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A mid 20th Century oak corner bookcase with flared dentil cornice, the left-hand side with two glazed panel doors enclosing glass shelves with similar doors below enclosing glass shelves, to the centre, three narrow panel doors enclosing storage space and on the right a glazed panel door enclosing glass shelves with similar door below, raised on plinth base.
A late 19th Century Flemish oak cupboard, the flared cornice with decorative carved finial above two heavily carved panel doors flanked by turned pilasters, the top section supported by turned and reeded columns, the base fitted two shallow drawers to the frieze with carved fronts above a cupboard with two heavily carved panel doors flanked by turned and fluted columns and raised on flared plinth base and raised on short feet.
AN IRISH SILVER GILT AND CONNEMARA MARBLE GROUP, Dublin 1966, sword of light mark, formed as a Celtic sword balanced on the green stone plinth applied with a rectangular panel to one side, engraved with simulated signatures of the Irish delegation, the opposing side applied with engraved 1916-1966, with portrait medallion depicting de Valera, on outset fossil marble base. 20cm wide
A CASED PAIR OF ENGRAVED SILVER PORTRAIT PANELS, Dublin 1973, commemorative torc mark depictingi) Charles Stewarrt Parnell and engraved with quote 'No man has a right to fix the boundary to the march of a nation' and titled versoii)Eamon de Valera, engraved with title versoEach panel 15.2 x 10cm, c.8ozs
TOM CLARKE & JOHN REDMONDA calligraphed Resolution inscribed on a cardboard panel, 20 ins x 15 ins, passed at ‘a vast meeting of Irishmen .. 21st October 1898, to welcome home the recently released political prisoners Messrs Thomas J. Clarke (Henry H. Wilson), John H. O’Connor (Henry Dalton) and Edward O’Brien Kennedy (Timothy Featherston)’, organised by the Amnesty Association, the resolution proposed by John E. Redmond Esq. M.P., referring to their ‘long and cruel captivity’, and carried ‘with intense enthusiasm’. [The ‘noms-de-guerre’ - Henry Wilson etc. - were those given by the prisoners on their arrest].Illuminated in watercolour by Miss Fitzpatrick, 192 Clonliffe Rd., Dublin.A historic document, linking the Irish Party leader John Redmond and the Fenian Tom Clarke. Clarke had just reached Dublin on his release after serving 15 years on a charge of involvement in a dynamiting campaign in Britain. Redmond visited him in Portland Prison during the later years of his sentence, and spoke of ‘his brave spirit’. Foxed and soiled, marginal tears including a closed tear upper left which impinges on the corner of the painted surface, minor abrasion lower centre.Fragile, please do not remove from plastic sleeve.Provenance: Daly family of Limerick.
A youth carrying jars, Iran, 19th century, in ink with transparent pigments and gold on paper, standing carrying two jars, the borders illuminated with mythical beasts and birds, later ascribtion to Reza `Abbasi and and dated AH 1023, the reverse with a calligraphic panel in nasta'liq script, mounted, the painting 15cm. x 8.8cm., the panel 27.8cm x 18.8cm.
A group of Chinese blue and white shipwreck porcelains, 18th and 19th century, comprising; a `Starburst' pattern dish and a `Petal panel' bowl from the Diana cargo, circa 1816; a landscape bowl and a saucer from the Nanking Cargo, circa 1750; and a bowl from the Tek Sing cargo, circa 1822, paper labels to bases, dish 27.5cm. diameter.
English School (late 19th century), Religious scenes, a set of three, oil on panel, all unframed, each 51.5cm x 37.5cm.(3) Provenance: From the chapel of Our Lady's Priory, Haywards Heath founded in 1886 by the English Convent in Bruges. Nathaniel Westlake (recognised for his stained glass work in St.Pauls) is reputed as being involved with painting of the stained glass windows.
English School (late 19th century), Cain and Abel, oil on panel, arched top, unframed, 145cm x 80.5cm. Provenance: From the chapel of Our Lady's Priory, Haywards Heath founded in 1886 by the English Convent in Bruges. Nathaniel Westlake (recognised for his stained glass work in St.Pauls) is reputed as being involved with painting of the stained glass windows.
Silver and silver mounted wares, comprising; a bowl of panel shaped form, on a circular foot, a pair of sugar tongs, a christening spoon, four condiment spoons, six shooting prize spoons, a fork with a mother of pearl handle, a Sterling spoon having a pierced bowl, combined gross weight 280gms, also a plated three piece set, comprising; a butter knife, a jam spoon and a pickle trident, with mother of pearl handles, with a case.
The 1914-15 Star, The 1914-18 British War Medal and The 1914-19 Victory Medal to 13896 PTE J.MURPHY. DEVON;R., The First World War period bronze memorial plaque detailed, Samuel Prosser, with the original folding card case, a red silk panel, mounted with a cloth shoulder title, detailed Welsh Guards, two booklets, a pocket bible, a dog tag, three half crowns comprising; Victorian young head (worn) 1921 and 1943 and a sixpence 1936.
LATE NINETEENTH CENTURY SEVRES HAND PAINTED PORCELAIN AND GILT METAL MOUNTED BOX AND COVER, of serpentine outline, three hinged cover with gilt lined panel depicting four figures in a garden setting, on a blue and gilt ground with river landscape cartouches, 2" (5.1cm) high, 4" x 2 3/4" (10.2cm x 7cm) (a.f.), TOGETHER WITH A SIMILAR LATER EUROPEAN CIRCULAR EXAMPLE, painted with birds, 3 1/2" (8.9cm) diameter

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