's name was subsequently changed to "Army Chap" and then "Achy Ramp" (anagrams of "pharmacy"). Initial plans to open further restaurants outside London were quietly dropped and the restaurant itself closed in September, 2003. Sotheby's dispersed its contents in 2004. There was a small overrun of the 1997 rolls, from which our example is a part. For the massive Pharmacy sale at Sotheby’s in 2004, though, new wallpaper was designed and made that didn’t offend copyright laws, using biblical titles and references to biblical passages. The 1997 wallpaper is much scarcer and more valuable than the 2004 version. Image copyright © Damien Hirst. [27848-6-1600]
Lot 485
Artist: Damien Hirst (English, b.1965). Title: "Pharmacy Panel (Silver) (1997) (4 panel)". Medium: Color silkscreen and offset lithograph. Date: Composed 1997. Dimensions: Overall size: 36 x 41 1/4 in. (914 x 1048 mm). Image size: 36 x 41 1/4 in. (914 x 1048 mm).Lot Note(s): Signed lower right. Printed with five colors and metallic silver ink. The full sheet. Fine impression. Fine condition. Backed with a conservation support sheet. Provenance: Private collection, Birmingham, England. Comment(s): A panel of wallpaper (the complete pattern). In 1997, for his restaurant called 'The Pharmacy' located at Notting Hill Gate, London, Hirst designed wallpaper (the "wall chart") based on the pharmaceutical giant Merck’s handbook endpapers, showing pills and products and describing them with their pharmaceutical titles. Merck objected and he withdrew it as an artwork of wallpaper, after he had already plastered the restaurant with silver and gold sheets of the material. Hirst's venture gained further publicity thanks to a dispute with the Royal Pharmaceutical Society of Great Britain, which claimed the name, pill bottles, and medical items on display could confuse people looking for a real pharmacy. The name itself breached the Medicines Act 1968, which restricts the use of the word "pharmacy". The restaurant's name was subsequently changed to "Army Chap" and then "Achy Ramp" (anagrams of "pharmacy"). Initial plans to open further restaurants outside London were quietly dropped and the restaurant itself closed in September, 2003. Sotheby's dispersed its contents in 2004. There was a small overrun of the 1997 rolls, from which our example is a part. For the massive Pharmacy sale at Sotheby’s in 2004, though, new wallpaper was designed and made that didn’t offend copyright laws, using biblical titles and references to biblical passages. The 1997 wallpaper is much scarcer and more valuable than the 2004 version. Image copyright © Damien Hirst. [27850-6-1600]
![Artist: Mark Rothko (Latvian/American, 1903-1970). Title: "Untitled No.7 [small-scale]". Medium: Oil on wood panel. Date: Com](https://cdn.globalauctionplatform.com/e23002db-18f1-48f5-9b4a-acc7015ec544/fcfee2ec-8180-4e5c-a9ea-ad3c0009ea73/468x382.jpg)
Lot 690
Artist: Mark Rothko (Latvian/American, 1903-1970). Title: "Untitled No.7 [small-scale]". Medium: Oil on wood panel. Date: Composed 1969. Dimensions: Overall size: 13 3/4 x 10 in. (349 x 254 mm).Lot Note(s): Signed and titled, verso. Fine condition; as painted. Comment(s): Rothko, of Jewish descent, was born Markus Yakovlevich Rotkovich in Dvinsk, Vitebsk Governorate, in the Russian Empire (today Daugavpils in Latvia). Although Rothko himself refused to adhere to any particular art movement he is generally identified as an Abstract Expressionist, and with Jackson Pollock and Willem de Kooning is one of the most famous postwar American artists. Image copyright © Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York. [29926-3-16000]
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360412 item(s)/page