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A XIX Century Mahogany Eight Day Longcase Clock, the white arched dial inscribed "J.S. - Hwirar? Sheffield" and painted with two figures and a camel, Roman numerals and minute/date apertures, the hood with swan neck pediment, arched door and turned supports, the trunk with small door and turned pilasters, the base with a circular panel and shaped apron, 247cm high.
A Late XIX/Early XX Century Indian Hardwood Four Fold Screen, decorated with figures, animals and foliage (some damage) missing pelmet, 186cm high, 240cm wide.Lot 1558 - one of the pelmet's is missing, damage to one of pelmet's, the end screen has damage to two panels, damage to a bottom panel, some hinges have been replaced and some missing.
Ren Herbst for Siegel, an Art Nouveau French hanging shop sign, 'Nouveautes', 'A' form metal frame fitted with an opaque green glass panel and fret-cut lettered metal overlay within a cast bronzed metal mount, the swept surmount and D shaped terminals cast with foliate swags with factory stamp to the reverse, wired for electricity with five bulb fittings, 109cm wide, 24cm high
Ren Herbst for Siegel, an Art Nouveau French hanging shop sign, 'Confections', 'A' form metal frame fitted with an opaque green glass panel and fret-cut lettered metal overlay within a cast bronzed metal mount, the swept surmount and D shaped terminals cast with foliate swags with factory stamp to the reverse, wired for electricity with five bulb fittings, 109cm wide, 24cm high
Christopher Dresser for Minton, an Aesthetic Movement plate, circa 1870, the central panel enamelled and gilded with cloisonne type Japonesque still life of elephant censer and bonsai, within a geometric chevron and honeysuckle border, printed marks for Cauldwell, Philadelphia, 24cm diameter
George Goodwin Kilburne (British, 1839-1924), fox hunting scene, 1903, oil on panel, signed and dated lower right, 29 x 19cm, framed, bearing Bourne Gallery and Leggatt Brothers labels to the reverse.Condition Report: Generally very good condition overall, with no serious issues visible to the naked eye. The colours are clear and vivid. The picture surface might benefit from a light clean. There is some wear to the frame.
§ Raymond Campbell (British, b. 1956), still life with bottles of port, oil on panel, signed lower left, 38 x 29cm, framed.Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org for more information
Raymond Campbell (British, b. 1956), still life with wine and cheese, oil on panel, signed lower left, 49 x 39cm, framed.Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org for more information
Thomas Bromley Blacklock (Scottish, 1863-1903), 'The Bridge at East Linton, East Lothian', 1895, oil on panel, signed and dated lower right, 25 x 35.5cm, framed, bearing labels to the reverse.Condition Report: Generally good condition overall, with colours still vivid. Some wear and surface marking to the front of the panel. There is some vertical marking around the edges of the main image, which may be the result of previous framing. There is also wear to the reverse of the panel, as a result of the current framing, which is visible in main photography.

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360406 item(s)/page